Studio450

‘The Weird and the Eerie’ is the third book book by Mark Fisher. Focussed on a history of Horror in literature and cinema, it was posthumously published in 2017 and served to get further under the skin of certain ideas that were embedded and limned in Fisher’s revolutionary ‘Capitalist Realism: Is There No Alternative?’ [2009], and ‘Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures’ [2014], an important set of texts that draws links between mental health, politics and culture.

“What exactly are the Weird and the Eerie? In this new book, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling. Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie.

These two modes will be analysed with reference to the work of authors such as H.P. Lovecraft, H.G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan.”

‘The Weird and the Eerie’ is the third book book by Mark Fisher. Focussed on a history of Horror in literature and cinema, it was posthumously published in 2017 and served to get further under the skin of certain ideas that were embedded and limned in Fisher’s revolutionary ‘Capitalist Realism: Is There No Alternative?’ [2009], and ‘Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures’ [2014], an important set of texts that draws links between mental health, politics and culture.

“What exactly are the Weird and the Eerie? In this new book, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling. Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie.

These two modes will be analysed with reference to the work of authors such as H.P. Lovecraft, H.G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan.”

Alice dans les villes,

Wim Wenders,