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Autistic social anxiety is not "social anxiety" in the typical sense. An anxiety disorder is defined as an "irrational fear". So for example, imagine someone who is afraid to speak in case everyone looks at them and goes "what the heck are you saying you wierdo." If that person is neurotypical, then the chances are that they're very unlikely to get that response. Therefore their fears are irrational, and that is true "social anxiety". If you put an autistic person in that scenario, on the other hand, then probably the reason they're afraid of that response is because they've received it many times before. They're fear is based on repeated past experiences, therefore it is not irrational and not the simply an anxiety disorder. That's why people giving the classic social anxiety responses to autistic people is so unhelpful. "Just go out there and talk to people, it'll be fine," or "keep pushing yourself out of your comfort zone and you'll get more confident," don't work if the problem is real and not just in your head.
Was inspired by the wonderful post by @hailed-marys so me and @sam-i-am-27 got possessed by the demons and came out with this. (NEXT)
HC list under the cut
* Astrophage is more like a virus that either alters people, causing them to commit crimes or violent acts, or a power that supervillains are starting to use.
* Grace is still a middle school teacher who got bitten by the spider, obviously.
* Adrian is the one who stitched up the suit (the Aunt May of this universe).
* He has all the perks of a normal Spider-Man, but he's still Grace, so he's incredibly clumsy. He does have a super-strong spider sense, and that's what saves him 100% of the time, but he absolutely does not have the agility. When adrenaline kicks in, he can do anything, but otherwise he'll trip over the most ridiculous things.
* He was wearing his yellow raincoat the first time he saved someone, so now he wears it over his suit (along with his white Converse).
* The spider was discovered by SHIELD (which is undercover as a scientific research facility that Grace works for part-time). After the original test subjects (who were only able to survive the spider mutations if they possessed a specific gene) were killed in an attack, Eva delivered the spider to Grace so he could be bitten before other villains got their hands on that power. (My boy gets unwillingly turned into a savior in every universe.)
* Simon is still an ex-convict who, in exchange for his freedom, is asked by the evil company of the day to test a series of mines infected by what appears to be blood from a meteorite (which eventually turns out to be the symbiote Ellie!).
* At first, they wanted to kill each other, but they end up becoming besties.
Another really thoughtful perspective I saw regarding racism and the Backrooms movie. She very concisely sums up the appealing aspects of the story in tension with the concerning aspects.
I always assumed it was an issue of race blind casting; like he was just written “without a consideration for race” (which usually means they wrote the part with a white actor in mind), and then they happened to cast Chiwetel Ejiofor, and continued on with the same script without really considering how it might change some of the undertones of the story. Which is definitely a little irresponsible on their part. It makes sense when you consider that a common trope for white male characters is having to relinquish control of something because they’re used to being at the top. 
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If she was in charge of the backrooms research team then there would be no fucking about. She would already have the answers, none of this ‘I don’t know’ business. Ryland Grace would be hazmat suited up and sent in there ASAP.
I think my favorite thing about the backrooms movie is how much it doesn't hold your hand and over explain things to you. you as an audience member have to figure stuff out on your own via context clues and your own thought process.
It's something I really love to see, because I really love it when a film actually trusts the audience to listen and pay attention to the film and actually figure things out.
The film never throws too many questions that it becomes hard to figure out, the movie doesn't overwhelm you with lore and questions (which is also great) but it gives you enough questions for you to start wondering about the backrooms and you should feel about it.
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a handprint made in concrete is just the image of a hand, it’s not the real thing. or, it’s the absence of a hand, more than anything, the negative space. the casing around where it should be. it’s an indent that was made from something real - that could not have existed without something real - but it’s not the real thing, it’s just trying to be. maybe it’s not even trying. you put your hand there with your mother and the concrete remembers, and the handprint doesn’t even know why it exists, it just does. if we can make copies and not-things from real things in the world, who’s the say the world couldn’t do that itself? does it even need to know why?
For a little I felt like we missed Clark’s spiral and that’s why the change felt so sudden but in the same scene that Clark shows this “sudden” violent part of himself he says ‘I don’t want to change’.
Clark has always been like this. We saw his extreme anger at the start of the movie. His disregard for those around him with how he speaks to and about them. The implied breaking of the glass was that he threw it, not knocked it over.
I was expecting a spiral but he didn’t need one. He was already there.
Clark saying the creatures don't feel anything and then later in the same scene the woman anomaly is seen attempting to run away from the pirate, seemingly in fear. Something something devaluation of life seen as different than him.
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