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@starry-nightengale

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You know the Grimm version of Snow White makes more sense than most versions if only because in that version Snow White was like 7 years old.
Like imagine you find a 7 year old in the woods and sheâs like my mom is gonna kill me because Iâm prettier than her and sheâs not kidding. You know this queen is that sort of person. So you and your roommates adopt the kid and tell her donât talk to strangers. And she keeps talking to strangers and getting poison combs stuck in her hair and whatnot.
Like yeah thatâs kinda stupid but also sheâs seven. She likes apples.
Also imagine it from the hunterâs perspective. The queen tells you this bitch is prettier than me I need you to take her out in the woods and kill her. And then you see who youâre supposed to kill and itâs a 2nd grader. Like how are you supposed to react to that sort of situation? Kill a human child? No. Because youâre not a brainless evil minion youâre just some guy dealing with a cartoonishly evil monarch. Of course you let her go.
Bad look for the Prince of course. Even if she did age while she was in that glass case. He saw a dead woman and just decided to keep her. And once she stopped being dead he was like weâre married now
He did cause the evil queen to dance to death in red hot shoes though. That was kinda cool.
With the acknowledgement that I'm grasping at straws, is it ever directly confirmed that the Prince wasn't also 7?
See, I think that still works.
You are the guardsman assigned to protect the eight-year-old Prince. You are currently in the middle of the forest because he absolutely had his heart set on "going hunting", and the royal second-grader should definitely not be traipsing around the woods on his own. You let him go a little on ahead and he comes running back talking about how there's a dead girl in the clearing and there's no-one else around and he wants to take her home because she's really pretty, Hans, and she's all alone!
You let him drag you to said clearing and okay, that is one angelic-looking dead child alright, and on the one hand the quality of her clothes and the craftsmanship on the coffin (who builds a see-through coffin?) speak to potential Consequences if you simply carry her off, but also for the amount of vines that have grown on the coffin she looks extraordinarily un-decayed, so you should probably get the court alchemist's opinion on that, and there's no way he's going to come all the way out here in his embroidered velvet curly-shoes. And also this kid is technically assigned by God as your natural superior, or something.
So fine. You hoist the coffin onto your shoulder (it's not like the Prince can do it. He's eight.) and head back toward the castle, Prince chattering blithely all the way. And then you turn your ankle on a rock and suddenly there's a thump and a cough and a lot of shouting from inside the coffin and you have now become a key player in a tense political incident with the next kingdom over.
You should probably ask for a raise.
Are you available?
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this is how it feels to make an oc and then get emotional about the situations you put them in
@retrocorvidae
as much as i get the sentiment behind "make more bad art" there's gotta be a better way of communicating "you don't have to be technically proficient or hold yourself to a specific standard of practice" that doesn't sound as backhanded lol
guys the magic key is to iterate
You make iterations, because you get better by doing them. I teach art and when one of my students gets dejected for 'being bad' I double-check: this is prob the first time you're [sculpting a flower] right? right. Well is the first time you played soccer, or tennis, or a musical instrument, or drove a car, also the best time you ever did? you probably got better by doing it more often.
and ofc it's not magic in the sense that you'll be perfect by next Tuesday, but as a wise person on the internet once said, the time will pass anyway.
the other secret magic part is curiosity. that is, if you're really doing the work because the material and/or subject matter are interesting, the curiosity will help you improve. if you're only doing it for likes or because you think it's where you belong because of external forces, then the intrinsic motivation won't be enough to carry you along the endless iterations.

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putting ketchup on fries is too permanent for me ⌠i have to dip . i control the sauce
the wisdom ive learnt is that becoming part of a friend group 1) takes a long time and 2) involves a lot of feeling awkward and left out at first. thereâs nothing terrible about this but if you grew up chronically lonely or have any kind of trauma relating to social isolation this likely feels Really Wrong and activates danger signals. but both fortunately and unfortunately itâs just how becoming close to new people works most of the time
another thing that was not intuitive to me as someone who grew up an autistic loner: basically everyone on the planet is starved for connection all the time and almost everything people do is an attempt to reach out to another. most seemingly illogical interactions and behaviours can be explained by this. you have to take as many of these invitations as you can. even if you're wrong you still attempted to bring more warmth into the world
Let the historical record show that Mr. Beast was entirely ignorable if you were just like doing literally anything else. I've been on youtube as long as it's been around and I've never been recommended a video by him. I see him in passing as a meme. I thought he was a made up joke, a caricature of bad youtuber content miners until someone I trust confirmed his existence to me in late 2025.
get in loser weâre gonna try again despite it all
does anybody know how to get out of bed. or be a better person
wow

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coffee shop au with canon-typical violence
Tips for writing those gala scenes, from someone who goes to them occasionally:
Generally you unbutton and re-button a suit coat when you sit down and stand up.
Youâre supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.
When rich/important people forget your name and theyâre drunk, they usually just tell you that they donât remember or completely skip over any opportunity to use your name so they donât look silly.
A good way to indicate you donât want to shake someoneâs hand at an event is to hold a drink in your right hand (and if youâre a woman, a purse in the other so you definitely canât shift the glass to another hand and then shake)
Americans who still kiss cheeks as a welcome generally donât press lips to cheeks, itâs more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a womanâs makeup)
The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of menâs clothing.
Open bars / cash bars at events usually carry limited options. Theyâre meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.
Members of the press generally arenât allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.
As someone who spent over a decade catering luxury events, let me add some back of house info:
These events are almost always open bar. They're not trying to make their money back on alcohol. They want you to drink and eat and donate generously.
If there are cocktails, there will be at most two on offer, pre-made in large tubs. You cannot order a different version, it is what it is.
There are two types of events: cocktail style or seated. The first includes roaming hors d'oeuvres or a fancy buffet with tiny plates called a grazing station. For a long night, the roaming food will get a little bigger throughout the evening and have a 'main' at some point based around a protein.
A seated event will usually be more structured and may include multiple courses. Silver service is not in vogue anymore. You are likely to get either alternating meals brought to you like at a wedding, or served banquet style. A good caterer can get a plate to everyone in a 300 person event in about three minutes.
Drunk people are the same no matter how expensive their suits. They still laugh too loud, spill their drinks and slip on the dance floor. They are usually less embarrassed about doing coke in the bathrooms.
A full scale event that starts at 6pm will have staff arriving at noon to begin setup. Earlier if there's a light show or pyrotechnics. Typically venues don't just have 30 tables and three hundred chairs lying around, let alone table cloths, chair covers, etc. It's all rented and brought in on the day. Bands and DJs will be running audio tests in the background throughout.
Most heritage buildings that host these things, like museums and manor houses, aren't really designed for them. They might put down mats so you're not walking in stilettos over two hundred year old wooden floors, the kitchens are weirdly far away, and there are not enough taps. There is never anywhere for staff to sit, so if you open the wrong door you might find half a dozen waiters sitting on upturned milk crates in a room full of million dollar paintings, eating the left over bread.
Really old buildings don't have enough bathrooms, which means the staff will be sharing with the guests.
Clean up starts the second the event ends, if not sooner. Unattended glasses will start to disappear first, then table decorations. When the timer ticks over, the lights come back on and exhausted staff strip the tables, pack up dirty glasses and unopened wine bottles and have to Tetris it all into the back of a van. The venue is booked for that day only, so everything has to be gone before anyone can go home. A large event that finishes at midnight might take until 3am to be cleared away.
These are very long and physically demanding nights for anyone working them. The staff all get to know each other, and will absolutely notice someone trying to sneak in wearing a borrowed uniform. They are not being paid enough to care.
Epic The Musical Headcanon:
Okay so, in Epic, Odysseus fights Poseidon to a stalemate and stabs him with his own trident a whole bunch, right? To make a point.
As we know, this is a deviation from The Odyssey, where there's no final confrontation with Poseidon at all and instead Odysseus washes up in (I think) Phaecia, tells his story to the royal court there, and they simply drop him off on Ithaca with much less incident.
Well, what if, in the universe of Epic, the latter version of events (or something like it, at least) is just⌠the version that Ody allows to spread?
Because like. IMAGINE the alternative for a minute. Imagine the consequences of letting it become public knowledge that Odysseus of Ithaca made Poseidon his bitch.
It doesn't matter if Odysseus is the only person in the world who could actually SUCCEED at such a thing-- and that even then, he only did so with some degree of supernatural aid-- you know someone would still be tempted to TRY. Probably more than a few someones. And regardless, certainly awe and reverence toward the god of the seas would take a bit of a hit if people knew that he can be wounded by his own trident, should a sufficiently-determined mortal manage to get it away from him.
Which would obviously piss Poseidon off MAJORLY, and pretty quickly wreck whatever uneasy truce he and Odysseus reached by the end of 600 Strike.
So yeah, it is truly in Ody's (and his family's!) best interest not to let that shit get out. And I think he'd know that. So while Penelope would almost certainly be told the truth, and Telemachus might, too, they would both be sworn to absolute secrecy and anyone else who's told the story afterwards gets the boring version. Because Ody is DONE pissing off the gods, thank you very much.
The ancient world was full of textile masterpieces we can only imagine⌠but most of them have rotted away. So few of them have come down to us in these days that we think of metal and stone as the primary mediums for the oldest artworks. But there were tapestries and fabric work that would have rivaled the finest wrought gold and iron and the first cave paintings.
In case you weren't aware, the goal of a boycott is to significantly impact the bottom line of a business to pressure it into stopping some specific harmful behavior.
This means that a disorganized "don't support this" with no clear timeframe, no clear demand being put forward, and no organized effort to reach the actual customers of the business... is pretty unlikely to achieve anything.
"Boycotts never achieve anything" factoid is actually a statistical error. Historically, boycotts have been an enormously successful pressure mechanism for collective action. Boycotts georg, a social media user who launches a million poorly strategized boycotts every day with no thought given to target selection or actionable demands, is an outlier adn should not have been counted.
It says a lot about the damage done by clueless social media users that BDS keeps being brought up in the notes.
BDS has an actual strategy. BDS' guide to their boycotting strategy has this infographic illustrating the exact point this post is about:
Random social media users do not represent BDS' stance on effective boycotting strategy.
Who up boycotting a boycotter
That is unironically what a lot of discourse on this hellsite looks like

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sometimes being a fan of something means not wanting them to make any more of it
ive never been able to take "climb him like a tree" as a sexual innuendo seriously because i picture climbing a tree in my mind and then i picture a tall man in my mind and when i put those two things together im not seeing anything sexual. im seeing like. circus tricks.