if we weren’t already mutuals on my archive, please do not follow this blog unless i follow you first or i give you the url. we’re doing as minimal formatting as possible in everything, because i am tired of everything.
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miko were once known for the ability to perform spirit possession, either becoming possessed to enact the spirit’s will or to receive guidance from kami.
beyond the regular faculties of utahime’s cursed technique, being able to increase the output of her or another’s power, she can also summon cursed spirits through the same ritualistic hand movement, song, and dance, and allow them to possess her for a period and lend her their power, or to gain basic information, so long as she remains within a field of range from the original summoning.
going past the time limit is dangerous at worst and physically taxing at best — it’s what caused the accident that gave her her facial scar.
in the meiji period, the shamanistic practices of a miko were outlawed. utahime has a working theory that this is why she’s been kept at semi-grade 1 since her original attempt at changing her rank all those years ago.
in her curse user verse, she plays much more fast and lose with this technique and loses a part of herself for it. there’s a darkness to her eyes she didn’t have before.
utahime received her scar when she was twenty. she didn’t care about strength or lauding status over people, but having grown up within vicinity of that power, she saw what opportunities it could afford someone.
she’d recently awoken her power to summon cursed spirits and take their power into herself. she’d always spoken to the gods, as had her mother and grandmother before her, but she’d never heard them so clearly than when putting this facet of solo forbidden area to use.
she was sent to an abandoned temple, of all things, which did not help her rushed belief that she would make it through her trial. it was her second home, after all. it wasn’t as if she hadn’t trained, she simply hadn’t trained going over her limits.
all was successful until she called down the cursed spirit “kami” and allowed it to linger beyond the five minute intervals she’d learned to time. she lost herself in that moment, feeling as if her body was no longer her own, her mind fuzzy and blank, energy completely wiped, and the cursed spirit she’d come to subdue for the better of her, slashing her across the face. she was found shortly after, eyes white and bleeding out.
utahime was given “semi-grade 1” for the attempt, a message that was hand-delivered while she was cooped up in hospital. it sent her into a self-pitying spiral, and she fell into self destructive behavior, staying out late, finding her taste for alcohol, and crashing her new motorcycle.
as a former tokyo student, yaga saw her potential, knew what she was capable of, and offered her a teaching assistant position at tokyo tech so she could find her footing again. utahime worked there for a few years, saving up money, as she grew to realize she both liked teaching and was good at it.
she’s not ashamed of her scar anymore, as it was her trial to face, and she came out alive, with a new lease on life. it doesn’t change her disgruntled feelings towards the insular nature of jujutsu society as a whole, but it’s something she’s made peace with.
utahime is much more adept at handling her powers of possession now, and while she can push her limits, it’s a few and far between event.
asena takes great offense to the idea that her lycanthropy could have ever been forced upon her. she chose it herself, made a deal with her goddess for it, and she’s proud of the fact. of course, that’s not how it always works, and it leans into a victim blame-y mindset occasionally whenever she comes across vampires and werewolves who were forcibly changed, especially that having made a deal for her powers allows her to change at will rather than at the full moon and to varying degrees during the lunar cycle.
asena is an equal opportunist “i’ll step over you to get what i want” type across the board, but she does have a soft spot for women and girls, having grown up in a matriarchy and knowing what the entertainment industry will do to young women. she’ll covertly protect the younger generation if she’s made aware of predators or unnecessary displays of power, but once you’re on the same level, you’re on your own. (though asena is aware of what power her abilities give her over other women.)
lycanthropy lore:
genetic. in her family, the women are either werewolves or witches. you become a witch by shirking the lycanthrope gene. the werewolves in her family consider it a necessity they take strength from
werewolves are turned at puberty, usually no later than 13, as the goddess leto’s blessing.
asena sought out leto at the age of 12, where she was said to reside in the woods outside her homestead, demanding that she be given her powers already. she was tired of waiting for her impending fate
b/c asena chose her powers rather than accepted them, she can change throughout the lunar cycle, rather than just at a full moon. b/c of this, her hunger is more insatiable
she has gold eyes and dark brown fur as a wolf. she’s the size of a regular wolf, slightly oversized, but on impact, she hits like she’s twice her weight. can speak as a wolf but her voice is a bit deeper
silver isn’t lethal to her, but wolfsbane, in all forms, is. she still prefers gold jewelry for aesthetics
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cast: ragatha + foxtrot
setting: circus interior
verse: main
It’s not the same — her fort is smaller, more patchwork, half blankets thrown over chairs she dragged from the dining table and half pillows Kinger so kindly allowed her to borrow. She needed a place to quiet the rush of thoughts that haven’t left her alone since she woke up. It always passes, she knows this, but it feels as if whatever horrible amalgamation of stuffing and viscera in her head is too tight.
It’s the first time she hasn’t gone on one of Caine’s adventures, and the notion, the change in a years-long routine, sits with her weirdly, time itself all the more present at her hands. Discomforted and grappling with what to do, she starts at the sound of footsteps. Caine doesn’t make any noise if he isn’t greeting them first; everyone else should still be gone, unless the adventure ended prematurely.
Ragatha sticks her head out from the folds of her fort, blinking in surprise at @aftonheired. A smile pulls at her stitched mouth, “Oh.. hey! I thought I was the only one that stayed back today.”
♱. 𝐓𝐇𝐄 𝐅𝐎𝐗 𝐑𝐄𝐒𝐏𝐎𝐍𝐃𝐒 with a cautious smile of his own , fangs just visible pearl white && sharp sharp sharp . His bushy red tail slowly waves side to side like that of his real life counterpart . Undomesticated && wild thing that he is , it suits him well .
♱. ❝ Oh , nah ... I just wasn't feeling it this time . ❞ He explains evenly . It had been a reliefto find Ragatha to also be staying behind , but he isn't exactly open to share that particular thought ; it's too close to being vulnerable for his taste . ❝ What about you ? You OK ?❞
♱. Assuming Ragatha has a better reason to have stayed herself ; she seems to get more out of the adventures than he does . Besides , she's far more social than he ( foxes are such solitary creatures , aren't they ?&& a doll is inherently the opposite ! ) . It doesn't quite seem right for her to miss an adventure . He certainly doesn't think so . But far be it from he to guess what she's thinking really .
♱. ❝ I wouldn't have expected you of all people to be hanging back . ❞
Some semblance of I’m okay is always her go-to answer, just as it is now. It’s always been too easy to shove her problems down, down, so far down it’s like they were never there at all. It was the same when she was working in real estate: you don’t want to lie to any clients, but you can always spin any crack or problem into something lesser. Ragatha thinks she’d have made a passable actress if her confidence had ever let her.
Foxtrot is elusive and she tries to respect that (while saying nothing of the nostalgia his avatar brings her, remembering the farm she grew up on. Chasing foxes as a little girl, desperate to be the Disney princess that escaped. The Circus is overstimulating at best and an existential nightmare at worst. Not everyone wants to spend their eternity divulging every thought in their head. It’s not personal.
“I know, right?” Because Ragatha tries. She really, really tries. For all of the Circus’ chaos, the endless existential reminders of no way out, it’s more than she ever saw in her human life. There’s a beauty to that. “I guess I just… sometimes Caine has us going nonstop, it feels good to decompress.”
“Do you want to…” Ragatha gestures behind her, feeling suddenly like the nervous teenage girl she hasn’t been in a long time, “hang out? There’s not much going on in there right now, but I think it’s pretty cozy.”
i pull from a lot of magical girl content when writing tsumiki, and having given her yorozu’s technique of conjuration, i was thinking of her akin to mami and homura, summoning guns and fueling them with her own bullets. never has she felt more like toji’s daughter
born to older parents, that had her close to 40. they tried very hard for a long time to conceive but couldn’t, so when they had her, she was extra spoiled. in verses where she has kids, b/c she was unable to have any siblings, her children are extra spoiled b/c of this too
tried college for a year, veterinary degree. it didn’t work out, not b/c of lack of interest, but other interests were pulling her away.
into amateur photography. she’s done a couple friends’ weddings and events, and has amazing photo album/scrapbook game.
despite her adventurous nature, she’s good with her money. there’s an argument to be made that it was her parents’ money at first, which she won’t deny, but she’s always been a hard worker and developed a stubborn streak in not asking for help (which she learns, later, that asking for help is not a character negative.)
she primarily wears pants/shorts, things she can easily move in — her mom will say she was climbing before she could walk — but she has a collection of cottony dresses she likes.
always has to have some kind of noise while cooking, whether that’s radio, tv, or conversation. she especially likes the conversation
always cries whenever there’s animal scenes in movies, cute or sad. despite this, she often volunteers to be in the room when the clinic vets unfortunately have to put down sick patients. she holds paws, whispers sweetly. makes sure they go out loved.
enjoyed the thrill of fighting far more than the bloodlust and actual violence, but now, looking back, she would very much not recommend that avenue. you can get a good case of adrenaline, safely, by going on a roller coaster
has perpetual bedhead no matter what she does. there’s one specific shampoo that mildly tames her hair. it’s like corralling a beast
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reminder. just because someone seems happy on the dash doesn’t mean they are also happy off of it. just because someone seems to have many people to talk to that they don’t feel lonely. just because someone seems a certain way from the outside on their blog doesn’t mean any of it is true for them in reality. please don’t judge a person based on what you see from afar. be kind, be considerate, be open-minded. remember things aren’t always what they seem and everyone is human behind the screen. ♡♡♡
"You're allowed to make a sound. Nobody's watching." Shoko to Suguru!
It’s stalking, but he refuses to name it, put a selfish label on it. As if it might do him in to know he’s just a man beneath the god’s outer dressing, a man who covets and struggles with the last threads of attachment, preaching otherwise. Suguru picks and chooses, picks and chooses, clinging to his self-made precipice. Pretending this isn’t his loneliness turned into a need is habit at this point.
He wonders why @pyrakanthaa hasn’t killed him yet. Satoru is too reliant on goodwill, nostalgia, and the high privilege affords him, but Shoko? He can picture her with his heart in her hands, turning it around like a specimen. And what does he say that isn’t hopelessly corny, to give himself some semblance of credit? “I just wanted to see you, but I’m not interested in a conversation I can’t predict?”
“There’s always someone watching,” it comes out choked, softly. It’s not the answer she deserves, but it’s the truth. Suguru pulls on his fox grin, slipping back into the role — somewhere between the Suguru she knew and the one she doesn’t really now, “You ignored my last text, what else was I supposed to do? As if you’d ever tell me if something was wrong.” As would be her right.
Suguru looks her over, letting the noise outside fall away to the rush of birdsong and fleeting lives. The soft darkness beneath her eyes. “You look good.”
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i’m deeply partial toward the raimi spider-man movies, given they were my introduction to superhero media (beyond the powerpuff girls.) they definitely aren’t perfect, but i love the heart and soul they have, so i always aim to reference that with my take on peter.
like tobey’s peter, he can produce his own webbing, directly from his wrists. it just makes sense to me, because that’s likely the top thing you associate with spiders, aside from their legs.
however, because it’s equally important to me to keep him humble in his roots — a la, friendly neighborhood etc. — and show that he’s self made and not a billionaire, peter created web shooters to go over his wrists, allowing for room for his own webbing to come through, but providing himself with a durable backup should he be ill, weakened physically, or such is the case in renew your vows, to let someone to tap into his powers.
his web shooters are made from a material that resembles his own webbing, having run enough lab testing to deduce the best synthetics.
griffin would have raised ace (and sabo) if she’d known that ace was alive. after years as a two woman pirate crew, she and rouge went their separate ways after a time, not because the love wasn’t there, but because they simply were moving onto different paths. griffin, though she’s always been a freedom fighter, was finally putting someone else first — not her idea of what should be done, but the actual best — when she got pregnant with luffy and hid out on foosha.
she met lovely people, but it was a bit of an isolating experience, suddenly going from 60 back to 0, always looking over her shoulder (still) but unable to keep moving. they write to each other as much as they could, each in hiding, each unable to speak on certain things due to the nature of their own histories and those of their babies’ fathers. when the letters stopped coming, she was certain rouge’s death was murder.
rouge would have raised luffy (and sabo) had she lived and known griffin was getting carted off to prison. after years as a two woman pirate crew, she and griffin went their separate ways after a time, not because the love wasn’t there, but because they simply were moving onto different paths.
rouge, though she would never consider it truly settling down, found love with the most wanted man in the world, and through that love, was willing to do anything. at times she absolutely cursed roger, but they shared the same freewheeling spirit, the same want for freedom, to live life by the fullest. rouge was a singer and she was always going to call him home. she would have loved ace to have known her best friend, their boys absolutely, if not able to grow up together, would have known each other.