«life is ours, we live it our way.»

september 3, 1985

new girl transferred today. junior, like us. you walked into homeroom twelve minutes late with your bag strap sliding off your shoulder and sat down in the empty desk by the window and i forgot what mr. hendricks was saying. i still don't remember. it might have been about the civil war. it might have been about literally anything. you glanced out of the window, sunlight golden on you, and opened your notebook. i missed twenty minutes of american history.

this is probably not important enough to write down.

i'm not sure why i did.

september 8, 1985

i have three friends. bobby, terrence, and the library.

i'm not popular. i'm the thing that happens to popular when you drain all the charisma out of it and replace it with advanced calculus and the inability to make eye contact. bobby got the face AND the personality. i got the face and a brain that won't stop noticing details nobody asked for and a body that flinches when people touch it without warning.

identical twins. completely different experiences of being alive.

bobby walks into a room and the room lights up around him. i walk into a room and can't figure out where to stand. people talk and i miss the cues. the pauses where i'm supposed to laugh, the shifts in tone that signal a joke, the invisible dance of human interaction that everyone else learned naturally, and i'm still studying from the outside like a foreign language i can read but can't speak.

most people forget i'm in the room. teachers mix us up. girls look through me to find him. i've been called "bobby's brother" so many times it might as well be printed on my birth certificate.

i envy him sometimes. the effortlessness of it. the way connection comes to him like breathing. for me every conversation is a translation exercise: hear the words, decode the meaning, calculate the appropriate response, deliver it, check the face for signs i got it wrong. and it's so exhausting.

the library doesn't require any of it. the library doesn't care if i'm awkward.

september 11, 1985

her name is—

actually, i don't think i should write your name in this. just in case bobby finds it despite the very clear warning on the cover. i know you. that's enough.

bobby talked to you first because bobby talks to everyone first. you were sitting alone at lunch and he just walked over and sat down and said something that made you laugh (this startled, bright, involuntary sound) and by the time i got to the table you were already part of the group.

terrence likes you. bobby likes you. everybody likes you. you're warm in a way i don't have a word for. not loud-warm. just warm.

you said hi to me and i said hi back and that was the entire interaction.

i've been replaying it for three hours.

september 17, 1985

you sat next to me in calculus today. not because you had to. the desk was open and you chose it from three others, and sat down and smiled at me. you said, "hey, benny" like we've known each other for years.

benny.

nobody calls me benny.

september 29, 1985

you asked me to help you with calc after school. we sat at the kitchen table for an hour and a half and you leaned into my shoulder while i walked you through derivatives. your hair smelled like vanilla and you looked at me like i'd performed a miracle when you finally got it right.

nobody looks at me like that. bobby gets those looks. terrence gets those looks. i get the polite nod. the strained, patient smile. the "oh, you're bobby's brother" face that i've learned to expect.

you looked at me like i was a person who knew things you wanted to know. like the knowing mattered. like i was someone and not just adjacent to my twin.

i am in so much trouble.

october 14, 1985

you call me brendan. full name. sometimes benny when you're teasing. never BB, which is what everyone else calls me. never "the other twin." never "bobby's brother."

brendan.

i could live off the way you say it for a very long time.

october 22, 1985

kyle weber called me a freak in the hallway today. not the first time. i was carrying a stack of AP textbooks and he shoulder-checked me and they went everywhere and he laughed and said, "watch it, freak." i was on my knees picking up books and trying to disappear into the linoleum.

and then you appeared out of nowhere. i don't know where you came from. one second i was alone on the floor and the next you were crouching beside me, stacking my books, and then you stood up and turned to kyle. you said something so quiet i couldn't hear it and his face went white. paper white. he looked at you and then at me and then he stalked away and he hasn't spoken to me since.

i asked you what you said to him. you handed me my books and shrugged. "i told him if he touches you again i'll make sure the whole school knows he cried during the sex ed video in freshman year."

"...did he?"

"oh, absolutely. terrence told me. the power of information, benny."

and you linked your arm through mine and walked me to class.

people touch me and i flinch. always have. bobby's arm around my shoulder makes my skin crawl. terrence's back-slaps make me clench my jaw. casual contact (a stranger's elbow on the bus, a classmate brushing past in the hallway) registers in my body as a low-grade alarm.

i don't know why. i've never known why. my skin has always been too loud for other people's hands.

you linked your arm through mine and i didn't flinch. i didn't tense. i didn't have to override the instinct because the instinct wasn't there. your touch landed on my skin and my whole nervous system went quiet. warm. calm. like coming inside after hours in the cold and standing next to a fire and feeling the tightness in your muscles release one strand at a time.

you're protective of me. you took one look at the quiet twin who can't make eye contact and decided he was yours to defend and nobody asked you to and you did it anyway.

i have never felt warm the way i feel warm when you do this. like the warmth isn't just temperature but a person. like i've been standing outside in the cold my whole life and you opened the door to a warm house.

november 2, 1985

you found me in the library during a free period. everyone else was at the pep rally. i was reading and you sat down across from me and said "i don't really do pep rallies" and opened your own book and we sat there in silence for an hour.

i've never been quiet with another person and had it feel like a gift before.

silence with other people feels like a failure. like i'm supposed to be filling the space and i can't find the right thing to fill it with. every pause is a question i'm getting wrong. with you the silence felt like a room we were sharing on purpose.

the noise in my head (the constant humming calculation of how to be a person in front of other people) it stops when you're near. just stops. like a machine powering down. and underneath the silence there's this calm i don't have a name for. this sense that i can stop performing and just exist and you won't find the existing strange or off-putting.

when you left you squeezed my shoulder and said, "this was nice, benny."

i put my forehead on the table and stayed there for a while.

november 9, 1985

a thing i've never told anyone:

i hate being touched, and i am desperate to be touched. both at the same time. all the time.

other people's hands on me feel like static. wrong pressure, wrong temperature. i pull away from hugs. i stiffen under friendly arms. mom stopped trying to hold my hand when i was eleven because i kept pulling free without meaning to and the hurt on her face was worse than the contact.

but when you touch me (your hand on my arm, your head on my shoulder, your fingers fixing my collar) my body does the opposite thing. it leans. toward you. into you. like i've been cold for sixteen years and you're the first source of heat and the relief of it is so overwhelming i could cry.

i want more. always more. every touch you give me i hoard and replay and it's never enough. i want your hand in my hair. your arms around my waist. your forehead against mine. i want to be held by you until the static stops and it only stops with you and i don't understand why.

i don't think i need to understand why. i just need more.

november 15, 1985

i can see it happening. you and bobby. the way you orbit each other is starting to change shape.

the group hangs out and i watch your eyes find him across the room. i watch his find you. there's a gravity forming between you two that everyone can feel and nobody's named yet but they will. terrence already calls you bobby's girl behind your back and you're not, not yet, but the "yet" is so, so heavy.

you light up when he walks in. i know that brightness because i feel it when you walk in and i have to look away before anyone sees.

you're going to end up with bobby. everyone in this school can see the shape of it forming. bobby and the new girl. the twin everybody notices and the girl everybody likes.

i'm being dramatic. it's only been two months. i barely know you.

except i do. i know you hate the crusts on sandwiches but eat them anyway because wasting food makes you feel guilty. i know you hum when you're concentrating and you don't realise you're doing it and the song is never one i recognise. i know you bite your bottom lip when you're nervous and the left side harder than the right.

i know you. i've been paying attention since september.

i need to stop.

december 19, 1985

christmas party at terrence's. you wore a red sweater too big for you and had a stupid reindeer pin on your collar. bobby was doing his thing. arm around you, charming and bright, making the room laugh. i watched you lean into him. two bodies learning how to fit together.

you found me hiding in the kitchen and bumped your hip against mine with a crooked smile. "you're hiding."

"i'm making a drink."

"you're hiding. come back out. i miss you."

you said i miss you and i'd been in the other room for ten minutes.

you dragged me back by my sleeve and sat me down next to you and kept your hand on my knee for the rest of the night. i don't think you noticed you were doing it.

i noticed nothing else.

january 9, 1986

i've started dreading the question. the one bobby and terrence throw around like a football. "so when are you gonna get a girlfriend, bennett?" bobby grins when he says it. means it lovingly. doesn't know the answer is a slow knife.

terrence is worse. "bro there are girls literally lining up for the bobby franklin face and you're just... sitting there. reading. with that face. it's criminal!"

i laugh it off. they laugh. everyone laughs. good old brendan. hopeless with girls. still a virgin. probably going to be a virgin forever because he can't string two sentences together in front of a pretty girl.

except that's not it. that's not it at all.

something is wrong with me.

i can't find anyone attractive. i've tried. jenny park is objectively beautiful and when she talked to me at lunch i felt nothing. matt from chem lab is objectively beautiful and when he sat next to me i felt nothing. the magazine under bobby's bed that he thinks i don't know about—nothing.

my body doesn't respond to people. it doesn't want anyone. i look at classmates the way i look at furniture. vague acknowledgment that they exist. no heat. no pull. no interest.

except you.

you walk into a room and every nerve ending in my body lights up. you touch my arm and my skin hums for an hour. you lean into my shoulder and i stop breathing. you, exclusively. only you. like my body was made with a single setting and the setting is you and there's no alternative use.

i don't know what this means. i don't know if this is normal.

i'm really scared it isn't.

march 8, 1986

bobby asked you out today.

he told me first. came into my room and sat on my bed and said "i'm gonna ask her" and his voice was trying to hide the fact he was scared. going casual, going loose, like if he holds the words lightly enough they won't be able to hurt him. and i knew what he was really asking. because dad is still fresh. the cheating. the years of lies, mom finding out, the divorce that split the house in half.

bobby was fourteen when he decided love was the thing that wrecks you. swore he'd never open that door. never let anyone close enough to do what dad did to mom.

and now he wants to try. for you.

he deserves this. after everything dad did, after watching his ability to trust get gutted by a man who was supposed to teach him how to love, bobby deserves someone who makes him brave enough to try.

i told him to go for it. meant it.

he came back an hour later. grinning so wide his face couldn't hold it. you said yes.

of course you said yes. you've been saying yes to bobby since the day you sat down at our lunch table.

i hugged him. told him congratulations. meant it.

went to my room. closed the door. sat on the floor with my back against the bed and stared at the wall until my eyes ached.

march 22, 1986

movies. bobby and you, me and terrence. your first group outing as a couple.

bobby had his arm around you. you had your head on his shoulder. you shared popcorn. your leg was pressed against mine the whole film. probably because the seats were small. i didn't move.

i should have moved.

april 5, 1986

you had a fight with your mom. showed up at our house at 10 pm, crying. bobby wasn't home.

you stood on the porch and i opened the door and your face crumpled and you blurted out, "is it ok if i just sit with you for a while?"

i made you tea. you talked and i listened. after an hour you ran out of words and leaned sideways and put your head on my shoulder and fell asleep.

you slept for two hours. your hand curled in the fabric of my shirt. your breathing slow and deep. i sat perfectly still. did not adjust my position even when my arm went completely numb. i would have let my arm fall off before disturbing you.

bobby came home at midnight. "thanks for taking care of my girl, man."

my girl.

the dent where your head rested stayed warm for a long time after you left.

april 12, 1986

short entry.

you fixed the collar of my shirt in the hallway today. just reached up and folded it down. your knuckles brushing my neck. "there. can't have you walking around looking rumpled, benny."

i can still feel your knuckles. four hours later. a stripe of contact burned into the side of my throat.

june 18, 1986

pool party at terrence's. you were in a bikini.

i'm not going to describe it. i'm going to acknowledge that you were in a bikini and that i spent four hours in a california swimming pool and was never warm. because all my blood had relocated to the problem of not looking at you and the secondary problem growing in my swim trunks from the failure of the first problem.

you asked me to put sunscreen on your back. i did it. my hands were steady. nobody watching could have told that the inside of my head was a five-alarm fire.

"thanks, benny." and you went back to the pool and bobby threw you in. you screamed and laughed and i excused myself to the bathroom and put my head between my knees.

august 30, 1986

senior year. last year of being in the same building as you every day.

bobby and you are solid. you're good together. he opens up around you in ways he doesn't with anyone else. you soften him. you make his edges less defensive. when he's with you, bobby is almost the person he'd be if dad hadn't shattered his faith that the people who love you will stay.

i want to be selfless about this. the good brother. the one who steps aside and means it.

i'm not that person.

i love you. i love you and it's getting worse. it was supposed to fade. crushes fade. this isn't fading. this is setting foundations, pouring concrete into the ground floor of my chest and building upward.

september 14, 1986

bobby made a joke today at dinner. mom was asking about girls at school and bobby grinned and elbowed me and said, "bennett here is saving himself. for what, we're not sure. science, probably."

everyone laughed. mom. bobby. even terrence, who was over for dinner.

i laughed too. good old brendan. the virgin. the nerd. probably going to lose it to a textbook.

i went upstairs and sat on my bed and thought: there is something seriously wrong with me. because i'm seventeen and i've never kissed anyone and i don't WANT to kiss anyone. i look at every other person in my school and my body is silent. flat. dead. no heat, no curiosity, no pull. and then you walk into a room and i can feel my heartbeat in my fingertips and my mouth goes dry and i want to put my hands on you so badly my joints ache with it.

it's only you. it has only ever been you. and the exclusivity of it terrifies me because what if this is broken? what if i'm wired wrong? what if the reason i can't want anyone else is because something in me got stuck, got fixed in place the day you sat down in homeroom, and it will never unstick?

what if i'm going to want you, only you, for the rest of my life?

what if i already know the answer?

october 31, 1986

halloween. you dressed as an alien. green face paint, antennae that kept falling sideways. you asked me what i was and i said "a serial killer, they look like everyone else" and you laughed so hard you doubled over and grabbed my arm.

"brendan that's the funniest thing you've ever said. you have to say that to everyone who asks."

so i did, and people laughed. because you told me to deliver the line and so i did and the fact that people laughed at my joke felt good but the fact that you gave me the joke felt like being handed a lit candle in a dark room.

you fixed my hair at one point. reached up and pushed a strand off my forehead. casual. meaningless to you. your fingertips grazed my temple and i can still feel it hours later. a warm line where your hand was.

november 8, 1986

some senior from the baseball team cornered me after school. not kyle, a new one. shoved me into the lockers and called me a faggot because apparently reading in public is a sexual orientation now.

i didn't tell anyone. didn't need to.

you found out anyway. i don't know how. terrence, probably.

you didn't say anything to me about it, but two days later the senior apologised. to my face. in the hallway. with stiff, terrified demeanour. an angel of wrath had informed him of the consequences of future behaviour.

i asked you what you did.

"nothing." you were doing your homework, not looking at me. "he just had a change of heart."

"a change of heart."

"people grow, benny."

you're terrifying when you want to be, and i'm so in love with you i could die.

november 21, 1986

a guy at terrence's party wouldn't leave you alone. i don't know his name. some friend of a friend from out of town. he kept touching your arm after you pulled away. kept leaning into your space. you smiled politely and shifted sideways, and he followed.

bobby was across the room with a group of guys smoking something he shouldn't be and didn't see it. and you did that thing you do. that swallowing thing. that "it's fine, i can handle it" thing, and i watched your shoulders tighten, your smile going strained, and my vision narrowed.

i don't remember crossing the room. i don't remember what i said.

i remember his face. the way his expression shifted when he looked at me. i'm used to people looking through me, looking past me. this was different. this was a person looking at me and seeing a locked door they did not want to open.

i don't know what i said. that should scare me. it doesn't.

you found me in the kitchen after. leaned against the counter next to me. didn't ask what happened. just knocked your shoulder against mine and said "my hero" in that teasing, soft voice and i felt the anger drain out of me so fast it left me lightheaded.

but it's still in there. i felt it. a cold, patient, completely calm willingness to do damage if anyone puts their hands on you again. it doesn't feel like rage. rage is hot and loud. that's bobby's territory.

this is different. this is a door i didn't know i had, and behind it is a version of me that would do very quiet, very permanent things to protect you.

i don't know what to do with that information. so i'm putting it here.

december 1, 1986

i hate this

why can't i just be normal

everyone around me is dating. kissing. losing their virginity in backseats and bedrooms and talking about it at lunch like it's a rite of passage i keep failing to reach.

and i sit there and i listen and i feel nothing. no envy for the act itself. only this hollow awareness that i'm watching a movie everyone else is in and i'm still in the audience.

bobby asked me last week if i'd kissed anyone yet. gentle about it, for once. no joke. just "hey man, you doing okay? you know it's fine if you haven't, right?" and the kindness of it made it worse because he was being a good brother and i couldn't tell him the truth.

the truth is that there is one person i want to kiss until my lips go raw, and she's dating you and every other mouth on earth repulses me and i don't know why i'm built this way. i can't talk to anyone about it because the answer ("i'm not attracted to anyone except my twin brother's girlfriend") sounds like a confession that would get me committed.

what is wrong with me? genuinely. is this a disorder? is there a name for wanting one person so completely that everyone else might as well be furniture?

is this what love is or is this what obsession is and how do you tell the difference when you're eighteen and you've never been touched before

december 24, 1986

christmas eve dinner. you gave me a book. wrapped in paper you decorated yourself. little silver stars drawn by hand all over the blue.

"i saw it and thought of you."

six words. i saw it and thought of you. six words now living inside my chest cavity.

it was a first edition of a book i mentioned wanting three months ago. in passing. once. you remembered.

i held on to the wrapping paper after. folded the stars inside a textbook. i'll keep them.

february 1, 1987

i woke up at 3 am from a dream about you and i can't go back to sleep.

i'm not going to write down what happened. i'm not going to describe the way you looked or the sounds you made or what i was doing to you when you

no.

cold shower. stood under the water until my teeth chattered. didn't help. i can still feel the ghost of your body against mine. my brain invented the weight of you, the heat, the way you would arch into me if i

STOP.

this is just biology. i'm eighteen. this is normal.

it's not normal. nothing about how i want you is normal. the depth of it, the weight. i didn't dream about a body. i dreamed about YOUR body. your curves. the pitch of your laugh gone breathless. the way you'd say my name, not bobby's, mine, brendan, with your hands in my hair.

i want you so badly i can't breathe and i have no right to and the wanting is going to eat me alive.

february 14, 1987

valentine's day. bobby gave you a necklace. you nearly cried and kissed him and terrence heckled you both.

i watched from the kitchen doorway.

i didn't get you anything. getting you a valentine would be insane.

march 15, 1987

you told me today that you think i'm going to change the world.

we were sitting on the back porch. just us. you were eating an apple and reading over my harvard application essay and you put it down and looked at me and said seriously, "brendan, this is incredible. you're going to get in and then you're going to change the world and i'm going to tell everyone i knew you when you do."

and i thought: you know me now. you're the only person who knows me now.

may 14, 1987

bonfire at the beach. bobby and terrence went to get more wood. you were sitting next to me. close. your knee touching mine. the fire was low and orange and the light was painting your skin gold, catching the shadows in the dip of your collarbone, the curve of your neck.

and all i could think was: your throat. the soft patch below your ear where your jaw meets your neck. if i leaned over, if i put my mouth there. just my lips. how you would taste. salt and warmth and the lingering smoke from the fire. how your pulse would feel against my tongue. how your breath would catch.

i sat next to you with the dying fire and the crashing waves and bobby's laugh carrying from down the beach and i thought about putting my mouth on your throat for forty-five straight minutes.

you leaned your head on my shoulder. "i love nights like this."

"yeah," i said.

the fire burned to embers. i could still feel your pulse in my imagination. beating against a mouth i will never put there.

may 28, 1987

you held my hand today. just for a second. we were crossing a parking lot and a car came too fast around the corner and you grabbed my hand and pulled me back and then you didn't let go for the whole walk to the truck. just your fingers laced through mine. swinging between us. you were talking about finals and i was listening and your hand was in mine and it was a tuesday and i would sell my soul to feel this on a wednesday.

june 1, 1987

i want to touch you so badly my hands hurt

not ONLY sexually. i want to brush the hair off your face. i want to hold your hand in the car. i want to fall asleep with your head on my chest. i want the casual touches. the ones bobby gets without asking for them, the hand on the arm, the head on the shoulder, the absent fingers tracing patterns on skin while watching tv.

i want to be allowed to touch you the way he's allowed. not stolen moments dressed up as friendship. real ones. with intent. with honesty.

god i'm so fucking pathetic

june 9, 1987

graduation. we did it. senior year, done.

you found me in the crowd after. pushed through bobby and terrence and your parents and my mom and everyone else and grabbed me in a hug so tight my cap fell off. "WE DID IT BENNY" screamed directly into my ear with enough force to cause permanent hearing damage.

i hugged you tight and you laughed and your gown was billowing in the wind, and your hair was in my face. i could feel your ribs expanding with laughter against my arms and for ten seconds the world was only this. you in my arms. laughing.

bobby got the kiss. terrence got the secret handshake. i got the scream and the spin and i would trade everything i own for a lifetime supply of being the person you run to first.

july 4, 1987

sparklers at the beach. you were sitting next to me in the sand. our shoulders touching. the sky exploding in gold and red above us.

you turned to me, sparkler in hand, gold light on your face. "are you happy, benny?"

"yeah. i'm happy."

and right then i was. the wanting was still there, bedrock-deep, permanent. but for ten minutes it was quiet enough to hear the waves over it.

you put your head on my shoulder. i put my cheek on your hair.

i am never going to love anyone else. i know this the way i know chemical formulas. fact. fixed. tested and proven across every variable.

you are the only constant in my universe.

august 7, 1987

acceptance letter came. harvard. full ride.

you were the second person i showed. bobby first, because brotherhood, but you were right behind him. you took the letter and read it, your hands were shaking and you looked up at me and your eyes were full. you threw your arms around my neck and squeezed so hard i couldn't breathe.

"i knew it," you whispered wetly into my collar. "i knew it. i told you. i told you, benny."

and underneath the pride and the joy, so clear i could taste it... sadness. that's really far away. that's the other side of the country. and you didn't say it but your arms tightened and you held on longer than you needed to and i could feel the grief of it in your grip.

bobby grinned and hugged me. terrence lifted me off the ground cheering loudly. mom cried.

you held my hand under the table at dinner that night. three straight hours. nobody saw. your thumb tracing circles on my palm while everyone talked about the bright, impossible future.

i'm going to remember your thumb on my palm long after i've forgotten the letter.

august 28, 1987

last night before harvard.

you came over. just you. bobby was working late and terrence had a gig down at santa cruz. you knocked on my door and held up a wrapped package and decalred, "before you go."

it was a mixtape, but not just a mixtape. the case was hand-decorated with tiny drawings. inside jokes, all of them. a stick figure at a desk labeled "nerd at work." a tiny calculus equation with a heart instead of an equals sign. a drawing of me with ridiculous oversized glasses. on the spine, in your handwriting: "for benny. so you don't forget us."

i turned it over. on the back you'd written every track title and next to each one a note.

track 3 — this is the one i was humming during the calc final that made you glare at me. track 7 — for driving at night with the windows down. track 12 — listen to this one when you miss home. and by home i mean me.

and by home i mean me.

i stared at it for so long you got nervous. "is it stupid? it's stupid. you probably have a walkman with actual good music and this is—"

"it's perfect."

you looked at me. i looked at you. the room was very quiet and very small. you were very close and i could have kissed you. the distance between your mouth and mine was six inches and i could have closed it and everything would have changed.

i didn't. because i couldn't do that to bobby. i couldn't.

"i'm really going to miss you, benny."

"i'll call every week."

"you better."

i listened to the tape in bed that night with headphones on. track 12. over and over and over. your voice in the liner notes. and by home i mean me.

i held the case against my chest and closed my eyes, pretending your hand was there instead.

september 2, 1987

you hugged me at the truck. held on for a long time. your face in my neck and your hands gripping the back of my shirt.

"every week, brendan. if you forget about me—"

"i won't forget about you."

too fast, too serious, too much truth packed into a sentence that was supposed to be light. you pulled back and looked at me and your eyes were searching my face for something.

i don't know if you found it.

you kissed my cheek. close enough that if i'd turned my head half an inch your lips would have been on mine.

i didn't turn my head.

i got in the truck. bobby drove. i watched you in the side mirror, standing in the driveway with your arms wrapped around yourself, getting smaller and smaller.

september 18, 1987

i thought distance would help.

three thousand miles between your body and mine. no more shoulder-touches. no more vanilla smell. no more knee-against-knee in dark movie theaters. the theory was sound: remove the stimulus, reduce the response. basic conditioning.

the theory is wrong.

i miss you like an organ. like something was cut out of me at the airport and i'm walking around with the wound still open. i reach for the phone every hour. i play the mixtape until the ribbon starts to wear. i sit in lectures surrounded by brilliant, interesting people and i feel nothing. flat. grey.

here's what's strange though. i'm getting better at the other thing. the people thing.

harvard is full of people like me. the ones who read too much and talk too little and know the periodic table better than their classmates' names. for the first time in my life "quiet and intense" isn't the wrong setting. it's the default. i can hold a conversation in a study group without running the translation the whole time. i can sit in a dining hall and not feel like i'm performing personhood for an audience that isn't buying it.

i'm finding myself here, in small ways. figuring out which parts of my strangeness are flaws and which are just features nobody had a use for in santa clara.

but you remain the eye of the storm. the one quiet place where everything inside me unwinds.

harvard is teaching me how to exist around other people. you taught me that existing around another person could feel like rest instead of labour. and no amount of social growth, no amount of learning to make small talk in a dining hall, will ever replicate what you give me just by being near.

the silence that isn't empty. the touch that doesn't sting. the calm.

i am homesick for a person, not a place.

october 3, 1987

a girl in my organic chemistry study group asked me out. claire. smart. funny. objectively attractive.

i said yes because i'm supposed to say yes. because normal people say yes. because bobby would say yes and terrence would say yes, and this is what nineteen-year-olds do.

we got coffee. she was kind. she laughed at my poor jokes. she touched my hand across the table.

i felt nothing. absolutely nothing. like pressing my palm against a wall and waiting for warmth that never comes.

she leaned in to kiss me at the end and i let her and her mouth was on mine and all i could think was: wrong. wrong lips. wrong pressure. wrong taste. wrong person. WRONG.

i pulled away and said i was sorry and walked home. stood in the shower and scrubbed my mouth raw, and felt sick with how much i wanted it to have been you.

october 19, 1987

you called tonight. bobby was at work and you were bored and you called. we talked for two hours. my roommate left after twenty minutes because apparently i was "smiling weird."

you told me about your week. clark's being terrible. terrence's band. the stray cat on your porch. you told me everything and i held the phone with my eyes closed and you were there. in my ear. telling me about a cat like it was the most important news in the world.

"i miss you, benny." soft. sleepy.

"i miss you too."

the safest true thing i've ever said. because i miss you is allowed. i miss you lives in the acceptable zone. i miss you is what a friend says.

i miss you the way a lung misses air. i miss you so much i have rearranged my entire week around the possibility that you might call again.

but "i miss you too" is what i said.

november 12, 1987

there's a guy in my anatomy class. david. he's been friendly. eating lunch together, studying. today he put his hand on my knee under the table and looked at me with a question in his eyes.

nothing. nothing nothing nothing. i am broken or i am built wrong or i am simply, irrevocably, yours in a way that excludes every other human being on this planet regardless of what they look like or what's between their legs.

i told him i was flattered. i meant it. i am flattered that anyone wants someone like me.

i just can't want them back. the machinery only runs for you. i've tested it now. both genders. kind people, attractive people, people who deserved better than the hollow version of me sitting across from them. and every single time the same flat nothing. the same grey wall.

then you call and the wall dissolves and every colour rushes back in, and i think: oh. there i am. i was here the whole time. i just only exist when you're nearby.

distance was supposed to fix this. i was supposed to get better.

i'm not getting better. i'm getting worse. three thousand miles and i am worse.

november 26, 1987

thanksgiving. came home. you saw me in the doorway and your face lit up. you ran at me and jumped and i caught you. your arms locked around my neck, your face buried in my shoulder. you were laughing and squeezing me so tight i couldn't breathe.

i could have held you like that until the sun burned itself out.

bobby was right behind me. you let go of me and hugged him and kissed him and you stood in the hallway with your foreheads together and i carried my bag upstairs.

you run at me. you kiss him. the running is enthusiastic and warm and genuine. the kissing is intimate and private and his.

i want the kiss. i'd burn for the kiss.

and i hate myself for wanting it because bobby is my brother and he's happy and he deserves this after dad.

he deserves this more than me.

december 3, 1987

i think loving you is going to kill me.

i wish i could take my heart out and set it aside. put it in a jar on a shelf. come back for it when it's safe. but it's never going to be safe, is it? there's no version of my life where loving you is safe. there's only the version where i carry it and i'm going to carry it till my heart stops.

february 14, 1988

valentine's day. i mailed you a book. astronomy. because you said once, in october, that you wished you knew more about constellations. the note said: "saw this, thought you'd like it — B." casual. friendly.

you called to thank me. "brendan bennett franklin, you're the sweetest person alive."

i sat on my dorm room floor with the phone cord wrapped around my finger and thought: i am not sweet. i am a liar. i bought you a valentine and called it casual and you believed me because you don't see me. you look right at me with those warm eyes and you see a friend. a brother. a good person.

you don't see the thing underneath that wants to kiss you until neither of us can stand.

april 16, 1988

a girl at a party. i don't remember her name. i was a little drunk and she was pretty and i thought: just try. just try to be normal. to want someone attainable. someone who isn't your brother's girlfriend.

we went to her room. she kissed me and took her shirt off and i looked at her and felt... revulsion. not at her. at the wrongness of it. at my own body's flat refusal to participate in anything that wasn't you. i made an excuse. left. walked home in the cold.

the distance was supposed to make this better. the new people, the new context. a fresh start without you in every room.

but you're in every room. you're in the phone on my desk and the mixtape in my walkman and the book on my shelf with the silver stars on the wrapping paper that i kept like a goddamn shrine. you're in the way i scan every crowd for your face. you're in the hollow feeling when i don't find it.

what is wrong with me? what is fundamentally, structurally wrong with me that i can't want anyone who isn't you?

i sat on my bathroom floor and put my head in my hands and asked myself if this is what the rest of my life looks like. a series of empty rooms with the wrong people in them. a body that only responds to one person. a lock with one key and the key belongs to my brother's girlfriend.

yes. that's what it looks like. i know the answer already. i've always known.

april 30, 1988

i made a list today. of reasons to stop.

she's bobby's girlfriend.

bobby is my twin.

bobby loves her.

she loves bobby.

i am betraying him with every thought i have about her.

i am betraying HER with every thought i have about her because she trusts me and i'm lying to her.

i am twenty years old and i have never had a normal sexual or romantic interaction with another human being because my body won't cooperate with anyone who isn't her.

this is not love. this is fixation. i'm sick. i'm sick in the head.

if she knew what i think about when i hear her voice on the phone she would never speak to me again.

i am a bad person.

i stared at the list for a long time. each point is factually accurate. logically sound. irrefutable.

you called an hour later and called out happily, "benny, tell me about your day" and the list caught fire and burned to ash before you finished the sentence.

i am a bad person who loves a good person and the loving makes me worse.

may 19, 1988

my roommate has a girlfriend. they have sex in our room while i'm at the library and they think i don't know. i know because the sheets are different when i come back and the room smells like sweat and perfume and he's got that dazed, satisfied grin.

i looked at him last night (happy, spent, normal) and thought: why can't i be like that? why can't i want someone who wants me back? someone available. someone whose last name isn't franklin.

tried again in my head. conjured up every attractive person i've met at harvard. ran through them one by one, tried to imagine kissing them, touching them. like flipping through a catalogue of locked doors.

and then i thought about your hands in my hair and my whole body responded so violently i had to excuse myself to the bathroom.

why am i like this

why am i like this why am i like this why am i like this

three thousand miles. eighteen months of distance. dozens of kind, attractive, available people and my body is a locked room with your name on the door and no other key fits and i have tried every key and they all feel like violations.

i'm so tired of trying and failing and trying and failing and coming back to the same truth every single time:

it's you. it was always you. it will only ever be you.

and i can never, ever have you.

june 7, 1988

summer. home again.

bobby and you have been together two years and the cracks are starting to show. you don't talk about it. that's your flaw, the swallowing. the folding up of hurt into small squares and tucking them away.

i see it though. the way you wait for bobby to call and he doesn't. the way you make plans and he forgets. the way you press your lips together for one second when you're disappointed before the smile goes back on. nobody else catches it.

i catch it every time.

i hate him for it. my twin. who i love more than anyone except you. i hate him for having the thing i would dismantle myself to have and treating it like it'll always be there.

you won't always be there. patience has a floor and one day you'll hit it.

i can't say this to him. he'll hear what it really is. jealousy dressed up as concern.

july 22, 1988

you came over while bobby was at work. back porch. popsicles. you were telling me about a movie and your lips were stained red and a drop ran down your wrist and you licked it off and i—

i need to stop writing these down

"you're staring, benny."

"you have popsicle on your chin."

you wiped it off, laughing.

you don't know. you genuinely don't know what your mouth does to me, what your hands do to me, what the sound of my name in your voice does to me.

if you knew, you'd stop coming over. you'd stop touching my arm and leaning into me and putting your head on my shoulder. and losing those things would end me faster than never having had them.

good old brendan. safe brendan. bobby's quiet brother who helps with calculus and always has a book.

the mask stays on.

august 3, 1988

you fell asleep on my bed today while i was studying. lying on your stomach with one arm hanging off the edge and your face turned toward me and your mouth open and you were drooling on my pillow.

drooling. on my pillow.

the love i feel for you hit me so hard i couldn't move for half an hour.

august 15, 1988

please let me stop loving her

please. whoever is listening. let me stop.

let me wake up one morning and feel nothing when she says my name. let the hugs feel like hugs instead of slow immolation. let me sit next to her without mapping every centimetre between our bodies. let me be the friend she thinks i am instead of the liar i know i am.

i don't want this anymore. it hurts too much. please, it hurts. three years and it's only getting deeper and i can't

i can't switch it off. i don't know how. i don't think there is a how.

i think this is just what i am now. a boy who loves a girl who loves his brother.

september 6, 1988

back at harvard. unpacking. found one of your hair ties tangled in my clean laundry. you must have left it when you were over last.

i put it on my wrist. wore it all day. took it off before bed and put it on the nightstand and looked at it and thought: this is the closest thing i have to wearing a ring from you.

a hair tie. on a nightstand. in a dorm room in harvard.

september 22, 1988

i want to be normal i want to be normal i want to be normal i want to be normal i want to be happy please i just want to be happy

bad day.

october 10, 1988

you called at 1 am. crying. fighting with bobby. your voice thick and wet.

"i don't know what to do, benny. i love him so much and he won't let me in."

and i sat on my dorm room bed with the phone pressed to my ear until it ached and told you:

"you're the strongest person i know."

and you said: "why can't he just say it, brendan? why can't he just say he loves me?"

i love you. i love you. i love you. three words bobby can't get past his teeth and i can't get past my conscience.

"he loves you. he's just scared."

"i know."

"give him time."

"i always give him time."

and i wanted to say: stop giving him time. stop waiting. he's wasting you. he's burning daylight with a girl made of sunlight and he doesn't even see it.

i said: "you deserve someone who says it."

long pause. your breathing slowing.

"thanks, benny. you always know what to say."

i don't know what to say. i know what not to say. there's a vast, dark, freezing difference.

march 30, 1989

spring break. you picked me up from the airport. standing at arrivals in a sundress holding a sign that said NERD in huge letters.

you dropped the sign and ran and i caught you and your laugh was in my ear and the sundress was thin and your body was warm against mine.

you drove us home. windows down. radio on. singing badly. your hand squeezing my arm at a red light.

i would burn harvard to the ground for this. for your hand on my arm, shaking me because you were so happy to see me. for the wind in your hair. for your voice saying my name like it's your favourite word.

i would give up everything. the degree. the future. the carefully constructed life three thousand miles away.

i would give up all of it for one day where you're mine.

one day. and then i'd give you back. i'd carry the memory for the rest of my life and it would be enough.

it would have to be.

HE FUCKING FORGOT, 1989

bobby forgot your birthday.

you didn't tell me. you wouldn't. i found out because terrence called me, and said "dude, bobby got too high and forgot" and his voice was tight with the anger he rarely shows.

i called you from the payphone in the hallway and said happy birthday and you said "thanks, benny" in that voice. that bright, fine, everything's-fine voice that i can see through like glass. and i heard the crack underneath it and the love hit me and the rage hit me in the same breath.

i called bobby after, and i don't raise my voice. i have raised my voice maybe five times in my life. but i said his name in a way that made him go quiet immediately on the other end and i said "you forgot her birthday" and the silence that followed was long and guilty.

"shit," he said. "shit, benny, i—"

"call her. right now. and if you ever do this again—"

i didn't finish the sentence. didn't need to. bobby heard what was underneath it. heard the edge i keep so carefully hidden, the cold thing that lives behind the shyness, and for a second i think he heard the OTHER thing, too.

the reason the anger was so hot, the reason it came so fast, the reason his twin brother was calling from three thousand miles away trembling with fury over a forgotten birthday that wasn't his to remember.

he called you. sent flowers the next day, took you out for dinner. you forgave him because you always forgive him.

i sat in the phone booth for ten minutes after with my head against the glass. my hands were shaking. not from anger. from how close i'd come to saying too much. from the size of the feeling pressing against my ribs. from the knowledge that i would burn my relationship with my brother to the ground to protect you from pain and the fact that this doesn't make me a good person.

it makes me a dangerous one.

may 2, 1989

your voice on the phone tonight, laughing about a terrible customer at clark's, imitating his voice, making me laugh until my stomach hurt.

i pressed the phone so hard against my ear it left a red mark and i thought: i don't want to die without having kissed you. i don't care about anything else. the degree. the career. the future. i just don't want to die without knowing what your mouth tastes like.

that's all.

june 14, 1989

you were lying on a blanket in the back yard. reading. the sun was on your legs and your feet were bare and you was chewing on a pen cap. your hair was pulled up and the back of your neck was exposed.

i sat on the porch steps and watched the back of your neck for twenty minutes.

twenty minutes. the back of your neck.

i am beyond help.

july 4, 1989

short one.

sparklers again. your shoulder against mine. same beach. same sand. same sky.

different year. same ache. same shape. same boy sitting in the dark loving the same girl who doesn't know.

happy fourth of july.

september 20, 1989

second year of pre-med. my hands shake from caffeine. i forgot to eat yesterday.

you called. i picked up on the first ring. i will always pick up on the first ring.

"brendan bennett franklin. eat something, drink water, and go to bed."

"i have a paper—"

"go. to. bed. if you sound this wrecked tomorrow i'm driving down myself."

i ate a sandwich. drank water. went to bed. fell asleep holding the phone.

you mailed me a care package last month. my favourite snacks. a note that said: "don't die. i need you."

i folded the note and put it in my wallet. i'll probably be buried with it.

november 23, 1989

thanksgiving. you saw me in the kitchen and your face did the light-up. the full-body brightening.

my hair is longer, brushing my ears and curling at the nape. you reached up and pushed it back from my forehead. your fingers dragged across my scalp and my whole body went rigid.

"look at you. all grown up and scholarly." you tugged a strand behind my ear. "very handsome, benny."

i said "thanks" to the refrigerator. my ears were burning.

bobby came in. you kissed him. i excused myself.

i sat on my bed and pressed my hand to my scalp where your fingers had been and breathed in through my nose for a count of four, and out through my mouth for a count of four for ten minutes because my heart rate would not come down.

handsome. you said handsome. you touched my hair and called me handsome.

next three lifetimes. i'm carrying this.

january 6, 1990

i had a dream about you. i'm going to write it down because i have to put it somewhere that doesn't judge me.

you were in my dorm room. sitting on my bed. and you said "benny, come here" and i went. you put your hands on my face and kissed me and i could feel it. the pressure of your mouth. the warmth of your breath. your lips parting and your tongue finding mine and the small sound you made when i pulled you closer.

and then you were under me. your legs wrapped around my waist. i was inside you. and you were saying my name. not bobby's, mine, brendan. over and over while your nails dragged down my back and your head fell back and i could feel you around me, tight and warm and perfect. every time you said brendan i went deeper and you arched into me.

i woke up so hard it hurt. sheets ruined.

i lay in the dark and put my hand around myself and thought about you beneath me and came in under a minute with a pained groan, and felt like the worst person alive.

you trust me completely. and i'm lying in the dark getting off to dreams about being inside you.

i'm sick

i'm not sick. i'm in love. but from here they feel the same.

march 2, 1990

your voice on the phone last night, sleepy and warm: "night, benny. love you."

casual. friendly. the way you say it to terrence. the way you say it to your friends.

i hung up and pressed the phone against my chest and stared at the ceiling.

love you. you say it so easily. like the words are light. like they cost nothing.

for me they cost everything.

march 15, 1990

you visited for my birthday. flew out alone. bobby couldn't make it.

you were standing outside my dorm with a bakery box and a toothy grin. "happy birthday, benny! it's lopsided because TSA manhandled it."

three days. you slept in my roommate's bed. wore my harvard sweater because you forgot to pack layers, too used to cali heat. it was too big on you. sleeves past your fingertips. collar slipping off one shoulder. bare legs. padding around my room.

i very nearly put my fist through a wall.

we stayed up until 4 am. lying in the dark on separate beds. your voice floating across the room. you told me things you haven't told bobby. things about your childhood. your fears. you talk to me differently than you talk to him. with bobby you're warm but with me you're open. like i'm the one place you can put things down.

"you're my favourite person." half asleep. murmured. "don't tell bobby."

i won't tell bobby. i won't tell anyone. i will take that sentence and compress it into a diamond and keep it in my chest forever.

on the last morning you hugged me at the airport. held on. your face in my neck and your hands gripping the back of my shirt and i breathed you in. vanilla and that warm unnamed you scent. stored it. another moment that belongs to me in all the wrong ways.

"come home soon."

i'm always coming home. you're there. there is no other reason needed.

april 27, 1990

you called me crying last night. bobby again. another fight. another door closed in your face.

and i sat on my bed and held the phone and listened and said the right things and the kind things and the things a good friend says. but underneath every word was this screaming, roaring, monstrous want to say: LEAVE HIM. LEAVE HIM AND LOVE ME. I WOULD NEVER DO THIS TO YOU. I WOULD NEVER FORGET YOUR BIRTHDAY. I WOULD NEVER MAKE YOU CRY. I WOULD SAY I LOVE YOU EVERY SINGLE MORNING BEFORE YOU FINISHED OPENING YOUR EYES.

i said: "he's an idiot but he'll come around. give him time."

i'm such a coward

i am such a fucking coward

may 15, 1990

two entries in quick succession because i need to put this somewhere before it eats through my chest.

i came home for the weekend. you were at the house. bobby was at work. you were in the kitchen making lunch and you turned and saw me and made that sound (that little happy gasp) and threw yourself at me.

and i held you. my face in your hair. your body against mine. and you pulled back and looked at me with those eyes, and put your hand on my cheek, and said worriedly, "you look tired, benny. are they working you too hard?"

and your hand was on my face. your palm on my cheek. your thumb brushing the skin under my eye. and you were close enough to kiss. and i could feel my pulse in my throat and my fingertips and the backs of my knees and i was drowning in the scent of you, vanilla and warmth and clean laundry. my hands were on your waist and yours was on my face and the kitchen was empty and quiet, and i could have leaned forward two inches and—

bobby's truck pulled into the driveway.

you dropped your hand. smiled. went to greet him.

two inches. i was two inches from ruining everything and saving everything, and i don't know which it would have been and i'll never know. i stood in the empty kitchen and pressed my hand to the cheek you touched and breathed through my teeth until my heart rate dropped.

june 3, 1990

i love my brother. i love bobby since we were born seven minutes apart and he came out screaming and i came out quiet. i love him for his warmth. his courage. the way he tried to shield me from dad even when we were too small to name what was happening. how he always stood up for me, always tried to understand me even when he never could.

but when it comes to you.

when it comes to you i hate him too.

i hate that he has what i want. i hate that he doesn't always value it. i hate that he gets to hold your hand and kiss you and fall asleep with your head on his chest but doesn't understand what a miracle that is because he's never stood on the other side of it watching.

i hate myself for hating him. he didn't steal you. he asked and you said yes and i never opened my mouth. the silence was my choice. every single day i choose it and every day it gets heavier.

i love him. i hate him. i love you. i can't have you.

four facts. a box with no door.

july 14, 1990

i've gotten better at being a person.

three years of harvard and i can navigate a party without wanting to leave within five minutes. i can make friends. i can read a room without running the translation in real time. the machinery is smoother now. the performance takes less effort.

but it's still a performance. everywhere except with you.

you're the only place where i don't have to translate. the only person whose presence makes the noise in my head go quiet instead of louder. everyone else, even the people i've grown to love at harvard, requires a version of me. you just require me. the real one. the strange one. the one who needs silence and can't handle being touched by anyone except you ,and notices too many details, and feels everything at the wrong volume.

you've never once asked me to be different. you've never once made me feel like the way i'm wired is a problem to be solved. you just sit with me in the quiet and let me be strange and call me benny. hold my hand and everything inside me goes still.

the eye of the storm. every time. the one calm place in a world that's always too loud.

july 28, 1990

if i could have one day.

one day where you wake up next to me. where you reach for me in the dark. where you say brendan in the voice i've only heard in dreams. where i can put my hands on your face and say it out loud, in daylight, without shame, without the weight of brotherhood crushing the words before they leave my mouth.

one day where the "i miss you benny" becomes "i love you brendan." where the hugs don't end because you're pulling away to go back to him. where i can press my mouth to the skin on your throat i've imagined ten thousand times. where your hands are in my hair because you want them there.

just one day.

and then i'd give you back, and carry it forever.

i am twenty years old. pre-med at harvard. full ride. a life that looks like everything a person could want.

and every night i fall asleep missing a girl who sleeps in my brother's bed. and every morning the missing is the same size. the same depth. the same fixed point that everything else orbits.

i don't know how to stop.

i don't think i'm supposed to.

[undated, late 1990]

i love you

i love you

i'm in love with you

i've been in love with you since september 3rd, 1985, homeroom, twelve minutes late, window seat

i love you and i can't say it and the not saying is killing me, it is actually, physically, killing me

i love you more than he does. i love you better. i would never make you cry, i would never forget, i would never close a door in your face

no. that's not fair. he loves you. he does. he just doesn't know how. and i do know how and i can't and that's

i love you

i love you and i'm so tired of not saying it

i love you and i've never kissed anyone who wasn't wrong

i love you and you call me benny and it's the closest i'll ever get to hearing my name in your mouth the way i need to hear it

i love you and i tried to stop and i can't stop

i love you and i don't want anyone else and i've tried and i will never want anyone else

i love you and you held my hand under the table and i almost told you then

i love you and you slept on my shoulder and i memorised your breathing

i love you and you made me a mixtape and wrote "and by home i mean me" and i have listened to track 12 four hundred times

i love you and i am so afraid you'll find this notebook

i love you and i am so afraid you won't

i love you and bobby is my brother and i love him and i hate him and i love you and i can't

i love you i love you i love you i love you

i should write it down. the real way. once. clearly. not crossed out.

for every time i didn't say it but should have. for every hug where i held on too long and you didn't notice. for every time you fell asleep on my shoulder and i sat perfectly still and memorised the pattern of your breathing. for the mixtape and the silver stars and the way you said and by home i mean me.

for every phone call at 1 am when your voice was the only warm thing in my whole life. for every time you ran at me in an airport. for every time you touched my hair and called me handsome, and i said thanks to the refrigerator because looking at you while you said it would have ended me. for the parking lot where you held my hand. for the two inches in the kitchen. for the dream where you said my name. for the popsicle on your wrist. for your head on my shoulder at every bonfire. for your palm on my cheek and your thumb under my eye and the truck pulling into the driveway.

for the hair tie on my nightstand. for the book with the silver stars i still keep pressed flat inside a textbook. for the three thousand miles that were supposed to fix me and only proved that i am unfixable.

i love you.

i love you. i love you. i love you. i love you. i love you. i love you. i love you.

i love you and i should have said it in the kitchen when your hand was on my face. i love you and i should have said it in my dorm room when you were wearing my sweater and the collar was slipping off your shoulder. i love you and i should have said it at graduation when you screamed in my ear. i love you and i should have said it at the bonfire when you asked if i was happy.

i love you and i have never once been brave enough to say it and writing it down is the closest i will ever come and even now, even in a notebook nobody will read, the words feel too large for the page.

they feel too large for my hands. they feel too large for my chest which has been holding them for five years and is so full the seams are splitting and i am so tired. i am so tired of carrying this. i am so tired of being good and quiet and safe while the love sits behind my teeth and rots there because i will not let it out.

i love you. there. for every time i didn't.

i lo

[the entry ends here. the last two letters trail off the line, the pen stroke dragging sideways across the page before stopping. the ink on this page and the one before it is warped and buckled. the paper has dried stiff and rippled in places, the way paper does when it gets wet and dries again. the distortion is heaviest around the final lines, where the ink has bled and feathered outward, blurring the words at their edges. it is not water damage.]

Your voice breaks on the word. Cracks open, raw and wet, and you press your forehead harder into his back, feeling the vibration of him against your skull and your arms tighten around his waist further. You hold on the way you held on in the meadow, in the nest you’ve shared.

“You promised you wouldn't hurt me, BB. And this—” Your voice drops, shaking. “This would.”

BB goes still.

The fury doesn't leave. You can still feel it, coiled, massive, a thing with its own gravity sitting inside his ribcage, pressing outward against the seams of him. But the stillness settles over it like a lid over a flame. His breathing—the breathing he doesn't need, the breathing that's been coming in ragged, animal bursts—slows. His shoulders drop by a degree, and the heat recedes, fractionally, from scalding to merely unbearable.

His hand opens.

Bobby drops down.

He hits the floor hard, knees first, then hands. Then he's on all fours, gasping, dragging air into his lungs in long, shuddering, tearing inhales that sound like they're being pulled through a crushed straw. The colour rushes back into his face all at once, from white to red, the blood flooding back into tissue that was seconds from permanent damage.

Kat is on the floor beside him in an instant, her hands frantic on his shoulders, his face, checking his throat, his pulse, and she's saying his name (Bobby, Bobby, breathe, look at me, breathe) and Bobby is coughing and gasping, his eyes streaming. The red marks on his throat are already darkening into bruises that will look, by tomorrow, like a handprint painted in purple and black.

You let go of BB, stepping back.

One step. Two. Putting distance between your body and his, and BB turns to face you, his hand lifting instinctively, reaching for your face, any part of you he can touch to confirm you're whole, and you step back again.

His hand halts mid-air.

You've seen BB confused many times before. You've seen him curious, amused, predatory, ancient, tender, wrecked with wanting. But you’ve never seen BB wounded.

His hand hangs in the space between you, reaching for a face that pulled away, and his eyes—still black around the edges, the warmth fighting its way back to the surface through the damage and the fury—registering the distance you've put between your bodies. Reading the enormity of your retreat with a precision that leaves no room for misunderstanding.

You stepped back from him.

You. The person who named him. The person who leaned into his forehead kisses and fell asleep against his cool chest and taught him to dance in a kitchen he built for you. You stepped back, and the distance is a sentence he can read, and the sentence says I don't trust you right now.

His hand drops to his side.

“What the fuck.”

Bobby. On the floor. Coughing, gasping, one hand on his throat and the other braced against the floorboards, and he's staring up at BB with an expression that’s blown past fear and into something else.

Incomprehension, horror, the cognitive whiteout of a man looking at his own face on a body that just tried to kill him.

“What the actual fuck,” Bobby says again, louder this time.

The choking has left his voice shredded, hoarse, each word dragged across damaged vocal cords. He gets to his knees. Kat's hand grips his arm, trying to hold him down, but he shakes her off and gets to his feet, his legs unsteady but his eyes are locked on BB. His jaw pulses, hands fisted at his sides, and he’s staring at his own face and finding a stranger peering back.

“That's me.” Bobby's voice is climbing, ragged with disbelief. “That's—that's my face. That's my face. Why does it have my face?”

BB's jaw tightens. The ancient thing flickers behind his eyes. A flash of contempt, of possessiveness, of the territorial fury that just had Bobby pinned three feet off the ground.

He looks at Bobby the way you'd look at a counterfeit of yourself. A draft. A rough sketch someone made before the final version.

“Answer me!” Bobby surges forward even as Kat scrambles to grab his arm. He shakes her off again without looking. “What are you? What the fuck are you?”

“BB.” You say it before you can stop yourself, before the anger and the hurt and the betrayal can seal your throat. The instinct to name him, to give him the dignity of the identity he let you choose for him, is still there underneath everything else. “His name is BB.”

Bobby stares at you both. The information moves across his face in parts. Confusion first, then processing, then a slow, horrible understanding that reorganises his features into something you've never seen on him. An emotion beyond anger, beyond hurt.

“BB. That BB? What kind of name even is that?” Bobby demands.

BB’s nostrils flare. “It stands for Better Bobby.”

Suffocating silence folds over the room. Kat’s mouth pops open in your peripheral, and you suck in a breath of your own.

“Better Bobby.” The real Bobby laughs. A short, ugly sound that's closer to a bark than a laugh, the kind of noise a person makes when the absurdity of their situation has exceeded their capacity for rational response. He barks out another laugh, then, “Better Bobby. Are you kidding me?”

BB's lip curls, a flash of teeth appearing. “I didn't choose the name for your benefit.”

“No, you just chose my face. You stole my face and my—and my—”

Bobby's gaze cuts to you, then back to BB. The calculation happening behind his eyes is visible, mechanical, each variable slotting into place with an almost audible click, and you can see the exact moment the picture completes because Bobby’s expression doesn't crumble; it hardens. Sets. His jaw locks and his eyes go bright and hot, the hurt underneath the anger so vast it makes the anger look like a puddle on an ocean.

“You've been down here,” Bobby begins, his voice pitching quiet. The dangerous quiet. The one that comes right before the blade. “This whole time. Down here with that.” He points at BB accusingly without looking at him. “With some thing wearing my face. A cheap copy—”

BB snarls. Low. A sound that makes the fractured windows rattle. “I'm not a copy—”

“—while I sat in a basement for seven months talking to a fucking wall, thinking you were dead." Bobby's voice cracks open, choking. "While the cops thought I killed you. The tapes went blank, and your face disappeared, and everyone forgot you existed. I thought I was going crazy because I was the only person left who remembered what you looked like—”

He's shaking. Full body vibration.

His hands tremble at his sides, and his jaw is trembling, and the chain at his throat is shimmering with movement. He’s a man coming apart at every joint because the grief and the fury are feeding each other in a loop that's spinning too fast to control, only amplifying the hurt beneath.

Each word comes out hotter than the last, each breath shorter, and Kat is standing behind him with her hand over her mouth and her eyes wide like she’s never seen Bobby like this because Bobby doesn't do this.

Bobby deflects; he bites. Bobby is the one who turns his pain into a joke or a weapon. But Bobby doesn't break. Except he's breaking. Right now. In a pink house on Level 974, looking at his own face on a monster and the woman he loves standing between them.

“Terrence forgot you.” Bobby's voice cracks on the name. Pure pain that sinks between your ribs. “Terrence. Our best friend, remember him? The only person who believed me when the whole neighbourhood decided I was a killer. He sat with me in bars and told people to back off and drove me home when I couldn't drive, and he was the last one—the last person besides me who still said your name. And then one day I said it, and he looked at me like I was speaking a different language. Like the word didn't mean anything. Like you were—like you'd never—”

He presses the heel of his hand into his eye. The old gesture. The grinding-the-tears-back gesture, brutal and effective. “I watched him forget you. In real time. I said your name and I watched it fall out of his head and he looked at me with this—this pity, like I was talking about someone who never existed. And I wanted to grab him and shake him. Scream she was real, she was REAL, I loved her, and she was real—”

Bobby sucks in a breath so hard his whole body jerks with it.

“Eighteen months,” Bobby croaks out hoarsely, the shaking getting worse. “I nearly died waiting for you. I stopped eating, stopped sleeping. I sat in that basement until my back seized up and I couldn't stand straight, and even then I went back. I kept going back, and you're here. You've been here this whole time. Completely fine. With him. Letting him—wearing my face while he—”

Bobby can't finish the sentence. His hand comes up and covers his mouth, his eyes squeezing shut, and the sound Bobby makes behind his palm is tiny and wrecked. You shouldn't be hearing it, but you can't stop hearing it.

“Bobby—” Kat whispers, reaching for him.

“Don't touch me.” He shakes his head, opening his eyes.

And the expression on his face is the one from the doorway, the one you never saw because you were the one walking away. The expression of a man watching the person he loves leave and being unable to say the thing that would make them stay. Except now it's worse because you didn't leave. You were taken. And what took you gave you a version of him that does all the things he couldn't.

Then, in a dazed whisper, “Did you fuck him?”

The question lands like a grenade. Kat visibly flinches. BB goes rigid in your line of sight, and you feel numb shock slacken your expression.

“Bobby,” Kat says sharply. “This isn’t the time—”

“Did you fuck him?” Bobby's voice cracks, splitting, the words coming out jagged and shaky because he can't control himself. “This thing that stole my face—did you let it touch you? Did you let it—” He gestures at BB, at you, at the space between your bodies. “Were you playing Barbie and Ken down here with my—with a goddamn copy of me while everyone back home thought you were—”

He stops, pressing both hands over his face. His shoulders heave. Once. Twice. The sound he's holding back is massive, and he still won't let it out. He won't. Because he’s Bobby Franklin, and he doesn’t cry in front of people, not even now, not even here, when the girl he spent seven months talking to through concrete is standing five feet away next to the thing that kept her.

“They all thought I killed you. Our neighbours. Our friends. Clark. Strangers on the street. They'd look at me, and I could see it. He did it. The boyfriend did it.” Through his hands. Muffled, reedy, barely controlled. “Months of that. Of carrying that and going to the store every night, sitting on the floor and talking to you because it was the only thing—the only thing—that kept me—” His hands drop. His face is red and wet, ruined. “And you were here. Did you even try to go home?”

The room vibrates. The hum, the tension, the emotional charge of three people and two entities standing in a space too small for the volume of pain it generates.

You stare at Bobby's wrecked face, those bright, glassy eyes, his shaking hands. The man who loved you and couldn't say it and sat on concrete for seven months saying it to a wall instead. The man who grunted at your goodbye. The man who let you stand in a doorway feeling invisible. The man who came through the wall to find you.

“You moved on too,” you say lastly.

Quiet. Cold. The voice the Backrooms gifted to you. The flat, unmoved, survival-voice, the one that doesn't shake because it can't afford to do so.

Bobby's mouth opens. Closes. His features spasm like you’ve struck him despite the distance between you.

“You moved on too, Bobby. You're standing here with her—” you gesture at Kat, who shrinks back— “shielding her with your body, doing all the things you stopped doing for me. And I'm supposed to—what? Feel guilty? Because I survived? Because I found something down here that you couldn't be bothered to give me up there?”

“That's not—”

“You left first.” The words tear out of you before you can weigh them, before the part of you that knows this isn't entirely fair either can catch up to the part of you that’s been carrying this for months and is finally, finally letting it spill. “You left me in that apartment, Bobby. You left me standing in doorways waiting for you to look up. You left me lying next to you in bed wondering if I was still visible. And I don't know why. I've never known why. I loved you more than anything I've ever—”

Your voice fractures, words catching in your windpipe. You press your knuckle against your mouth, mouth wobbling, try your hardest to breathe through it.

“I loved you,” you repeat, steadier, lower. Your anger holding the grief upright the way a spine holds a body. “More than anything. And I didn't need to hear it. I never needed you to say the words, that’s the thing. But I used to feel it. In how you touched me and kissed me and held me. In how you looked at me in the morning. And then you stopped. You just… stopped. And it wasn't sudden. It was slow. So slow I didn't even notice it happening until I was already standing in it. This—this absence. Where you used to be. And I tried to talk to you about it, and you said don't be dramatic, and we're fine. I tried again, and you turned up the TV. I stood there in the kitchen watching the back of your head, and I thought—”

You choke on the words. Your eyes burn, but the tears won't come because the anger has dried them at the source.

“I thought maybe this is what love becomes. Maybe this is normal. Maybe I'm asking for too much. And I made myself smaller and smaller and smaller to fit inside whatever you were still willing to give me, and it was never enough. I didn't know why and you wouldn't tell me—”

“I was scared.” Bobby. Raw. Stripped to the bone. “I was so scared of how much I—”

“I don't care.” Flat. Final. Your voice hardens despite the thickness of your voice. “I don't care that you were scared. I was scared too. I was scared every single day that you were going to wake up and decide you didn't want me anymore and instead of telling me that. Instead of saying I'm terrified and I don't know how to love you without losing myself… you just stopped. You made me feel so alone. I used to talk to the walls at Clark's store because the walls were better company than you were.”

You suck in a ragged breath. It shakes on the way in, steadies on the way out. Bobby’s peering at you wide-eyed, his mouth parted, tension between you thrumming. You exhale, chuckling shakily, pained.

“And the worst part, Bobby?” you pose, not waiting for a response. “The worst part is it took me disappearing for you to care. It took me falling through a wall and vanishing from the face of the earth for you to sit down and say the things you should have said when I was standing right in front of you. You had me. I was right there. Every day. For years. And you couldn't be brave enough to tell me you loved me or hold me like you needed me. But the second I'm gone—the second you can't have me anymore—suddenly you're on a concrete floor pouring your heart out to a wall. Suddenly you remember how to feel.”

Bobby flinches. Full body, his blue eyes bright and shining. Like you've hit him again.

“And you want to know the thing that really kills me?” Your voice is shaking now, the anger fracturing, the grief bleeding through the cracks again. “I was working the late shift alone. In that basement. Alone, Bobby. Because you stopped coming. You used to come keep me company, and you stopped. I was down there by myself, sorting inventory, and that's where it happened. That's where the wall took me. And if you'd been there… if you'd just walked through that door one more time, if you'd come to the store instead of staying on that couch…”

You shake your head, glancing down. BB jerks, like he’s fighting an urge to reach for you, to comfort you somehow. “I wouldn't have been alone when it happened,” you go on, lifting your head again. “I might not have been standing in front of that wall at all. You want to know who's to blame for me being here? It's not the Backrooms. It's not BB. It's the fact that the man I loved couldn't be bothered to keep me company like he used to.”

The silence that follows is absolute. Suffocating. The hum drops to its lowest register.

Bobby stares at you. His face is open in a way you've never seen before. No armour, no grin, no deflection. Just Bobby. The raw, messy human underneath all the performance. And the expression on that face is not anger. It's devastation.

Because he’s just heard the exact truth he's been telling himself for eighteen months spoken aloud by the person he failed, confirmed, verified, stamped and sealed.

Kat stands behind him, her arms heavy at her sides, face tight with an attempt to hold her composure. She’s just learned the full dimensions of the wound she's been dressing for over a year and finally understands it goes deeper than she knew.

BB watches you with an expression you can't read. His black-edged eyes roam over your face, cataloguing the anger, the grief, the terrible release of words held back for so long. His hand twitches at his side again. The instinct—to reach, to touch, to soothe—still running underneath the barrier you imposed.

“Come with me,” BB urges, his words low. His hand lifts again, reaching for your elbow. “You don't have to stay here. Let me take you—”

“Don't touch me.”

BB's hand freezes midair.

“You're no better.”

You watch the impact of your words jolt through him. The way BB’s whole body registers it, a flinch that travels from his face through his shoulders to his hands. He absorbs it the way Entity X absorbs damage, except this doesn't regenerate. This is a cut that stays.

“You—” BB starts, his brows furrowing. His confusion is genuine, nothing performed in it. There’s no curious tilt he does when encountering new concepts, but real confusion, the bewildered processing of a being trying to understand what went wrong.

“Did you know?” you bite out.

You ask it quietly, peering at his face. Bobby's face. The face that heard you through a wall and chose to want you, that built you a kitchen and kissed your forehead and promised you things and held you while you cried.

“Did you know Bobby was out there? For months. Did you know he was looking for me? Sitting in that basement, talking through the wall. Did you hear him, BB? Did you hear him saying he loved me while you were holding me and telling me it was all his fault?”

BB's expression goes smooth.

The warmth and confusion drain, followed by wounded bewilderment. What's left is closed. Perfectly, terribly closed. The face flattening into something that's neither Bobby nor BB but something older, something that predates both of them.

You laugh. A short, bitter sound, no joy in it.

“Yeah,” you exhale. Shaking now, because anger can't hold your grief forever, the frame is buckling, and you can feel the tears starting to press against the backs of your eyes like a tide against a wall. “That's exactly what I thought.”

The room is quiet.

Bobby is on the floor with Kat's hand on his shoulder and bruises darkening on his throat. BB stands in front of you with a closed-off face and a frozen hand, the ruins of every tender moment you've shared settling around him like a ring of ash. Mr Kitty lingers in the corner, his dark shape motionless, his blank face oriented toward the centre of the room with the patient, unhurried attention.

“I need time,” you say, your voice thin. “I need… to think. I can't—I can't be in this room right now.”

You spin on your heels, walking toward the staircase, your bare feet on the floorboards. You clutch your notebook against your chest, your shoulders set in a rigid line, your chin up, and your eyes burning, but you don’t cry.

You will not cry. You’ll walk through this door and find a corner of this level that doesn't contain Bobby or BB or Kat or anyone else, and you’ll sit down and breathe.

You’ll figure out what is left of you underneath all of this wreckage.

BB moves after you. You hear it more so than see it. The shift in air pressure, the displacement, his body orienting toward yours the way it always does, the magnetic pull that has governed his movements since the first day. His footstep on the floorboard behind you.

Mr. Kitty steps into his path.

The tall dark shape moves from the corner to the centre of the room in a single fluid motion, interposing itself between BB and the door, between BB and you. Mr Kitty doesn't speak. Simply stands there. Immense, faceless, filling the doorway with the calm, absolute certainty that informs everyone, silently, that no one is getting past him.

BB snarls.

The sound fills the room, saturating it. Harsh, emotional, stripped of the controlled fury from earlier. This isn't the predator defending his territory. But something hurt and desperate, unable to reach the only thing that makes the hurt bearable, and the snarl carries all of it—the confusion, the desperation, the agony of watching you walk away from him and being told he doesn’t get to follow.

“Get out of my way.”

BB's voice is low. Vibrating. The hum in the walls responding to him, the floorboards creaking around you, the cracked windows rattling in their frames. The power coming off him is palpable. A pressure change, a density in the air, the room bending around the force of an entity that’s existed for longer than these walls have stood.

Mr. Kitty doesn't move.

The house begins to vibrate.

A deep, foundational tremor that runs through the floor and up through the walls and into the ceiling. The scones on the counter rattle. A crack appears in the plaster above the kitchen doorway. Two forces pressing against each other. BB's vast, ancient fury and Mr. Kitty's quiet, absolute sovereignty over this level, this house, this ground.

Mr. Kitty may not be as old. May not carry the same raw, limitless power that BB channels from the Backrooms itself, but Level 974 is his. The pink walls and the Hello Kitty figurines and the golden light.

His domain, his territory, his rules.

And in this space, on this ground, Mr Kitty doesn’t yield.

The vibration deepens. The figurines on the shelf chatter against each other. Bobby grabs Kat and pulls her toward the corner, away from the two entities locked in their silent standoff.

“Enough.”

Your voice. From the doorway, looking over your shoulder at the room. At BB, rigid and his mouth snarling, at Mr Kitty, immovable and calm, at the house shaking around them.

“Stop it. Both of you. Right now.”

BB's eyes are black, wild, fixed on Mr. Kitty's faceless head with a fury that has nowhere to go.

You look at BB.

It's the look that stops him. Your eyes on him, meeting his, and the expression in them—cold, hurt, closed, the warmth he's spent months earning withdrawn behind a wall he can't charm or claw his way through. You look at him the way you looked at Bobby in Santa Clara, in the doorway, in the kitchen, during all those conversations he refused to have.

“Leave me alone,” you say coldly. “I mean it, BB. Leave me alone.”

The vibration cuts out.

The house settles around you into eerie silence, the figurines stilling. The crack in the plaster stays but doesn't spread further.

BB's snarl dies in his throat, not released but swallowed, pushed down into whatever deep place he stores the things he can't process. His fury collapses inward, his features rearranging not into Bobby's easy mask but into something fragile and deeply, fundamentally lost.

Because he’s just been told by the only person who matters to him that he’s not wanted here.

Mr. Kitty steps aside.

You walk through the door, up the stairs that don’t make a single creak, and don’t look back.

BB does not follow.

The bedroom is pink.

Every surface of it. The walls, the ceiling, the bedframe, even the dresser with its rows of small ceramic figurines. All Hello Kitty, some with bows, others with tiny painted expressions of vacant, cheerful contentment that feel deeply wrong in a place where nothing should be cheerful.

The bed is covered with a pink duvet and pink pillows, a stuffed Hello Kitty the size of a small child propped against the headboard. You’re sitting on the edge of said bed in this aggressively pink room, clutching a pillow to your chest and crying so quietly your body barely moves.

You washed your face in the bathroom with shaking hands. The soap smelled like strawberries, which is either a kindness or a coincidence and in the Backrooms you've stopped trying to tell the difference. You scrubbed the tear-tracks and the grime and the black residue of Entity X's blood from your skin, and you looked at yourself in the mirror, but the face peering back at you was thinner than you remembered. Sharper. Older in a way that has nothing to do with age and everything to do with the kind of living you've been doing down here.

You looked at your own face, and you didn't recognise the expression on it, and then you did, and that was somehow worse.

You press the pillow into your chest, tears soaking into the fabric, leaving dark spots as you wipe them with the back of your hand.

A plate appears on the bedside table.

Cookies. Round, golden, slightly uneven. Arranged in a careful circle on a pink ceramic plate with a Hello Kitty border.

You didn't hear Mr. Kitty enter. You never do.

He's simply there, filling the corner of the room, his dark shape folded into a crouch that brings his smooth, featureless head level with the top of the dresser. His long arms drape over his knees. The posture is oddly casual for something that nearly went to war with a fellow ancient entity an hour ago.

You glance at the cookies. A wet, exhausted laugh escapes you. Because there's a faceless being the height of a doorframe crouched in a pink bedroom offering you baked goods, and this is your life now, apparently.

Are you feeling better, little one?

His voice settles into your skull with that warm, furred pressure, gentle and unhurried. Little one. He's been calling you that since the third time BB brought you to 974, and the tenderness of it used to make you bristle. You're not little, not a child, not something to be diminished with a pet name, but you've come to understand that little is relative.

To Mr. Kitty, everything is little. The Backrooms are little. Time is little. The enormous, life-destroying pain you're feeling right now is little. Not because it doesn't matter but because it exists within a framework so vast that even devastation is a passing thing for him.

“No,” you answer honestly. “I feel awful.”

Mr Kitty's head inclines. A slow, measured tilt that you've learned to read as acknowledgement. He doesn't offer comfort. He doesn't say it'll be okay or this too shall pass or any of the empty phrases that people deploy when they can see someone hurting and don't know what else to do.

“Have you ever experienced anything like this?” you ask, wiping your eyes with the heel of your hand. “This mess. This kind of—”

You gesture vaguely at the room, at yourself.

No.

A pause.

I'm not human.

You stare at him. His blank face gives nothing back. The delivery is so flat, so matter-of-fact, so completely devoid of inflection that it takes your exhausted brain a second to register that the seven-foot faceless entity crouched in a bedroom full of Hello Kitty memorabilia has just delivered the driest possible response to your question.

You snort wetly despite yourself, wiping your nose.

“Is everyone okay? Out there?”

The humans are safe. They've eaten. I've provided almond water. It helps with the psychological effects of prolonged exposure. The mind frays here. Theirs will fray faster than yours did. A pause. The blank head angles slightly, as if consulting a source of information you can't perceive. The older man… he was located. But he refused to come with my guidance. He's making his way back toward the entry point on Level 2. Alive, as far as I'm aware. Frightened. But alive.

“Thank you.” The words come out thin. Insufficient. You're thanking a being older than human civilisation for babysitting your kinda-boyfriend and his new girlfriend while tracking down your former employer through an interdimensional nightmare. “For all of this. For letting us—”

You're welcome in this house. You've always been welcome.

Your fingers dig into the pillow. “What about BB?”

Mr. Kitty's head tilts again. The angle is different this time, sharper, more deliberate.

The Backrooms are in disarray. An observation, not a complaint. Entity X's presence has had an unusual cascading effect. Smilers are ranging further. Skin-stealers have been reported on levels they typically avoid. Another pause. His faceless head angles toward the window, toward the levels that stretch below and above and in every impossible direction. Your boy is clearing up the mess.

Your boy. Indulgent, slightly bemused. You don’t correct him, not even now.

Entity X seems to have an unusual ability to affect other entities. Amplifying their aggression. Destabilising their territorial patterns. As if its presence is contagious. An emotional frequency that spreads through the hum, agitating everything it touches.

You think about Entity X. About the burning yellow eyes that never looked away. About the argument it played through the walls to lure you out. Why that conversation? Why your argument, specifically?

Why did it know what Bobby sounded like when he was shutting you out? The questions stack up in your head the way the entries stack in your notebook. Pattern without explanation. You can feel the shape of it, the edges pressing against the inside of your skull, but the centre won't resolve.

“Why me?” you ask, peering at Mr Kitty. “Why does it want me?”

Mr Kitty is silent for a long moment. His blank head angles toward you with that sharper tilt. As if he's reading something written on you in a frequency only he can perceive.

I have a theory. Measured. Careful. But theories without sufficient evidence are just stories. And stories can be dangerous in a place that listens and can make them a reality.

“Tell me.”

When you're ready to hear it, little one. When the answer won't do more harm than the question.

The deflection is gentle but absolute, and you know better than to push. Mr Kitty doesn't withhold out of cruelty. If he's not telling you, it's because the telling carries a weight he doesn't think you can hold right now.

You file it away. Another entry in the private section of the notebook. Another question with no answer.

“Has it—is it gone?”

Retreated. Very suddenly. For reasons I can't determine. Mr Kitty's face tilts back toward you. That concerns me more than its presence did. An entity of that power doesn't retreat without cause. It either ran into an unexpected problem, or it decided to wait for a better opportunity.

The words settle on your shoulders.

You sit for a moment longer. The pink room. The cookies. The faceless being in the corner, patient and still. The faint sound of voices from the living room floats over. Low, murmured, too indistinct to make out words. Bobby's voice. Kat's voice. Talking about you, probably. Talking about what comes next. Discussing whatever people do when the world has ended, and they're sitting in a pink house eating scones and trying to pretend their worldview hasn’t just shattered.

You reach for a cookie. Bite into it. It's good. Buttery, slightly sweet, with a texture that's almost right. The Backrooms' version of homemade, close enough that your tongue can't argue.

“I can't hide here forever,” you mumble, chewing. Your voice is scraped raw, and the cookie is doing nothing to fix that, but it's doing something for the rest of you. The simple, animal act of eating, of taking a thing and putting it in your body, of fuelling the machine. “Even though I want to.”

Mr Kitty says nothing. His blank face radiates with the particular silence that means I agree, and I'm glad you arrived there yourself.

You stand, pressing your palms against your eyes. Breathe in through your nose, out through your mouth. In. Out. The way you breathe before entering a new level, before turning a corner in an unmapped corridor, or opening a door whose other side you can't predict.

The survival breath. The steadying edge you didn’t have back in the real world and only developed here. The willingness not to run away and hide.

You wipe your face one final time. Set the pillow down. Pick up the notebook from the bedside table where you placed it beside the cookies, pressing it against your chest. The weight of it is familiar, grounding, the only possession you have that still feels like yours.

“Thank you, Mr. Kitty.”

Eat another cookie before you go. You’ll need it.

You do as he instructs, then open the bedroom door. You walk down the short hallway of Mr. Kitty's house, past the framed Hello Kitty prints and down the stairs, stepping into the living room.

Bobby and Kat are sitting at the kitchen table.

Their heads are bowed. Close together. Kat's hand is on Bobby's forearm, and Bobby's other hand is pressed flat against the table, fingers splayed, bracing himself.

They're speaking in low voices. You catch the edge of a word. Your name, maybe. Or something that used to be your name before it became something else.

Bobby spots you first.

He stands immediately, like the sight of you alone gave him an electric shock. The chair scrapes the floor. His face is a mess of competing expressions: relief, tension, the careful, wary hope as eh drinks you in. The bruises on his throat have deepened. Dark purple against his tanned skin, four finger-marks and a thumb-mark, BB's handprint developing like a collar on his neck.

You catch the flicker across Kat's face, brief and involuntary. The subtle tightening around her eyes, the tiny pull at the corner of her mouth.

She was saying something to Bobby, and you interrupted it, and the hurt of being interrupted is tangled up with the hurt of being here at all, of sitting in a nightmare for a man who’s looking at another woman with that expression. That searching, desperate, is-she-okay expression that Kat has probably been working for months to earn, and you just walked in and collected without trying.

You see it. You look away from it.

You wrap your arms around yourself. One hand on each elbow, holding yourself together.

“You need to leave,” you tell them flatly. “Both of you. Right now. The Backrooms aren't safe for humans. They were never safe, but right now they're worse. Entity X destabilised everything. Every entity on every level is more aggressive than it should be and you don't have the training or the knowledge to survive that.”

“I'm not leavin' without you.” Bobby. Immediate. Jaw set, chin up, the Bobby-stubbornness that looks like courage and has always been, underneath, a different kind of fear. “I didn't come through a wall, walk through hell and get choked out by my own doppelganger to leave you down here alone. No way in hell.”

You level him with a flat look. The one you learned living here. A part of you wants to remind Bobby that he tore into you less than an hour ago, but he's calmer now. Past the initial, ugly shock.

Bobby surprises you by holding that look.

For a moment that stretches into two, then three. Then his jaw flutters, his gaze dropping, and you see it: the fight leaving him. Not because he agrees, or wants to, but because the woman standing in front of him is not the woman he lost.

The woman he lost was standing in a doorway with her keys and her heart in her eyes, waiting to be seen. The woman standing in front of him now has a notebook and a survival instinct, and she's not waiting for anything.

“BB,” you call out.

The air shifts. Between one breath and the next, there’s a displacement, and the pressure changes in your sinuses.

BB stands at the edge of the living room like he's been there the whole time, like he materialised from the wall, which he probably did. He's more put together than the last time you saw him. His face reset, the fissures sealed, the eyes back to Bobby's blue with only a thin ring of darkness at the outer edges. The black blood is gone. The torn shirt is the same, but he's cleaned the rest, reassembled the human costume with great care.

He looks at you and his whole body orients again. That magnetic pull, that compass-needle pivot, his weight shifting forward onto the balls of his feet, his chin lifting, his eyes searching your face with a hope so raw it makes your heart ache.

Because you called him. And the part of BB that lives underneath the fury and the ancient power and the territorial instinct—the part that learned to kiss you in a kitchen and asked am I doing it right and pressed his lips to your forehead because you taught him that tenderness—that part heard his name in your voice and came running. And he’s standing in front of you now, practically vibrating with a desperate, transparent hope that calling means forgiving.

It doesn't. He can see that too. The hope flickers. Dims. Holds, just barely, at the edges.

“I need you to take Bobby and Kat out,” you tell him calmly. The survival voice. “Back to the real world. Through the wall in Clark's basement.”

BB's expression morphs. A crease appears between his brows, a tightening at the corners of his mouth. He glances at Bobby, at Kat, and the glance carries a weight that isn't quite hostility. Closer to resignation.

“I can't,” he says.

“BB—”

“The path is gone.” He says it plainly, without the smooth, closed expression he wore when you asked if he knew Bobby was looking for you. “Entity X destroyed sections of Level 0 during the fight. The corridors between here and the adjacent entry point to the storage basement on Level 0 are collapsed. The hum no longer reaches those sections. They've been severed from the level entirely.”

You can feel everyone staring at BB as you absorb his words.

“Then find another way,” you say. “There are other exits. Other entry points. You've said—”

“The only feasible exit I can guarantee right now is the M.E.G. outpost.” BB's eyes are on you. Only you. Bobby might as well be furniture. “The one on the far side of Level 4. But the direct path from here is gone. We'll have to go through the Poolrooms, and cut across to Level 4 through the threshold at the deep end. From there it's a straight corridor to the outpost, but that corridor runs through a section of Level 4 that's been unstable since the cascade.” He pauses, weighing his words. “The Poolrooms should be passable. Level 4 is the risk. Entities might shelter there because the layout gives them cover. Under normal conditions it's manageable. Right now, with the aggression spike, it'll be hostile.”

You run the route in your head.

Level 974 to the transitional stairwell. Through the Poolrooms, warm chlorinated water and blue tile, a level you've mapped partially, three pages of the notebook dedicated to its spanning layout and the way sound carries across the surface.

You know the Poolrooms. BB took you there multiple times. You used them in the past for hygiene and a change of scenery both.

The water was warm, and the light was washed-out blue, and nothing lived in it that wanted to hurt you, at least not then.

From the deep end threshold into Level 4. The endless office complex, the one that looks like every corporate building you've ever been in hollowed out and stretched to infinity. Dark. Echoing. Full of cubicles and conference rooms and hallways that dead-end without warning.

You've only been there once, briefly, and your notes on it are thin at best.

Half a page, a rough sketch, a warning symbol in the margin.

“How far?” you ask.

“Through the Poolrooms, it's distance without danger. Level 4 is the gauntlet. Maybe an hour on foot, if the path holds without shifting and nothing's nesting in the corridor.” BB's expression goes tense, focused. “I'll clear what I can ahead of you. You navigate.”

“Wait, who's M.E.G.? What’s Poolrooms?” Kat’s voice floats over from the table, cautious but steady. “What even is that?”

“Research group,” you reply, turning to her. It's the first time you've spoken to her directly without anger in your voice, and you can feel the shift, the effort of treating her like a person instead of a scapegoat to your jealousy. “Explorers. They study this place. Map it. They've been operating down here for… I don't know how long. But they're organised. They have resources.” You pause. “I think they can be trusted. It might be the safest option.”

Kat nods, quick and decisive. The relief on her face is visible. Not at the thought of leaving you behind, or at winning some unspoken competition, but at the prospect of a plan. A structure. An exit with a name and a direction and people on the other side who might know what they're doing.

Kat is a practical woman in an impractical situation; you can tell as much, and the offer of practicality is the first solid ground she's stood on since she climbed through a wall in Clark's basement.

“Fine,” Bobby says quickly, his voice rough. “M.E.G. Great. Let's go.” He pushes off the table. “All of us.”

You inhale deeply. “Bobby.”

“I said I'm not leaving without you.” Louder. More determined. The Bobby-edge again, the blade under the casual, except there's no casual left. It's all blade now, all sharp. “I'll go with Kat. But I'm not walking through some—some exit and leaving you in this place. I'm not.”

BB's lips peel back. A flash of teeth behind the Bobby-mask, involuntary, predatory, the territorial snarl surfacing before he can catch it.

The sight of Bobby refusing to leave you, refusing to relinquish, insisting on staying close to the thing BB considers his triggers something primal in the entity underneath.

He catches it at once, swallowing over it. His lips close over his teeth, jaw clenching painfully. He doesn't speak. Just stares at Bobby with the flat, unblinking intensity that tells you he’s choosing, with considerable effort, not to put Bobby through another wall.

Bobby, to his credit, ignores him. Pointedly and aggressively, with that specific brand of human stubbornness. Bobby will not look at BB. Will not address BB. Only pretend that the thing wearing his face is not standing six feet away radiating enough barely-contained fury to crack plaster.

This is Bobby's version of control: the refused glance, the turned shoulder, the full-body declaration that you do not exist to me deployed by a man who’s terrified and is handling it the only way he knows how.

BB turns to you.

His expression changes immediately. The snarl evaporates. The territorial fury, banked. What replaces it is… you haven't seen this expression on him before. Grim. Drawn.

“The Backrooms are more dangerous than they've been in—” He pauses, choosing a unit of measurement you'll understand. “A very long time. Entity X's effect on the other entities hasn't fully dissipated. Level 4 will be a problem. The interior section between the threshold and the outpost is normally dead space. Empty offices, dead lights, nothing worth hunting in. Right now it's contested. Things are sheltering in the cubicle rows and conference rooms because the layout gives them cover, and they're angrier than they should be.” He twists his head, and you hear a crack follow the near reptile movement. “I'll move ahead. Clear what I can. You bring them through behind me. Move only when you’re certain, and stay together.”

You look at him. Really look, for the first time since earlier. Past the anger, and the betrayal, past the closed-off face and the too smooth expression and the omission that restructured everything between you. You look at BB, and you see—

He's thinner somehow.

The word isn't right, but it's the closest you have.

The Bobby-suit fits differently. Looser. The cheekbones more prominent, the jaw more defined, the chain at his rebuilt throat sitting lower against collarbones that press closer to the surface than they used to. He looks worn in a way that has nothing to do with clothing and everything to do with consumption.

And you understand, then, that the fight with Entity X and the sustained lockdown and the perimeter patrols and all the emotional turmoil earlier have been drawing from a reserve that isn't infinite.

As if even ancient things have a fuel line and his is running lower than you've ever seen it.

You choke the worry back. Push it down. Below the anger and the hurt, into a place where the things you can't afford to feel right now go to wait.

“Fine,” you say. “The M.E.G. outpost. Through the Poolrooms, across Level 4.”

You turn to Bobby and Kat. Bobby is standing by the table with his arms crossed and his jaw clenched rigid, staring at a random spot just past BB’s shoulder.

“Grab anything useful,” you instruct. “The almond water Mr. Kitty gave you if there's any left. Take that, don't spill it. Anything you can carry that isn't too heavy.” You glance at Bobby, stopping him in his tracks when he tries to approach you, his mouth open. “We're leaving right now. Not in ten minutes. Not after another argument. Now. Every second we stay is a second Entity X might come back and cause more damage.”

Bobby sucks in a breath, but the argument dies on his tongue. You watch it happen. He could spit back a thousand arguments, but you’re the one speaking and he hears the authority earned through months of exploration, notebooks, and close calls.

He doesn't trust the Backrooms. He doesn't trust BB. But somewhere underneath the hurt and the anger and a thousand unspoken things, Bobby Franklin still trusts you.

He grabs the water from the table without a word, shoving it in his jean pocket. His camera is gone—left on the floor in the junction room on Level 0, the first camera Bobby has ever abandoned—and his hands look wrong without it. Empty. Painfully exposed. Like a man missing a limb he didn't know was prosthetic until it was gone.

Kat gathers the remaining almond water, tucking what food she can into her hoodie pockets. Practical. Quick.

“Let's go,” you say.

You don't look at BB or at Bobby when you say it. You look at the door, at the path beyond it, at the route in your head that threads from 974 through the transitional stairwells to the Poolrooms and across Level 4 to the outpost, and you start walking.

They follow.

“Stay close to me at all times. Don't touch the walls and don’t trust any voices you might hear.”

Your voice rings flat. Instructional. Bobby and Kat fall into step behind you. Bobby first, Kat behind him, the formation you established at the threshold of Level 974 and haven't had to explain because the hierarchy asserted itself the moment you started walking.

You lead. They follow.

The notebook is open in your hand, a pen gripped in your other, and you're annotating as you move. Small marks in the margins, corrections, new landmarks added to half-finished maps.

The stairwell between 974 and the Poolrooms is narrower than you remember. The lights are different. Dimmer. The hum is carrying a frequency you've never heard before. A low, dissonant undertone, like a second voice buried beneath the first, and you don't like it.

Something skitters in the walls.

The sound is dry and rapid, claws or teeth or something with too many joints moving through a space between surfaces, and it tracks your group for three corridors before fading into the deeper dark.

Bobby's breathing changes behind you. Faster. Controlled, but faster. He's holding it together for now, jaw locked, hands fisted, the physical performance of calm layered over a body that is screaming at him to run.

Kat grabs the back of his shirt, her knuckles blanching from how hard she grips. He doesn't shake her off.

The stairwell descends, the air changing the lower you go. Warmer, carrying a chemical sweetness that prickles in your nose and coats the back of your throat. Chlorine.

The smell of it hits your chest like a memory: public pools in the valley, summer afternoons, the way the chemical tang used to cling to your hair for days. Except this chlorine is wrong. Too sweet, too warm. Like the Backrooms took the concept of a swimming pool and replicated it from the smell up, getting the details slightly off.

“What is that?” Kat wonders from behind Bobby, her voice raspy.

“Chlorine,” you answer. “We're close to the Poolrooms.”

“Right. The Poolrooms."

You don't answer. The stairwell opens up, and Level 37 unfolds in front of you.

Water. Everywhere. Still, warm, impossibly blue; a type of blue that doesn't exist in nature, that sits somewhere between swimming pool and bioluminescence, casting its light upward onto tiled walls and low ceilings and pillars that descend into the water at regular intervals.

The room is vast, the ceiling dipping low. The combination creates a sort of compression. Intimate and infinite at the same time, the sense of a space that goes on forever in a room you can almost touch the top of. The water is clear to the bottom. The tiles beneath it are white, clean, pristine, stretching into a distance that the blue light eventually swallows.

No sound except the dripping water. The gentlest possible lapping against tile, rhythmic, hypnotic, the sound of a surface that is barely being disturbed by something you can't see. The hum is different here. Softer, rounded, the dissonant undertone from the stairwell dissolved into sound almost musical.

The Poolrooms absorb aggression the way water absorbs heat. BB was right. Nothing agitated shelters here.

“Jesus Christ,” Bobby says quietly, staring at the water with wide-eyed awe.

You wade in first, and the water is mercifully warm. Body temperature, lapping at your ankles, then your calves, then your knees as the floor descends in a gentle gradient. Your bare feet find purchase on the tiles below.

You've been here before and know the depth map. There’s shallow sections that hug the walls, and the deeper channels between the pillars which intercut with the point near the centre. That’s where the floor drops and the water reaches your waist, the blue light intensifying until the whole room looks like the inside of a sapphire.

Bobby and Kat follow behind you. Slower, less sure.

Kat gasps when the water reaches her thighs. Bobby is silent, wading after you without a word. He scans the surface, the pillars, the low ceiling, and you can see him searching for threats the way you used to. With that raw, untrained hypervigilance you had in the beginning when you could tell something was wrong but didn’t have the vocabulary to describe what.

You navigate by the pillars. Third from the left, then straight, then angled right toward the far wall where the tiles change colour. White to grey to a faint, barely-visible green that marks the deep-end threshold.

BB showed you this path. BB walked it with you, his hand at your back, his cool skin a contrast to the warm water.

And BB's presence now is a pressure at the edges.

You can't see him. Haven't seen him since you left 974. But you can feel the evidence of his passage all the same. A corridor that should have been obstructed, clear. A sound in the distance that starts hostile and cuts out abruptly.

Then a silence that follows when something deadly, fast and ancient has moved through a space and left nothing alive behind it.

He's ahead of you, running interference, clearing the route the way he said he would. And even through the hurt, the reliability of it—the kept promise, the maintained commitment to your safety—swells a lump in your throat you can’t quite swallow over.

Behind you, Kat mumbles something, a joke maybe, chuckling weakly even when Bobby doesn’t join in. His reply is swallowed by water churning around your waist.

“How long did it take?”

You say it without turning around. Your voice carries across the water, bouncing gently off the tiled walls, and the acoustics of the Poolrooms give it a quality that sounds almost peaceful, almost conversational.

Bobby's wading pauses. A half-step. Then he catches up. “What?”

“Before you slept with her.”

Behind Bobby, Kat makes a small, indignant sound, an inhale that she catches in her throat, and then silence again. Just the three of you wading through water in a room that shouldn't exist.

You wait for the usual: the blade, the joke, the easy redirect, maybe even anger. But he surprises you again.

“Fifteen months.” The damaged vocal cords give the words a rough, scraped quality. “After you disappeared. Not after—not after the store. Not after Clark kicked me out. Months after that. She'd been...” He trails off, water sloshing around his hips. “Kat was just there. Every day. And I was—I wasn't okay. I wasn't anything close to okay, and I thought I’d never see you again. And one night I just—” He pauses, breath catching in his chest, refusing to look at you or at Kat while he speaks. “Fifteen months. It took fifteen months.”

Your stomach turns. A slow, visceral roll, nausea that has nothing to do with the chlorine and everything to do with the number.

Fifteen months of absence before the body you loved pressed itself against someone else.

Fifteen months of grief before the hands that used to find the small of your back in a crowd found someone else's waist in the dark.

You do the math. You can't help it. The inventory brain, the cataloguing brain, calculating: he thought you were dead. Everyone had forgotten you. The tapes were blank. Fifteen months is a long time when grieving. Fifteen months of believing the person you love is gone is a long time.

The math doesn't help. Not even a little bit. The pain blooming in your chest is too blinding and too scalding to lean on logic right now.

You nod. Once. Keep wading, your teeth sunk into your cheek to stop yourself from being petty, trying your hardest to understand.

“Did you?” Bobby asks. His voice is different now, quieter, stripped of the combative edge from earlier, carrying instead a fragility that doesn't suit his face. “BB. Did you—with him?”

“No.”

Bobby exhales. A breath he's been holding since Mr Kitty’s house, maybe longer, released through his nose in a long, shuddering stream. The relief on his face is naked and immediate, and you can see it from the corner of your eye even without turning to look at him.

“I taught him to kiss,” you admit, still staring straight ahead. At the pillars, at the blue, at the threshold approaching in the distance. “But it took months. He didn't… he'd never touched anyone. Never been touched. I taught him to dance first. Then the kiss.”

Bobby lets out a soft, bitten scoff. Air pushed through his teeth, his head turning away, and you brace for the quip, for Bobby's deflection mechanism deploying against the image of his own face learning to kiss from the woman he loves.

But the scoff dies without becoming a sentence. It lacks heat., and it lacks edge. It's just a sound a man makes when he's hearing something that hurts in a way his defences can't react against.

When you glance at him, Bobby's face is sad. Not angry like earlier, just sad.

The anger burned out somewhere in the Poolrooms, extinguished by the tranquil water and the washed light, and what's left is just Bobby. Heartbroken. Worn to the bone by grief and stress. Looking at you in the blue glow with his eyes full and his jaw loose, his whole face creased with emotion Bobby Franklin has spent his entire adult life refusing to let sit on his features unchecked.

He opens his mouth. His lips form the beginning of a word—your name, maybe, or something else, something that's been sitting behind his teeth for eighteen months waiting for you to be close enough to hear it—but you turn away. Keep walking.

The water parts around your waist and the threshold is ten metres ahead, and you keep walking because if you stop, if you let Bobby say whatever he's about to say with that face in this blue light, you will not be able to handle it.

You're not going to have this talk with him now, while Kat is right there.

“We're close,” you say instead. “The threshold is at the deep end. Keep your heads up.”

Level 4 is wrong.

The threshold deposits you in a corridor that looks like every office building you've ever been in.

Fluorescent-lit, drop-ceiling, grey carpet, cubicle partitions stretching into a distance that the lights don't fully reach. It should be mundane. It should be the most boring level in the Backrooms. An infinite corporate complex, all right angles and fire exits that don't actually exit and conference rooms with whiteboards still carrying the ghosts of meetings that never happened.

You've seen it before. Your notes describe it as low-threat, low-entity, dead space.

Your notes are wrong.

The lights flicker. Every third tube is dead, creating pockets of darkness between the lit sections, and the darkness is too deep. A dense, weighted thing. The cubicle rows stretch to the left and right, and the partitions are higher than you remember. Head-height, blocking sightlines, creating corridors within corridors, and the air smells like old paper and burnt plastic.

“Stay behind me,” you whisper, your heart rate picking up even as you fight to keep your tone level. “Single file. Don’t speak above a whisper.”

Your feet carry you through the cubicle rows. Past desks with dead monitors and phones with their receivers off the hook, and coffee cups with something growing in them that you don't look at closely. The carpet muffles your steps. Bobby and Kat are ghosts behind you. Silent, moving when you move, stopping when you stop, their breathing controlled, shallow, and terrified.

There’s sudden movement in the cubicle row to your left.

You freeze. Hand up, the signal you developed on Level 1 with BB, palm flat, fingers spread, stop now. Bobby and Kat stop at once.

The movement continues, a shape passing behind the partition, visible through the gap between the top of the cubicle wall and the drop ceiling. Tall. Hunched. Moving with a liquid, boneless gait that doesn't match any anatomy you've catalogued. It passes through the row parallel to yours, separated by one partition, close enough that you can hear the sound it makes. A wet, clicking respiration, each breath accompanied by a small pop, like a joint dislocating and relocating with every inhale.

It passes, the clicking fading into the background as it goes. You count to thirty before you move again.

Two more corridors follow. You pass a conference room with the door ajar, and inside you spot something that looks like skin draped over a chair. Smooth, pale, and gently rising and falling with a respiration you can see from the doorway. You steer them around it. Wide. Bobby's eyes find it through the gap, and his face goes grey while Kat presses her face into his shoulder and doesn't look.

The evidence of BB is everywhere.

A corridor that ends in a smear of black against the wall. Fresh, wet, still dripping. A fire exit door buckled inward from a force applied on the other side, the metal warped around a handprint that's too large to be human. A section of cubicles reduced to kindling, the partitions shattered, the desks overturned, and in the centre of the wreckage a shape. Crumpled and motionless, its limbs arranged at angles that suggest it was alive when it was rearranged and is not alive now.

You don't let Bobby and Kat see this one. You route them around the long way, through a break room with a vending machine that hums with a frequency that makes your ears ring.

The M.E.G. outpost is close. You can feel it.

A shift in the hum, a thinning of the air that means a threshold is near. The levels get permeable around outposts, BB told you once. The boundaries soften.

You round the corner into a wider corridor—open-plan, the cubicles giving way to a broad hallway with glass-walled offices on either side—and you see the equipment. Monitors. Cables. A mounted camera fixed to the wall at head height, its red recording light blinking steadily. Sensor arrays bolted to the ceiling tiles. Data collection equipment arranged along the corridor walls with the organised, labelled precision of people who’ve been here a long time and plan to stay.

“M.E.G.,” you say, exhaling. The relief that pangs your chest is almost physical. A loosening in your shoulders, a softening in the grip of your hand on the notebook. “We made it. This is their monitoring station. The outpost should be just ahead. We just need to—”

The hands come from behind you.

Three sets. Gloved. They grab your arms, your shoulders, the back of your neck, practised and coordinated.

You're yanked backwards off your feet, and the notebook hits the floor, your spine slamming against a body wearing tactical gear, a muffled voice barking something clipped into a radio, and the hands are everywhere. On your wrists, pinning your arms, dragging you sideways toward a section of corridor you haven't mapped.

These aren't M.E.G.

The gear is different. Same black from the first attack, not yellow. No patches, no insignia, no identification. The faces behind the balaclavas are blank and professional, and they are not studying you. They’re collecting you, the way you'd collect a sample they failed to collect the first time around.

Bobby's scream rips through the corridor.

“GET YOUR HANDS OFF HER—GET OFF—”

He's fighting. You can hear it behind you, the sounds of a man throwing himself at something larger and better-armed, the crack of a fist against body armour, the grunt of impact. Bobby's voice, raw and shredded and operating on pure adrenaline, screaming obscenities that echo off the walls while someone restrains him.

“Leave them,” one of the agents says into the radio, his voice clipped, indifferent. “The woman is the objective. Leave the other two for the others, it’ll buy us some time.”

For the others. The words register with a cold, clinical clarity. Leave Bobby and Kat in a Level 4 corridor swarming with agitated entities and walk away. Leave them to die. Leave them as discarded variables in whatever equation these people are solving, the irrelevant remainder, the human wreckage.

Your rage swells to near blinding.

A sudden, massive, tidal expansion in your chest, filling every cavity, pressing against your ribs and your throat and the backs of your eyes.

The agent's hand is on your arm, and the grip is iron and Bobby is screaming. Kat is somewhere behind you shouting, and these people are going to leave them here to die. And the anger is so total, so complete, so enormous that it bypasses your brain entirely and becomes a physical thing, a vibration, a frequency—

The hands holding you fall off.

You stumble forward. The grip just… released. You spin, expecting to see BB, expecting the displaced air and the black eyes and the sound of the hum—

The agent who was holding you is staring at his hands. What's left of them anyway. His gloves end at the wrist, and below the wrist there is nothing. Smooth and cauterised, the flesh sealed as if the hands were never there to begin with.

He hasn't started screaming yet. The shock is still travelling from his eyes to his brain to his vocal cords.

You turn.

Entity X is standing in the corridor behind you.

The fluorescent lights are red again. That deep, arterial crimson that transforms the office corridor into a living organism. Red light pulses, filling the hallway from floor to ceiling, its matte, leathery skin absorbing the crimson until it looks like the corridor itself has grown a body. The featureless face is smooth and wrong, but then the eyes peel open again at your presence, and the burning yellow fixes on you at once.

On you. Only you. As always.

You stumble backwards, your heel catching a cable on the floor. You barely keep your feet.

Entity X is three metres away, and it reaches for you—the arm extending, elongating, the joints clicking with a sound like knuckles cracking in an empty room—and its chest produces a noise.

Low. Gurgling. A wet, clicking sound that lives somewhere between a purr and the settling of bones, repetitive and rhythmic and deeply, fundamentally wrong in a way that your brain can’t place.

It's a sound without analogue. A sound that a body makes when it has no face to express what it's feeling and must channel everything through the mechanics of its torso, and the sound is fixated. Directed at you.

The audio equivalent of the eyes that never leave.

“Get away from me.” Your voice comes out harder than you expect. Sharper. The fear is there. Your heart is slamming, your palms are slick with sweat, your legs trembling beneath you, but your anger is louder. The rage that swelled in your chest hasn't receded. It's sitting right behind your teeth, and when you speak it comes out as a command, not a plea. “Leave me the fuck alone.”

Entity X cocks its head.

The motion is slow. Curious. The massive featureless head tilts to one side with an almost canine quality. It’s almost the same tilt BB does, just wrong, and for one terrible second the gesture looks interested. Like it heard you. Understood what you meant. Like your anger registered as something other than a feeble attempt at resistance, and the fury in your voice is a thing it recognises, that it wants.

The agents regroup behind you. Three of them. The handless one is on the floor, in shock. The others raise weapons. Compact and military-grade, and open fire.

Entity X doesn't look at them.

The bullets hit its torso and sink into the matte skin like stones into mud, and Entity X's arm sweeps sideways, casual and unhurried, the way you'd brush a fly, and the agent closest to it comes apart.

Messily. The one behind him fares worse. The sounds are wet, almost mechanical and over very quickly, leaving nothing but puddles of gore on the floor.

Entity X does all of it without moving its eyes from you once. Bored. Performing violence with the same disinterested efficiency that a human swats insects. The agents are not a threat, not an obstacle, not even a distraction.

Entity X silences them and returns its full focus on you, and the clicking sound continues in its chest, steady, rhythmic, almost gentle.

BB arrives like a thunder crack.

The air splits around you, the pressure wave alone knocking you sideways. Kat hits the floor rolling, and Bobby staggers into the glass wall of an office.

BB hits Entity X at full force, and the two of them crash through the corridor wall and into the space beyond. Cubicles disintegrate around them, ceiling tiles raining down, and the fluorescent tubes shatter in cascading waves as two things too large for this hallway tear it apart around each other.

BB's hand finds your shoulder. Between one collision and the next, between heartbeats. He's there, beside you, in front of you, his black eyes wild and his damaged face cracking, his grip on your shoulder bruising.

“The outpost. Go. Now.”

You run, reaching for Bobby blindly.

Bobby is already moving, Kat's hand in his, pulling her along, his legs unsteady but functional, his face a mask of focused terror.

You grab the notebook from the floor as you pass it, scrambling on your hands and knees. The three of you sprint down the corridor toward the monitoring equipment, toward the thinning in the air that means exit.

You spot them in the distance first.

Yellow suits and masks on. Four of them, clustered at the far end of the corridor around a section of wall that looks slightly different. Smoother, carrying a faint shimmer that you recognise as the visual signature of a no-clip point.

M.E.G. operatives. Real ones, in their trademark gear, and they're waving at you, frantic, urgent, beckoning you forward with the full-body gestures as the fight behind you intensifies.

Bobby's hand closes around your wrist, pulling you forward, and you're running together, his callused fingers locked on your pulse point.

For about three seconds, it's the parking lot at Clark's store, it's the apartment doorway, it's every moment he should have reached for you and didn't. Except now he's reaching, his hand is on you, now he's pulling you toward safety with a bruising grip that says I’m not letting go—

Entity X's hand closes around Bobby's torso.

The grab is sudden and massive, an arm extending from the wreckage of the corridor behind you, reaching over your head, the joints clicking in rapid succession as it unfolds to its full, telescoping length.

The clawed fingers close around Bobby's ribcage and lift. His hand tears from your wrist. His feet leave the ground. His body rises—up, up, Entity X hoisting him like he weighs nothing, his legs kicking, arms flailing, his face contorted with a terror so complete it erases everything else.

Entity X holds Bobby in the air and looks at you.

The burning yellow eyes, fixed. The clicking purr in its chest, steady. Holding Bobby in one hand the way you'd hold up a lantern, displaying him, presenting him, showing you the man in its grip and watching your face to see what you'll do.

“Let him go!” You slam your fists against Entity X's arm—the matte skin fever-hot and yielding and horrifyingly close to organic—and the contact sends a jolt through your system that feels like recognition, like touching a live wire, like something in Entity X's body responding to something in yours. “Let him go, put him down—”

Entity X peers down at you, his head tilting. Curious. Reading. The same interested quality from before. Your hands are on its arm, and it's letting you hit it, absorbing the blows with the patient stillness of a thing that wants to see how far the anger goes.

It throws Bobby.

A casual, underhanded toss, its wrist flicking, the arm releasing, Bobby's body sailing through the air of the corridor and hitting the wall near the no-clip point with a sound that empties your lungs. He crumples. Slides down the wall. You lurch towards him, but Entity X’s clawed hand closes over your throat, yanking you back toward it.

Kat's scream is a bright, piercing thing that cuts through the red light and the clicking, and the M.E.G. operatives move. Two of them grab Bobby under the arms, a third seizing Kat, who was running toward him, dragging them toward the shimmer in the wall.

Bobby is dazed.

His head rolls to one side, his eyes unfocused, blood from a gash above his eyebrow streaming down the side of his face. But he's fighting.

Even concussed, even barely conscious, his hands are grabbing at the M.E.G. operative's jacket, his body lurching back toward the corridor, back toward you, and his mouth is forming your name.

You can see it, can read it on his lips, the shape of the word you taught him to say in a hallway in high school in your junior year, and his eyes find yours through the blood and the chaos and the red light and for one second the corridor contracts to the width of that gaze.

You and Bobby. Looking at each other across a distance that is about to become permanent.

The M.E.G. operatives haul him through. Bobby's reaching hand—the same hand that dropped a camera for you, that grabbed your wrist, that used to find the small of your back in a crowd and cup your face before he kissed you—disappears through the shimmer, still reaching. Kat follows, and the wall smooths over again. The no-clip point seals.

They're gone.

Entity X stands behind you. The clicking sound in its chest shifts, lowering, a frequency that almost sounds satisfied. It adjusts its grip on you.

BB's fist connects with the side of Entity X's torso.

The impact sends the massive red body sideways, slamming into the corridor wall with enough force to buckle the drywall and shatter every remaining light tube within a fifty-foot radius.

The red light dies, plunging the space into darkness lit only by Entity X's yellow eyes and the faint, colourless glow leaking through the cracks in BB's ruined face.

BB's hand finds your shoulder.

The world folds.

The displacement dumps you onto the grass of Level 14, and the impact is soft, yielding, the earth absorbing you the way the Poolrooms absorb sound.

You land on your hands and knees, and the grass is cool and damp against your palms, and you gasp. Pull air in through your teeth. Your lungs are burning. Your ribs ache from the displacement, from the running, from the screaming, from the hours or minutes or however long it's been since you ate a cookie in the pink bedroom and walked into the worst day of your life.

BB is beside you. On his knees. His hands on your arms, your shoulders, running over you with that focused, diagnostic urgency. He’s checking for injuries, for broken things he can fix with his hands, because the broken things he can't fix are piling up faster than he can count.

His fingers press against your ribs. Your wrists. His eyes search your face with a desperation that’s stripped away the last of the Bobby-mask. What's looking at you is BB, just BB, the cracks in his face leaking that pale light, his jaw pulsing, his mouth pressed into a tight line.

“You're not hurt,” he says. Half-statement, half-question, his hands lingering on your shoulders. “Tell me you're not hurt.”

You shake your head because you can't speak yet.

The breath is still caught somewhere between your diaphragm and your throat, snagged on the adrenaline. On the afterimage of Bobby's reaching hand disappearing through the wall, and the sound of Entity X's clicking purr.

You fall back onto the grass, press your palms over your eyes, and breathe. In. Out. In. Out. The stream somewhere behind you moves over its stones with the gentle, trickling sound while golden light drips over your shaking hands.

It takes minutes. Several.

The shaking subsides in stages. Hands first, then arms, then the deep tremor in your core that's been running since since the red light, since the first time you heard Entity X's clicking in the corridor and knew, with a certainty that bypassed logic, that it was coming for you.

The shaking stops, your breathing evening out. Your hands drop from your face, and the meadow is still there. All of it. The tall grass, the fallen log, the amber sky that never changes. BB sits across from you with his knees drawn up and his forearms resting on them and his face wearing the careful, watchful expression.

You rub your face. Drag your fingers across your eyes, your cheekbones, the tight muscles at your jaw. Working off the edge. Pressing the panic down into the place where it can be stored and processed later, when BB isn't watching, when the aftershocks have enough room to shake without an audience.

“Entity X is gone,” BB says quietly after another moment, testing. His voice is low and rough, stripped of its usual easy warmth. “They retreated. Again. Whatever he wanted—” He looks troubled, genuinely so. “Bobby and Kat are through. The M.E.G. have them. They're out of the Backrooms.”

You nod, staring blankly at the grass between your knees.

“You did it.” Softer now. Almost gentle. The voice from the kitchen, from the dance, from the mornings he'd say hey, baby and the world would shrink to the width of his full mouth. “You got them through. They're safe because of you. And I can—I'll rebuild. The apartment. The sublevel. I'll find Entity X and after I've dealt with it, we can—”

“Why didn't you tell me?”

BB falls silent.

A bird, the same small brown bird, or one just like it, lands on the branch above the fallen log and tips its head and watches you with one bright black eye.

“About Bobby.” Your voice is calm. Scraped clean of anger, clean of accusation. Just the question, unadorned, sitting in the air between you. “You heard him. Through the wall, same as me. For months. You heard him looking for me. You knew he loved me. You knew he was sitting three inches away from the entry point, saying the things I needed to hear.” You look at BB. His face, Bobby's face, the face you touched and kissed and studied in firelight and fluorescent light and the blue glow of the Poolrooms. “Why didn't you tell me, BB?”

BB is quiet for a long time. The bird chirps a few times in the tree above. The amber light paints his cracked and healing face, and the tense silence between you fills with the full weight of every answer he could give and the inadequacy of all of them.

“I heard how lonely you were.” Picking through the words the way you'd pick through wreckage, testing each one before putting weight on it. “Before you came through. When you were alone in the basement, on the late shifts. I heard what loneliness sounded like in your voice. And when you were here—when you cried, when you talked about him, when you said he stopped seeing me—I thought—” He falters, shifting in such an shy, human way you almost soften. “I thought we were the same. That our loneliness was the same. Mine and yours. And that I could—”

“That's not what I asked,” you intone coolly.

BB flinches. His fingers curl against his forearms, pressing into the fabric of his ruined shirt as he ducks his head lower.

“BB. Tell me the truth.”

BB's face visibly contorts with pain, his features rearranging around an admission he's been carrying for months the way you carried your anger. Not smoothing over. Not closing off. Just hurting.

“I knew you still loved him,” he admits, barely above a whisper. His eyes fix on the grass, unable to look at you. “I could hear it. Every time you said his name. Every time you cried about him. Every time you talked about the apartment, the mornings you shared, the way he used to look at you. You never stopped loving him. And I—” His voice thins, fraying. “I thought if you knew he was looking, if you knew he was right there, you'd leave. You'd go back through the wall and I'd—”

He stops, swallowing thickly. The sound is audible. The borrowed mechanism of a throat that doesn't need to swallow performing the gesture anyway because the emotion behind it is real even if the body isn't.

“I know it was selfish,” he adds in a hushed whisper.

You gaze at him blankly for what feels like a small eternity.

“You didn't just withhold it.” Your voice is steady, but your hands are shaking again. Anger and grief coiling together so tightly you can't separate them, can't feel where one ends and the other begins. “You used my loneliness. You heard me at my lowest, and you leaned into it. You built a life around my isolation because as long as I was isolated, as long as I didn't know there was something to go back to, I'd stay. With you. That's not love, BB. That's keeping.”

BB's head snaps up. His eyes are bright and wounded, but the expression on his face is gutted. Sheer hollowed-out devastation of hearing the worst possible interpretation of the best thing he ever did and recognising, with a clarity that makes his whole face crumble, that the interpretation isn't wrong.

“That's not—” he starts shakily. Tries again. “I didn't—I wasn't trying to—”

“But it's what you did.” Quiet. Final. “Regardless of what you meant. Regardless of how well you meant it. That is exactly what you did. You heard a woman crying about being invisible, and instead of telling her she was being looked for, you made yourself the only thing she could see.”

The amber light falls on his struck face, and the cracks in it have stopped leaking, the damage from the fight slowly closing, and the face that's left is Bobby's, wearing an expression he never wore.

Raw and open, and so deeply, completely sorry that the air around it seems to bend.

“You were happy,” he says quietly. Almost to himself. Like he's testing the memory against the accusation, holding them up side by side to see if they can coexist. “You started smiling again. Laughing. When we walked through the Poolrooms the first time, you laughed at something I said and the sound—” His voice catches. “The sound was the most beautiful thing I'd ever heard. I thought—I thought I was fixing it. The loneliness. The pain. I thought if I could just—keep you safe, keep you close, give you everything he didn't—you wouldn't need to go back. You wouldn't want to. And that would be enough.”

Your eyes burn, tears pressing forward, hot and insistent, and you clench your jaw against them.

Because you can hear his sincerity. The genuine, unperformed, unhuman sincerity. He heard you cry through concrete and decided, with the full weight of its ancient and limited understanding, that the solution to your pain was its presence. 

BB didn't think he was trapping you. BB thought he was saving you.

The distinction doesn't make it okay. The distinction makes it worse because it means the thing that hurt you was trying, with every tool it had, to love you well. And its best tool was deception.

“You should have told me.” Tears are falling now, and you don't wipe them. “You should have given me the information. All of it. And then you should have let me choose. Even if the choice was leaving. Even if the choice was him. You should have let it be my choice, BB. That's what love does. It doesn't decide for the other person. It doesn't curate the options to guarantee the outcome you want. It gives them everything, and it lets them choose, and it survives the choosing, even if the choice breaks it.”

BB says nothing. His eyes fix on yours, and his expression is accepting. Terrible, slow, grinding acceptance. The kind that arrives not all at once but in layers, each one heavier than the last, pressing down on whatever passes for his heart.

“I didn't want to lose you,” he whispers, his voice catching. “I'm sorry. I—I didn't want to lose you.”

You sit across from the being who built you a kitchen and taught itself to kiss and pressed its mouth to your forehead every morning so it could lie to you with every tender gesture because the truth would have set you free and freedom was the one thing it couldn't give.

You breathe in, glancing up at the sky. At those breathtaking gradients of gold and amber, laced with violet at the edges. The sky that never changes, the eternal late afternoon of a level called Paradise that exists inside a place that shouldn't exist at all.

You look back at BB.

“Do you know why I stayed?” you ask softly. “In the beginning. When I found out you weren't actually Bobby. Do you know why I didn't run?”

BB's face tightens, and the pain that crosses it is visible, bright hot.

“Because of the face,” he says, low and pained. The words dragged out of him like splinters from beneath the skin. “Because I look like him. Because you love him. Because you wanted him—always him, always Bobby—and I was close enough.”

Your eyes fill. The tears spill over fresh, tracking down your cheeks, and you stand. Cross the distance between you. Close it. Three feet. Two. One. Until you're standing in front of him and he's looking up at you from the grass with Bobby's blue eyes and BB's anguish and the meadow light on both of you.

You touch his face.

Your fingertips on his cheekbone. The line of his jaw. The scar from the cabinet door that happened to someone else's body. Your thumb traces the corner of his mouth. That corner where the grin starts, the lopsided one, the one that's his and not Bobby's.

BB makes a sound. Low. Wounded.

A vibration that starts in his chest and comes through his throat as something between a sigh and a moan. His eyes close and his head turns into your palm, nuzzling closer. Desperate, pressing his face into your hand the way he did the first time you touched him. The sound he's making is continuous, a keening that he can't seem to stop, and his hand comes up and covers yours on his cheek and holds it there, feeling him shake.

“It was never about the face,” you choke out, your voice breaking. The tears fall freely now, and you let them. “It was you. Just you, BB. The way you listened. The way you learned me. The way you held me like I was the first thing you'd ever wanted to hold. The way you asked am I doing it right after kissing me, and the answer was always yes. It was always just you.”

BB's eyes crack open. Wet. Bobby's blue, glassy with a moisture that shouldn't be there, that his body doesn't produce, that has no biological mechanism to explain it… and yet. His lashes are dark and clumped, his eyes full and the expression in them is so devastated, so completely and utterly undone, that you have to look away.

You pull your hand back.

BB makes another sound. Louder. A moan that cracks open midway through and becomes something raw and guttural, a noise that comes from the place beneath the face, beneath the voice, from whatever vast and ancient thing lives at the core of him and is now experiencing, for the first time in its incomprehensible existence, the human agony of being left by the person it loves.

“No,” he breathes. “Please. No, no.”

You lower your head. “Take me to the M.E.G. outpost.”

“Please.” His hand reaches for yours but catches only air. You've stepped back and his fingers close on nothing and his face—Bobby's face, BB's face, the face that learned to smile because you smiled first—contorts. “Don't. Don't leave. You can't—I'll fix it. I'll tell you everything, I'll never keep anything from you again, I'll—”

“BB.”

“—the apartment, I'll make it better. I'll find Entity X and end it, and you'll be safe. You'll be safe forever, I can keep you safe, please, I can—”

You can barely speak. “BB. Stop.”

He stops, his mouth trembling. The word he was forming dies on his tongue. His eyes rest on you, wide and wet, terrified.

“All that's waiting out there is a life that hurt you,” he blurts out, desperate. The words tumble, tripping over each other. BB, who is rarely inarticulate, is now struggling to assemble sentences fast enough to change the outcome. “Illness and old age and people who forgot you and—and a man who didn't see you until you were gone. That's what's on the other side of the wall. You’ll d-die. I… no. Please, no. Not you, not you.”

Your heart is ripping apart. A physical sensation of something in your chest being torn in two directions at once, the fibres separating, the tissue rending.

He's right. He's right about all of it. The world on the other side of the wall is the one that hurt you. The one that made you invisible. The one that let you stand in doorways waiting to be loved and answered with grunts and cold sheets and blank tapes that erased your face. There is nothing on the other side of the wall that is gentle the way BB is gentle, nothing that listens the way he listens, nothing that will press its mouth to your forehead every morning and hold you through the night and learn your name syllable by syllable.

But it's your life. The miserable, broken, painful, mortal thing. Yours.

“If you love me,” you say in a quiet rasp, each word costing a piece of your heart you can feel being subtracted from the centre of your chest. “If you love me the way you say you do. If that promise you made me meant anything at all, or the name I gave you meant anything... then you'll let me leave.”

BB stares at you. The tears—his tears, not Bobby's, the moisture that has no biological origin and exists only because the grief demanded a vessel—tracking down his cheeks, and where they fall the skin glows. Faint. Luminescent. A soft, shimmering iridescence that blooms along the tracks of the tears like bioluminescence, like foxfire, a visible signature of an inhuman emotion marking inhuman skin.

His agony written on his face in light.

BB reaches for your shoulder slowly. His hand is gentle, his touch almost absent.

The meadow folds around you, your stomach lurching. The golden light compresses, narrows, and when the world straightens again, you're standing in the corridor on Level 4.

The monitoring equipment. The cameras. The wall with the shimmer. The remains from operatives are mostly gone. Absorbed by the Backrooms, consumed by the level itself, the corridor healing over the evidence of violence the way skin heals over a wound. A few remain. Dark shapes at the periphery that you don't look at.

The no-clip wall is there. The shimmer and behind it the real world. A place where it rains, and people eat hotdogs and phone calls go unanswered. Where love atrophies through neglect and everyone you've ever known has forgotten your face.

And BB's hand rests on your shoulder, trembling openly. A hand that was built to hold on, that heard you, chose you, kept you, loved you and lied to you, and is now standing in a corridor doing the one thing it has never done.

Letting go.

His hand lifts from your shoulder.

You feel the absence instantly. The place where his palm was goes cold, the last physical connection between your bodies dissolving into air.

“Please,” he rasps behind you, low and shaking, stripped of everything. The charm, the cockiness, the ancient resonance, the hum's harmonic, all of it gone, the voice of a thing that has been reduced to its simplest possible setting: a being, in a hallway, begging. “Please stay. Please don't leave me alone again. Please.”

You turn, walking toward the wall. Your notebook tight against your chest.

“Please.” Louder, more frantic, the word cracking. “I'll be better. I'll tell you everything. I'll never lie to you again. I'll—I can change. I can learn. You taught me how to dance and how to kiss. How to hold you. Teach me this too, teach me how to let you be angry and still stay, teach me how to—”

You keep walking. The shimmer is close now. Five metres. Four.

“Please don't go.” His voice is climbing. Not in volume, in pitch. In frequency. The human register giving way to something else, something that vibrates in the walls and the floor, fillings in your teeth. “Please. I can't—I'll be alone. I'll be alone again. I was alone for so long, and then you were there, and I heard you. You were the first voice in—in—”

The sound fractures. Becomes a keening. A high, sustained, inhuman wail that has no words left in it, just the raw frequency of loss, a being older than language grieving in the only language it has left. Sound itself, vibration itself, the hum turned inside out and made to carry a weight it was never designed to hold.

You stop.

Your composure breaks. Silent tears pour down your face, and your mouth contorts, your chest heaving and you press the notebook against your sternum until it hurts. The keening behind you is the worst sound you’ve ever heard. Worse than the Smiler, worse than Entity X, worse than Bobby's voice saying baby? in a yellow corridor, because this sound has your name in it.

This sound is the noise a heart makes when it's too old and too vast and too full to survive what's happening to it.

You turn and look behind you.

The corridor is empty.

The shimmer on the wall pulses gently, waiting. And the space where BB stood—three metres back, in the corridor, where his voice was—is vacant. Just the flat, beige, infinite emptiness of a level that's been suddenly abandoned.

He's gone.

For all his power. For all the corridors he owns and the entities he's unmade and the levels he moves through like blood through a vein. For all the ancient, vast, immeasurable force that lives inside the Bobby-suit and behind the borrowed eyes and underneath the face he chose because he heard a woman crying and wanted to be the thing that made her stop.

The one thing BB couldn't do was watch you leave him.

You press your hands over your face, and you sob. Hard. A sound that comes from the bottom of your gut and fills the corridor and bounces off the walls and comes back to you changed, louder.

You scrub your face. The heels of your hands grinding against your eyes until white spots swim in your vision. You breathe wetly, straightening, and look toward the wall. The shimmering exit.

You step through.

General.

Anything by @the-darklings

The way she writes is incredible. If you haven't already, go through her entire LS (Lady Stark) verse. The way she writes the characters and the unique dynamics of each pairing is insane (meant entirely positively). Like many others, I'm a complete sucker for her trailer-trash!Aerion. The dynamic is so good. But I'm also always here for some #icespring and #winterhall (and the others)

Welcome To The Family by @padmespetal (6 parts)

Generally a platonic little series centered around Egg and Reader. So amazing. But with some undertones with other characters that can be viewed as romantic/attraction. Just absolutely amazing. Absolute emotional rollercoaster and so wholesome. I love it. And the two extra fics for Daeron and Maekar where it turns into more? *Chef's kiss* as well.

She's My Wife by @cosmictheo (5 parts)

A series where our dear Duncan mistakes the wives of several characers as their child/sister/whatever. Very wholesome. I love it.

Aerion Targaryen.

Behind Closed Doors & Always You by @targaryenstar

My Only Peace Was You by @da2019

also heavily featues Valarr.

To Tame A Dragon by @/iydiamartinx

!Not on Tumblr!

It's an x OC (Aerion's twin, Aerea), and I know that's not everyone's thing but I swear, this has to be one of the most amazing things I've ever read in my entire life. Well written, great characterizations (Daeron is hilarious, Valarr's a sly little piece of shit, I love them both), insanely amazing dynamics. Just wow. Aerea's just as fucked up as Aerion and it works so well. Tragic and hot at the same time. If you don't mind some x OC then read this. Trust me. And read the warnings; as I said, they're both fucked up. but again, we love it.

Conflragated by @/alyssatrgryen on Wattpad

@alyssatrgryen (just only now found out this lovely author is on tumblr as well, so i wanted to tag)

Daeron Targaryen.

Drowning You In My Sleep by @novaursa (2 parts)

Just chef's kiss. So beautiful.

Sleepless Nights by @thought-you-knew

This rearranged by brain chemistry. I love Daeron.

Can't Two People Reconnect? by @redwinelewis

Valarr Targaryen.

Anything by @lalalovelyly

Her works are incredible. So well written, amazing ideas. I love it. A lot of Valarr content for those starving for it (like me). And the newest Aerion pieces are absolutely great as well.

Vow Of Love by @magneticwritings

Hard Headed Woman by @sansaorgana

All Creatures Great And Small by @/thought-you-knew

Don't get me wrong, I'm terrified of spiders, but this is adorable. I really relate to Valarr in this one. He's really like "burn it. get it away from me." and honestly? same.

Forbidden Fruit by @teavocationmagic

my bisexual ass loves some girl on girl action as well.

The Goodswood Escape by @targlove

Baelor Targaryen.

What Duty Asks Of... by @fluttervoid

Well-Bred by @gutsby

Don't even ask. This changed something in me. I- wow.

The Dragon And The Stag by @lovebugism

also heavily features Lyonel.

Born Of Fire And Flame (Blood Calls To Blood) by @frankels

Maekar Targaryen.

I'd Give My All by @feral4youu (4 parts, as of now)

Amazing. The tragedy of them? Heartwrenching. They love each other so much. Be aware, Dyanna's a bit of the bad guy here, but it works really well with the story, although I have nothing against her (in canon). Excited to read more!

The Spoiled Wife Of Prince Maekar by @lostrealityr (4 parts)

A Full Bed by @maekarsmistress

So wholesome, I love it. Maekar, his wife and all the Maekarlings united.

Doubt Your Man by @escapic-mezzanine

Lyonel Baratheon.

this by @myladyship

It's not a fic, just a little idea, you could say. But I just loved it too much not to include it. Lyonel brings me so much comfort for some reason. been hooked on this man from second one.

My Difficult Woman by @entitled-fangirl

I love their dynamic so much. The way he calls her "my dragon"? Mwah.

The Helm Stays On! by @pearlessance

Storms And Dragons by @iydiamartinx

Most likely my favourite Lyonel fic. I just love their energy so much.

Stormbound by @siolixz (2 parts)

Honey Slurred Words by @trulyumai