¾ Potential

ellievsbear
noise dept.
One Nice Bug Per Day
Doug Jones
d e v o n
taylor price
Show & Tell
Misplaced Lens Cap
Monterey Bay Aquarium
Cosmic Funnies

tannertan36
Game of Thrones Daily
occasionally subtle
★
Not today Justin

Origami Around
🩵 avery cochrane 🩵
let's talk about Bridgerton tea, my ask is open

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Discoholic 🪩
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@studio-rothstein-sp16
¾ Potential

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3/4 potential
f u g u e work in progress Two lines intertwined, Each, segments of the cycle, Extend and contain.
hallway, lighting
framework

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details
A Thin Place / Inhabiting the Horizon / The Presence of Absence ~ Bridges ~ Be a lamp, or a lifeboat, or a ladder
Model surface collage no. 3
Reshape / Anchoring / Tension
test - caustic effects

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Diagram/ Section/ Site
3/4 review.
The family of the deceased donor would return to specific areas of the project to memorialize their loved ones while still being tethered to the liveliness of the housing part. The borderline between alive and dead is diminished. Life, more than technically life, both living one and dying ones should be able to decide what is life.
Research and design.
1. Building along the exposed 1811 Grid while maintaining the imposed spiral planning logic.
2. Developing the cellular logic (a script that can morph cells between two untrimmed surfaces, rather than maintaining equal depth throughout)
3. 1994 geological survey indicates bedrock surface in red contours and topographic surface in black contours. The bedrock surrounding the reservoir is frequently within 10 feet of the surface (and so the “New York Horizons” project is based on a false premise). Bedrock depth and skyscraper location also do not correlate, contrary to popular perceptions.
4. Orientation of glacial striae and grooves across the park.
“Latitudes and longitudes impose themselves on the medieval system of rhumbs. The grid thus turns into a diagram, enabling the depiction of temporal sequences in addition to spatial orders. Once we read the synchronic segments diachronically, time appears as a function of space.”
Bernhard Siegert, Cultural Techniques: Grids, Filters, Doors, and Other Articulations of the Real, trans. Geoffrey Winthrop-Young (New York: Fordham University Press: 2015), 102.
To investigate layers of play, of spatial experiences, of existence.
Model surface collage no. 2

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Model surface collage no. 1
Searching for more porosity and transparency as the project moves foward