“One must be deeply aware of the impermanence of the world.”
— Dōgen Zenji (via om–namah-shivaya)
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Keni
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tannertan36
KIROKAZE
todays bird
hello vonnie
sheepfilms
Lint Roller? I Barely Know Her
Xuebing Du
PUT YOUR BEARD IN MY MOUTH

Discoholic 🪩
cherry valley forever
d e v o n
Cosimo Galluzzi
The Stonewall Inn

pixel skylines

oozey mess

Jar Jar Binks Fan Club
seen from Indonesia
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@spirited-me
“One must be deeply aware of the impermanence of the world.”
— Dōgen Zenji (via om–namah-shivaya)

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Philippe Mercier (b.1689 - d.1760), ‘A Girl Holding a Cat’, about 1750, French, oil on canvas, currently in the collection of the National Gallery of Scotland, Edinburgh
I respect everyone’s interpretations of Beauty and the Beast but I feel like for me personally “a person who behaves badly when angry and is incompetent at relationships learns better skills through hard work and the patience and firm boundaries of someone who loves them” is an Important Narrative and I wish it would not be equated with abuse

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Kew, England // Royal Botanic Gardens // (2019)
Johan van der Keuken. Boulevard du Temple, Paris, 1956-1958.
Brassaï. Chat Colette, c.1938 (Le chat du fleuriste).
Inge Morath. Paris, 1955.

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My Own Private Idaho (1991) | Dir. Gus Van Sant
Arthur Da Cunha, from the Photo Club of Paris Magazine, 1876
Blowing Rose, The Rubaiyat of Omar Khayyam, Edmund Dulac
Inktober 15

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Kelly Louise Judd aka Swanbones aka Ly Lou (American, b. Kansas City, MO, USA) - 1: Botanical Cat, 2019 2: Sinking In, 2019 3: The Visitor, 2019 4: Woodland Garden, 2019, Gouache on Paper, 5: Forest Sleep, 2010, Oil on Panel
vladimir-nabokov-official:
“I must keep quiet for a little space and then walk very slowly along that bright sound of pain, towards that blue, blue wave. What bliss there is in blueness. I never know how blue blueness could be…”
— Vladimir Nabokov, from Laughter in the Dark (1938)