Eviction by Spicebag
Misplaced Lens Cap
art blog(derogatory)
Acquired Stardust
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One Nice Bug Per Day
dirt enthusiast
YOU ARE THE REASON
PUT YOUR BEARD IN MY MOUTH
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izzy's playlists!
2025 on Tumblr: Trends That Defined the Year
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Eviction by Spicebag

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Kazuyuki Futagawa Aqua Jade Tree 2008 Natural Pigment on Japanese Paper 112×162 cm.
Junked cars belonging to the Pacific Electric Railway in Los Angeles, 1956. Many American cities – even Los Angeles – had robust public transit systems in the early 20th century. These were dismantled by the middle of the century as the car began to rule American transportation.
{WHF} {HTE} {Medium}
niizhwaaso miskwaadesiwag (seven turtles in Ojibwe)
nenookaasi (hummingbird in Ojibwe)

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In Memoriam Ken Andrews (@baapi-makwa)
Beloved father, beloved son, beloved Ojibwe artist, and beloved friend to many walked on this morning, the 27th of April 2021. He was born July 18th, living in northern Wisconsin.
As an artist, he worked primarily with pen and paper, making a modern spin on traditional designs and drawings. He used the moniker Baapi Makwa (’laughing bear’) and that reflected his light-hearted and kind spirit. He loved bears, video games such as Dragon Age and Warcraft, drawing, puppies, his kitties Bambalam and Oscar, his family, learning his language, Gichigami, and flowers.
He is survived by his father and his two twin daughters. He is already sorely missed. We hope he is happy and soon to reunite with his mom, his pup Chance, and his belly button.
https://gofund.me/52d5d8ad
If you feel driven to support ❤️
Over the weeked Ken was hospitalized at St. Luke's in Duluth. He appeared to have … JANELL HILL needs your support for Help with Ken Jr.'
Excerpt from a press release from the Center for Biological Diversity:
Tribal and conservation groups sued the U.S. Forest Service Friday to stop a land trade that would hand over thousands of acres in the Tonto National Forest in central Arizona to a London-based mining company. The Oak Flat area, considered sacred by Apache and other Native people, would be destroyed by multinational mining company Rio Tinto for a massive copper mine.
“Without a doubt, the proposed mine presents a huge threat to water quality and water supplies for our region, since the mine would create a crater more than a mile wide and 1,000 feet deep, deplete billions of gallons of water and destroy the environment and ancestral lands that are sacred to tribes in Arizona,” said Shan Lewis, vice chairman of the Fort Mojave Indian Tribe and president of the Inter Tribal Association of Arizona. “For our 21 member tribes, the COVID-19 pandemic has put a magnifying glass on the fundamental need to protect and preserve healthy water supplies in Arizona.”
The lawsuit, filed in U.S. District Court in Phoenix, says the Trump administration violated federal law by failing to properly analyze and mitigate the proposed mine’s potential damage to waters, national forest land and wildlife. It also failed to apply the correct laws and regulations, including ignoring public input provisions, to infrastructure needed for the mine.
“Given the overwhelming pressure applied to the Forest Service from the highest levels of the Trump administration, it is no wonder that the agency’s analysis is fatally flawed,” said Roger Featherstone, director of the Arizona Mining Reform Coalition. “We are asking the court to throw out the final environmental analysis and restore the process that should have been followed to protect Oak Flat and thousands of additional acres of precious land from Resolution Copper’s failed experiment.”
The Trump administration fast-tracked the Jan. 15 publication of a final environmental analysis, which triggers the land exchange with Rio Tinto so it can build the Resolution Copper mine at Oak Flat.
“Trying to force this decision before leaving office, the Trump administration put the interests of multinational mining corporations above those of Indigenous and local communities in Arizona,” said Pete Dronkers, southwest circuit rider with Earthworks. “The former administration’s rushed and flawed review unlawfully ignores the concerns expressed by the area’s tribes and communities. We join these mining-impacted communities to ask the court to put a stop to this injustice.”
Oak Flat has been used for centuries by Apache and other Native people for ceremony, sustenance and habitation, and ceremonies are still conducted there. Several tribes consider it sacred, including the nearby San Carlos Apache Tribe, which filed suit Jan. 15 to challenge the land exchange. Oak Flat is also a popular campground and recreation area, with stunning scenery and world-renowned rock climbing. It and the surrounding lands are important habitat for a diverse array of wildlife, including migratory and endangered birds as well as endangered plants and fish.
Study of modern DNA shakes up ideas of when and where contact happened
A U.S. District Court on Monday ordered Energy Transfer LP to shut and empty the largest pipeline from the North Dakota shale oil fields within 30 days, in a big win for the Native American tribes who have fought the line's route across a crucial water supply.
JULY 6, 2020
“Today is a historic day for the Standing Rock Sioux Tribe and the many people who have supported us in the fight against the pipeline,” said Chairman Mike Faith of the Standing Rock Sioux Tribe. “This pipeline should have never been built here. We told them that from the beginning.”
Okay it’s only being shut “for now” until they can properly investigate all of it and the risks and stuff but like, it’s still progress.

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new post up on my FB page #abolishpolice #protest #socialmovement
It’s hard to write much of anything right now that would ever be enough, that could do justice to the moment. I want this column to serve as
Tackling the causes ocean pollution can have compounding effects. These seven solutions detail how to reduce plastic waste and other ocean p
Flora and Sylva
Today we present botanical illustrations from our American Geographical Society Library’s set of French natural history books Dictionnaire universel d'histoire naturelle. The books were produced under the direction of Charles d'Orbigny and published in Paris by Renard, Martinet et Cie from 1847-1849 in 13 volumes and 3 illustrated atlases. The hand-colored plates we are featuring today are illustrations of Dahlias, Aechmea, Stapelia, Gloxinia, and Morning Glory (Convolvulaceae) flowers.
View more posts about Dictionnaire universel d'histoire naturelle.
View more posts from our Flora and Sylva series.
–Sarah, Special Collections Graduate Intern
Bill Withers I Can’t Write Left-Handed (Live at Carnegie Hall)
propers to conorh
Lava channel at Mt. Etna
etnawalk
Lava Source [2017]

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A Multicolored Library of the World’s Ochre Pigments Archived by Heidi Gustafson
“James Luna often uses his body as a means to critique the objectification of Native American cultures in Western museum and cultural displays. He dramatically calls attention to the exhibition of Native American peoples and Native American cultural objects in his Artifact Piece, 1985-87. For the performance piece Luna donned a loincloth and lay motionless on a bed of sand in a glass museum exhibition case. Luna remained on exhibit for several days, among the Kumeyaay exhibits at the Museum of Man in San Diego. Labels surrounding the artist’s body identified his name and commented on the scars on his body, attributing them to “excessive drinking." Two other cases in the exhibition contained Luna’s personal documents and ceremonial items from the Luiseño reservation.
Many museum visitors as they approached the "exhibit” were stunned to discover that the encased body was alive and even listening and watching the museum goers. In this way the voyeuristic gaze of the viewer was returned, redirecting the power relationship.
Through the performance piece Luna also called attention to a tendency in Western museum displays to present Native American cultures as extinct cultural forms. Viewers who happened upon Luna’s exhibition expecting a museum presentation of native American cultures as “dead,” were shocked by the living, breathing, “undead” presence of the luiseño artist in the display. Luna in Artifact Piece places his body as the object of display in order to disrupt the modes of representation in museum exhibitions of native others and to claim subjectivity for the silenced voices eclipsed in these displays. “