Baked Soft

There’s something incredibly unfair about the fact that we didn’t get to be writers in the Victorian era.

You didn’t have to overthink themes or chase originality, you simply wrote about death, ghosts, occultism, and medical experiments happening right under your nose. Vibe? Vibe.

On one side, Queen Victoria turning mourning into a cultural norm. On another — the Fox sisters and their spiritualist séances. Somewhere nearby — Masonic lodges and secret societies. And looming over everything — the age of science and technology, which terrified people more than any ghost next door ever could.

What I love most is that the word “gothic” originally had nothing to do with what we mean by it today. It literally meant something crude, non-classical, barbaric. The Goths were tribes who fought the Roman Empire and were considered uncivilized. And only thanks to 18th-century writers did “gothic” transform into something mysterious, unsettling, and hidden.

So yes, this is a long introduction. And yes, it leads exactly where you think it does — to a gothic reading list.

Is it out of season? Absolutely.

Does inspiration care? Not at all.

1. The Castle of Otranto — Horace Walpole

The sins of the fathers are to be visited on their children

The first novel to be deliberately called “gothic” by its author. Gothic in the most literal sense because the story unfolds in a gothic castle. Walpole understood something simple but genius: to scare people, you show them places that already feel wrong.

2. The Mysteries of Udolpho — Ann Radcliffe

Where there is no difficulty, there is no glory

A masterclass in atmosphere and emotional tension. Fear here is slow, subtle, and psychological — built through isolation, landscapes, and anticipation rather than violence.

Perfect if you love anxiety more than shock. Radcliffe proves that imagination is often scarier than monsters.

3. The Monk — Matthew Gregory Lewis

Pride, ambition, and revenge are the three passions which rule the soul of man

Dark, scandalous, and unapologetically excessive. Religion, repression, desire, moral collapse — everything explodes at once. Messy, disturbing, unforgettable.

4. Carmilla — Sheridan Le Fanu

You will think me cruel, very selfish, but love is always selfish

A quiet, intimate gothic vampire story that came before Dracula. Sensual, eerie, and deeply psychological. Creeping dread disguised as affection and that’s what makes it so unsettling.

5. The Strange Case of Dr Jekyll and Mr Hyde — Robert Louis Stevenson

Man is not truly one, but truly two.

A short but powerful exploration of duality, repression, and the darkness within the human self. One of those books that feels uncomfortably relevant no matter how many years pass. The monster isn’t outside — it never was.

6. Dracula — Bram Stoker

Listen to them — the children of the night. What music they make!

The gothic novel. Fear of the unknown, science, sexuality, invasion, immortality: all wrapped in letters and diary entries. Just iconic for a reason. It’s not just about vampires, it’s about Victorian anxiety in its purest form.

7. Frankenstein — Mary Shelley

Beware; for I am fearless, and therefore powerful.

A gothic and philosophical novel about creation, responsibility, isolation, and abandonment. Still one of the most misunderstood books. This is not a monster story — it’s a tragedy about loneliness and human cruelty.

8. Edgar Allan Poe

All that we see or seem is but a dream within a dream

Madness, obsession, decay, guilt, and death — all happening inside the human mind. Poe doesn’t scare you with monsters. He makes you sit alone with your own thoughts, and somehow that’s worse.

Gothic literature isn’t about jumpscares or aesthetics. It’s about fear as a cultural symptom. About what society tries to hide and what inevitably crawls back out of the dark.

George Clausen (British, 1852-1944)