Ooo, lol, looks like someone got their knickers twisted so hard they wrote a whole essay about how they're categorically correct about an ultimately subjective matter. That's always a winning approach.
Please do not try to "educate" me the difference between writers and executive producers in animation. I have an animation degree. I'm not a child.
ย I follow both Brent and Alan on Twitter and have been for like 3 years now. I have been watching their updates since the announcement of the show 2 years ago.ย I have pics of them celebrating finishing up the writing. Here's proof that they wrote it, including screenshots of the IMDb Brent had linked on his Twitter.ย
I said this is not what they consider THE sequel. Obviously it is *a* sequel. I'm saying people should not be treating it like Megamind 2 when it is a pilot for the TV show. They want a real theatrical sequel.
This is a random screenshot I felt was important
I think this person better put what I meant about not as many people would care this much if it wasn't on streaming:
Megamind was an arrogant little egomaniac for the entirety of the first movie. Not sure how you missed that. Roxanne appears dissatisfied with her place in life from her recording at the Metro Man Museum with Hal onward, and does her level best to become the hero her city needs because no one else is going to stand up and do it - not sure how you missed that, either, but her whole character arc is about stepping up to the plate to do good. Well done reducing her to a single career point and then discarding her. I wasn't surprised to see her frustrations with going right back to reporting. That was a headspace that made a ton of sense for her. It was set up incredibly well.
And Megamind himself says, "some days, it felt like it was just me and Minion against the world," so you might think I agree with you there - but in fact I'm going to point out the SOME days, it FELT LIKE. There is no reason to believe that he never had any other professional associates between the time he left the schoolhouse and the time we see him as an established supervillain. In fact, I can and will argue that there's room to interpret *he himself* saying he wasn't always flying solo. It's up to interpretation - but it's there.
And no, Roxanne and Megamind are not and should not be "quasi-dating" unless you want to look past the enormous Bernard lie. Which I can't say I'm surprised you did, since Roxanne doesn't matter as anything other than Reporter Romantic Interest, apparently. The end of the original implies they have *potential.*
But I'm not trying to convince you. At the end of the day, you didn't enjoy something you hoped to enjoy. You missed a few key points about the original, so the pilot of the show didn't line up with some of your expectations and it pissed you off. That's a shame. But instead of offering some grace and recognizing it for what it is - a movie designed for a younger demographic than the original, the first ounce of love Dreamworks has shown this IP since its initial release more than a decade ago, and as much story as could be crammed into 83 minutes because the people making it only had so much time within which to work, which is *honestly a fun ride* if somewhat tonally dissonant compared to what YOU were hoping for - you've decided instead to focus on what it wasn't: What You Personally Wanted. And you've decided to make your disappointment everyone else's problem instead of processing it like an adult and moving on.
I think you're boring, I think you're unkind, I think you're a whiny little bully who came onto MY POST to bitch and complain about how you're the god of what I'M allowed to enjoy. Block me, if I make you so miserable. I'm busy having fun.