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Not today Justin

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i don't do bad sauce passes
2025 on Tumblr: Trends That Defined the Year
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RMH
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The #1 College Music Website
New Music - Exclusive Release

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New Video: Stuck on the Girl - Young Beautiful in a Hurry Directed by Ward Roberts Produced by Bear McCreary
Donât mind me, just doing DJ stuffs
Mark de Clive-Lowe & the Rotterdam Jazz Orchestra - Take the Space Trane
Photography by Matthew Pillsbury via Ignant
The outlines of the people in Matthew Pillsburyâs images seem to be ghostly memories or distant shadows. Crowds rolling through museums, passing art, pausing for a moment and hurrying on. It almost seems as if the photographer unceremoniously turned the tables.

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Candyland & Zak Waters - "Not Coming Down"
Blue in Green by. Miles DavisÂ
Laura Tidwell
"Flirting with Disaster" - Young Beautiful in a Hurry from Defiance Original Television Soundtrack

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La Sagrada Familia- ceiling view.
Help support Young Beautiful in a Hurryâs new âDonât Stop Me Nowâ Directorâs Cut Video! Only 3 days left in their jampaign!Â
http://jamplify.com/release/51a62d60e5f2789c2f03fcf1/show
http://youngbeautifulinahurry.com/
Horizons by Randy Halverson (DakotaLapse)
"I Forever" by Young Beautiful in a Hurry and Bear McCreary
Miles Dewey Davis III was born on May 26, 1926 in Alton, Illinois. Milesâ mother was a blues pianist though she kept this hidden from him and his father a dentist. Davis began studying trumpet at the age of thirteen with local musician Elwood Buchanan and Buchanan would always stress to Miles to play without using vibrato which is one of the influences in his unique sound. Miles also cites Clark Terry as an early influence. By the age of sixteen Davis was playing professionally in the area with Eddie Randleâs band, the Blue Devils, and in 1944 Miles played with Billy Ecksteinâs band in town for a week along side Charlie Parker and Dizzy Gillespie. While Davis could have left high school to begin his career it was very important to his parents he finished high school and continued his education at Julliard School of Music in New York City. Miles left Julliard after one year complaining their focus was far too centered around European Classical music or âwhiteâ music though acknowledging the music theory he learned there was useful to him. Davis began performing with Coleman Hawkins and Eddie âLockjawâ Davis in several clubs on 52nd St. and recorded for the first time in 1945 with Herbie Fields. In 1945 Dizzy Gillespie left his band with Charlie Parker and Miles became his replacement along with Max Roach, Al Haig and Curley Russell. Davis can be heard on Parkerâs famous album âNowâs the Timeâ already finding his unique voice in Jazz and foreshadowing what would come next in Jazz. On a West Coast tour with Parker, Miles did some work with Charles Mingus and they also shared an apartment for some time and Davis also toured with Billy Ecksteinâs band which eventually brought him back to New York. In 1948 Davis began working with arranger and composer Gil Evans as well as Gerry Mulligan, John Lewis and Max Roach in effort to create beautiful music that wasnât solely focused on instrumentalism as Bebop can be. Their work can be heard on the 1956 album âBirth of the Coolâ and heavily influenced what we know now as the Cool movement in Jazz. In 1955 Miles formed the first great quintet with John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones. This band provided a perfect balance musically and some of their albums from this period include âRelaxin with the Miles Davis Quintetâ, âSteamin with the Miles Davis Quintetâ, âWorkin with the Miles Davis Quintetâ and âCookin with the Miles Davis Quintetâ. In 1958 Davis added Cannonball Adderley to mix and the now famous sextet recorded the album âMilestonesâ and shortly changed some of the members of the band with the addition of Bill Evans and Jimmy Cobb and recorded the album â1958 Milesâ. Also during this time period Miles worked again with Gil Evans on a series of albums including âMiles Aheadâ in â57, âPorgy and Bessâ in â58 and âSketches of Spainâ in â59. In 1959 Davis brought his sextet back into the studio and recorded âKind of Blueâ which is regarded as a masterpiece and has sold over four million copies to date. In 1960 Coltrane left Miles to put together his own quartet and other members of the rhythm section went on their own paths by 1963. Davis quickly formed a new band though with George Coleman, Ron Carter, Tony Williams and Herbie Hancock and together they recorded the albums âSeven Steps to Heavenâ and âIn Europeâ in 1963 and âMy Funny Valentineâ and âFour and Moreâ in 1964. This group would play the same material as Davisâ first quartet but the music was much more intense and aggressive reflecting the turmoil in the 1960s. Coleman left in 1964 and Miles was able to pursued Wayne Shorter to leave Art Blakey and join him. With Shorter on tenor saxophone the second great quintet was formed. Some of the albums made by this group include âE.S.P.â and âThe Complete Live at the Plugged Nickel 1965â in 1965, âMiles Smilesâ in 1966, âSorcererâ and âNefertitiâ in 1967 and âMiles in the Skyâ and âFilles de Killimanjaroâ in 1968. Davis began using electric instruments on the albums in 1968, foreshadowing what would be next and by the time those records were done being recorded the band had changed with the additions of Chick Corea and Dave Holland. Miles recorded âIn a Silent Wayâ in 1969 marking the new change in music and the beginning of the technological revolution with a band that included Hancock, Corea, Joe Zawinul, Shorter, Holland, John McLaughlin and Tony Williams. Shortly after Jack DeJohnette replaced Tony on drums and with the additions of Airto Moreira and Bennie Maupin âBitches Brewâ was recorded and went gold by 1976. Davis recorded several live albums in the early â70s followed by âA Tribute to Jack Johnsonâ in 1971 and âOn the Cornerâ in 1972. Miles would switch up band members often in the 1970s always searching for the right balance and chemistry and some other albums recorded in the 1970s include âBig Funâ and âGet Up With Itâ in 1974 and âDark Magnusâ, âAghartaâ and âPangaeaâ in â74 and 1975. In late 1970s Davis took time off from music to recharge and enjoy certain aspects of life without constantly being on the road before making his return in 1979. Miles recorded âThe Man with the Hornâ from â79-â81 followed by the album âWe Want Milesâ. Some of the new members of Davisâ band from this time period include saxophonist Bill Evans, Marcus Miller, John Scofield, Al Foster, Mino Cinelu and Robert Irving III. Miles continued exploring new ideas in music until the end and some of his final albums include âTutuâ in 1986, âAmandlaâ, âDoo-Bopâ and finally âMiles & Quincy Live at Montreuxâ in 1991. Miles Davis passed away in September, 1991. Davis leaves a legacy and influence so large in Jazz, American culture and music internationally it is even hard to describe. Miles is a cultural icon and even today his music and image still provokes a certain idea of individualism and greatness that one can only of dream of aspiring to. Just a few of the awards won by Miles include over ten Grammy Awards, star on the Hollywood Walk of Fame, Knighted into the Legion of Honor, Sonning Award for Lifetime Achievement in Music and inducted into the Rock and Roll Hall of Fame. Miles Davisâ music has touched the lives of millions of people in several generations and leaves a legacy unmatched by any musical performer of modern times. Miles Davis Lives! âDo not fear mistakes. There are none.â âIâm always thinking about creating. My future starts when I wake up every morning⌠Every day I find something creative to do with my life.â âSometimes you have to play a long time to be able to play like yourself.â âIâll play it first and tell you what it is later.â â Miles Davis
Young Beautiful in a Hurry - "Don't Stop Me Now"
Directed by Bear McCreary

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City of Fog - Chongqing, China by Martin Stavars
Excellent visual concept. Great video.
Woodkid - "Iron"