pls dont ever repost my art to other sites. thank you 💕
this way to the rdr2 sideblog :3
🩵 avery cochrane 🩵
Peter Solarz
KIROKAZE

JVL
Cosmic Funnies

Origami Around
RMH
we're not kids anymore.

todays bird
h

roma★
Mike Driver

blake kathryn
Cosimo Galluzzi
Sweet Seals For You, Always
will byers stan first human second
NASA
occasionally subtle
seen from Türkiye

seen from United States

seen from Malaysia

seen from Thailand

seen from Italy
seen from United States

seen from United States
seen from Italy
seen from Belgium

seen from United States

seen from Türkiye
seen from Italy

seen from Türkiye

seen from Malaysia

seen from North Macedonia

seen from Brazil

seen from France
seen from Türkiye

seen from Malaysia

seen from Russia
@soup-racing
pls dont ever repost my art to other sites. thank you 💕
this way to the rdr2 sideblog :3

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i wish i was one of those girls from classical mythology……. i could just turn into a cypress tree or a crystalline lake and be done with it
“It is extraordinary that nobody nowadays under the stress of great troubles is turned into stone or a bird or a tree or some inanimate object; they used to undergo such metamorphoses in ancient times (or so they say), though whether that is myth or a true story I know not. Maybe it would be better to change one’s nature into something that lacks all feeling, rather than be so sensitive to evil. Had that been possible, these calamities would in all probability have turned me to stone.” ― Anna Comnena, The Alexiad, written ca. 1148
i would like to officially thank sesame for its seeds, its oil, and of course its street

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📍Istanbul, October 2025
📷 Fujifilm X-T5 / XC15-45mm
that’s just my nightstand knife don’t worry
Cyberpunk: themes of postmodernism, the horrors of neoliberalism, the limits of consciousness. Steampunk: “what if I could wear an ugly hat”
imo the pov character should be lying to themselves and concealing shit from themselves constantly
exactly, bestie. Exactly
I’ve got that neglected dog stare

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and while we’re at it, fuck this idea that ONE ACCOUNT has to belong uniquely to ONE PERSON. This is the same thing these silicon valley fucks want; their vision of the future where everyone has a unique biometric ID code implanted in their body is the ultimate extension of Netflix’s “no password sharing” policy. You want to use your friend’s car? Sorry, you can’t, you need to be an authorized user. Your mother wants to let you look something up on her OED account? Too bad! That’s only for her! The concept of perfect market efficiency gives them greedy little money bag eyes.
If I pay money to have a newspaper sent to my house, they don’t charge me extra when I show it to my dad. This password sharing thing isn’t just a Netflix problem; don’t be surprised if it shows up elsewhere in other forms. Stamp this idea out now or we’ll be stuck with it.
This is by far the most popular post I have and I have to say: good, I’m right. Password sharing and ID verification are going to kill the internet. not oooh in 50 years. in like 5 more.
I love the dad but his response made me immediately think of this:
Greg Brockman said he started ‘getting involved politically’ in 2025.
seeing an "info post!! :3" about wine on this site and having the first bullet point be immediately very wrong is so fucking funny to me
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.

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“Because the truth is, tech doesn’t have an image problem. It doesn’t have a message problem. It has an intention problem. What’s wrong with the axe murderer who broke into my house is not that he hasn’t successfully persuaded me to buy into his narrative. What’s wrong is that he’s trying to kill me with an axe. Similarly, when you launch a product that’s designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isn’t that you haven’t told the public a good story about those things. The problem is that you are trying to do them.”
— The 40 Most Rage-Inducing Problems in Tech
Aw he’s just looking for love
are you his beautiful wife? you are not his beatiful wife? sad snooting