Kaveh Akbar, from âPersonal Inventory: Fearless (Temporis Fila)â, Calling a Wolf a WolfÂ
hello vonnie
will byers stan first human second
almost home
I'd rather be in outer space đ¸

pixel skylines

oozey mess
Lint Roller? I Barely Know Her
noise dept.
he wasn't even looking at me and he found me
Alisa U Zemlji Chuda
occasionally subtle

JVL
art blog(derogatory)
KIROKAZE

Kiana Khansmith

Kaledo Art
Peter Solarz
Keni

styofa doing anything

seen from Netherlands
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from Netherlands

seen from United States
seen from United States

seen from Malaysia
seen from United Kingdom
seen from South Africa
seen from Switzerland
seen from United States

seen from TĂźrkiye

seen from United Kingdom
seen from United States

seen from TĂźrkiye
seen from Netherlands
seen from United States
@strepentsilences
Kaveh Akbar, from âPersonal Inventory: Fearless (Temporis Fila)â, Calling a Wolf a WolfÂ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
â Frank Bidart, from âHalf-light: Collected Poems 1965-2016; âThe Third Hour of the Nightâ", published c. 2017
But compared to the danced religions of the past, today's "faiths" are often pallid affairsâif only by virtue of the very fact that they are "faiths," dependent on, and requiring, belief as opposed to direct knowledge. The prehistoric ritual dancer, the maenad or practitioner of Vodou, did not believe in her god or gods; she knew them, because, at the height of group ecstasy, they filled her with their presence. Modern Christians may have similar experiences, but the primary requirement of their religion is belief, meaning an effort of the imagination. Dionysus, in contrast, did not ask his followers for their belief or faith; he called on them to apprehend him directly, to let him enter, in all his madness and glory, their bodies and their minds.
Barbara Ehrenreich, Dancing in the Streets: A History of Collective Joy
approaching love with no sudden movements, no loud noises. approaching love with caution, like any second it will prove dangerous and lash out to strike, to rend, to maim. approaching love with wary gentleness, coaxing love closer with promises of food and safety.
sitting quietly with love, day by day, getting used to its presence. slowly relaxing when love is around. marveling in the way love feels so soft once you can bring yourself to hold it without flinching. warming yourself at love's side, comfortably sated.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
I know this is not going to be a particularly controversial opinion, but
In the last three weeks I have seen two (2) films about the multiverse, featuring a threat to said multiverse revolving around the family dynamics and parent-child grief of a woman with undiagnosed depression. One was Doctor Strange into the Multiverse of Madness, and the other was Everything, Everywhere, All At Once.
I have not looked up the actual budgetary difference between the two because I care not for your ridiculous âfactsâ in the face of my own opinions, which are sacrosanct. But as Doctor Strange is Disney and EEAAO is an indie film Iâm going to take a stab in the dark and say the former cost about eight times the latter. EEAAO had a much smaller cast that got cleverly reused. Far fewer sets, too, which probably helped.
I bring this up because, of the two, it was the one that looked about eight times more expensive. If I knew nothing about those films, I would assume it was the one with the budget. Literally everything about it was better without exception. The writing by multiple orders of magnitude, the acting, the directing, and yes, the special effects. That was honestly one of the most incredible films Iâve ever seen. There were moments when my husband was openly sobbing in the cinema. The most he managed for Doctor Strange was an âOh, thatâs poignantâ once.
I donât know where Iâm going with this but itâs probably something something let artists do their thing and stop making everything CGI something something idk
But I do care
Slightly less than an order of magnitude difference.
Youâre shitting me
Literally eight times the budget
I was bang on right
Youâre shitting me
Am I done thinking about this movie? No. Am I going to fully think through my point this time before inflicting it on you all? Also no
We keep being told over and over again that Marvel cannot have queer characters because of the looming spectre of the Chinese Market, and I saw people (kind of rightly) lose their shit about America Chavez in Doctor Strange (although fuck me that was appalling America Chavez characterisation).
Everything, Everywhere, All At Once had two explicit and one implicit queer relationships. And the exaltation of one of them was central to the filmâs denouement.
I never want to hear BUT CHINA used to justify Disneyâs all-American homophobia ever again is what Iâm saying
âYou donât know anyone at the party, so you donât want to go. You donât like cottage cheese, so you havenât eaten it in years. This is your choice, of course, but donât kid yourself: itâs also the flinch. Your personality is not set in stone. You may think a morning coffee is the most enjoyable thing in the world, but itâs really just a habit. Thirty days without it, and you would be fine. You think you have a soul mate, but in fact you could have had any number of spouses. You would have evolved differently, but been just as happy. You can change what you want about yourself at any time. You see yourself as someone who canât write or play an instrument, who gives in to temptation or makes bad decisions, but thatâs really not you. Itâs not ingrained. Itâs not your personality. Your personality is something else, something deeper than just preferences, and these details on the surface, you can change anytime you like. If it is useful to do so, you must abandon your identity and start again. Sometimes, itâs the only way.â
â Julien Smith, The Flinch (via wnq-anonymous)
You know that Ada LimĂłn poem where sheâs like âi canât help it i love the way men loveâ? my dad recently confessed to me that he became a shoemaker because they buried my grandma shoeless
oh.......................................
Accident Report in the Tall, Tall Weeds - Ada LimĂłn
Gregory Orr, from âOde to Some Lyric Poetsâ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
âIf love did not exist, I would be so goddamn sane. My poems would be billboards. Suburbia would be enough. I would not have to gut myself to find my spine crushed into powder and brushed on her cheek bones. My hair would not be a humming birdâs nest. My mind would not have to move this fast just to rest.â
â Andrea Gibson, Staircase (via weight-of-her)
Let me call my anxiety, desire, then. Let me call it, a garden. Maybe this is what Lorca meant when he said, verde que te quiero verde â because when the shade of night comes, I am a field of it, of any worry ready to flower in my chest.
â Natalie Diaz, from Postcolonial Love Poem; From the Desire Field.
Poet James Schuyler to painter John Button (Spring 1956)Â
â ⌠â
âI have pasts inside me I did not bury properly.â
â Ijeoma Umebinyuo, from âConfessionsâ, published in âQuestions for Adaâ (via weltenwellen)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Natalie Wee, from âLeast of Allâ, Our Bodies & Other Fine Machines
Langston Hughes, from âTiredâ featured in Selected Poems