Today's Document

titsay

❣ Chile in a Photography ❣
Misplaced Lens Cap
Peter Solarz
d e v o n
PUT YOUR BEARD IN MY MOUTH

Origami Around
Lint Roller? I Barely Know Her

shark vs the universe
trying on a metaphor
"I'm Dorothy Gale from Kansas"
Aqua Utopia|海の底で記憶を紡ぐ
Jules of Nature

Kaledo Art

noise dept.
Sade Olutola
will byers stan first human second
seen from Germany

seen from Germany
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seen from Malaysia

seen from Malaysia
seen from Netherlands
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seen from Brazil
seen from United States
seen from United States
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seen from United States
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seen from Malaysia

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@strainge

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© Simon Atkinson
'extirpation of evil by incision,' 1994 in adriana varejão: histórias às margens [at the margins] - museu de arte moderna de são paulo (2013)
All Light, Everywhere (Theo Anthony, 2021)

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Belladonna of Sadness (1973) Dir. Eiichi Yamamoto
Robert Bresson's "The Devil, Probably" June 15, 1977.
To study soon: how the Sanctum is a living thing.

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Massimo Gurnari - How To Become Invisible, 2024 - Mixed Media on canvas
WILLY WONKA & THE CHOCOLATE FACTORY (1971) dir. Mel Stuart
I possess hallucinations you will never know.
Gloves, Méret Oppenheim, 1985
Auguste Rodin, A Hand in Bronze

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Strange + Voice
His voice demands the whole room, it's a raw and haunting presence; depth, the nuances of it that make it unmistakable. A piercing quality. Yet... you can't help but feel like he sounds familiar. It's calming, riding on air, and can slowly send someone into hallucination (same as if you were to stare at him for too long). And quietly, his vocal has a doubling echo. For reference, he sounds like this.
When someone is deep in hallucination, it's more uncomfortable. The speech becomes reverse. There's more intonations in the words and becomes disoriented. It's loud, like thousands of voices and quiet simultaneously.