hello! if you follow me on ao3 youâll see that i have uploaded chapter 4 of nectar and ambrosia!Â
find it here
if you wanna read from the start click here!Â

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@sunriseyg
hello! if you follow me on ao3 youâll see that i have uploaded chapter 4 of nectar and ambrosia!Â
find it here
if you wanna read from the start click here!Â

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PG | Yoongi/Hoseok | One-Shot: 5k | Notes: AU, mild angst, ambiguous
The sunsets are beautiful, not quite like sunrises, although they have their own appeal. But sunsets are way more soothing, and to Yoongi they look even better when Hoseokâs warmth is accompanying them.
Review: This author takes an incredible amount of time into making something as simple as a 5k one-shot into a work of art. The story is extremely fluid, and the reader follows along easily. This work focuses a lot on symbolic elements and outstanding imagery as well in order to build a world completely of their own. Hoseok and Yoongi are the sole characters in this fic too, which I personally like because then all the focus goes right to them. This is definitely one of the fics where you reach the end, pause, and have to reread the fic to truly understand what happened (and the beauty in it as well). Definitely an incredible yoonseok read ~Â directortae
Ahhh, thank you so much, shame i only saw this now! The review made me tear up im adskjhfkjaksjdjdskÂ
@93yoong
Yoonmin is the first BTS couple I ever shipped.. they hold a special place in my heart (:
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Ęá´s É´á´É´-É´á´Â Ęá´á´á´sá´Ęá´á´É´s - BTS for Non-no Magazine - Do not repost my colourings - Like/reblog if using ⥠- Base B&W scans Š -ćçł-

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IF YOU LOVE WRITING BUT DONâT HAVE THE INSPIRATION FOR A 10-PART BOOK SAGA YOU SHOULD TAKE A LOOK AT THIS SITE
ITâS INCREDIBLY HELPFUL AND CAN FOR INSTANCE GENERATE TOPICS AND FIRST LINES, CONTAINS LOADS OF EXERCISES AND YOU CAN FIND PLENTY OF WRITING TIPS.
BLESS YOU I LOVE YOU OH MY GODS IâVE NEEDED THIS
WHERE HAVE YOU BEEN ALL MY LIFE?
This is a really cool siteâŚ
seeing untagged nsfw on your dash
"100 Waysâ drabble game
So I found this drabble game from @wonwoop-scenarios and I think itâs just the cutest thing. I want to get into the writing mood for the requests I have to do so send some requests in! Donât forget which bands we do! Please request only up to 3 numbers max.
-Admin M âĽ
100 ways to say âI love youâ
âPull over. Let me drive for a while.â
âIt reminded me of you.â
âNo, no, itâs my treat.â
âCome here. Let me fix it.â
âIâll walk you home.â
âHave a good day at work.â
âI dreamt about you last night.â
âTake my seat.â
âI saved a piece for you.â
âIâm sorry for your loss.â
âYou can have half.â
âTake my jacket, itâs cold outside.â
âSorry Iâm late.â
âCan I have this dance?â
âI made your favorite.â
âItâs okay. I couldnât sleep anyway.â
âWatch your step.â
âHere, drink this. Youâll feel better.â
âCan I hold your hand?â
âYou can borrow mine.â
âYou might like this.â
âItâs not heavy. Iâm stronger than I look.â
âIâll wait.â
âJust because.â
âLook both ways.â
âIâm sorry. I didnât mean to.â
âTry some.â
âDrive safely.â
âWell, what do you want to do?â
âOne more chapter.â
âDonât worry about me.â
âIt looks good on you.â
âClose your eyes and hold out your hands.â
âThatâs okay, I bought two.â
âAfter you.â
âWeâll figure it out.â
âCan I kiss you?â
âI like your laugh.â
âDonât cry.â
âI made this for you.â
âGo back to sleep.â
âIs this okay?â
âI picked these for you.â
âIâll drive you to the hospital.â
âWhat do you want to watch?â
âYou can go first.â
âDid you get my letter?â
âIâll do it for you.â
âCall me when you get home.â
âI think youâre beautiful.â
âAre you sure?â
âHave fun.â
âSit down, Iâll get it.â
âI made reservations.â
âI donât mind.â
âIt brings out your eyes.â
âThere is enough room for both of us.â
âYou donât have to say anything.â
âWow.â
âHappy birthday.â
âIâll pick you up after work.â
âIt can wait until tomorrow.â
âCross my heart and hope to die.â
âItâs two sugars, right?â
âIâll help you study.â
âStay over.â
âI did the dishes.â
âYou didnât have to ask.â
âI bought you a ticket.â
âYouâre warm.â
âNo reason.â
âIâll meet you halfway.â
âTake mine.â
âWe can share.â
âI was just thinking about you.â
âI want you to have this.â
âCall me if you need anything.â
âDo you want to come too?â
âIâll still be here when youâre ready.â
âIs your seatbelt on?â
âSweet dreams.â
âI was in the neighborhood.â
âStay there. Iâm coming to get you.â
âThey key is under the mat.â
âIt doesnât bother me.â
âYouâre important too.â
âI saved you a seat.â
âIâll see you later.â
âI noticed.â
âYou can tell me anything.â
âI hope you like it.â
âI want you to be happy.â
âI believe in you.â
âYou can do it.â
âGood luck.â
âI bought you an umbrella.â
âIâll pick you up at the airport.â
âTake a deep breath.â
âBe careful. AndâŚ
âI love you.â
Positive Speaking Tones
Amused - entertained; thinking it is funny
Appreciative - grateful; thankful
Awe - solemn wonder; amazement
Calm - relaxed; not excited
Carefree - without worry; lighthearted; joyous
Cheerful - happy
Complimentary - politely flattering
Composed - calm and serene
Courteous - nice; respectful
Determination/Determined - not giving up
Diplomatic - trying not to offend people
Dreamy - soothing; restful; quieting
Earnest - sincere; honest; intense
Ecstatic - great enthusiasm; a trancelike state of delight or ecstasy
Eloquent - expressing ideas in a nice way; poetic; good with words
Encouraging - optimistic; trying to convince you to do something because of a belief that you can do it
Enthusiastic - excited; energetic
Exultant - highly elated; jubilant; triumphant
Formal - respectful, appropriate behavior
Friendly - the way a person treats friends
Funny - humorous; amusing
Gentle - not hurtful; careful
Giddy - frivolous and lighthearted; impulsive; flightly
Happy - cheerful; in a good mood
Honest - truthful
Hopeful - looking forward to something; optimistic
Humorous - funny
Idealistic - thinking of what is best; optimistic; not realistic
Imaginative - creative; using the imagination
Innocent - not guilty
Inspirational - encouraging; reassuring
Intimate - very familiar; the way one talks to close friends or family
Jovial - happy
Lighthearted - happy, carefree
Mirthful - joyful, jolly
Mischievous - playing tricks for fun
Nostalgic - thinking about the past; wishing for something from the past
Optimistic - hopeful; cheerful
Patient - willing to wait; not in a hurry
Placid - pleasantly calm or peaceful; tranquil
Poetic - expressing beautiful thoughts or words
Poignant - affecting or moving the motions; sincere; heartfelt
Relaxation/Relaxed - relaxed; not worried; not busy
Relived - stop being worried
Reverent - respectful; treating something with honor and respect
Sentimental - thinking about feelings, especially when remembering the past
Sincere - honest; truthful; earnest
Surprised - startled; amazed
Sympathetic - compassionate; understanding of how someone feels
Thankful - grateful; giving thanks
Tolerant - accepting of others
Vibrant - energetic; vivd; full of life
Whimsical - playful; funny; odd
Zealous - devoted; enthusiastic; eager; passionate

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Things I Try to Remember When Iâm Nervous About Writing
1. Write what you want to read.Â
2. There is no problem with a story so great that it cannot be fixed in revision. Keep going.
3. If your story is as uncreative as you think it is, you wouldnât want to write it so badly. You want to write it because thereâs a unique spin on it you have never seen, and want to express. Many people may write similar stories, but itâs the details that make it personal. You may not know it now, but there is someone who is looking for exactly what youâre writing. If you donât finish it, theyâll never see it.Â
4. You can write something amazing and still be met with silence. There are myriad reasons for this that have nothing to do with the quality of what you produce.Â
4.1 Itâs okay to repeat post your work if no one has seen it.Â
4.2 Itâs okay to post your work in multiple places.
5. You donât have to agree with every criticism (but take it gracefully anyway).Â
6. Most writers are scared of the same things you are.
7. Donât judge your works in progress against the archives of finished, polished stories other writers have put together. Archives are Internet portfolios and generally donât show all the multitude of failures, incomplete, and draft-form works those writers are also struggling with. They arenât perfect and you donât have to be, either. Keep working and you will have a portfolio of your own.Â
8. Donât be afraid to share your ideas with other writers. Itâs not annoying as long as youâre not self-important about it. Be humble and gracious, and others will reciprocate.
8.1 You canât write as well in a vacuum; the more people know that you are working on something, and what, the more support you will get for that work. Starting a dialogue before you post something will make it more likely people will read it when you do post it.Â
9. Itâs okay to take breaks. If the ideas just arenât coming, go do something else for a while.Â
10. Be kind to yourself. Donât call yourself names. You are not stupid, or uncreative, or boring. You wouldnât call other people those things, so donât do it to yourself.Â
I donât know if these are helpful to other people, but they are helpful to me, so just in case, here they are!
Š JUNI WORLD | Do not edit.
Hey! I have a lot of trouble when it comes to writing dialogue (it doesn't matter if it's canon characters or OCs, I'm just really bad at it) and was wondering if you had any tips for how to work on that.
Dialogue can be really hard so donât fret! It takes a lot of practice to pick up and articulate speech patterns in writing. When I first started getting into writing it was in one of my high school drama classes and we were writing screenplays. Obviously dialogue is a huge part of that so I, personally, have always felt that my dialogue is stronger than my prose.
I thinkâ and this is probably obviousâ the biggest thing with writing a characters voice is understanding how they speak. When Iâm trying to get into character or get muse for a specific character its about voice for me and finding that voice. What helps me do that is listening to them speak or if you have an original character even finding a vocal reference that you feel sounds closest. Like find interviews of an actor or actress, etc. whose vocal pattern and cadence most closely resembles the voice of your character and listen to that to get a hold of just that sound and their pattern of speech.
Another thing that helps me with dialogue is remember that people say dumb things, that is a fact of life. Sometimes they say things that donât make any sense, or things that absolutely have nothing to do with the current topic. People get off track, people bounce around topics. Itâs okay if your character is not 100% coherent 100% of the time.
Also, peopleâs vocal patterns tend to change based on how theyâre feeling. If theyâre angry, they may be prone to raise their voice or stumble over their words more than they would when they speak normally. When theyâre sad, sick, tired, upset, theyâre not going to speak or sound the same way they would when theyâre just fine. Their speech might be more slurred, lower, choked, throaty, garbled. Finding different patterns for different moods or states of being is another part of writing dialogue.
I always find it easier to write dialogue when I mouth it or even read it out loud to myself after I write it. That kind of just helps to solidify it and how itâs spoken. Itâs okay to rework dialogue a couple of times until it flows properly. Just write it the way a person would say it.
Another important thing is that your characters speech doesnât necessarily have to reflect how smart they are. Some people want to beef up their characterâs dialogue with big words and terms to express their character is smart⌠you donât necessarily have to do that. If thatâs how they speak, more power to you, but a lot of intelligent people donât use gigantic words all the time in their daily vocabulary. To use my own OC as an example, Chris is really incredibly smart, but heâs also a fucking nerd and half the time is dialogue is⌠what youâd expect from a teenage boy living in the 80s. Heâs a geek, heâs a dork, he says ridiculous things that arenât always 100% sensible. That reflects in his dialogue and his intelligence in dialogue is generally only tapped into when relevant to the conversation and even then he has his own specific pattern of speaking that doesnât necessarily SOUND like heâs intelligent. I donât know how to explain that properly, but you donât always have to reflect your characters smarts in dialogue. The point is, intelligence does not always impact how your character articulates something.
Dialogue is really hard now that Iâm actually trying to explain it oh gosh. Itâs a very abstract thing when it comes to articulating how it works. The biggest thing is just practice, listen to your character speak or find a vocal reference ( it could even be someone you know, so long as their voice matches how you imagine your character speaking ) and then translate that pattern into writing.
Some things to think about when writing their dialogue are things like:
Do they have lapses in their speech?
Do they pause a lot to think?
Everyone has an accent, what is theirs? ( It can be a neutral accent, American neutrals are still accents, theyâre just⌠neutral, you can google these for reference ).
Do they speak their mind or do they tend to filter themselves?
Do they act differently or speak differently around different people?
What is their mood and how does that impact their speech?
How would they respond to this situation?
How would their response to a situation impact their speech?
Do they sometimes have trouble expressing their own thoughts?
Do they get tongue tied a lot?
Do they speak slowly, quickly, average?
What is their vocal pattern?
How can you translate that pattern into writing?
One other thing you need to keep in mind is that sometimes characters genuinely donât have anything to say. Sometimes dialogue is most effective to articulate how theyâre feeling / thinking when they donât say anything to reflect that. Your character doesnât always have to say something in response to something else if itâs in their nature not to. In the event that happens, you can write something in its place.Â
Example:
A character is in a fight with someone and theyâve just dealt a low blow, they donât know how to respond so they donât say anything.
What you could write for this is something along the lines of:
âShe was seething with rage, no words forming as tears trailed down feverish cheeks. There was nothing left for her to say.â
Itâs about articulating what your character is thinking or feeling. Sometimes thereâs nothing left for a character to say and thatâs okay! Itâs more realistic to break it off in silence than to have your character continue. Thatâs okay. You donât need to over do it.
Donât info-dump with dialogue unless the story and your character absolutely call for it. Info-dumping is when you character reveals a ton of information about themselves in one piece of dialogue. It can become easily contrived and difficult to follow and you have to tread carefully when you do it. There are obviously times when thatâs appropriate to do, but sometimes you can lose the audience so you have to be careful. Itâs best to have your character begin with dialogue and then cut it off with something like âShe explains the rest of her situation.â obviously thatâs just an example, but itâs okay to articulate that your character is speaking while not writing out all of their dialogue. That avoids info-dumping and retains the real, true to life feel you want with dialogue. Just donât give the whole thing, you can give a part of it and then break back into prose and explain what your character articulated in prose.
Another thing is, if itâs not in your character to say too much, donât say too much. Real people in real life donât tend to drag on a situation or a conversation longer than it needs to go on. Itâs okay for sentences to be terse or for your character not to answer all of someoneâs question. For example if another character has just asked your character a lot of questions all at once, itâs okay for your character to only answer one or two of them. It is all dependent on what they would do and what they would say.Â
Itâs also okay for you to write dialect. I know thereâs a lot of controversy about that, especially in the RP community but it IS okay to write their accent if itâs thick and heavy. If itâs a more general, neutral, or easily understandable dialect or accent you can write it normally. But lets say, and this is from an artistic point of view just as much as it is a writing point of view, your character has a very thick accent or dialect⌠Itâs okay to write it that way. And inversely if your character is speaking to a character with a heavy accent or dialect, itâs okay for them to be confused or to have not heard them properly. You can have your character respond in a way they would if they havenât understand it. Some characters might ask them to reiterate, other characters might go along with it and pretend they understood it, the point is dialects and accents are fine to write and itâs even okay if you donât understand whatâs been written. In a roleplay setting if youâre writing with someone who writes a character with a heavy dialect and you donât understand whatâs been written because itâs heavy, you are at liberty to ask what they said and what it meant, and itâs also okay for your character to ask what was said or what they meant, itâs also okay for your character to mishear them or misunderstand them which brings me to another thing.
It is absolutely okay and true to life for characters to misunderstand something another character has said, to mishear, to interpret it wrong, and itâs okay for them to respond appropriately to that misunderstanding. A lot of the time that keeps things fluid and realistic, it helps build tension and development among characters. Itâs okay for your character to not understand or mishear something and react the way theyâd react to that.
Some characters talk a lot, other characters keep it terse, thatâs something to keep in mind. Where does your character fall and how does that impact their interaction with other characters?
With dialogue, ALWAYS ALWAYS ALWAYS begin on a new line for each new person that is speaking, and if your character stops speaking for a while and then you have your prose, but then your character starts speaking again, if it is a new thought, itâs okay to start that on a new line as well. Everything doesnât have to be contained to one paragraph and it makes it easier to read and understand when you break it up appropriately.Â
Thatâs about all I can say, this got longer than I even expected but the biggest thing is practice and picking up patterns. Practice a bunch, practice patterns of speech youâre not used to, patterns that you have the hang of, itâs all about understanding and getting into that mindset to be able to articulate a pattern in writing what theyâre saying. I know thatâs kind of vague and not very helpful, but thatâs what I did and thatâs how I got better about writing. Itâs about flow while retaining a pattern. Thatâs it. Itâs a lot easier said than done, but I think knowing what you have to do and then going from there is really helpful.
Unfortunately Iâm probably not the best person to explain that because Iâve always had a really easy time writing dialogue and how characters thing. If you need clarification on anything feel free to message me, and if you want you could message me off anon and I could explain individual things if youâre confused or need help with, because I honestly think a back and forth discourse might help explain what you need explained better. Iâm not that great at explanations LOL but a personal back and forth might help with specifics, so feel free to contact me.
â stardust au: hoseok as tristan & yoongi as yvaine; for @jeongguklââ (scans cr.)
a philosopher once asked, âare we human because we gaze at the stars, or do we gaze at them because we are human?â pointless, really. âdo the stars gaze back?â now thatâs a question

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kairos
so, i already put this on my ao3, but i thought i'd post some stuff on here too.Â
pairing: yoonseok word count: 5103 genre: fluff, mild angst?
summary:Â The sunsets are beautiful, not quite like sunrises, although they have their own appeal. But sunsets are way more soothing, and to Yoongi they look even better when Hoseokâs warmth is accompanying them.
 KAIROS:  Â
Ancient greek â (n.) The perfect, delicate, crucial moment, the fleeting rightness of time and place that creates the opportune atmosphere for action, words or movement.
The sun is still brightening up the sky, slowly getting closer to the horizon. Dusk isnât there yet, but the air is filled with longing and Yoongi finds himself waiting, expectation prickling at the back of his thoughts. Sitting on the little hill, surrounded by daisies and dandelions, Yoongi watches as the grass spreads in front of him, all around him, until he cannot distinguish the flowers from the ground anymore. When the other boy sits next to him, Yoongi fails to see where he has come from and, even if he were to find out, he wouldnât know what to do with the information. The field around them is too big for him to attempt walking it, miles behind them just a small forest that Yoongi is always too scared to look at, let alone go through. âWhere do you think you will be in five years?â The boy asks and Yoongi doesnât dare to look at him, but he can feel his presence is positive, reassuring.Â
relatable