Tomoya Tsukamoto Nostalgia 2004 Oil on Canvas
styofa doing anything
Jules of Nature
Sweet Seals For You, Always
we're not kids anymore.

JBB: An Artblog!
he wasn't even looking at me and he found me
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Misplaced Lens Cap
taylor price
almost home
Game of Thrones Daily

pixel skylines
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❣ Chile in a Photography ❣
trying on a metaphor
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@sunlostudio
Tomoya Tsukamoto Nostalgia 2004 Oil on Canvas

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“Absorption spectra of human serum.” Practical spectroscopy. 1948.
Internet Archive
Pipilotti Rist, from Ever Is Over All, 1997.
Charles LONG Untitled 2012 steel, fabric, ecopoxy, and pigment 88 x 30 x 32 inches; 223.5 x 76.2 x 81.3 cm
Huanglong, China

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Ilka Raupach wenn ich nur lang und tief genug grabe…, 2016 paper, wire
Park of idols, 1938, Paul Klee
Medium: watercolor,paper
Antony Gormley | Chromosome, 1984.Â
Lead, zinc and water (46 x 200 x 120 cm)
Denitsa TodorovaÂ
Waterfalls, 2019Â
View of a six-ton nephrite boulder that was unearthed in 1777, Palace Museum, China, 1987.

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Lennart Foppe
Rosy Fingered Dawn at Louise Point, 1963, Willem de Kooning
Praise, 1976, Agnes Martin
Medium: lithography
“Aren’t we using language now in this conversation?
P.H.: The most real dialogue for me is when I am alone, writing.
Do you think a conversation between two people can communicate anything?
P.H. Sure. But you have to know that this is a game. It can become at moments very touching and serious, but it starts as a game and it should end as a game.
*
[das nobelices]
Um dos desmancha-prazeres que mais tenho procurado, quase a par de Bernhard no interesse que me suscita! Todavia, causa-me alguma impressão vê-lo, agora, “nobelizado”, atendendo ao desgaste de importância, para não dizer em credibilidade (e a associação, nos bastidores ao longo dos anos, a politiquices manhosas) que o Nobel da literatura vem destacando. Vai ser estranho vê-lo figurar, após a notoriedade do prémio, nos “tops” dos modismos literários (ou pseudo literários) do Continente, Fnac’s e hipermercados análogos. Não, é certo que não vai haver corrida desenfreada, até porque muitos dos nascituros leitores que vão aproveitar a onda mediática irão sobretudo reservar-lhe um cantinho na bela estante do IKEA e fazem bem, porque a leitura de Handke até lhes pode cair mal, ser indigesta. Ou então estou apenas a ter uma crise de ciumeira com a perspectiva de novos e pujantes leitores de Handke…sou muito possessiva com os meus autores!
img.: “Peter Handke, In the Woods, Might be Late”, dir. by Corinna Belz

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René Magritte, L’incorruptible, 1940