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@stark-ling
If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger.
What a masterpiece

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A Game of Thrones will have it's 30th anniversary on august 1st....
And on July 12th, it'll have been 15 years since ADWD was published. I got that book either for Xmas in 2011 or my bday in 2012, Either way, it's been half my life since the last book came out
Is she still my sister? Was she ever?
This passage is interesting when thinking about Jonβs relationship with identity, his family, and Arya. I see this line brought up when people make jokes about Jon wanting to fuck his sister, but I think there is some merit in how Jonβs ambiguous relationship with Arya could evolve in the future. Iβm only rambling, so feel free to add on or question my thoughts.
The chapter opens up with musings on the stars which I love. We get references to the Dayneβs, stallions, Ice Dragon, the fandom favorite and Moon Maiden. The Red Wanderer acts as a reference to Danyβs comet, but with the context of stealing in Jonβs arcs I think of Melisandre. Melisandre as a Red Wanderer who shows Jon the girl in grey, the Moon Maid, to gear him up to steal Ramsayβs bride. And of course Jon begins to consider Melisandreβs offer seriously when the moon kisses his shadow, and the Thief offers him the girl in grey.
Now we go back to the original passage. Jon starts by denying any romantic intent in the act of Ygritte. This is a girl he showed mercy to after she reminded him of Arya (a character most associated with Mercy ;) and the paths those will bring) but for Jon this was only an act of honor. Stealing to the wildings, however, is a romantic act that is expected and praised to strengthen the claim and prove oneβs worth.. George even uses it as a romantic act in other aspects of the story with Bael the Bars and the Stark maiden, Rhaegar and Lyanna, and even Peter and Sansa, though with them, the act is subverted as a show of falsehood. In ASOIAF, stealing a woman for their love is not always an honorable decision, but it is a tale to swoon over.
Ygritte and the others like Tormund, continuously emphasize that since Jon has stolen her, he has rights to her as his woman, and that theyβre a pair, two hearts that beat as one. Indeed the two begin their romantic and sexual relationship in this chapter. With this context, and with how in dance Ramsay explicitly accuses Jon of stealing his bride, an effort Jon did attempt with mance and has plans to further pursue himself, Iβm interested in how the sequence follows with Jon questioning his familial role tie to Arya. The denial of a romantic claim leads to the examination of a familial claim.
Jon compares Ygritteβs stubbornness to Arya, her insistence on their claim over each other. Arya and Jonβs claim over each other as family should be undisputed right? But no, Jon immediately goes to question his relationship to Arya, his identity as a Stark. One big theme across ASOS is identity, and many characters undergo an identity crisis. Here Jonβs crisis is explicitly tied to Arya. When he questions whether sheβs still his sister, whether despite everything he can still call her that, and whether he was ever his sister, if that role ever applied to her, his identity as a Stark, a Wilding, and a Nightβs Watch brother decussate and unravel. If Arya isnβt his sister, who is he? what is he? Jon says that he was never a Stark, only Nedβs bastard with as much a place in the Stark household as Theon, Nedβs hostage ward. An outsider to dangle at the perimeter but never truly belong. But with how closely intimate and familiar he was with Arya, and how welcome she made him feel, can we say this is completely true?
Jon questions his bond with Arya from the past to the future; if the role βlittle sisterβ still holds going forward, and if it ever truly applied at all. There is no room for Arya as his sister and Jonβs tie to the Stark family fully dissolves. Itβs an interesting progression given how Jon and Arya are such pillars of each otherβs identity. Is there any room for Arya to be his little sister? Is there any room for Jon as a Stark, a Wilding, a Brother of the Watch? Not to mention Jonβs character defining crypt nightmares that admonish him for not belonging as a Stark, for being an anomaly the way his motherβs crypt is also an anomalyβ¦ so much identity porn.
Jon designates himself as a motherless bastard, an illegitimate thing with no claim to home, but if Arya was his little sister, could he comfortably lay claim to the Starks as family? Funny how in the same book Arya thinks about how with the knowledge of Jonβs mother, heβd have to call her something other than little sister. The readers know that Arya was never his blood sister, but the characters are already mentally growing apart that label.
Arya herself is growing and evolving from that pure little sister role into something greater and more actualized. You could write a whole essay on her identity issues (and the way Jon plays into them) but itβs been discussed to death so I wonβt bother. I can say how an older Arya reunited with Jon will challenge his perception of her, and what heβs done in her name. We can see hints of it in his ADWD arc.
By the time Jon gets news of fAryaβs marriage to Ramsay, heβs reverted back to referring to Arya as his little sister. Arya who spurs him to action after heβs rejected the offers to claim his dreams of Winterfell. Thatβs why Melisandre uses Arya when approaching Jon. She knows how important Arya is to him, she knows that Arya will move him the way even his deepest desires wonβt. And shesβs right. Jon rejects Stannis, but listens to Melisandre.
The Thief in the Moon Maid is the best time to steal, her eyes were two red stars, the moon has kissed you, a girl in grey on a dying horse, coming here to you. Arya.
When Arya isnβt Jonβs sister, who is he? Jon doesnβt know. But when Arya is Jonβs sister again, we see the man he is. Not just avowed to the Watch, nor just a brother to the Starks, but a man who would steal his sister from her husband. When we ask what is truest to Jonβs self, we see it when he chooses mercy for a girl who reminds him of Arya, and steals her and then again when he breaks his vows to steal a girl who he believes to be Arya.
Doesnβt it seem intentional? When Arya returns to that familial category in Jonβs mind, he prepares to do an act that is textually coded as romantic. When I think of this moment I think of Jon acting in agency for himself by going against his Nightβs Watch allegiances and acting in accordance to Wilding customs, and therefore coming closer to reclaiming his identity, his home, and Arya. All for Arya. Itβs where we see his most selfish passions shine through after his resigned almost depressive disposition prior to learning of Aryaβs marriage. By centering Arya, Jon comes closer to accepting the Stark identity heβs coveted for himself. After resurrection, heβll act. But of course heβll realize his magical identity and purpose too.
In the passage we see Jon going to Ghost who heβs noticed to be more fond of heights. Jon wonders what Ghost sees when he looks at the sky, and the She-Wolf is one of Jonβs chosen names. Ghost seeing the She-Wolf in the sky, the Thief in Moon Maid being best for stealing, Ghost being charmed by Melisandre when she offers him the girl in greyβ¦
Ghost doesnβt need to howl or announce himself, he just is what he is. Ghost whose third eye had been opened by Bran atop the Wall. Ghost who drinks in the moonless sky and takes the stars as they are. Ghost who knows himself, his pack, and isnβt bogged down by institutional obligations. Jon as the wolf who understands what the man cannot. And Jon sends Ghost away.
Through Storm, Jon wanders farthest from his Stark identity, and falls further into the culture of the woman he falls in love with, a woman who reminds him of Arya. The culture he calls back to when making a romantically coded decision to steal Arya back from Ramsay. A decision that leads to his death, but when he resurrects heβll have the tools to fully realize himself and what he wants and needs to be. One with his wolf, one with Winterfell, his family, his legacy, and Arya. Itβs so good!
When Arya reunites with him as the fully embodied person she will be, fully equipped with her history and experience and confidence and Jon with the changes of resurrection and his fixation on her, itβll be interesting to see how that interrogation of the family connection between them comes to a head. So could a resurrected Jon with all the tools and perspectives from the roles heβs played and the cultures heβs embodied trust his instincts and handle the implications of his actions regarding Arya, his focused intensity on herβ¦ and could Arya herself be open to that?
Iβm not sure, but George has put a lot of thought into this relationship and the ambiguity only grows.
(and Ygritte asking Jon if heβd bed his own sister, something he doesnβt even fully answer is soβ¦ Longspear Ryk isnβt Ygritteβs brotherβ¦ by Jonβs own metric Arya would be open π€)
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ONE BEING, HALF MALE AND HALF FEMALE.
"the world at its beginning" by dustin pearson / dune: part three (2026) dir. denis villeneuve / dune messiah by frank herbert / death of marc antony by johann georg wille / romeo and juliet (1968) dir. franco zeffirelli / "poem of the end" by marina tsvetaeva / unknown / medici: masters of florence (2016-2019) / moonlitpads on tiktok / "steamer lane, santa cruz" c. 1969 by unknown / snow white and the huntman (2012) dir. rupert sanders / romeo & juliet (2013) dir. carlo carlei / a dance with dragons by george rr martin

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every jonrya & ceslu parallel (7/?)
By now she'd be eleven, Jon thought. Still a child. "I have no sister. Only brothers. Only you." Lady Catelyn would have rejoiced to hear those words, he knew. That did not make them easier to say. His fingers closed around the parchment. Would that they could crush Ramsay Bolton's throat as easily. Clydas cleared his throat. "WillΒ thereΒ beΒ anΒ answer?" Jon shook his head and walked away.
A Dance with Dragons, Jon VI
The Sansa-Lyanna parallels are pretty much nonexistent in the books and is only present in the wider fandom based on headcanons, fanon and hypotheticals. This couldn't be any more clear from what is written in the books and from what the author has said.
When someone ignores canon and argue based on their made up headcanons, they just comes across as a troll or an idiot who is better left alone with their AU fanfiction. There is no point in debating the fandom equivalent of flat earthers.
this pic is so arya to me
Strange Love by Halsey // A Dance with Dragons, JON XIII
βThe memory of her laughter warmed him the long ride northβ - Jon II, AGOT
β comm by vodaimu

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Lady Smallwood being one of the few adult female characters that embrace Arya for who is and not try make her be something sheβs not means a lot to me
A Game of Thrones β ARYA I
cersei
βLyanna might have carried a sword, if my lord father had allowed it. You remind me of her sometimes. You even look like her.β
Lyanna and her niece Arya cms done by Dang Thu Ha on facebook πΉ
ACoK, ARYA II - AGoT, ARYA I - ASoS, ARYA II

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Wolf girl
jon with everyone else πππ€π‘
jon with arya, only a chapter earlier πππ₯°π
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"Well who wouldnβt want to be Jon Snow β the brooding, Byronic, romantic hero whom all the girls love." - GRRM
"The Byronic Hero is a character notable for being sullen, withdrawn, hard to like, and hard to know, but usually possessing a rich inner life and a softer side accessible only to a special few."
"a man proud, moody, cynical, with defiance on his brow, and misery in his heart, a scorner of his kind, implacable in revenge, yet capable of deep and strong affection."