“The Power of Minne,” – an allegorical depiction of women’s power over men’s hearts (Broadsheet woodcut, 15th century by Master Casper von Regensburg, Berlin, SMB, Kupferstichkabinett)

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“The Power of Minne,” – an allegorical depiction of women’s power over men’s hearts (Broadsheet woodcut, 15th century by Master Casper von Regensburg, Berlin, SMB, Kupferstichkabinett)

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Water Lilies painted by Claude Monet (1840 - 1926)
John White Alexander - Repose (1895)
Τhe armour of Alessandro Farnese (condotier, governor of the Netherlands, Duke of Parma, Piacenza and Castro), received from King of Spain Philip II, made by Lucio Piccinino, 1578 CE. Credit: @archeohistories
Random paintings by color palette 5/? [others]
Robert Lewis Reid, Blue and Yellow; Alfred Stevens, La Parisienne japonaise; Lilla Cabot Perry, An Easter Morning; Alfred Stevens, Girl in a Kimono; Guy Orlando Rose, Marguerite; William Merritt Chase, The Blue Kimon.

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Danila Tkachenko: How hermits live in the wilderness [source]. Escape is a series about individuals who have disassociated from society and live as hermits in the wilderness of Russia and Ukraine.
Random paintings by color palette 4/? [others]
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Sebastian Erras, Barcelona floors. [source]
Random paintings by color palette 2/? [others]
Władysław Czachórski, The Blossom of Youth; Franz Xaver Petter, Blumenstück; Franz Xaver Gruber, Blumenstück; Louis Janmot, Fleurs des champs

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Random paintings by color palettes 1/? [others]
William Merritt Chase, Spring Flowers (Peonies); Émile Villa, La Japonaise; Hubert-Denis Etcheverry, A Cabinet, Flowers and Crystal Ewer on a Ledge; Arnulf de Bouche, Still Life with Japanese Vase and Figurine; Frans Verhas, La collectionneuse au kimono vert; Frans Verhas, La Fiancée
Sebastian Erras’s London floors project. [data source]
Brazil’s largest and most dangerous gold mine photographed by Sebastião Salgado. [data source]
The "Chamber of Wonders" of Palermo, discovered by chance in 2003 under four layers of plaster in a private apartment in the historic center. Entirely painted blue in the mid-nineteenth century, it was initially identified as a mosque, given the balcony oriented towards Mecca, but different hypotheses were then made instead. Some have assumed it was just a "Turkish" room, an exotic styled room for simple decorative tastes, others hypothesize the room was used as a place for meditation and study.
.... Imagine being the unsuspecting and lucky owner of that apartment.
The Sala del Mappamondo in the Palazzo Farnese in Caprarola (Viterbo). Frescoed by Giovanni De Vecchi between 1572 and 1574.

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Venetian floor by Sebastian Erras
The romantic cemeteries of Caspar David Friedrich: The Abbey in the Oakwood (1809-1810); Monastery ruins in the snow (1819); The Cemetery Entrance (1825); Graveyard under Snow (1826).