celebrating the marriage of lord axell royce and lady yuna upcliff
As the sun dipped below the horizon, it painted the sky in a fiery canvas of crimson, marbled with hues of gold, orange, and hints of cobalt. This celestial spectacle cast an ethereal glow upon the standing stones. The stage was set for the union of Axell Royce and Yuna Upcliff, a sacred bond that would be consecrated amidst the honored stones of Runestone.
While the rugged mountains of the Vale echoed with the clamor of battle, Axell Royce and Yuna Upcliff, both figures marked by others with trepidation, otherworldlyness and notoriety, took a respite from the conflict to embark on this most auspicious journey. The entirety of the Vale's nobility, and even emissaries from realms beyond, had been invited to gather to partake in this momentous occasion.
The air hung heavy with the weight of both celebration and caution, for Axell remained a target of the Mountain Clans, and he was resolute in ensuring the safety of his new bride and the sanctity of their celebration. And while one plan of attempted assassination was discovered a few days before nothing happened at the ceremony itself. Or at least none that the newlywed couple were aware of.
Within the hallowed circle of standing stones, an exquisite fusion of heritage transpired. It was a dance of customs, a harmonious marriage of Runestone's storied traditions, a tribute to the legacy of House Royce, interwoven with the mysterious tapestry of practices brought forth from the Witch Isles, paying homage to the Upcliffs. The very stones that bore witness to centuries of history now stood witness to this union, a bridge between realms and legacies.
As the clock struck midnight and the celebration continued on inside, the newlyweds stole away as part of an ancient tradition in Runestone's lore. It was within the protection and blessing of the standing stones that the newlyweds consummated their marriage and the start of their new life together.
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No one knows the exact time the Order of the Sand Sages begun, but their time seems to have begun with the very start of Dorne itself. The Order of the Sand Sages, also known as the Sandhealers, stands as a beacon of compassion and healing in the arid lands of Dorne. Rooted in ancient traditions and guided by their unwavering commitment to non-violence, they have become revered across the region for their profound belief in the healing power of peace.
Spread far and wide across Dorne, the Order's presence is felt in bustling cities and remote villages alike. They hold firm to the belief that access to healing should be a right for all, not a privilege for the few. While they serve the common folk, it's not uncommon for certain noble houses to have dedicated healers, forging a unique bond between the healers and their patrons.
The Order of the Sand Sages is one of the few groups in Westeros that accepts both men and women as healers. This equality is fundamental to their belief that healing transcends gender. The wisest and eldest healers are both men and women
Upon joining the Order, each member solemnly swears an oath of non-violence, a sacred pledge to never harm another living being. Instead, they devote their lives to the relief of suffering, offering solace and care to those in need. New members of the Order must take the "Healer's Oath," which binds them to their duty of tending to the sick and wounded. This oath is recited under the light of the desert stars amongst the other healers, symbolizing the healer's connection to the land and commitment to one another.
Their mastery of herbcraft is unparalleled, possessing a deep understanding of the desert's flora and its medicinal properties. Their remedies are renowned for their efficacy, with some even surpassing the knowledge of maesters from distant lands.
Members of the sages travel across the desert, setting up temporary camps in various locations. They offer their services to some of the most remote settlements, building trust and mutual respect with the diverse communities of Dorne.
Through a peaceful trade network, they exchange their precious medicines for essential supplies and valuable information with intrepid desert traders. Crossing paths with a Sage is considered both an honor and a good omen, while harming one is viewed as the gravest of misfortunes, often met with severe consequences.
The healers have developed a form of silent communication through hand signals and coded gestures. This allows them to work efficiently in the field without the need for verbal communication, especially in situations where noise could attract danger.
The color within the pleats of the aprons worn by the members of the Order of the Sand Sages holds special significance, reflecting their hierarchy, roles, and accomplishments within the organization. As the sages grow in their ranking, they gain more and more colors within their aprons. Here are some of color ranking of aprons for the Sand Sages:
Sandstone Beige: This is the foundational color, worn by all members upon initiation into the Order. It symbolizes purity, humility, and the beginning of their journey towards healing.
Sage Green: After completing a period of rigorous training and demonstrating exceptional proficiency in herbcraft, healers are awarded a sage green apron. This color represents growth, knowledge, and the mastery of the desert's flora.
Royal Blue: Those who have shown exceptional leadership, wisdom, and have made significant contributions to the Order may be granted a royal blue apron. This signifies their elevated status within the organization and their dedication to guiding their fellow healers.
Goldenrod Yellow: Reserved for healers who have excelled in creating rare and potent remedies, the goldenrod yellow apron is a mark of their expertise and innovation in herbcraft. It symbolizes the radiant impact they have on the healing community.
Burgundy Red: Healers who have demonstrated extraordinary acts of compassion and selflessness, going above and beyond their duties, may receive a burgundy red apron. This color embodies the deep well of empathy and care they bring to their work.
Iridescent Silver: The iridescent silver apron is a rare and prestigious honor, bestowed upon healers who have made groundbreaking discoveries in medicine, surpassing even the knowledge of renowned maesters. It represents their unparalleled contributions to the field of healing.
Amethyst Purple: Reserved for the eldest and wisest members of the Order, the amethyst purple apron signifies a lifetime of dedication, learning, and leadership. These individuals are the guiding pillars of the Sand Sages, embodying the essence of their beliefs.
Crimson and Gold: The highest honor that can be bestowed by the Order, the crimson and gold apron is reserved for The Sunlit Sages who are the Grand Masters or Grand Mistresses, the leaders of the Sand Sages. This regal combination of colors symbolizes their wisdom, authority, and the profound impact they have on the Order and the wider community.
These aprons serve as tangible symbols of the healers' achievements and contributions, creating a visual representation of their individual journeys within the Order of the Sand Sages.
During times of conflict, the Order maintains a steadfast policy of neutrality. Trusted by all factions, they offer aid without bias or judgment, ensuring their safety even in the midst of war. This unshakable commitment to healing and peace has made the Sand Sages an enduring force for good for all.
Ophelia within the Order of the Sages
When she was a young girl one of the Sages begun to live in Skyreach as a healer to her entire family. Being the guardians and protectors of the Prince's Pass it was important that all the family stayed healthy.
One day Ophelia ended up helping the Sage when he was bandaging the wound of a soldier. Something sparked within her and even as a little girl Ophelia knew being a healer was her calling in life. Her mentor has said he had never seen someone so young have such an understanding for the skills and compassion it takes to be a Sage. Surely in her previous life Ophelia must have been one of the Sunlit Sages
Barely a teenager she took the Healer's Vows with the complete support of her family behind her, all of them proud of the young girl's commitment to helping people across Dorne. While she completed a lot of her training within Skyreach, she was allowed the ability to travel with her mentor across Dorne to get hands-on experience
While she was still very young amongst the other Sages, she has always risen within the ranks. Already she has been given her Burgundy Red pleat in her apron, something very rare for a Sage her age.Â
After much discussion and turbulence left behind in the reach, Theomore has made his journey with the rest of the Westerlanders back to their kingdom. However, before continuing his way back to Castery Rock, Theomore decided to inspect the progress of the new mining operation in the mountains by venturing into The Crag.
Initial indications were highly encouraging as they stumbled upon traces of gold within the mountains. This discovery raised perplexing questions about the late Westering lord's decision to halt all mining activities. As they delved deeper into the mines, it became evident that there was more to be uncovered beneath the surface. They stumbled upon old mining tunnels that had been inexplicably sealed off, but the surprises didn't end there. Expansive chambers had been intricately carved out of the rock.
Within one of these grand chambers, the Lord of the Crag made an extraordinary findâa massive, flawlessly shaped yellow diamond. Upon bringing it to the surface and consulting a skilled jeweler, it was estimated that the diamond had been expertly cut centuries ago and remained in an almost perfect condition.
Ready share the news of these remarkable discoveries within the crag mines and the mysterious chambers, Lord Theomore Westerling returned to Casterly Rock to inform King Tyland.
He also presented the ancient diamond to the king, naming it "The Lion's Eye Diamond." to serve symbol of the Westerlands' power, wealth, and good fortune.
I wish you wouldâve slept in the guest room,
  âcause maybe Iâd still feel alive without you.
    Iâm pretty sure that all of this is my fault,
      Iâm the one that kissed you first,
                    and took my clothes off.
She knew, in her fully rational self, this wasnât the way to handle this.Â
She should have confronted her matesprit himself. She should have asked why, after everything heâd subjected her to, he really insisted on letting comments like âget a roomâ slide, why he never made note to his seemingly-endless admirers that he was spoken for. She should have asked why he felt the need to stay in contact with his exes to begin with, when she had written off the idea of befriending her own without him having to ask.Â
She should have asked him if this was all a game to him.
But she reckoned that conversation risked shutting him off again, risked chasing him away, risked losing him altogether, and she had backed herself into a corner where she once again found herself ill-equipped to address that prospect.Â
So she looked for Jett, instead.Â
He was an easy object for her anger. He had wronged DC in the past, and many times at that, a man whose stable friendship had meant the world to her in the moments it mattered most. He had wronged other people, too, that much she was sure of. He was constantly causing trouble, and to her, he was the perfect example of too little, too late.Â
(She didnât really believe the last part, she always believed in possibilities for redemption, but she had believed in that for Dolch once, too. She lacked the strength to give the benefit of the doubt to them both. So why not give it to her matesprit, and spare herself the discussion?)Â
âDo you always have to do this?âÂ
Jett nearly falls off the couch at the trollâs hollow voice behind him, tainted with the burden of death that she carries with her everywhere she goes. He shoves his laptop aside, and is on his feet fractions of a second later, his blade pulled down from the wall, extended, pointed at her. She doesnât waver.Â
âIs it a compulsion?âÂ
His eyes tick over her black dress, her dark red sweater, her horns curving like spirals. She doesnât sound mad. She almost sounds cheery. Almost looks it, too, were it not for her voice. Even her eyes seem to sparkle with warm, childlike curiosity.Â
âWho are you?âÂ
âYou know who I am, Iâve no doubt youâve met my alternates before.âÂ
She steps closer. He steps back.Â
âCan you keep to yourself, for five seconds? Can you stand to bear the weight of not shattering somebody underneath your grip?âÂ
He stares at her, and the silence between them is long.Â
âYes,â he finally answers, voice soft and earnest, âand I will. Whatever the problem is, or Iâve done, Iâll... Iâll fix it.âÂ
Aradia hesitates.Â
This is not the answer she expected. The spark in her eye flickers like a dying lightbulb.Â
âWhat?âÂ
âIâm not trying to hurt anybody. This? This exact position Iâm in? Where I piss off strangers and they want to kill me? Iâm trying to avoid.â Even if sheâs a troll. âSo, whatâd I do. Is this about Damara?âÂ
â...What?âÂ
He lowers his sword. âWhat is it about?âÂ
And now, it is Aradiaâs turn to stare. She doesnât know how to answer. His honesty, his ownership, caught her off guard, and suddenly any catharsis she could reach through this exchange is stripped from her. Indulging in an impulsive confrontation where she could toy with the offending human a while was her own gift to herself today, and not even that had wound up successful.Â
She swallows hard.Â
âWhatever you do on your free time is your business,â she finally answers, slow, âbut do not drag Dolch down with you.âÂ
âWhat is that supposed to mean?âÂ
âIt means I know who you are, and I know what youâve done to other pushers offered up to you.â Her speech was almost eerily light in spite of the heaviness of her words. âHeâs worked too hard, come too far, to be slipped up by somebody like you.âÂ
âI hardly know the dude. Why do you care?âÂ
Silence.Â
â...Do you love him or something?âÂ
She takes a breath in that lifts her chest.Â
âDoes he know you love him?âÂ
âHow could you ask that?âÂ
âIsnât this something you should take up with him?âÂ
Yes.Â
âDonât deflect.âÂ
âIâm not trying to drag him down into anything. Weâre amicable.âÂ
She wants to fight him on it. She wants to insist heâs flirting with Jett, the same way heâs been flirting with his ex. She can feel the suspicion that Arch stoked -- rightfully, she now feels -- in her chest, she can feel it bubbling up and gripping her throat and pressing her to press Jett on it, even if her issue really isnât with him. Even if he really isnât the one with answers.Â
The realization that her love for Dolch, for someone whose loyalty to her seemed shaky at best, was once again driving her to erratic behavior settled on her shoulders like a heavy blanket, all at once. Not that she necessarily took issue with being erratic, but she was calmer without him.Â
The sort of love that sets your heart on fire . . .
âAre you okay?âÂ
He steps forward. She steps back.
Her hand lifts in warning. He doesnât ask, she doesnât explain; Jett doesnât take another step.Â
The next time Jett blinks, when his eyelids open again, sheâs gone.Â
He wonders how she found him, if it was the same way Damara could have. He wonders how she knows the things heâs done, and upon whose behalf her anger rests, if not merely her own. He recognized the pain in her eyes -- heâd seen it before, in DCâs, and in Jakeâs, the pain of heartbreak and betrayal, even if she had only allowed it to seep through for a glimmer of a moment before she vanished; he wonders what Dolch did to her, and if it really was like the things heâs done.Â
He feels overwhelmed with the urge to speak.Â
He looks back at his computer. His impulse itches his fingers to speak to Dolch. Tell him, irresponsibly, recklessly, if he loves someone, to hold onto her. His broken heart begs him to beg Dolch to hold onto her tight enough to suffocate her if itâs the only way he can keep himself grounded, to bear his soul and bury his heart inside of hers. He feels the failure of his own actions, how he failed DC sharpest of all, crawling up his spine, and he wants to cry, and tell him that if he continues down this path, if he loses her, whether he can ever overcome the pain of losing her or not, the guilt will never go away. He feels compelled to ensure his alternate, effectively a stranger, doesnât make the same mistake he did, in some desperation for cosmic meaning for his own stupid mistakes.Â
Yet Jett knows he doesnât actually have any idea what path either of them are on, be it the troll that visited him or Dolch, and he has no right to be pushing his own regrets onto somebody else in order to feel absolved of them. He doesnât deserve that absolution, and perhaps if he did, he wouldnât be punishing himself by keeping Aeon at such a distance. Heâd let himself care again, heâd let himself trust again, and maybe, maybe, eventually, heâd love again.Â
Either way, talking to Dolch, he reminds himself, wonât make those things happen.
He doesnât touch his computer.Â
He paces to his window, pulling his stashed cigarettes from the bottom drawer of his desk on the way there, and slides the pane open to smoke. His boiling blood is sobbing for release, and in his refusal to indulge it by hurting someone, this is the best alternative he can think of.
okay so iâm only on season 2 ep 12 of scream, but can someone PLEASE give me an audrey/brooke f/f 1x1 please?? iâd love to plat audrey, and i ship them so much oh my gosh. it can be during any time of the show before the episode im on, i just need this in my life.
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The stench of the corpse is almost unbearable. He shouldâve dealt with it sooner.Â
Jett steps across the platform, the center of the sparring ring, his wrist lifted to his nose as if it might shield him from the smell. Confessing his sin to his brother had done nothing to alleviate the guilt, not so long as it was here, the one place he had truly lost himself searching for more fighting once upon a time. He had to get rid of it.Â
Maybe he had to get rid of the entire place.Â
Burn the empty, abandoned fighting arena that heâs standing in, tear down the tracker screens they used to use to monitor the fights, to critique them, to train them, wreck the entire headquarters. Wreck the bathroom DC hid in while he cried, wreck the room they kept her alive in for so long, only for it to fail in the end. A desperate motherâs desperate last chance, only for her own arrogance and lust for power result in her daughterâs death anyway.Â
How many times had Rose died? Jett had lost count a while ago. But sheâd always come back, every time. Just not this time.
He looks up at one of the cameras, gazing into its lens, as if he could still gaze into her eyes by doing so, still pretend he knew she was watching him on the other side. Kotone or Rose, he felt just as desperate to see both of them again, and they were so similar in so many ways. Too many.
Rose should have been left with her real mother. In âsavingâ her, this version of Kotone broke her.
âThis is messy. Messy mind, messy fighting.âÂ
âI know.âÂ
Heâs speaking to someone that isnât there. And he knows that. He knows Rose isnât here as he circles the body, pushing it from the ring and past the rope, so it can fall from the platform and onto the plastic he had laid out for it.Â
âWhy did you leave it here all this time? Were you afraid to face it?âÂ
He starts scrubbing at the bloodstain still in the ring. Why, heâs not sure. Either heâs not ready to part with this place, or heâs not ready for the massive undertaking of trying to destroy it. He concludes itâs the latter. Itâs its own massive network, intended to be a self-contained base to train new soldiers without causes, recruited for gang wars like that can satisfy a rebellious heart. But it did satisfy yours, didnât it? It was another war to fight. It didnât matter whose side you were on.Â
If you think about it, really think about it, you can trace most of your identity issues back to here. The second splinter. The first was just before the game, and then just inside the Medium; the second was here. In these halls, in these fighting rings, in these labs and situation rooms. You lost yourself to a cause solely of violence for violence; another story youâve neglected to talk about at much length. You let yourself be turned into a weapon. You were weak, and you let yourself be used.Â
âDonât be so dramatic. You wanted this, we didnât use you.âÂ
He ignores her voice in his head.Â
Bit by bit, the soapy water coaxes the stains up, to the best heâs going to manage. He discards the cleaning supplies onto the plastic tarp, too, bending under the rope to hop down so he can tie it up. He can all but see her leaning over him, hovering, peering down at him from the platform.Â
âYou needed this. The last time you really felt like a man was with me.âÂ
He stops on the last knot.Â
âYou needed me. Youâre nothing without me.âÂ
âWait.âÂ
âAnd now that Iâm gone, youâll never--â
âStop talking.âÂ
Of course, she wasnât talking. He was experiencing his own memories, morphed with the present moment, but it was different this time. Of course it was different this time.
He slowly got to his feet, watching the center of the room. Watching the platform, empty, dark, only able to see to begin with because of the night vision his shades offered.Â
No one is home.Â
â...It was you.âÂ
âWhat was me?âÂ
He pulls himself back up onto the platform, onto its edge, keeping hold of the rope. He can still see how he and Rose danced across it, like he wasnât even a participant so much as an observer. They could spar for hours with no clear winner.Â
âI never cheated on anyone, before I met you.âÂ
âYou never cheated with me, either.âÂ
His jaw sets as a ghost twists his words. He pulls himself back under the rope, back into the ring.Â
âBut you knew what you were doing. When he and I broke up, you were there, and you told me that letting a hole grow inside of me is letting them win. And you convinced me to let you fill that place until I found something better.âÂ
âI was helping you.âÂ
You step forward, in accusation, as if the accused were here to answer the charges. âYou didnât give me a chance.âÂ
âI gave you a chance.âÂ
âEverything, everything, that ever happened in my life after you, I was trying to chase this, fucked up, broken, shadow, of what you and your fuckup of an adoptive mother told me it meant to be a man, and why the fuck did I listen to you in the first place?âÂ
(Because Richard wasnât here.)Â
(Because it was her war, and she wanted you to fight it for her, and she saw you the protege that Rose was.)Â
(She was there, and Rose was there, when Richard was dead, and your friends were all gone.)Â
He doesnât realize how his fingers curl into a fist, but thereâs no one to hit.Â
âYouâve always been weak in every way but one, Strider.âÂ
You want to protest, but how can you? How can you say youâre not weak?Â
â...Do you have any idea, how much has been destroyed, because of the ideas you put into my head, because you taught me to recoil at the thought of incompletion?â
âWhat makes you think I care what you destroy?âÂ
âBecause that was the whole point, right?âÂ
âRight.âÂ
âAnd it didnât matter to you if there was collateral damage, because the only shit the two of you cared about was your own fucked up vengeance quest, right??âÂ
âRight.âÂ
You feel anger bubbling up in your chest at the memories of Rose and her counterpart, the one that had loved her, whom she had loved too, who had broken her, as your projection of her admits to things she never would have admitted to herself.
âWhat the FUCK MAKES YOU THINK you got to PLAY WITH PEOPLE LIKE THAT, ROSE?âÂ
Itâs the sort of display you would never open yourself up to were anyone else present to see it, but no oneâs here.Â
âWAS THIS WORTH IT? DO YOU SEE WHAT THIS IS NOW? DO YOU SEE THE STATE OF YOUR EMPIRE? ITâS NOTHING, ROSE! IT ISNâT SHIT! YOU ARENâT SHIT, WAS IT WORTH IT?âÂ
When his robotic heel hits the ground for some sort of release, the foundationâs lining tears underneath the pressure. It breaks him from his own head, and the delusion of a woman that once held too much power over him.
You wonder if sheâs the reason Lysanias ever happened at all.Â
Heâs sinking to his knees, hands in his hair, only the sadness left, the remorse burning his throat too badly to swallow. To understand the root of his flightiness was a relief, to know he might be able to truly fix it, grip the weeds and tear them out; to feel the crushing weight of his own failures, however, the pain of the reflection of his mistakes that first caused it all, silently begging his past self never to do it, never to speak to her, never to agree to this, to have left the moment she spoke to DC the way she had, or at any of the multiple red flats, to have to hear the sentence in his head, âItâs too late, itâs too late, you canât undo it, itâs too late,â over, and over, and over again...Â
Jett forces in a shaking breath as his hands lower to rest on his legs.Â
He wants to destroy this place.
He doesnât want to destroy this place, he wants to forget it existed.Â
He stands.
He forces himself to stand. He drops a match on the bags in hopes the fire might eat some of the plastic and the body, but he doesnât think itâll do much more. He doesnât care. He adjusts his mobile transportalizer so that seconds later heâs standing back in his own apartment, feeling cold and empty and with that same familiar bitterness of regret in his heart heâs felt so many times, and clears the saved coordinates from his system.Â
Tonight, heâll clear them from everywhere he can possibly think of, so that no matter how hard he might try, heâll never be able to go back there again.Â
He hopes Roseâs ghost will stay there, so heâll never have to go back to her, either.
If you close your eyes, you can still see him, the way he was the night you came home to him.
You could have stayed with your friends. DC knew you might have been gone a while, and you could have stayed to celebrate, basked in the glory of being the man that brought home the head of the Batterwitch as the hero they all thought you were. But thatâs not what you did. You went home to him, and waited for him, and when you saw his face again, it was the only face in the world that mattered. It was the face you were going to spend the rest of your life with, waking up to every morning, falling asleep beside.Â
You could paint it from memory. You could place every freckle on his skin, and you could pinpoint the places on his cheeks that curve to let him smile.Â
You remember when you made dinner for him. You remember feeling like you finally had a hold of it, you could finally love him, this could finally work. You werenât even through the half of it.Â
You can still feel how your body fits around his, how easy it is to hold, how his body curls right where your arm falls over his stomach.Â
Itâs been a long night.Â
Youâre happy, to finally see new faces. To hear stories and voices youâve never heard before. Itâs been a long time since thatâs happened to you. Itâs been a long time since youâve been ready for it. The nagging voice in the back of your head promises that none of them mean it, swears to you youâre an object for their enjoyment, whispers predictions that they will project whatever broken man onto you they can fix so that they can fall in love with him. Maybe the voice is right. Itâs too early to tell, surely too early to back out because of it.Â
Youâre trying anyway. For Richard, first and foremost, because you know your brotherâs dying wish would be your happiness, and youâre prepared to die yourself trying to get there if it could bring him some peace. But itâs hard, too, knowing how badly youâve ruined it all, knowing how brutally youâve undermined the chances at happiness youâve had up until this point. Undermined, beyond repair. Not in the poetic sense, not in the sense that tempts them back to be fixed again, but in the real sense, the true sense, the finished sense. You and DC arenât a dying star, youâre a dead one, and he doesnât want to see you again.Â
But you still remember the look in his eyes when heâd cry for you, begging you to stay.Â
You never did. Not once. Not really. Every time, every single time, you left, so heâs finally stopped asking.Â
Youâre trying to move on, for Richard, and youâre succeeding, slowly if surely, but every new face is a reminder of the one you lost. The ones, you lost, but his, most of all. The fighting, the screaming, the crying, and in all of it, the one thing you should have done, you never did. Itâs impossible not to wonder how it would have gone. You think, sometimes, someone should have physically stopped you from leaving, and you wonder constantly what would have happened if instead of leaving, youâd clung to him. If in all the fighting and screaming and crying, youâd stopped, youâd cut through it all, youâd grabbed hold of him and held onto him so tight that no force in this world or the next could have pried you apart, if that would have saved you, or him, or whatever broken attempt at love the two of you so desperately wanted with each other.
Itâs for the best you never did it.
You know John will give him what he needs and wants, a thousand times over, a thousand times more than you ever could, even if you had done that. Itâs better that you left, like a coward, again, and again, itâs better that you screwed it all up, itâs better that you shattered his heart and stomped on the pieces so violently that heâll never come back, because heâll be happier with John than you could ever make him in this life or the next. You can only give him that broken love that will never, ever be enough, not a candle to all the stars in the sky that he deserves to have someone give to him.
But that doesnât mean that on nights like this, when the company of someone else reminds you what company is like at all, and makes you long for a feeling other than the one of sleeping alone, you wonât still think of him.Â
If youâre being honest with yourself, you donât really have the mental or emotional capacity to deal with his loss. But sometimes, at times like this, late at night, you just need to sit in a chair, and quietly feel very bad.