The Doctor

Ty, Ty, Ty.

Your name looks strange written out like that. Like an abbreviation. But Tiberius would be so formal. I never think of you that way. Or, I suppose I should say, I never thought of you that way. Tenses matter in these situations, I guess.

Jem, Kit and I are so looking forward to your visit. In preparation, Kit has been attempting to teach Mina to say your name. She’s almost got it, but you may have to content yourself with being called “Agnes,” as she has trouble with the M — very trying for her as she is so advanced in her speech, just as you say Max was. You should have heard them in the kitchen this morning. “Who is coming to visit, Mina?” “Agnes!” I feel that your alter ego, Agnes, would wear sequins and be absolutely deadly at whist.

Thank you for your thoughts about the wards. I will look for labradorite at the gem store in Exeter. I tried what you suggested with the chickens—I was able to borrow a Blue Orpington from a neighbor on the last quarter moon. Since then chickens seem to be avoiding Kit, so maybe it will work on demons too? (Though can you really tell when a chicken is avoiding someone as opposed to just being a chicken?)

Jem and I are endeavoring to walk a narrow line, keeping Kit safe and hidden while also providing him with the most normal life we can. We don’t want to lock him away in a tower like a fairytale princess—he’d be miserable. And Mina would be miserable, she just adores him and rides everywhere on his back, clutching onto his shirt with her little hands. It reminds me of the way James and Lucie used to ride on Will’s shoulders. I suppose times change, but children never do.

We’re trying to allow Kit freedom wherever we can. He’s enrolled at the small school in the village, where a few of his friends know about the Shadow World and others don’t. There’s a local pack of werewolves who we’ve become friendly with, and some of their children go to school with him. I’ve begun to suspect that Kit has a girlfriend, but he’s secretive about it. (I guess that’s another thing that never changes about children—how secretive they are. I just hope he knows he can tell us anything. Especially related to demons, or in Kit’s case, the fey. A hundred and ten years later and I’m still edgy.)

He’s a puzzle, our Christopher Jonathan Herondale. About some things he’s opened up, and is willing to talk to Jem and me about them freely — his father, and what it was like growing up being able to see all sorts of peculiar things but not really understanding why. About being taught to fear Shadowhunters. About his concerns about his heritage — what it means, what kind of power he might have. I think it frustrates him, not knowing.

Other things he won’t talk about. We have asked him about Ty, as you and I discussed, but he’s like a brick wall about their friendship. Whatever happened he won’t speak of it. I think Livvy’s death hit him harder than we guessed, too. I’ve heard him call out her name in his sleep, always in this very despairing way. Sometimes he’ll say Not if you do this. Not if you do this, Ty. I feel like whatever they fought about, it must have been awful. But people can be terrible when they’re grieving; we both know that.

You can probably tell from everything I’ve said how much I — how much we — love Kit. I just love him, Magnus, like he was my own. He is my own. I’d kill anyone who wanted to hurt him, just as I would protect Mina or Jem with my life. I never thought I’d have this again, this perfect family I love so much it hurts. Strange after so many years to be so surprised by one’s own feelings — but I imagine it’s much the same for you, isn’t it? Speaking of which, I hope you and Alec and the kids are well. Please let Max know that we found his superhero cape—it was inside the piano.

I enclose a picture from your last visit here. How adorable they all are!

Love,📷

Tessa

Dear Jem,

As promised, the newest updates on the House That Wouldn’t Stop Being Cursed. Spoiler alert: I think we’re going to need your help again. (Ask Kit if you don’t know what a “spoiler” is.)

So here’s where we are: we’ve assembled all of the items—we think—that are tied to the curse. We placed them all in the dining room together and lit some candles, but nothing happened. Julian said it was like we were trying to get the objects to have a romantic evening together. I guess it was optimistic to think things would be that simple!

During the past few weeks we’ve collected a number of books on curse-breaking. And looked up some stuff about it on the Internet, though I have to say you never know with “online” whether you’re accessing a real magic spell or something tied to some kind of game. Julian, of course, had already read the books, and noted the similarities between most of the curse-breaking spells. They all require cursed objects to be brought together, and for candles made of pure tallow to be lit. Fortunately we were able to grab tallow candles at the Shadow Market, and we arranged them in a circle around the objects. When we lit them, it did look very mysterious and magicy.

We combined several of the Latin spells in the books to try to get something workable. A sort of We call out for the curse laid upon these objects to be broken, in the name of the Angel Raziel. We tried to make ourselves sound very important, like we knew Raziel well and would be having a pint down at the pub with him once the curse breaking was over.

Now, I’m sure you’re staring in horror that we decided to do this ourselves, and you’re right, we shouldn’t have, but we were just so excited to have all the objects that we thought it was worth at least a try. After all, how wrong could it go?

Answer: very wrong! A chill, clammy wind immediately rose up inside the dining room and swirled in circles, blowing out most of the candles. I started shivering, not because it was cold (although it was suddenly very cold) but because my skin was crawling. I had a terrible sense of encroaching darkness, like my vision was beginning to fade at the edges. Julian started paging through the books fast, looking for some kind of cancellation spell.

And then, of course, the music box on the sideboard began playing by itself. And not the tune it usually plays, which is a Strauss waltz. This was some other tune, something dissonant and harsh (as harsh as the tinkly sounds of a music box can be, I suppose). And it was loud, much louder than any music box could be, like the sound was being picked up and whirled around the room.

“Nooo.” It was a harshly breathed word, and I felt a presence sweep into the room. Rupert, half-transparent and looking furious. He swept a glowing hand through the candles, snuffing out the flames. Thank the Angel, the wind died down and the chill went out of the air. And I felt like I could breathe again. Julian and I stared at each other.

“Nephilim,” Rupert breathed. It was probably the most we’ve ever heard him say, in terms of real distinct words and phrases. I don’t know if it was because he was angry, or because the curse-breaking spell had had a tiny effect. “Nephilim — do not play with magic. Tatiana played with magic. She was . . . destroyed.” He was so upset that the features of his face seemed to be rearranging themselves, his eyes widening to be huge like an anime drawing. His mouth turned down at the sides. “Not worth destroying yourselves,” he whispered. “Find another way. Or leave me prisoned.”

And with that, he disappeared — kind of flew apart in white-silver pieces, like papers blowing on the wind.

A shudder went up my spine. Rupert. I think I liked him better when he could only move things around in the dust.

Anyway, we could use your help. Maybe it’s that we need a warlock to do the right magic, but the more we look at the items we’ve collected the more we wonder if one of them is wrong. We’ve followed some sketchy clues to find them, after all. And we’ve bothered Hypatia, Magnus, and Ragnor so much that I don’t think we could bear to have one of them come and then tell us it’s the objects that are the problem.

So…would you and Tessa be willing to come visit and check out the situation? Maybe you’ll be able to tell something about the objects since you recognized some of them. And between an ex-Silent Brother and a warlock I’m sure you’d bring enough magical wisdom to work out what we should be doing. We’d love to see all four of you, in fact, if you’d like to make it a family outing. We can watch Mina for you! There will be scones! And now that the faeries have gotten rid of all the hogweed choking the gardens, they’re looking very nice. Lovely for walks, or if Kit is in a teenage brooding mood, they’re great for brooding. Did I mention the scones?

Love,

Dear Jem,

As promised, the newest updates on the House That Wouldn’t Stop Being Cursed. Spoiler alert: I think we’re going to need your help again. (Ask Kit if you don’t know what a “spoiler” is.)

So here’s where we are: we’ve assembled all of the items—we think—that are tied to the curse. We placed them all in the dining room together and lit some candles, but nothing happened. Julian said it was like we were trying to get the objects to have a romantic evening together. I guess it was optimistic to think things would be that simple!

During the past few weeks we’ve collected a number of books on curse-breaking. And looked up some stuff about it on the Internet, though I have to say you never know with “online” whether you’re accessing a real magic spell or something tied to some kind of game. Julian, of course, had already read the books, and noted the similarities between most of the curse-breaking spells. They all require cursed objects to be brought together, and for candles made of pure tallow to be lit. Fortunately we were able to grab tallow candles at the Shadow Market, and we arranged them in a circle around the objects. When we lit them, it did look very mysterious and magicy.

We combined several of the Latin spells in the books to try to get something workable. A sort of We call out for the curse laid upon these objects to be broken, in the name of the Angel Raziel. We tried to make ourselves sound very important, like we knew Raziel well and would be having a pint down at the pub with him once the curse breaking was over.

Now, I’m sure you’re staring in horror that we decided to do this ourselves, and you’re right, we shouldn’t have, but we were just so excited to have all the objects that we thought it was worth at least a try. After all, how wrong could it go?

Answer: very wrong! A chill, clammy wind immediately rose up inside the dining room and swirled in circles, blowing out most of the candles. I started shivering, not because it was cold (although it was suddenly very cold) but because my skin was crawling. I had a terrible sense of encroaching darkness, like my vision was beginning to fade at the edges. Julian started paging through the books fast, looking for some kind of cancellation spell.

And then, of course, the music box on the sideboard began playing by itself. And not the tune it usually plays, which is a Strauss waltz. This was some other tune, something dissonant and harsh (as harsh as the tinkly sounds of a music box can be, I suppose). And it was loud, much louder than any music box could be, like the sound was being picked up and whirled around the room.

“Nooo.” It was a harshly breathed word, and I felt a presence sweep into the room. Rupert, half-transparent and looking furious. He swept a glowing hand through the candles, snuffing out the flames. Thank the Angel, the wind died down and the chill went out of the air. And I felt like I could breathe again. Julian and I stared at each other.

“Nephilim,” Rupert breathed. It was probably the most we’ve ever heard him say, in terms of real distinct words and phrases. I don’t know if it was because he was angry, or because the curse-breaking spell had had a tiny effect. “Nephilim — do not play with magic. Tatiana played with magic. She was . . . destroyed.” He was so upset that the features of his face seemed to be rearranging themselves, his eyes widening to be huge like an anime drawing. His mouth turned down at the sides. “Not worth destroying yourselves,” he whispered. “Find another way. Or leave me prisoned.”

And with that, he disappeared — kind of flew apart in white-silver pieces, like papers blowing on the wind.

A shudder went up my spine. Rupert. I think I liked him better when he could only move things around in the dust.

Anyway, we could use your help. Maybe it’s that we need a warlock to do the right magic, but the more we look at the items we’ve collected the more we wonder if one of them is wrong. We’ve followed some sketchy clues to find them, after all. And we’ve bothered Hypatia, Magnus, and Ragnor so much that I don’t think we could bear to have one of them come and then tell us it’s the objects that are the problem.

So…would you and Tessa be willing to come visit and check out the situation? Maybe you’ll be able to tell something about the objects since you recognized some of them. And between an ex-Silent Brother and a warlock I’m sure you’d bring enough magical wisdom to work out what we should be doing. We’d love to see all four of you, in fact, if you’d like to make it a family outing. We can watch Mina for you! There will be scones! And now that the faeries have gotten rid of all the hogweed choking the gardens, they’re looking very nice. Lovely for walks, or if Kit is in a teenage brooding mood, they’re great for brooding. Did I mention the scones?

Love,

A - Z Myth Aesthetics

A - Z Myth Aesthetics

A - Z Myth Aesthetics

A - Z Myth Aesthetics

I’ve said before that “fae” and “fairies” are by now rather muddled terms, because all kinds of creatures are called by that name. But when I try to picture “the fair folk” I think there are some definite requirements to fit the bill: they live in green mounds or hills, are generally beautiful or at least attired in finery, love music and dancing, detest iron, are susceptible to offerings of bread or milk, can bestow blessings, but are also a bit too fond of kidnapping people.

Now, we see faerie creatures with these characteristics all over what used to be the Celtic Isles. The mooinjer veggey (Isle of Man), tylwyth teg (Wales), aos sí (Ireland) and daoine sìth (Scotland) all mostly fit these criteria.

On continental Europe things get more complicated. We have fae, but “elves” are a better cousin to the Celtic fae. Especially the Scandinavian ones (Swedish älvor, Danish elver, Norwegian alvefolk or huldra, Icelandic huldufólk) have a lot of similarities, although they do have quite some specific characteristics as well.

With the German elben or albe we already run fully into “fairy” territory, where all kinds of creatures might be called by that name. We have the same problem in the Netherlands. Elf, alp and even fee can refer to all kinds of creatures in our traditional folklore, but it is rarely a creature such as described above. For years I was convinced that the Dutch - whose folkore I have always found to be largely cautionary and focussed much more on ghosts and spirits than anything more whimsical - simply didn’t have a classic “fair folk”.

But it turns out we do! I’ve been reading one of our oldest folkloric creatures all wrong! Witte Wieven.

“Witte wieven” just means “white women” in dialect, but they are also referred to with other euphemistic terms, such as “the young ladies”, “the little women”, “the good followers” and “the old white ones”, or sometimes “the wise women”. Just like the fae above are often respectfully (and flatteringly) called “the good neighbours”, “the fair folk” and “the gentry”.

I thought the witte wieven were just ghostly women, sources of witchcraft that were also connected to the dancing little marsh lights that lead people astray. That is how I previously encountered them in stories, but I’ve recently come across fairy tales from the more northern provinces where they live in grassy mounds, go out dancing at night (sometimes in the shape of mist on the moors and marshes) and lure people away to steal them or dance them into misfortune. They’re even connected with the stealing of childen and leaving of changelings!

These are all decidedly faerie habits and in the stories I was able to find about them the witte wieven show themselves:

Dancing in the fields around their mounds, leaving trampled circles in the grass.

Helping children to get home safely in exchange for a cake.

Stealing a horse from a young man riding across their fields in the gloaming.

Kidnapping a pretty woman while she’s out to fetch water to come dance with them.

Taking a foolish farmer’s invitation to dance with her and dancing him to death.

Stealing a kind farmer’s daughter in hopes that she will marry their king.

Having feasts on golden tables with silver plates.

Befriending young women after they are given fresh milk.

Hating the sound of bells.

“Akemi”

⠀

I loved how the half underwater half above water composition in “horizon” looked. So I played around with that some more in this piece. Of coarse I had to include waterlilies, they are just so pretty above an bellow the water.⠀