Scott Tallon Walker’s summer house for Sir Basil Goulding in Enniskerry, Wicklow, 1973. / 1972projects

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Scott Tallon Walker’s summer house for Sir Basil Goulding in Enniskerry, Wicklow, 1973. / 1972projects

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Anne Bancroft, 1968
Reflection details in Frits Thaulow‘s paintings
upgrade your life by taking note of the objects you use most and slowly replace them with the most beautiful and high-quality versions of those things you can find.
“The kitchen is an important space in my life — I spend much of my day there — it is where I take breakfast and bake bread, make tea and dinner and feed friends. It is crucial to me that every piece of kit, no matter how mundane or basic, is well made, pleasing to use and good to hold. Why would I want to cook or even wash up with something made of plastic when it can have the gentle tones of wood or porcelain or clay?” — Nigel Slater, A Cook’s Book
King Lear performed in the fire-damaged ruins of Teatro Municipal de Lima (c. 1999), conceived by architect Luis de Longhi

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Helmut Lang printed layout proof for a spread in Ryuko Tsushin magazine, December 1993. Photoraph by Alexandre Lardeur
William Klein - Juliette Marglen Lipstick Ad (Vogue 1957)
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Anaïs Nin, in a diary entry dated 21 March 1925, from The Early Diary of Anaïs Nin: 1923–1927
Marbre de jeune fille, Musée de Rennes, France

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Simone Weil
the ability to see more beauty in the world is a skill. the more beauty you see, the more comes to you, the more you create yourself. so much of the disempowerment people feel is because they are trained to see the ugly and negative in everything. you have to unpick your mind from the lure of negativity and train yourself to find beauty. if you want a beautiful life, it starts with learning to find the beauty everywhere.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“[…] the idea of perfection which art pursues, the wisdom accumulated in writing, the dream of satisfying every desire that is expressed in the luxury of ornaments, all these point towards one single meaning, celebrate one foundational principle, entail one single final object. And this is an object which does not exist. Its sole quality is that of not being there. One cannot even give it a name.”
— Italo Calvino, tr. Martin McLaughlin, from “The Mihrab,” Collection of Sand (Mariner Books, 2013; orig. pub. in Italian, 1984)
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