Well i Love you if that helps
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@smallpinkplushie
Well i Love you if that helps

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
this sucks so bad i need to [remembers suicide jokes only worsen my mental health] put on the best talent show this towns ever seen
guys this post is a big hit on the adolescent psych ward
Fish in the great lake being like
Wait shit wrong fucking post
officical michigan post
Does anyone know what to do about the temperature and also the prices
Jellycat of the Day | 4th July 2026
↳ Birdling Woodpecker | 2024 Retired Design
“Scrambling up the trunk of a tree!”

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
IDM = Intelligent Dance Music
EDM = Educational Dance Music
DnB = Dictionaries and Books
Jungle = Jungian Lessons
how it feels to be aware of your paranoias btw
The Dixie Dugan White Collection of Women's Rights Memorabilia
🇺🇸🇺🇸🇺🇸🔥🔥🔥🎆🎆🎆🎇 I HATE THIS FUCKING COUNTRY 🎆🎇🎇🎆🎆🎇🎆🇺🇸🇺🇸🇺🇸
this is my impression of what it would look like if the toddlers at my job could make traumacore edits about me
alright by popular demand here is more toddler traumacore

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Albert Square, Manchester (1910) by Adolphe Valette | Contemporary Art (2015) by Emily Allchurch
the top is an original, from 1910, the bottom is a new version painted in 2015
THE BOTTOM IS A PAINTING????
also does a really good job reminding the view just how much air quality has improved since we stopped burning coal in every building lol
has anyone noticed that sometimes you take incorrect or undesirable actions instead of the correct and desirable ones? what's up with that
Actually when I say “fuck all billionaires” I particularly mean Taylor “having my wedding in the middle of the busiest city in the world on the busiest weekend in the world in the part of the city the majority of commuters need to get through because fuck working people” Swift
The thing about American "leftist" comedians is that they aren't actually leftist, they are the Imperial Court Jesters. They stand on a stage, point directly at the blood-soaked gears of the war machine, make a little tee-hee noise, and the crowd erupts. Not because they are critiquing the machine, but because the laughter is a pressure release valve for the people inside it. Take the video of that stand-up asking the defense contractor if she helped Trump bomb those 160 Iranian school girls, and everyone laughing, including the contractor herself. That laughter is ritual absolution. The contractor laughs because she knows she will never face a tribunal. The audience laughs because they get to feel "self-aware" without having to actually stop anything. The joke doesn't condemn the contractor; it humanizes her, turns her into a lovable scamp who just happens to have a job graphing the velocity of shrapnel through children's bodies. By making it a punchline, the comedian sanitizes the atrocity. The blood is scrubbed off the stage. The audience gets to say "wow, we are so edgy for talking about it" while the person who builds the bombs gets to chuckle and order another drink. It is not satire, it is a team-building exercise for the empire.
Then there is the YouTuber talking about Transformers, casually dropping the "Iraq war aesthetic" like it's a color palette. Desert punk. Military core. A vibe. This is what happens when your country hasn't had a war on its own soil in living memory; the violence becomes media, a backdrop for childhood toys. The explosions are no longer the sound of mothers screaming; they are cool action sequences. They are digesting the visual debris of massacre as a nostalgic fashion choice, scraping the trauma off and compressing it into a genre for their retro-futurist fantasies. The apocalypse becomes a mood board.
And finally, the girl recounting celebrity love triangles from her childhood, flippantly mentioning how the U.S. was "busy with the Iraq war or whatever." Or whatever. That single phrase is the thesis statement of American innocence. Over a million dead, a region destabilized for a century, an endless river of grief; and for her, it was the commercial break between pop culture segments. It didn't raise her rent. It didn't stop her Wi-Fi. The violence is geo-locked to brown skin and distant deserts, just background noise like a refrigerator humming. She has the luxury of forgetting because the machine doesn't eat her children, it eats yours.
Americans don't hate the machine; they love the output. They hate the mess of it. So they turn it into jokes, into aesthetic, into "whatever." Because if they stopped laughing, if they stopped scrolling, if they actually looked at the 4K drone footage of the aftermath instead of the cool explosion CGI in their movies, they would have to realize that the lithium in their phones, the gas in their tanks, and the comfort of their suburban cul-de-sacs are all greased with the fat of foreign children. And they can't handle that. So they laugh. They turn it into a vibe. They call it "the Iraq war or whatever." You can't deconstruct the master's house with the master's jokes, especially when the punchline is the corpses holding up the floorboards.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
"it's just growing pains" -> "you're too young for that to hurt that bad" -> "you just need to get in better shape" -> "welcome to being old, everyone is in pain"
"it's not that deep" START DIGGING!!
DIG
DIG
DIG
DIG
OOPS TOO DEEP
CLIMB
CLIMB
CLIMB
CLIMB
CLIMB
CLIMB
OH NO
FLY