suzumedia

at certain points it was really hard for me to find work that would awaken any kind of emotions in me, but i came to a conclusion that there was a certain pattern in the works that i enjoyed. they were mostly artworks which included light, projections, the universe and some type of organic resemblance. in every piece that i viewed i tried to find those few topics and i truly found them interesting.

"distributive intelligence - a group mind materializes digital models of complex systems through a cluster several hundred mechanical and interactive objects and their light communication. thanks to a simple set of rules, they unfold an emergent behaviour and form a collective artificial intelligence, a pseudo-social and non-human interaction space: a dance floor for simple robotic light objects. a visual and sonic zero player game, a game without human players." - lukas truninger

it is really pleasing to see climate crisis awareness through various forms of art. for me sometimes it's much more effective to get closer to a topic when it's presented through some sort of art. the way that bar expressed his concerns through this piece came through to me as a message in such a simple but effective way.

scroliing through dimitri's instagram feed it was more than interesting seeing his visual interpretations of cosmic phenomenons. using simple black backgrounds and white subjects forming various patterns, he manages to create digital versions of occurrences, which sometimes are not so familiar to many humans.

when i opened this artwork on my desktop i noticed that when i moved my mouse over the video it looked like, i myself, was the one controlling the movements. it is mostly really pleasing for me to look at. the grain of the video contributed to the experience as it reminded me of the star constellations which i very much adore.

"sound dwells, generates and can be a driver of emotions. the body stops, the nature of the mind contemplates and looks within."

"row is a basic way to structure data, from mathematics to twelve notes of the chromatic scale in music. the rows of data are floating in the air every second being converted into different media formats, transmiting our thoughts, ideas and emotions." - wearetundra

this specific work reminded me of thunderstorms, since i am very much inspired by work focusing on light and it's various forms, this piece grabbed my attention.

i enjoyed looking at this piece of art entirely because of its organic resemblance. even tho it's a digital constructed art piece it fascinates me how sometimes it takes form of something non digital.

"the day we left field by @wearetundra is a grassy field that represents nature in one of its most basic forms. it is a floating meadow that hangs upside down and waves harmoniously with a series of sound and light effects.    it is an immersive audiovisual installation inspired by the environment and its place in the urban landscape of modern cities. it is a piece of work through which the public becomes aware of a long list of binary oppositions, such as synthetic-natural, real-virtual or human-machine."

"placed in hongdae kb youth maru, this space contains the memories and experiences of young people, visuals expressing the anxiety within filling the space. i hope that feeling light, sound and scent in the space we created will give a little comfort to the anxiety of the youth." - seung

this video art by the artist lachatnoir reminded me of some of my personal projects. in the description for this project she wrote “when we sleep!” with which i related. for quite some time i have been analysing my dreams and the theory of quantum jumping, where this video art reminded me of the whole process of my analysis and the multiverse. it truly awakens certain emotions in me in a simple way.

“pipilotti rist: big heartedness, be my neighbor is the first west coast survey of the internationally renowned swiss media artist. rist’s installations explore relationships of video and the body; exterior environments and interior psychological landscapes; and reason and instinct. They exuberantly probe the video medium’s capaciousness—for vivid color; sweeping views and extreme close-ups; introspection and cultural critique; and, importantly, the creation of shared experiences within the public space of the museum. the exhibition surveys more than thirty years of the zürich-based artist’s work, encompassing early single-channel videos; large-scale installations brimming with color and hypnotic musical scores; and sculptures that merge everyday objects, video, and decorative forms.” - description taken from https://www.moca.org/exhibition/pipilotti-rist

anthony mccall is occupying a space between sculpture, cinema and drawing. his work’s historical importance has been recognized in such exhibitions as “into the light: the projected image in american art 1964-77,” whitney museum of american art (2001-2) // “the expanded screen: actions and installations of the sixties and seventies,” museum moderner kunst, vienna (2003-4) // “the expanded eye,” kunsthaus zurich (2006) // “beyond cinema: the art of projection,” hamburger bahnhof, berlin (2006-7) // “the cinema effect: illusion, reality and the projected image,” hirshhorn museum, washington dc (2008) // “on line,” museum of modern art (2010-11).