The Last Bookstore
Los Angeles, CA
I was just here a week or so ago. It was my first visit. I hope it wonât be my last.

Sweet Seals For You, Always
noise dept.

oozey mess
Three Goblin Art
TVSTRANGERTHINGS
todays bird

Product Placement

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Lint Roller? I Barely Know Her

JVL
2025 on Tumblr: Trends That Defined the Year

@theartofmadeline
Misplaced Lens Cap

JBB: An Artblog!
wallacepolsom
Xuebing Du
One Nice Bug Per Day

tannertan36

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@spectermagazine
The Last Bookstore
Los Angeles, CA
I was just here a week or so ago. It was my first visit. I hope it wonât be my last.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I canât overstate the importance of the internet and having social media at my disposal. I canât overstate its importance to Specter and to my writing career. Without it, it wouldâve been much more difficult to build up a readership for both myself and for Specter, and more importantly, or maybe just as importantly, it wouldâve been much more difficult to build up a support system of like-minded individuals: whether you write similarly to them or not, just having people around who understand the processâŚ
A few months ago, NYC-based Late Night Library interviewed me about my writing life and Specter Magazine. This past week, the interview podcast was released. Check it out!
(via mensah4000)
WHATâS NEW IN 2015 FOR SPECTER
First and foremost, Iâd like to wish everyone a happy new year! 2015 will mark four years since Specter first went live with Issue Zero. Over that period of time, this literary project has taken many shapes, and has been touched and innovated upon by many different people.  And one hopes that within four years, a publication gets better, becomes stronger, and continues to improve. I think Specter will do so and much more as we plan out 2015.
I donât write out of what I know; I write out of what I wonder. I think most artists create art in order to explore, not to give the answers. Poetry and art are not about answers to me; they are about questions.
Lucille Clifton, interviewed by Hilary Holladay for the Poetry Foundation (via amaalsdrifting)
It was unfortunate that it took me so long to figure out all the broken pieces of the woman I married and how they had cemented into jagged spikes and edges that not even motherhood could change.
âHow To Hide A Childâ by Akwaeke Emezi, in the October issue of Specter. (via spectermagazine)
A pleasure to have published this, one of my favorite stories, for spectermagazine.
(via mensah4000)

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âIâm asked, what good is science fiction to Black people? What good is any form of literature to Black people? What good is science fictionâs thinking about the present, the future, and the past? What good is its tendency to warn or to consider alternative ways of thinking and doing? What good is its examination of the possible effects of science and technology or social organization and political direction? At its best, science fiction stimulates imagination and creativity. It gets reader and writer off the beaten track, off the narrow, footpath of what âeveryoneâ is saying, doing, thinking-whoever âeveryoneâ happens to be this year. And what good is all this to Black people?â
Octavia Butler, âPositive Obsession,â Blood Child and Other Stories, pg 134-135. (via purposefulthoughts)
I tell my students, âWhen you get these jobs that you have been so brilliantly trained for, just remember that your real job is that if you are free, you need to free somebody else. If you have some power, then your job is to empower somebody else. This is not just a grab-bag candy game.â
-Toni Morrison (via medievalpoc)
To know that we African-Americans came here enslaved to work until we died but didnât die, and instead grew up to become doctors and teachers, architects and presidents â how can these children not carry this history with them for those many moments when someone will attempt to make light of it, or want them to forget the depth and amazingness of their journey? How could I come from such a past and not know that I am on a mission, too?
"The Pain of the Watermelon Joke" by Jacqueline Woodson
Specter, my literary magazine/project/platform, is now open for submissions once again. Submit your poetry, fiction, nonfiction, and visual art today! (or tomorrow if youâre busy todayâŚwhenever you like.)
Specter is a literary platform for women, people of color, and the LGBTQ community. Specter publishes new art, poetry, fiction, and nonfiction from writers often forced to the margins of literature. We feel the work weâve published thus far best represents the type of submissions we want. Take some time to browse our archives. Then submit.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Our November issue is now live, with new work by Anastasia Selby, Tom Connor, Junior Clemons, Darren Demaree, and Jenny Erwin.
Our new issue for the month of July is now live. New poetry, fiction, and nonfiction by Nathan Knapp, Melissa Wiley, Dennis Bensie, Coop Lee, and Laura Miller.
Specter, an online magazine of literature and art, is now accepting applications for a Social Media Editor. A senior editorial position, the Social Media Editor will be responsible for expanding Specterâs online reach and readership, evangelizing the Specter âbrandâ, and managing Specterâs social media presence via Twitter, Facebook, and Tumblr. This is an unpaid position (Specter is an all-volunteer publication). The candidate must be able to meet the following requirements: Specter Fan: hence, âevangelizingâ the brand, whether youâve read Specter since 2011 or recently found us online. Social Media Fan/Expert: Demonstrated experience with Twitter, Facebook, and Tumblr is required. Loves Data: Experience with Google Analytics (site visits, unique visitors, engagement) and can interpret data to create action plans to expand readership and reach. Strategist: How can each platform be best used for Specter? How do other literary organizations use social media? And in what ways can Specter use social media more effectively to improve readership and engage relevant conversations? Plugged in: The ideal candidate is familiar with the indie/online literary scene as writer, editor, and/or reader. Candidate will look for advertising/cross-promotional opportunities for Specter. Empire State of Mind: Though Specter is an online publication, we consider ourselves âBrooklyn-basedâ(because itâs where our editor in chief resides). So itâs not required to live in Brooklyn or NYC in general, but...itâll definitely be a plus if you do. Loves Video Chat: Must be able to attend our very infrequent staff meetings via Skype or Google Hangouts.
Our new issue for the month of May is now live. New work by Jane Liddle, Jean-Luc Bouchard, Graham Shafer, Michael C. Keith, Jesse Myner, and Cortney Lamar Charleston.
This month, we feature an interview with Roxane Gay.
Artwork is provided by Kalen Na'il Roach.
Early Octavia Butler stories coming out in June
(ASSOCIATED PRESS) A pair of recently discovered early stories by prize-winning science fiction author Octavia Butler will be coming out as an e-book in June.
Open Road Integrated Media, a digital publisher, announced Tuesday that âA Necessary Beingâ and âChildfinderâ will be compiled in a single volume titled âUnexpected Storiesâ and will be released June 24. Walter Mosley, the best-selling crime writer, has contributed an introduction.
ââUnexpected Storiesâ reveals the themes that would become Butlerâs lexicon: the complicating mysteries we assign to power, race, and gender,â Mosley writes. âReading these tales is like looking at a photograph of a child who you only knew as an adult. In her eyes you can see the woman that you came to know much later; a face, not yet fully formed, that contains the promise of something that is now a part of you; the welcomed surprise of recognition in innocent eyes.â
Butler, who died in 2006 at age 58, was one of the first black science fiction writers to receive mainstream attention and was known for such books as âBloodchild and Other Storiesâ and the novel âParable of the Sower.â She was inducted, posthumously, into the Science Fiction and Fantasy Hall of Fame in 2010.
Butlerâs literary agent, Merrilee Heifetz, found the stories, written in the early 1970s, among the authorâs papers at the Huntington Library in San Marino, Calif. According to Open Road, âA Necessary Beingâ tells of how the leaders of two ancient tribes âmust broker a delicate peace to ensure that their peoples are to survive.â In âChildfinder,â a young woman âlocates children with budding psionic powers and teaches them to protect themselves from society.â
Happiness

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For the month of April, 2014: new fiction, nonfiction, and poetry by Michael Estabrook, Holly Painter, Lex Bowbrow, Frederick Foote, and Fayroze Lutta.
An interview with writer Daniel JosĂŠ Older.
Artwork by Alain Marciano.
What attracted you to this field? What inspired you?
There was no one moment or source of inspiration. My parentsâcollege-educatedâdidnât instill in me a love of reading at an early age. I didnât gravitate to books, and though I wrote one or two stories as a child, I never thought of âwriterâ as a thing I might want to do.
All of that is to say, the attraction to literatureâediting and writingâhas been a slow burn, of sorts. In my teens, I started writing terrible poetry, which became terrible short fiction. I read a bookââThings Fall Apartââbecause I actually wanted to for a changeâŚthen I read another book, then another, and so onâŚ
As for inspiration? These days, I want to write like BolaĂąo and Baldwin and Butler and Smith (Zadie). I want to publish a literary magazine of the same quality as Granta. I donât want my work to be boring, a great fear of mine. Iâm inspired by the writers doing their thing online, writing like their lives are coming to an end, dodging boredom with every syllable.