
shark vs the universe

titsay
noise dept.
we're not kids anymore.
Show & Tell
Alisa U Zemlji Chuda
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Monterey Bay Aquarium
d e v o n
$LAYYYTER

Kaledo Art
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Today's Document
Xuebing Du

#extradirty

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Cosmic Funnies

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"I'm Dorothy Gale from Kansas"
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@solipsism0ipseity

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honestly
Neolithic standing stones, Kumathi, Karnataka, South India
Barbarian Sacrifice by Paul Klee, 1932, Guggenheim Museum
Solomon R. Guggenheim Museum, New York © 2016 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Medium: Watercolor on paper, mounted to board

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Nightlife in Philadelphia—an Oyster Barrow in front of the Chestnut Street Theater by John Lewis Krimmel, American Paintings and Sculpture
Rogers Fund, 1942 Metropolitan Museum of Art, New York, NY Medium: Watercolor and graphite on white laid paper
Enter, Exit, 1923, Max Ernst
words defined
Intransigence-refusal to change one’s views or to agree about something
Pharisaism-doctrines (character and spirit) of pharisees; prioritizing the observance of ritual or practice over the meaning (hypocritical, self-righteous)
Samizdat-a key form of dissident activity across the soviet bloc in which individuals reproduced censored and underground publications by hand and passed documents from reader to reader; grassroots publishing
Matutinal-of, relating to, or occurring in the morning (early)
Carmine-a vivid crimson color
Coterminous-having the same boundaries or extent in space, time, or meaning
Ossify-cease developing; be stagnant or rigid; turn into bone or bony tissue
Suprematic dress, 1923, Kazimir Malevich
https://www.wikiart.org/en/kazimir-malevich/suprematic-dress-1923

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Chavez Ravine property owners examine bulldozed ruins. 1959.
Residents, mostly Mexican American, lost their homes to clear land for Dodger Stadium.
UCLA/Los Angeles Times Photographs Collection
Jean Baudoin - Hand of Fate, 1638.
A Song for Simeon
by T.S. Eliot
Lord, the Roman hyacinths are blooming in bowls and The winter sun creeps by the snow hills; The stubborn season has made stand. My life is light, waiting for the death wind, Like a feather on the back of my hand. Dust in sunlight and memory in corners Wait for the wind that chills towards the dead land.
Grant us thy peace. I have walked many years in this city, Kept faith and fast, provided for the poor, Have taken and given honour and ease. There went never any rejected from my door.
Who shall remember my house, where shall live my children’s children
When the time of sorrow is come? They will take to the goat’s path, and the fox’s home, Fleeing from the foreign faces and the foreign swords.
Before the time of cords and scourges and lamentation Grant us thy peace. Before the stations of the mountain of desolation, Before the certain hour of maternal sorrow, Now at this birth season of decease, Let the Infant, the still unspeaking and unspoken Word, Grant Israel’s consolation To one who has eighty years and no to-morrow.
According to thy word, They shall praise Thee and suffer in every generation With glory and derision, Light upon light, mounting the saints’ stair. Not for me the martyrdom, the ecstasy of thought and prayer, Not for me the ultimate vision. Grant me thy peace.
(And a sword shall pierce thy heart, Thine also).
I am tired with my own life and the lives of those after me, I am dying in my own death and the deaths of those after me. Let thy servant depart, Having seen thy salvation.
Shomei Tomatsu - Statue of an angel shattered by the atomic bomb at Urakami Cathedral, Nagasaki, 1961.
Hilma Af Klint, 1907

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Jindřich Štyrský (Czech, 1899 - 1942)
Hand, 1940
Tracing paper, 30,5 x 44 cm
Our Lady of Protection (Nuestra Señora del Patrocinio) by Pedro Antonio Fresquis, The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 11, North Wall Medium: Water-based paint on wood panel