the strokes in conversation with hermione hoby for the guardian, february 2011 (x)
PUT YOUR BEARD IN MY MOUTH
One Nice Bug Per Day
Mike Driver
Stranger Things

JVL

JBB: An Artblog!

Kaledo Art
AnasAbdin

Discoholic đŞŠ
tumblr dot com
trying on a metaphor

çĽćĽ / Permanent Vacation
taylor price
noise dept.

oozey mess

if i look back, i am lost

â

Product Placement

ellievsbear

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@sophaeros
the strokes in conversation with hermione hoby for the guardian, february 2011 (x)

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Contemporary art haters will be like "i don't get it" and then not read the title or artist statement or the medium or the year or
How to "get it":
Ask yourself, how does this piece make you feel? (No wrong answers)
Look for an artist statement nearby. What does it say about the artist and their relationship to their work? What does the artist say that they are trying to convey with their art? What contextual clues can you pick up from what they say about their background, or what they omit?
Look at the title of the piece. What is the artist saying about their work by naming it that, either explicitly or implicitly?
Look at the medium. Is there anything about the piece that stands out to you, knowing what it's made of?
Look at the year it was made. What cultural events might have been happening around this time? Was this piece part of a particular art movement? What was the purpose of that art movement, and what was it trying to say?
Accept that sometimes, you still might not get it. This is perfectly okay.
a small thing i learned from my sister dying is that i really would rather the people i love be a burden than be whatever the hell else they'd be if they weren't. yes even if it's messy and not always fair and hard completely inconvenient for everyone involved. even if it's weird. even if i'm rolling my eyes a bit inside sometimes. i just want you to bother me. please always bother me
like "it's rotten work" "not to me not if it's you" actually sometimes it's still rotten work. even if it's you. and i'd still do it a million times over
are they flirting question mark
HRT IS INCREDIBLE

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supertf as mina ha / 2026
internetmeister / 23 june 2026
Woman of the Shammar tribe, Saudi Arabia. Scanned from the book Heureux bĂŠdouins d'Arabie by Thierry Mauger
HK blue lake tranquility
âIt's not fair.â The little ghost kicks impotently at the chalk lines around her feet. âI ain't done nothing.â
I nod, setting down my chalk and spellbook. âIt does sound like there might have been a bit of a misunderstanding.â
âShe took against me, that's what happened,â the dead girl says with a scowl. She looks about fourteen, round faced and spotty, with whisps of brown hair peaking out from under her mob-cap. Her face and her crossed arms have a tell-tale bluish tinge to them. A cholera death.
âI been here for don't know how long and never gave any trouble. Nobody ever complained about me 'till her.â
âŚwell, that's not strictly true.
Number 12, Barclay Street has been attracting rumours of haunting since the mid nineteenth century.
Sounds of faint singing and crying in the corridors at night. Cold spots. Doors that open and close by themselves. Animals acting strangely. Harmless, mid to low-level stuff, typical for a bored teenage poltergeist.
Still, pointing that out isn't likely to achieve much, and certainly the most recent complaints of blood running down the walls, screams in the dark and paralysing night terrors seem distinctly out of character.
The ghost toes the chalk again, more tentatively this time. It stays resolutely unbroken.
She could get out if she wanted to. I'm not one of those assholes who brings out their full arsenal of wards and sigils for a first meeting with a level 2 spectre. The summoning circle will keep her in one place for as long as I need her to talk, but it wouldn't hold for a moment if she really fought against it.
I take it as a good sign that she's still here. Pouting or not, she's clearly willing to work with me.
âNone of the others could do this,â she says. âNone of 'em even saw me.â She looks up. âAre you here to exise me?â
âExorcise,â I say instinctively, and curse myself when she flinches. âSorry, no, no! I don't exorcise people from their homes without good reason, not if they're happy where they are.â
âI was happy. Till she started calling in all them ghost hunters.â
Mrs Delaney had been quite persistent in her attempts to 'fix' her haunted house. Most of the people she found were charlatans, of course, but I'd still arranged an appointment as fast as I could once word reached me. It wouldn't have been long before she happened upon somebody with Talent, and unfortunately not everybody in this field knows how to behave like a professional.
âI think we might be able to help each other,â I say, careful to keep my voice calm and level.
âDon't see how. Not unless you can exorcise Her.â
âNot quite what I had in mind.â I pull out my phone and scroll through my photos. âYou say that you're not the cause of the most recent incidents of paranormal activity?â
A pause. The ghost gnaws on her lip. I wait, patiently, keeping my body language open and nonthreatening. âI⌠I knocked her coffee cup over,â she admits at last. âShe was being mean and talking on her telephone, saying I done all these things when I never did! So I decided to show her what I could do if I wanted.â
âHmm.â The ghost eyes me nervously, as if expecting me to pull out a book, bell and candle and banish her on the spot.
âI only tipped it,â she adds. âI didn't break it or nothing!â
âYou shouldn't have touched it at all,â I say sternly. âBut⌠I can appreciate that you were frustrated, so let's say no more about it.â
The ghost looks relieved.
âMy point is,â I continue, âif you weren't the one making blood rain from the ceiling or tormenting people in their sleep, then what was? There's no other ghosts on the property.â I find the picture I was looking for. âYou can get anywhere around the house, right? Including behind the furniture and in the backs of cupboards?â
âYes'm.â
I hold the phone up so that she can see the picture on the screen. âI'm going to let you go free in a moment, and I need you to see if you can find anything that looks like this.â
The ghost wrinkles her forehead. âWhat's that when it's at home?â
âBlack mould,â I say, reaching out a foot to break the binding circle. âAnd I'm pretty sure it's the cause of this haunting.â

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Naomi Osaka at 2026 Wimbeldon wearing Hana Yagi
Impulse's adventures in Tumblr
i got inspired by antique furniture -> decided to try and make a wooden doll.
she is whittled entirely out of balsa wood with a craft knife, and colored with wood dye. the cabinet has miniature hinges made of tube beads and a metal rod, and closes with a magnet. she absolutely should hold a sentimental & important object, but i don't have any that are the correct size, so i just put in some cute trinkets.
its not my fault that sex noises and pain/fear noises sound exactly the same
thereâs this fascinating thing that happens where people (fans and ccs alike) donât seem to understand how power dynamics function and what they mean. one of the most common manifestations of this misunderstanding is the belief that fan/cc interactions are an equal two-way street, that if fans want the ability to say whatever then they shouldnât be able to complain if ccs respond to them however they want. this is of course incorrect; ccs hold the bulk of the power and influence in this dynamic, so they by nature have to be more careful with their behaviour.* you see similar manifestations with the idea that women saying they hate men is equally as harmful as men saying they hate women, or queer people saying they hate heterosexuals is equally as harmful as straight people saying they hate homosexuals, and so on and so forth. if you are a member of a privileged class, whatever that means for the context in which you operate, you will be expected to endure more in order to counteract that privilege. sometimes it sucks but itâs better than the alternative, which is weaponising your power and authority to hurt marginalised groups
*obviously this isnât to say that fans should harass or harangue or otherwise bother ccs, but letâs be real, most of the ones who do are children, and if you as a content creator canât handle hordes of misguided children screaming at you, you should probably pick another form of employment.
#mystreamer:
âitâs normally a bunch of keyboard warrior children, um, who wouldnât dare say anything to you in person, um⌠but they prefer to tweet from an account that doesnât have any of their info because thatâs anonymous. um. but then theâthe same people that like leave the comments are also the same ones that hold this like, weird moral high horse of like, creators arenât allowed to reply to you, like youâre not allowed to callâsomeone can tweet something horrible at you but youâre not allowed to reply because if you do thatâs you sending your audience on them and itâs like, I donât know, maybe just donât say horrible shit and that wouldnât be a problem! you know? youâre not gonna have an issue with someone replying to you and then other people getting mad at you if you just didnât say something rude.â
it is of course a disturbingly common streamer predilection to argue with fans on the internet, heedless* of the power imbalance; it would quite frankly be an indefensible position were the fans in question solely adults, but the fact that the majority of them are childrenâas acknowledged in this quote, even!âmakes the situation significantly worse. yes, one of the consequences of celebrity is the audience, and being able to navigate interactions therewith. what particularly fascinates me about scott is that he clearly understands his position of power and privilege within the communityâhe is aware not only that the fans in question are primarily children but also that he would be âsending [his] audience on themâ were he to reply (and âsomeone replying to you and then other people getting mad at youâ is a delightfully vague way to say âa content creator quote-retweets someone and then that creatorâs significantly larger and more devoted fanbase will harass that personâ)âbut he still thinks he should be allowed to do whatever he wants forever :)

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â Dear [ ], Nick Lantz (bio)
[text ID: I hid your name in a poem. / I hid your name in my mouth. / I hid your name in plain sight.]
image id:
#I fuck with this just because I lowkey have bad taste
/end id