I'm trying to take the high road but I'm like, dragging myself bleeding and sobbing along the high road while looking so so longingly at the low road
#AND that fucker taking the low road is going to get to Scotland afore me. very annoying.
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@starry-nightengale
I'm trying to take the high road but I'm like, dragging myself bleeding and sobbing along the high road while looking so so longingly at the low road
#AND that fucker taking the low road is going to get to Scotland afore me. very annoying.

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swans in oil pastel 🦢🦢🦢
"He wouldn't say that" has a beautiful cousin, and her name is "That's Not What This Story is About".
Need some fables AESOP
lets lay down with baby
lets lay down with mama
lets lay down with mama
lets lay down with mama
I love how with each new baby that comes to lay with mama they immediately mush their face into her face 🥰

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high ambient background football levels reminded me to actually finish this Personal Lore That Caused My Books comic
Something neuroscience-y that helps with prose: attention is selective. A character will not notice everything in a room. They will notice what matters to their goal, fear, desire, training, wound, or obsession. A jealous character notices hands. a hungry character notices food. A soldier notices exits. A lonely character notices pairs. Description becomes character when attention has a bias.
unfinished study from earlier this year :^)
Jacek Yerka, Eruption
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HAPPY ANNIVERSARY PORTAL 2!
EVERYBODY DANCE!!

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Other Greek Heroes and whether they'd look back at Eurydice
Heracles: No, he wouldn't look back. Partly because he's smart enough to know it wouldn't change anything, and partially because he knows the Gods well enough that Hades keeps his word. Eurydice gets out and they high five. Unfortunately he misjudges the strength of his high five and Eurydice spends her first couple of weeks back to life with her arm in a cast.
Jason: Oh yeah. This dumbass looks behind him before he leaves Hades throne room and then loudly insists that NO HE DIDN'T HE TOTALLY DIDN'T AND IS HE DID IT WASN'T HIS FAULT IT'S EURYDICE'S FAULT! Eurydice is just like "maybe I'm better off here."
Perseus: Nope. He's a good boi who pays attention and blindfolds himself to make sure he doesn't, feeling his way along the path to make sure he doesn't trip. It takes him longer to get out, but they DO get out.
Theseus: Actually they do get out. Not because Theseus is smart enough to not look back or anything but because he's too self important to look back. The moment she steps outside the Underworld, Eurydice is running at top speed and Theseus never bothers to check to see if she's still following.
Odysseus: He cheats, using a polished mirror to keep track of her through the reflection the way Perseus kept track of Medusa. Unfortunately because he thought he outsmarted the system he fails to look where he's going, looses his footing, the mirror, and accidentally looks back anyway. Too clever for his own good, he was the architect of his own failure.
Achilles: He doesn't even bother asking. Full fire in his fury he fights Hades, wins, and takes Euridyice away his own way. Unfortunately, he can only bring her back as a shade without the Lord of the Dead's permission. It only brings him greater sorrow.
Medea: She thinks Hades is lying and Eurydice isn’t behind her but doesn’t look back because if she gets out of the underworld without Eurydice she has grounds to complain to the gods that Hades broke his vow and start the 900bc equivalent if a fraud lawsuit. The whole way she plots her revenge only to reach the surface and be genuinely surprised (and a little bit disappointed) that Eury is actually there.
Atalanta: She learned from the apple-race-incident. Looking back will only slow her down. She bolts back up to the surface in record time only to actually manage to loose Eurydice on the way. Whoops.
Ariadne: Her sentimental ass looks back, sorry Eurydice, it was in the name of love.
Penelope: They make it out. Penelope trusted her allegedly dead husband to come back for 10 years she can trust that a silent ghost is behind her for 2 hours. Persephone could walk up with her the whole way telling her ‘actually you should turn around she’s not there’ and she still wouldn’t.
If I ever wrote a superhero story I’d want there to be a recurring shitty C-list supervillain in the background whose power was changing something’s colour and all her villainous plots would be colour-themed things like “If the city council doesn’t give me a million dollars, I will turn the city of GREEN Bay into the city of RED Bay!” and she’d turn the Golden Gate Bridge magenta or whatever.
So it’s all low-stakes villainy, but everyone absolutely hates fighting her because her very shitty superpower works really really well, and there are dozens of background characters who’ve fought her that are just permanently green now
#the wildest thing about this is that it COULD be incredibly powerful #you turn solar panels white they aren’t gonna work anymore and that’s gonna fuck up your whole grid on a very Temperature day #you can blind people the same way #turn some water red. make your own murder scene #fuck up traffic and hide warning signs. or fences. or a building #blackmail your local hidden spy facility with neons #absolutely demolish a politician’s career because who can take a bright lime guy seriously? #red tides are devastating for a tourist beach economy #that sort of thing. you get it #but the point is she’s got all the tools and she’s hitting the nail with a wrench for no reason
@hedgewitchnecromancer yes exactly. “You can alter any material on the fly and you’re using it for superpowered vandalism?! You could destroy the environment by changing the colour of chlorophyll!”
“But I don’t want to destroy the environment. I want to turn Yellowstone purple.”
#‘she’s got all the tools and she’s hitting the nail with a wrench for no reason’ is a great way to describe it
“Generically medieval”, by which we mean our peerage is French, our castles are German, our weapons are Italian, and everybody speaks English.
you can have religion in one of 2 flavors: “woo hoo aesthetic garnish” and “Sinister State Control in Bad Allegory for Problems in Modern Christianity”
Also, the latter is aesthetically French Catholic, theologically German Protestant, and has the institutional structure of the Church of Scientology.
not to mention that this land is simultaneously inhabited by thinly modified northern vikings (Nordic pre-medieval/9th century), travelling mongols (European medieval/13th century) and a wealthy italian merchant family with a house full of oil paintings (Southern European renaissance/15th century). the dance of the day is waltz (refined German 18th century country dance).
But it will only actually be called inaccurate if an adaptation chooses to add a Black person.
Happy Left Handers Day!
Still working on these. Without the dividers, they come together a lot faster and I can use more odd-shaped pieces, which is nice.
The latest batch! The butterflies were very carefully cut out from scrapbook paper, and I used some dollhouse-scale playing cards for the locket.

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when you get crazy enough about The Character you'd think the situations you imagine them in would get more elaborate and lore intensive. but no. imagining my wizard pacing around huffily being slightly peeved at a mild inconvenience. I don’t even know what the inconvenience IS. and it's giving me enough joy to power a city for a month
you understand this post more than anyone else
“It's not fair.” The little ghost kicks impotently at the chalk lines around her feet. “I ain't done nothing.”
I nod, setting down my chalk and spellbook. “It does sound like there might have been a bit of a misunderstanding.”
“She took against me, that's what happened,” the dead girl says with a scowl. She looks about fourteen, round faced and spotty, with whisps of brown hair peaking out from under her mob-cap. Her face and her crossed arms have a tell-tale bluish tinge to them. A cholera death.
“I been here for don't know how long and never gave any trouble. Nobody ever complained about me 'till her.”
…well, that's not strictly true.
Number 12, Barclay Street has been attracting rumours of haunting since the mid nineteenth century.
Sounds of faint singing and crying in the corridors at night. Cold spots. Doors that open and close by themselves. Animals acting strangely. Harmless, mid to low-level stuff, typical for a bored teenage poltergeist.
Still, pointing that out isn't likely to achieve much, and certainly the most recent complaints of blood running down the walls, screams in the dark and paralysing night terrors seem distinctly out of character.
The ghost toes the chalk again, more tentatively this time. It stays resolutely unbroken.
She could get out if she wanted to. I'm not one of those assholes who brings out their full arsenal of wards and sigils for a first meeting with a level 2 spectre. The summoning circle will keep her in one place for as long as I need her to talk, but it wouldn't hold for a moment if she really fought against it.
I take it as a good sign that she's still here. Pouting or not, she's clearly willing to work with me.
“None of the others could do this,” she says. “None of 'em even saw me.” She looks up. “Are you here to exise me?”
“Exorcise,” I say instinctively, and curse myself when she flinches. “Sorry, no, no! I don't exorcise people from their homes without good reason, not if they're happy where they are.”
“I was happy. Till she started calling in all them ghost hunters.”
Mrs Delaney had been quite persistent in her attempts to 'fix' her haunted house. Most of the people she found were charlatans, of course, but I'd still arranged an appointment as fast as I could once word reached me. It wouldn't have been long before she happened upon somebody with Talent, and unfortunately not everybody in this field knows how to behave like a professional.
“I think we might be able to help each other,” I say, careful to keep my voice calm and level.
“Don't see how. Not unless you can exorcise Her.”
“Not quite what I had in mind.” I pull out my phone and scroll through my photos. “You say that you're not the cause of the most recent incidents of paranormal activity?”
A pause. The ghost gnaws on her lip. I wait, patiently, keeping my body language open and nonthreatening. “I… I knocked her coffee cup over,” she admits at last. “She was being mean and talking on her telephone, saying I done all these things when I never did! So I decided to show her what I could do if I wanted.”
“Hmm.” The ghost eyes me nervously, as if expecting me to pull out a book, bell and candle and banish her on the spot.
“I only tipped it,” she adds. “I didn't break it or nothing!”
“You shouldn't have touched it at all,” I say sternly. “But… I can appreciate that you were frustrated, so let's say no more about it.”
The ghost looks relieved.
“My point is,” I continue, “if you weren't the one making blood rain from the ceiling or tormenting people in their sleep, then what was? There's no other ghosts on the property.” I find the picture I was looking for. “You can get anywhere around the house, right? Including behind the furniture and in the backs of cupboards?”
“Yes'm.”
I hold the phone up so that she can see the picture on the screen. “I'm going to let you go free in a moment, and I need you to see if you can find anything that looks like this.”
The ghost wrinkles her forehead. “What's that when it's at home?”
“Black mould,” I say, reaching out a foot to break the binding circle. “And I'm pretty sure it's the cause of this haunting.”