素敵-C

Canons s'ébattant dans le Pavillon Français de la Biennale de Venise, imaginé par Claude Parent, en 1970.

Ugo La Pietra, Casa Aperto, 1988 

Bruce McLean 150ft Seaskape, Largiebeg 1969

www.celiahannes.net

Francois Morellet

Theo Mendez (British, 1934-1997), Square Composition, 1965. Pencil and oil on canvas, 14 x 14 in.

The Noguchi Museum 

(via)

opens Fri, Jan 31, 6-8p: KAZUKO MIYAMOTO INVISIBLE-EXPORTS Gallery, 89 Eldridge St., NYC the first solo exhibition in New York, in over a decade, of work by Kazuko Miyamoto, a preeminent feminist figure of minimalism. Born in wartime Tokyo, Miyamoto moved to New York in 1964, studied at the Arts Student League, and soon became assistant to Sol Lewitt… In her early work, (between 1968 and 1972), Miyamoto was primarily a painter of large-scale bichromatic acrylic canvases, works that inflected and, in some ways, undermined formal systems with modest, organic painterly elements. In 1973, the year of her first gallery shows in New York and Italy, Miyamoto embarked on a major nail-and-string wall-based installation at MoMA—the elegant, path-breaking site-specific work which she had been refining for several years as she moved away from painting, and would become her signature work between 1972 and 1979.

Venice Notebook, etching

Foto: Armando Salas Portugal via

JOAQUIM TENREIRO, Seventeen design studies on paper, 1960s (This is one of them, presenting Pau Marfim dining chair, designed in 1947)

Vkhutemas IV-4-13, Volume Study. Dynamic Composition, 1920s

Walter Gropius Denkmal der Märzgefallenen Weimar, Germany (1922)