the strokes in conversation with hermione hoby for the guardian, february 2011 (x)
NASA
sheepfilms
art blog(derogatory)
noise dept.
Color Me Curious
almost home
Cosimo Galluzzi
𓃗

blake kathryn
I'd rather be in outer space 🛸
The Stonewall Inn
One Nice Bug Per Day

roma★

pixel skylines

bliss lane
Lint Roller? I Barely Know Her
Claire Keane
🪼
TMBGareOK. The Official They Might Be Giants tumblr
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@sophaeros
the strokes in conversation with hermione hoby for the guardian, february 2011 (x)

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Deadly egg recall
The FDA has upgraded an egg recall issued last month to “Class I,” its highest risk level, as it warns the public that consuming the products could cause “serious adverse health consequences or death.”
The recall of 1,589,577 dozen white-shell eggs and brown cage-free shell eggs was initially issued by Midwest Poultry Services in late July, which warned they might be contaminated with Salmonella Enteritidis.
According to the company, the eggs were produced and distributed from farms in Texas between June 6 and July 3 and have sell-by or best-by dates between July 20 and August 17. The recalled egg cartons have either the code P-1950 or 0840962 and Julian Dates between 157-184.
source: X
Recalled eggs were shipped to foodservice and retail customers in Texas, Oklahoma, and Louisiana. Recalled eggs were available to consumers at Kroger stores in Texas and Louisiana; Brookshire Grocery stores in Texas, Oklahoma, Arkansas, and Louisiana, and other smaller retail and foodservice outlets in these states plus Mississippi and New Mexico.
Texas, Oklahoma, Louisiana, Arkansas, Mississippi, and New Mexico are the currently affected states.
i've hit 100,000 liked posts. christ
sometimes i see an opinion i disagree with, and from a combination of wanting to keep up appearances, avoid flak, and cut to the heart of the issue, i draft a series of increasingly abstract responses, eventually culminating in typing out "falsehoods aren't true", which, in a perfect act of autofellatio, deletes itself
why do i have 172 apps on my phone pending updates. i wasnt aware i had 172+ apps on my phone.

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is that owen shock collar stream that you mentioned archived anywhere. for no reason
<3. here are the clips that compromised me so badly i couldnt even get through the first one in public.
(peacefully, serenely) maybe it's like a reverse bear trap type aesthetic
my reality awaits album review: i wish the strokes had disbanded two years ago
so often people will be like 'i'm an authority on [topic] because i'm a [field of study] major/because i'm studying [field] in college' and it literally never makes them look good. like sorry i also went to university and i know that studying something doesn't actually make you an expert on it. in fact it often means your understanding is entirely influenced by what your lecturer told you rather than actual research.

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friend sent me an Instagram reel yesterday with 1000s of likes that was basically like "pride and prejudice is timeless actually because it's about an autism romance 🥰" and then the creator proceeded to cite moments in the book and film where Lizzie and Darcy are "socially awkward" and....listen. I'm far from an Austen scholar, but I have taught Austen novels as an educator and this kind of psycho-pop analysis that views characters as individuals with autonomy over their actions, rather than tools in a story written at a particular time to say something about that time, pisses me off more than I can say without sounding like an asshole. I'm sorry but Darcy isn't rude and awkward and even cruel to Lizzie because he has autism, he says and does those things because he's a wealthy upper class land owning man raised to see a middle class woman from a large family with no male heirs like Elizabeth as inherently beneath him which he expresses to her multiple times because it is socially acceptable for him to do so in a society where someone like him is privileged above almost all others. He is "socially awkward" around her because of misogyny and classism (PREJUDICE) and she is "socially awkward" around him because a woman of her standing at that time simply wouldn't have had much to do with the gentry but to actually push back against the shit that Darcy says would be social suicide for her whole family so she protests the only way she can which is refusing his advances (PRIDE). not to be the "context collapse is the death of media literacy" guy. But this is the problem with the kind of head empty, let people enjoy things, if I can't relate to it what's the point type crowd. Youse think you're being so quirky justifying incoherent and anachronistic interpretations with your rampant individualism, ensuring that other people never confront anything that challenges them in these stories like patriarchal misogyny and classism. Pride and Prejudice becomes an "autism4autism romance", completely undermining the historical context of its status as one of the great social satires about the class and gender politics that Austen so expertly observed around her. This attitude is why we have nonsensical historical dramas that actively hate history like fucking edgy bdsm "Wuthering Heights", Bridgerton, The Buccaneers, and even a 2025 Frankenstein movie where the monster is just misunderstood and does no wrong uwu etc. because individual relatability and catharsis is king over anything actually saying anything about anything now. Everything is relatable and nothing is meaningful.
The asymmetry of power that cuteness revolves around is another compelling reminder of how aesthetic categories register social conflict. There can be no experience of any person or object as cute that does not somehow call up the subject’s sense of power over those who are less powerful. But, as Lori Merish underscores, the fact that the cute object seems capable of making an affective demand on the subject—a demand for care that the subject is culturally as well as biologically compelled to fulfill—is already a sign that “cute” does not just denote a static power differential, but rather a dynamic and complex power struggle.
an interview w sianne ngai on our aesthetic categories
Cuteness is a way of aestheticizing powerlessness. It hinges on a sentimental attitude toward the diminutive and/or weak, which is why cute objects—formally simple or noncomplex, and deeply associated with the infantile, the feminine, and the unthreatening—get even cuter when perceived as injured or disabled. So there’s a sadistic side to this tender emotion, as people like Daniel Harris have noted. The prototypically cute object is the child’s toy or stuffed animal. Cuteness is also a commodity aesthetic, with close ties to the pleasures of domesticity and easy consumption. As Walter Benjamin put it: “If the soul of the commodity which Marx occasionally mentions in jest existed, it would be the most empathetic ever encountered in the realm of souls, for it would have to see in everyone the buyer in whose hand and house it wants to nestle.” Cuteness could also be thought of as a kind of pastoral or romance, in that it indexes the paradoxical complexity of our desire for a simpler relation to our commodities, one that tries in a utopian fashion to recover their qualitative dimension as use.
also i was like man i need to stop comparing everything to pastoral fantasies when i get mean - i mean critical about fandomites and the propensity for flattening everything into harmless wholesome fluff. but who cares im right. kinda. but i am though
unfortunately i do believe that every time i delay watching a film it’s because it’s going to find me at the perfect time
sometimes when i read something really egregiously bad i start wondering if maybe i'm the problem and i just misread it because surely that's not what the author meant? but it was.
Shirakawa Yumi

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wasn't it kinda crazy that shock collar streams were just a Normal Thing for streamers to do for fun. we should bring that back. for no reason.
mutuals whenever i like your post about being miserable please imagine me like this