studio nvdp

Graphite drawings as part of 'INCEPT' on display at Kavka, Antwerp. 'INCEPT' is a 3D sculptural installation that examines inception, insemination, birth, and labor as systems of control rather than natural processes. Mediated by the medical-industrial complex, bodies are surveyed, categorized, and reduced to clinical function; alignment is rewarded, deviation corrected.

The work confronts the myth of medical purity and the violence of bodily classification. Sterile, binary logics frame care as protocol and identity as data. The medical-industrial eye assigns the skin a number, a category, a prefix. Failure to conform is recorded, not accommodated.

The Embryo & graphite drawings as part of 'INCEPT' on display at Kavka, Antwerp. 'INCEPT' is a 3D sculptural installation that examines inception, insemination, birth, and labor as systems of control rather than natural processes. Mediated by the medical-industrial complex, bodies are surveyed, categorized, and reduced to clinical function; alignment is rewarded, deviation corrected.

The work confronts the myth of medical purity and the violence of bodily classification. Sterile, binary logics frame care as protocol and identity as data. The medical-industrial eye assigns the skin a number, a category, a prefix. Failure to conform is recorded, not accommodated.

The Embryo as part of 'INCEPT' on display at Kavka, Antwerp. 'INCEPT' is a 3D sculptural installation that examines inception, insemination, birth, and labor as systems of control rather than natural processes. Mediated by the medical-industrial complex, bodies are surveyed, categorized, and reduced to clinical function; alignment is rewarded, deviation corrected.

The work confronts the myth of medical purity and the violence of bodily classification. Sterile, binary logics frame care as protocol and identity as data. The medical-industrial eye assigns the skin a number, a category, a prefix. Failure to conform is recorded, not accommodated.

The Incubator as part of 'INCEPT' on display at Kavka, Antwerp. 'INCEPT' is a 3D sculptural installation that examines inception, insemination, birth, and labor as systems of control rather than natural processes. Mediated by the medical-industrial complex, bodies are surveyed, categorized, and reduced to clinical function; alignment is rewarded, deviation corrected.

The work confronts the myth of medical purity and the violence of bodily classification. Sterile, binary logics frame care as protocol and identity as data. The medical-industrial eye assigns the skin a number, a category, a prefix. Failure to conform is recorded, not accommodated.