時空と3DCGとポケモンと

axis of oscillation 

The First Trailer for ‘Loving Vincent,’ an Animated Film Featuring 12 Oil Paintings per Second by Over 100 Painters

The first trailer for Loving Vincent (previously) was just released and it promises stunning visuals in a novel format: the film was created from a staggering 12 oil paintings per second in styles inspired by the famous Dutch painter’s brushstrokes. The upcoming movie will detail the story of Van Gogh’s life leading up to the tumultuous time surrounding his death some 125 years ago. According to the filmmakers, over 100 painters have contributed frames to the ambitious feature-length film that is still in progress at their headquarters in Gdansk, Poland. The film is currently being produced by Oscar-winning studios BreakThru Films and Trademark Films, and you can follow their progress or even get involved yourself on their website.    Thanks Colossal

Surreal Landscapes by Aydin Buyuktas

Aydin Buyuktas is a talented self-taught photographer and manipulator who was born in 1972 in Ankara and currently based in Istanbul, Turkey. He inspired by Edwin Abbott’s book “Flatland: A Romance of Many Dimensions”. 

Aydın graduated from Bilkent University Tourism Management Department. After moving to Istanbul in 2000’s, he took charge in many awarded movies and advertising drives, while he is working for avant-garde companies such as Sinefekt and Makinefx after having improved himself in the fields of visual effect, 3D, animation and video. 

He started to give priority to freelance works after his character, which was designed by him in the form of 3D in 2008, gained international popularity. While he interested in Photography, he also has been continuing his academic education at the department of photography of Mimar Sinan Fine Arts University since 2012. Stay up to date with Aydin work - follow him on  Twitter and Instagram.

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Video Games vs. Real Life

by Aled Lewis

A mash-up of video game characters and photographic scenes. As a kid I would become completely immersed in these crude pixel environments and they would seem very real. I thought it would be fun to try to express how gamers see these worlds. I spent many hours gaming with my siblings and friends when I was growing up and this aesthetic has really come to represent that time.