I made a thing for the 48 Hour Global Game Jam that I’m kind of happy with. Can’t wait to see what the devs do with it!

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I made a thing for the 48 Hour Global Game Jam that I’m kind of happy with. Can’t wait to see what the devs do with it!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Courtesy of @boingboing. Rob knows. Fun formula.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Album Version.
"Most intriguing is the Welcome to Heartbreak video presentation, in which our easily-corruptible apprehension of history is illustrated as a tangle of shifting and decaying visual impressions, an insight into the mutability of knowledge itself. The inherently lossy character of compressed data is seen to become its own essential nature, transforming from defect to design as it is destroyed and remade in increasingly confusing and hypnotic patterns. Likewise, no-one familiar with the Lost Decade hypothesis can fail to grasp the religious significance of shutter shades." - Mixtape of the Lost Decade, Rob Beschizza, University of Rockall
Evidence is mounting that points to a "lost decade" between what we now remember as the 1970s and 1980s, a time whose full cultural trauma and resulting suppression from memory was so complete as to effect itself even on the living. [...] The space: do we not all feel it? The space. It may be said that the consumer cultures of the 1980s and 1990s, successively exhorting us to embrace artifice and then soul-crushing blandess, were manufactured to "cure" the residual confusion and cultural inconsistency that resulted from the methods used to effect mankind's collective psychic displacement. The hidden "space," however, manifests itself in curious ways -- the obsession with youth and physical condition in those born in the 1960s and 1970s; oddities in climate change data; the apparently freakish pace of economic change in what we believe now to be the 1980s; and so forth. [...] Likewise, no-one familiar with the Lost Decade hypothesis can fail to grasp the religious significance of shutter shades.
This tickles that space deep within me that loves conspiracies, the more world-encompassing the better. 19A0 | jwz