CRAZY_GEEKY

Welcome to the Purride Purrade. Join us! - Available until June 25

There are tees, hoodies, sweatshirts, and mugs.

We are the Pride Knights, and this is our battle cry No enemy can shake us, as hard as they can try There’s a fire in our eyes that no hatred can kill A passion in our hearts that’s as strong as our will To our fellow queers who fight their battles on their own We promise to fight with you, you are never alone To our fellow queers who have fallen with the pain We thank you for your courage, your fight is not in vain

We are defenders of the right to be proud of who you are To love who you love and to accept every scar We are your knights, protectors of our pride Together we stand, together we ride

These are back! 

[Tees | Hoodies | Sweatshirts]

@bowlcut @yourfavoritewerewolf I tried

I’ve spent the past… five? Let’s say five - the past five years analyzing the structure of Disney Musicals as part of the process to write my own/a parody of them, and the thing is that all the modern ones have roughly the same number of songs - except Mulan.

Mulan has about half, because after AGWFF ends with that unresolved final phrase, there are no more songs until the end credits, which isn’t even sung in-universe.

Mulan wasn’t even the REALM of fucking around - when they arrive at that village, when the true horrors of war are brought into the story, not only does it interrupt THAT song, it breaks the entire fucking mold - the movie’s damn genre changes; it is no longer a musical.

And the Huns represent this from the start - Jafar and Hades are notable for not having proper villain songs, but Jafar does get his Prince Ali refrain and Hades and his plan get sung ABOUT by the muses. No scene with the Huns has any singing, they are mentioned once in song (the second line of Man, natch), and they of all Disney Villains are probably the most serious - no jokes, no witty asides, no sassy delivery of dry humor. The Huns are an invading army who plan to straight up kill a fuckton of people, including children, and AGWFF’s sudden end is the moment when our happy go lucky MUSICAL protagonists finally come in contact with them and their work directly - and it breaks them. Because shit like the Huns cannot exist in happy go lucky musical world. They just exist in our world. The real world. And you can’t sing your problems away here.