LOVE DOESN’T DISCRIMINATE BETWEEN THE SINNERS AND THE SAINTS IT TAKES AND IT TAKES AND IT TAKES AND WE KEEP LOVING ANYWAY.
private aramis from bbc’s musketeers garrisoned by becky ( x x )
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LOVE DOESN’T DISCRIMINATE BETWEEN THE SINNERS AND THE SAINTS IT TAKES AND IT TAKES AND IT TAKES AND WE KEEP LOVING ANYWAY.
private aramis from bbc’s musketeers garrisoned by becky ( x x )

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may her memory be a revolution.
&. 𝐄𝐈𝐆𝐇𝐓 𝐏𝐄𝐎𝐏𝐋𝐄 𝐈’𝐃 𝐋𝐈𝐊𝐄 𝐓𝐎 𝐊𝐍𝐎𝐖 𝐁𝐄𝐓𝐓𝐄𝐑 .
𝟎𝟏 . ALIAS / NAME : corvus 𝟎𝟐 . BIRTHDAY : june seventeenth 𝟎𝟑 . ZODIAC SIGN : gemini sun, cancer moon, virgo rising 𝟎𝟒 . HEIGHT : 5′1 𝟎𝟓 . HOBBIES : writing, researching, swimming, video games, dungeons & dragons 𝟎𝟔 . FAVOURITE COLOUR : blue, in all sorts of shades -- but especially icy ones 𝟎𝟕 . FAVOURITE BOOK : reserved for the cat 𝟎𝟖 . LAST SONG : i’m gonna kill santa clause by danny gonzalez 𝟎𝟗 . LAST FILM / SHOW : .................. as above, so below 𝟏𝟎 . INSPIRATION : i’m not wholly sure what this is asking but i’m inspired by the people around me when i write, mostly -- and documentaries about ancient history 𝟏𝟏 . STORY BEHIND URL : it’s from the title of scarlett’s movie
TAGGED BY ... kidnapped it from @songinspire TAGGING ... @clockswork && @carvienne && @copiesofme && @gloryreign && @maegtig
Beautifully decorated tomb of queen NEFERTARI (QV66)
requested by anonymous
mary boleyn in the tudors

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Compendium Alchymist, 1706
msktfired / brave musketeers.
“ paris is a wonderful city. though, i wish your journey had been fraught with no danger. but the musketeers are more common in paris so you will not be attacked there so easily. then i shall escort you there. i do not wish for you to be alone after such an attack. ” at least it wasn’t raining. instead the sun shone over the city and painted her in wonderful autumn colours.
❝ merci, monsieur. i don’t intend to be caught off guard again. ❞ she will not be attacked so easily, period; it’s embarrassing that she was so easily caught this time. scarlett doesn’t mind his offer of protection, however. perhaps she’s just craving the company of another human being. ❝ i wouldn’t have wished the journey to be anything else, if i’m honest. i should hate to lead a completely safe, mundane life. ❞ she finds a lack of danger to be missing something. there’s a spark to threat that helps drive her.
gracefallen / confused.
he watches closely as she points out something that feels incredibly obvious now that she’s explained it , and finds himself sighing as he runs his fingers across it again . ❝ right . ❞ he says . he has no CLUE what he’s doing , or what he’s supposed to be looking for . all he knows is that he has BOXES of these things now that he’s inherited all his father’s belongings & she was allegedly the best person to ask . ❝ is there something i can … do with it ? donate it to a museum perhaps ? i’m not quite sure what use it’ll be to me . ❞
❝ i could take it off your hands. ❞ there’s a note of excitement in scarlett’s voice that she doesn’t even attempt to hold back. the rosicrucian order is intrinsically linked with the history of alchemy, and she’s never excluded the possibility of its members playing a role in the concealment of the philosopher’s stone, which has become the focal point of her entire world. this man has no idea what kind of a treasure he’s inherited -- not a treasure with any true value in the modern world’s market, not in the way people value things today -- but a treasure to her.
The Mask of Zorro (1998), dir. Martin Campbell
△ VISIT THE INTERIOR PARTS OF THE EARTH; BY RECTIFICATION, THOU SHALT FIND THE HIDDEN STONE. ▼
ind. pri. sel. scarlett marlowe of as above, so below – as explored by corvus.

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msktfired / brave musketeer.
they ride quickly but not at a full gallop. so they can move quickly but not uncomfortably. he does not know her experience riding but judging by her stance it is a long history. most women prefer to ride side saddle. “ most of my life. i came to paris when i was sixteen to join the infantry. have lived here ever since. is this your first trip to our country? ”
❝ not to your country, no -- but it will be my first to your city. ❞ scarlett has had an unconventional life, an especially unconventional childhood, raised abroad on the hunt for something that most people no longer believe exists. her father considered paris an extremely dangerous place, and refused to let her go until they had no choice but to search the city for more clues. now, she’s here. ❝ i have a friend in the city, though. my father’s friend. ❞
msktfired / brave musketeer.
“ you’re welcome, mademoiselle. ” he calls his horse over and strokes her nose softly. esmé loves aramis and will not let anyone else ride her unless aramis says it’s okay. “ we can ride on now. the bodies will not be going anywhere. ” they could easily ride to paris and aramis felt he must see this through to the end. a woman in need will always capture his attention.
once the horse is within reach, scarlett’s fingers brush through her mane and trace down her neck as she moves to mount. she settles into the saddle properly when the musketeer mounts up behind her. in a very unladylike manner, she allows her skirts to bunch up, sitting astride the horse as opposed to side saddle. ❝ how long have you lived in paris, monsieur aramis? ❞
msktfired / brave musketeer.
it is often easy to see if someone is of sound mind or not. their words teeter on the edge of incensed and they bring more questions than answers. but it is not his place to judge. for she seemed certain in her convictions. “ i can show you the way. for i often stop in the church there to check on some of our spanish citizens. it is not far from the gate we shall be entering through. ”
❝ thank you, aramis. ❞ she can hardly contain her excitement. it’s been a very long road to reach paris, and that road has been littered with tragedy and danger. she can’t shake the feeling that her father should be here with her, since it was his journey to paris as a young man that sparked this quest... but she is resolved to finish this. whatever may come. scarlett wants to waste absolutely no time, and she moves to mount his horse, not waiting for him to offer a boost.
msktfired / brave musketeer.
“ i do not intend such things but often such matters do occur. ” his brothers do say he attracts danger. something he cannot deny. but at the same time he does not normally get told he is saving the world. most simply say their own lives. “ you are. paris is but an hour’s ride away. i am heading that way now to finish my patrol route. i can give you a ride and report these bodies to the red guard at the city limits. ”
already, scarlett has decided she likes aramis: he’s to the point, and he’s adaptable. he hasn’t blinked twice at her mention of saving the world. he also hasn’t given her the usual ‘the mademoiselle must be mad’ stare, nor even a quizzical look. ❝ s'il vous plaît, monsieur. perhaps if you have a moment when we arrive, you might be able to direct me to cimetière des innocents. i’m looking for a specific grave and i’ve come a very long way to find it. ❞
msktfired / brave musketeer.
“ let’s get these off you. ” removing his main-gauche from his back he gently slips it under the ropes to cut them away. accents matter not to the musketeer and neither does ethnicity. as long as a person abides by the laws of france and god he will protect them as is his duty as a soldier and a man of god. “ i am sorry such men would treat a woman so poorly. especially when they required such services. god will judge them for their actions. ”
when her wrists are freed, scarlett rubs the red skin in relief. her fingers brush her pulse point before she tears her eyes away from her hands and looks back up at the musketeer. ❝ i’m grateful you were here. you might have just saved the entire world as we know it. ❞ she staggers to her feet, needing a moment to get her balance back but determined to stop being such a damsel. ❝ they, unwittingly, might have expedited my search. we are just outside paris, non? ❞

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problem: nicolas flamel died, or “died”, a few hundred years before the paris catacombs were constructed -- so how did the philosopher’s stone find its way down there, and how did his tombstone (which he designed & carved himself) contain the correct clues to lead into the catacombs?
my personal solution: nicolas flamel, clearly, did not die. he constructed a secret chamber below his grave prior to the existence of the paris catacombs in which to hide the philosopher’s stone. in an early version of the script, it’s revealed that the dead man in the crypt (dubbed the ‘rose chamber’) directly before the stone’s room (dubbed the ‘alchemy chamber’) is the founder of the mysterious rosicrucian order, christian rosenkreuz -- an alchemist. i’ll theorize that flamel got involved with the rosicrucian order and the order involved itself in the construction of the catacombs in order to ensure they did not disturb the secret chamber, and to link the catacombs to the chamber with the clues & hidden door we see in the film. there was another, much more difficult to reach entrance to the chamber previously, that was essentially reoriented to be accessible via the catacombs to those savvy enough to decipher flamel’s clues.
‘Abandon all hope, ye who enter here.’ According to mythology, that’s the inscription over the gates of hell.
As Above, So Below (2014) dir. John Erick Dowdle