Celebrating Paper Theatre, UCTV
DEAR READER
Claire Keane
Cosmic Funnies

Love Begins

pixel skylines

★
Lint Roller? I Barely Know Her

"I'm Dorothy Gale from Kansas"
todays bird
let's talk about Bridgerton tea, my ask is open
trying on a metaphor
noise dept.

祝日 / Permanent Vacation

Discoholic 🪩
Keni
we're not kids anymore.

Kaledo Art
he wasn't even looking at me and he found me

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@stuartmcadam
Celebrating Paper Theatre, UCTV

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Edward Kienholz - The Portable War Memorial, 1968
Genesis 11:1-9
And the whole earth was of one language, and of one speech.
2 And it came to pass, as they journeyed from the east, that they found a plain in the land of Shinar; and they dwelt there.
3 And they said one to another, Go to, let us make brick, and burn them thoroughly. And they had brick for stone, and slime had they for morter.
4 And they said, Go to, let us build us a city and a tower, whose top may reach unto heaven; and let us make us a name, lest we be scattered abroad upon the face of the whole earth.
5 And the Lord came down to see the city and the tower, which the children of men builded.
6 And the Lord said, Behold, the people is one, and they have all one language; and this they begin to do: and now nothing will be restrained from them, which they have imagined to do.
7 Go to, let us go down, and there confound their language, that they may not understand one another's speech.
8 So the Lord scattered them abroad from thence upon the face of all the earth: and they left off to build the city.
9 Therefore is the name of it called Babel; because the Lord did there confound the language of all the earth: and from thence did the Lordscatter them abroad upon the face of all the earth.
Ettore Sottsass (and Memphis Group) have come up a few times in the research I’ve been doing. It made me think about how I made a copy of this drawing in high school as research for a project about my “personal surroundings”. Seems like a continuation of a theme started long ago.
Jeremy Deller - Acid Brass, 1997
"Based on the connections I made in The History of the World, I decided to try to get a brass band to agree to perform a repertoire of acid house music. I was terrified of ringing up the bandleader of the Williams Fairey Band to ask if he would do this. I thought it would take lots of convincing and explaining – but he agreed immediately. He just said, "All right, we'll do it. We'll do it once and see how it goes", Which is exactly the attitude you want. So we performed it once, and it went really well, and we continued to perform it. The experience taught me a lot about working with the public. I realised that I didn't have to make objects anymore. I could just do these sort of events, make things happen, work with people and enjoy it. I could do these messy, free-ranging, open-ended projects, and that freed me up from thinking about being an artist in a traditional sense. I had been liberated by a brass band."

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Jeremy Deller - The History of the World, 1997
"I drew this diagram about the social, political and musical connections between house music and brass bands – it shows a thought process in action. It was also about Britain and British history in the twentieth century and how the country had changed from being industrial to post-industrial. It was the visual justification for Acid Brass. Without this diagram, the musical project Acid Brasswould not have a conceptual backbone."
A selection of Vincint van Gogh’s drawings in ink. Just incredible pieces of work.
Tania Bruguera - Tatlin’s Whisper #5, 2008
Tate video about the work.
More info on Tania’s excellent website.- http://www.taniabruguera.com/cms/478-0-Tatlins+Whisper+5.htm
Pages 66-69 of Paul Auster’s - City of Glass, from 1985. (one of my favourite books!)
Francis Alÿs - Pacing, 2001. Graphic Documentation of an action, New York

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Kathy Prendergast - City Drawing Series (London, Tehran, Vaduz, Addis Ababa, Doha, Washington, Jerusalem). Pencil on Paper, 1997
Various works on paper by Mark Dion, and an installation shot as well.
Claes Oldenburg - French Fries and Ketchup, 1963. Vinyl and kapok on wooden base.
Simon Faithfull - Ouse Navigation, 2014
(see the full series here - http://www.simonfaithfull.org/drawing-cycles/ouse-navigation/)
Some drawings by Marijn van Kreij that I like. Seen his work years ago at the Rijksakademie open studios.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Grid Corrections (a one minute) - Gerco de Ruijter, 2016
The first five Mars Attacks Cards by Wallace Wood and Norman Saunders, Published in 1962.
Check out the rest of them here - https://www.flickr.com/photos/31558613@N00/5315367121/in/album-72157625601126001/