If you charge something under the new moon, when do you leave it out?
During the night
During the day
The full 24 hours
I donât charge under the new moon
See answers

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@starlight-otter
If you charge something under the new moon, when do you leave it out?
During the night
During the day
The full 24 hours
I donât charge under the new moon
See answers

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The woods were beautiful today, trees all green with fresh new growth, with twisty paths between them promising something magical around every corner.
All the birds were singing: the robin, the chiffchaff, the blackbird, a whole host of tit species. A woodpecker drummed somewhere off in the distance.
The squirrels chuffed and squeaked as I admired the small patch of bluebells, a disagreement going on above my head.
And I couldnât leave without taking a photo of my favourite trees: really old (possibly even ancient!) oaks:
đ
Had another walk through the woods today. The robins and chiffchaffs were singing loudly and I saw a jackdaw at a nest hole they have used in previous years.
I also found this brightly coloured fungus:
I was also listening to âThe Islanderâ by Nightwish, which was somehow fitting.
The woods were beautiful today, trees all green with fresh new growth, with twisty paths between them promising something magical around every corner.
All the birds were singing: the robin, the chiffchaff, the blackbird, a whole host of tit species. A woodpecker drummed somewhere off in the distance.
The squirrels chuffed and squeaked as I admired the small patch of bluebells, a disagreement going on above my head.
And I couldnât leave without taking a photo of my favourite trees: really old (possibly even ancient!) oaks:
đ
I have a dream that I don't think will be ever be achieved so I thought I'd share it-
I want to travel around car boot sales and charity shops and Gumtree, ect and collect unloved tarot and oracle decks that have damaged or lost cards so that when I have duplicate decks I can replace the damaged or missing cards and sell the complete deck and supply individual cards to those who want to replace cards in their own decks. I want anyone who wants to get rid of their decks to think of me and be contacted by charity shops for decks they would throw away.
Basically I want to be a deck rehoming center, but I don't think it will ever happen.
I've been thinking about this dream lately - I saw an oracle deck in a charity shop (the first I've seen in the wild!) which reminded me of this.
I was tempted to get it but it wasn't a theme I'm interested in (so I would never use it) and I don't have the space and capacity to buy something to sell on/give away. It wasn't there when I looked the next week, I hope it went to a good home and not chucked away because the box was a bit battered.
i think my practice evolved when I cut myself off from consumerism, there's too much focus in witch advice (esp for baby witches) about needing to buy stuff, you don't need to buy hundreds of glass jars, you can raid a glass recycling bins. You don't need a whole apothecary of herbs you just need a few basics. You don't need to spend a few days wages on a wand, a stick works fine. You don't need to buy special candle holders, bowls and plates for your altar, you can find them second hand. You don't need to buy a crystal pendulum, a hag stone on a string works better. You don't need crystals, you can forage for rocks and assign spiritual significance based on their attributes. (Ex I use granite as a protective and for strength)
Swapping out buys for finds has made my craft a lot easier and tools found and used from the world around me has grounded my craft a lot more and made my tools carry more meaning and it made my spell work more potent
I saw a comment on Pinterest recently (so much AI slop on there nowadays, ugh) that was along the lines of 'I'm a baby witch and I've just bought $100 of witchy supplies, now what do I do with it?' and I was so shocked (and horrified)! I might have spent that much in the 15 or so years since I started, but not much more if I have!
I've spent most of my path using supplies from the garden, kitchen or from the craft supplies that I already have. My favourite autumn alter cloth is a bandanna/hankie that my grandma was throwing out. The plate I currently have some offerings on was left on a table in my work's break room with a note that it was free to take (and I think it was the last from a set bought from a charity shop). I found I connected best with the pendulum I made from a conker than the amethyst one I bought years ago (I'd love a wooden one one day but I've got no immediate desire to get one right now).
I wish the 'you don't need consumerism to be a pagan/witch/ect' was widespread in the (baby) witch community.

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As I'm preparing for some spell work I thought I'd take a photo of my magical supplies whilst I have them laid out. This isn't all of it, just what's in this box (the bigger stuff and other herbs are in another box and my crystals are on my shelf). I'm always surprised just how much I can fit in this box, especially as I got it over 15 years ago when I first started and had very little supplies.
I have also found some bits I need to dispose of and refill. And a few souvenirs from the past (and other bits I don't use any more) that I might need to store somewhere else. The charms at the bottom center of the photo are a casting divination set that I'm slowly compiling that I need to find a container for.
I bought this 'natural' crystal bead mix a few days ago and decided to sort them and attempt to identify them. This is what I have so far:
A - Turquoise (probably reconstructed)
B - Obsidian? Though some look like they may be really dark smoky quartz
C - Citrine? Some might be too opaque
D - Cloudy white quartz (if that's its proper name)
E - Blood stone????
F - ??????
G - Rose quartz
H - Tigers eye
I - Clear quartz (or glass as they are that clear)
J - Amethyst
K - ??????
I'd love some input to agree or disagree with my identifications. I don't have many crystals to compare with. I can take better photos of specific crystals if needed.
Despite being on the same date each year, Iâm always surprised by the coming of Imbolc!
Itâs 3 days away and I havenât even thought about what to do for it! No alter decs, nothing!
Any ideas? What are your plans.
Is it normal to use reversals with an oracle deck?
Iâm using the Green Witchâs Oracle for the first time (and itâs my first oracle deck) and the booklet doesnât mention whether reversals should or should not be used.
I have tiny hands so my shuffling style gives me reversals whether I like them or not! Do I correct them or interpret the reversed cards the opposite of their meaning?
Iâm a great believer of utilising the contents of your (or you friends/familyâs) kitchen cupboards and spice rack for magical purposes.
Except now I have to work out the magical properties of onion granules.
Anyone got any ideas?

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Whatever you are celebrating this winter solstice season, I hope it is warm, bright and full of things that make you happy.
Looking forward to longer days, but enjoying these beautiful nights. Happy solstice!
Happy Yule!
My Christmas/Yule present came today! This is my first oracle deck, and only my second card divination deck.
I plan on cleansing and charging the deck with the new moon and sun rise by putting the deck out on my windowsill tonight, with a crystal or two (I only have amethyst, agate, pink quartz and what I think is bloodstone - I don't know which to pick) and some salt (on the cards or around the cards?).
I'll be connecting with it tomorrow and might offer readings in the new year, once we've got to know each other.
Iâm against capitalism invading witchcraft - you donât need to buy lots of expensive supplies.
But I really want the Green Witchâs Oracle deck.
So pretty!!!!!!
Edit: Iâve also got the dilemma of getting it quickly via Amazon verses waiting 2 weeks (or a bit more) via a local (chain) bookshop. I want it now but I donât want to feed the giant!
Are there any products out there that smell like incense but donât need to be burnt?
I want the smell but I canât burn anything atm.

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DON'T CALL ME MABON
WHY MABON IS AN INAPPROPRIATE NAME FOR THE AUTUMN EQUINOX
by Anna Franklin
The name âMabonâ as a term for the neopagan festival of the autumn equinox (along with the Saxon term âLithaâ for the summer solstice) was introduced in 1973 by the American witch and writer Aiden Kelly (b. 1940). His blog for 21st September 2012 explains:
âBack in 1973, I was putting together a âPagan-Craftâ calendarâthe first of its kind, as far as I knowâlisting the holidays, astrological aspects, and other stuff of interest to Pagans. It offended my aesthetic sensibilities that there seemed to be no Pagan names for the summer solstice or the fall equinox equivalent to Ostara or Beltaneâso I decided to supply them⌠I began wondering if there had been a myth similar to that of Kore in a Celtic culture. There was nothing very similar in the Gaelic literature, but there was in the Welsh, in the Mabinogion collection, the story of Mabon ap Modron (which translates as âSon of the Mother,â just as Kore simply meant âgirlâ), whom Gwydion rescues from the underworld, much as Theseus rescued Helen. Thatâs why I picked âMabonâ as a name for the holidayâŚâ bd
Curiously, his own tradition, the New Reformed Orthodox Order of the Golden Dawn, did not follow him in this and instead called the autumn equinox âRites of Eleusisâ. However, the term took off and was used in many American books, and by extension, the readers of those books in the UK and elsewhere.
The association of the god Mabon with the festival is certainly not an ancient or traditional despite the claims in various books and websites where you might read âthe Celts celebrated the god Mabon on this dateâ.
In order to see why the name of Mabon for the autumn equinox is an inappropriate one we need to examine the tales of Mabon.
The Celtic God Maponius
There is certainly a Celtic god whose title was Latinized as Maponus, which is not an actual name but means something like âdivine sonâ. He is known from a number of inscriptions in northern Britain and Gaul in which he is addressed as âApollo Maponusâ identifying him with the Graeco-Roman sun-god Apollo. Like Apollo, all the evidence suggests that he was a god of the sun, music and hunting â significantly, he was not a god of the harvest or of the corn.
It is not known whether he was widely worshipped before the coming of the Romans, but with them his cult spread along Hadrianâs Wall amongst the Roman soldiers stationed there. Several stone heads found at the Wall are identified as representing Maponus.
He was also known in Gaul where he was invoked with a Latin inscription at Bourbonne-les-Bains, and on a lead cursing tablet discovered at Chamalières, Puy-de-DĂ´me where he is invoked along with Lugus (Lugh) to quicken underworld spirits to right a wrong.Â
It is possible that there are some place names associated with him, such as Ruabon in Denbighshire, which may or may not be a corruption of Rhiw Fabon, meaning âHillside of Mabonâ. be During the seventh century an unknown monk at the Monastery at Ravenna in Italy compiled what came to be called The Ravenna Cosmography, which was a list of all the towns and road-stations throughout the Roman Empire. It lists a Locus Maponi (âplace of Maponusâ) which has been tentatively identified with the Lochmaben stone site.
It is possible that Mabonâs Irish equivalent is the god Aengus, also known as the Mac Ăg (âyoung sonâ).
 Literary Sources
A character called Mabon is found as a minor character in the Mabinogion, a collection of eleven â sometimes twelve â Welsh prose tales from the Middle Ages. He is called Mabon ap Modron, meaning âson of the motherâ, which has led to speculation that his mother Modron (âmotherâ) may be cognate with the Gaulish mother goddess Matrona. There are no inscriptions dedicated to her from ancient times, so this cannot be verified. Whether or not the Mabinogion tale of the hero Mabon stems from a thousand year old story of the god Maponus is uncertain, but since the stories contain the names of other known Celtic gods (transliterated into heroes) it is certainly possible.
The Mabinogion is a collection of medieval Welsh stories which would have been recorded by Christian monks. They donât seem to have been very widely known until they were translated into English in 1849 by Lady Charlotte Guest, who invented the title Mabinogion since each of the four branches ends with the words âso ends this Branch of the Mabinogiâ. In Welsh, mab means âsonâ or âboyâ or âyouthâ, so she concluded that mabinogi meant âa story for childrenâ and (erroneously) that mabinogion was its plural. Another possibility is that it comes from the proposed Welsh mabinog meaning something like âbardic studentâ.  Â
The stories now included in the Mabinogion are found in two manuscripts, the older White Book of Rhydderch (c.1300â1325) and the later Red Book of Hergest (c.1375â1425) and Lady Charlotte Guest used only the latter as her source, though later translations have drawn on both books.
The first four tales, called The Four Branches of the Mabinogi, are divided into Pwyll, Branwen, Manawydan and Math and each of these includes the character Pryderi. The Mabinogion scholar W.G.Gruffydd suggested that the four branches of the collection represent the birth, exploits, imprisonment and death of Pryderi.
Mabon is mentioned in the Mabinogion story of The Dream of Rhonabwy in which he is described as one of the Kingâs chief advisors and fights alongside him at the Battle of Badon. His biggest role comes in the story of Culhwch and Olwen (originally from White Book of Rhydderch). In it is the only known reference to Olwen, and Mabon is still a very minor character in the story. One task of the heroes is to search for Mabon ap Modron, who was imprisoned in a watery Gloucester dungeon. Arthurâs cousin Mabon had been taken from his mother Modron when he was only three nights old, and no one knew whether he was alive or dead. After asking the oldest animals,  they were finally directed to the oldest creature of all: the great Salmon of Llyn Llyw. The salmon recalled hearing of Mabon, and told them that as he swam daily by the wall of Caer Loyw, he heard a constant lamentation. The salmon took Cei and Gwrhyr upon his back to the castle, and they heard Mabonâs cries bewailing his fate. Mabon could not be ransomed, so seeing that force was the only answer, the knights fetched Arthur and his war band to attack the castle. Riding on the salmonâs back, Cai broke through the wall and collected Mabon, both fleeing on the back of the salmon.
Let us suppose for a moment that the god Maponus and the literary hero Mabon are one and the same. We must remember that all the evidence points to Maponus being the young sun god, his youth meaning that he would represent the morning sun or the sun newly reborn after the winter solstice. His theft from his mother after three days would make sense in this light â the three days being the three days the sun stands still at the winter solstice. The imprisonment of the young god underground equates to the sun in the underworld before he is âreleasedâ to begin his reign as the new sun. In Culhwch and Olwen, Mabon is said to be imprisoned inside a tower in Gloucester, from which he is freed by Cei and Bedwyr. The âmissing sunâ or âimprisoned sunâ is a premise found in the solar myths of many cultures to explain the night or the shorter days of winter, especially those around the three days of the winter solstice. Such tales often include themes of captivity or the theft of the sun (i.e. the god or object that represents it) and its rescue by a band of heroes, such as Jason and the Argonauts rescuing the Golden Fleece (the sun) from the dragon or the Lithuanian sun goddess Saule, was held in a tower by powerful king, rescued by the zodiac using a giant sledgehammer, or the Japanese sun goddess Amaterasu hiding in a cave.
An earlier source that mentions Mabon is the tenth century poem Pa Gur, in which Arthur recounts the great deeds of his knights in order to gain entrance to a fortress guarded by Glewlwyd Gafaelfawr. In this, Arthur describes Mabon fab Madron as one of his men and says that Mabon is a servant of Uther Pendragon. A second Mabon is mentioned, Mabon fab Mellt (âMabon Son of Lightningâ) and this is interesting, since the sky/storm god is often the father of the sun god in myth, as Zeus is the father of Apollo.
Mabon defeats the monstrous boar, and in myth the boar is often a symbol of winter and the underworld, just as the sun after the winter solstice defeats winter. Mabon then is the divine sun-child born at the winter solstice and this is his festival â he is not the aged god of the harvest or the seed in the ground as Kore is in Greek myth. As Sorita dâEste says:
âHonour Mabon as a Wizard, a Merlin type figure, as the oldest of men and beasts, honour him as the Son of the Mother, and a hero â donât take that away from him by ignorantly using his name as if it is a different word for Autumn Equinox. Â If you really believe that the Old Gods of these lands still live, that they should be honoured and respected, then do that. Â Donât join the generations who tried to belittle the Gods in an effort to diminish their power.â[1]
Š Anna Franklin, The Autumn Equinox, History, Lore and Celebration, Lear Books, 2012
Mabon Altar Ideas & Correspondences
Mabon, also known as the Autumn Equinox, marks the midpoint between the summer and winter solstices. It's a time to celebrate the abundance of the harvest season and express gratitude for the blessings of the year. One way to honor this occasion is by setting up a Mabon altar, adorned with items and symbols that resonate with the energy of the season. Here are a few ideas for when youâre putting your altar together.
The Altar Cloth: Choose an altar cloth in rich autumnal colors such as deep red, orange, or brown. These colors represent the changing leaves and the bountiful harvest.
Seasonal Fruits and Vegetables: Incorporate apples, pumpkins, squash, and corn, or any local harvests you have in your area. These are traditional symbols of the harvest and abundance during Mabon.
Candles: Use candles in colors associated with Mabon, such as gold, yellow, orange, or deep red. These represent the changing colors of the land. Alternatively, you could use black and white candles to represent the balance of dark and light on the equinox.
Crystals: Consider placing crystals like citrine, amethyst, or jasper on your altar. These stones resonate with the energies of balance, gratitude, and abundance.
Symbols of Balance: Include items that represent the balance of day and night, such as a yin-yang symbol or two candles, one for the sun and one for the moon.
Leaves and Acorns: Collect fallen leaves and acorns to symbolize the changing season and the promise of new growth in the future.
Chalice and Bread: A chalice filled with wine or cider and a loaf of bread represent the traditional elements of water and earth, symbolizing the harvest's bounty.
Deity Representations: If you work with specific deities in your practice, add representations of them to your altar. Some gods and goddesses associated with Mabon include Demeter, Persephone, and the Green Man.
Mabon Correspondences
Colors: Deep red, orange, yellow, brown, and gold.
Herbs: Sage, marigold, hops, and thistle.
Foods: Apples, grapes, nuts, grains, and root vegetables.
Symbols: Scales, cornucopias, and the autumn wreath.
Activities: Apple picking, making wreaths, offering prayers of gratitude, and sharing a feast with loved ones.
Intentions: Reflect on balance in your life, give thanks for your blessings, and set intentions for the darker months ahead.
May you be blessed with abundance and gratitude.