The Sound of Music (1965) dir. Robert Wise
Sade Olutola
Keni
One Nice Bug Per Day
hello vonnie
Show & Tell
Monterey Bay Aquarium
he wasn't even looking at me and he found me
we're not kids anymore.
Lint Roller? I Barely Know Her

Andulka
DEAR READER
Three Goblin Art
I'd rather be in outer space 🛸
tumblr dot com
PUT YOUR BEARD IN MY MOUTH
styofa doing anything

#extradirty

Janaina Medeiros
cherry valley forever

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@skorgu
The Sound of Music (1965) dir. Robert Wise

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Just saw this on Mastodon and immediately thought of this blog
Official ominous sign
Well I wasn’t planning on bringing a Geiger counter to church but now that you bring it up
all engineers are brothers (found attached to a steamship's engine):
1. 'The Squeak' apparently is originating from the Low Pressure (LP) valve. This is a large "D" slide valve with a lot of metal to metal contact. 2. We have inspected the valve, seat and LP cylinder and piston numerous times. We can find no evidence of rubbing, galling, burnishing, or any other sign of metal to metal contact. 3. 'The Squeak' is dependent on engine speed and temperature; as the engine heats up 'The Squeak' increases. Inexplicably, as the speed increases the sound decreases. 4. Suggestions about using WD-40 or needing sewing machine oil are not helpful. 5. If you wish to discuss 'The Squeak' with the Chief Engineer please donate $1 to The Squeak Abatement Fund to aid in construction of a new LP valve. If too many passengers speak with the Chief regarding 'The Squeak', the donation may be diverted to the Chief's beer fund.
materialist-scumbag
THE TICK THAT DREW THE MAP OF THE WEST June 28, 2026
So the longhorn was a garbage animal. Stringy, mean, half-feral, descended from Spanish cattle that had gone loose in the brush country for a couple centuries and bred for survival rather than meat. In Texas after the war it was worth maybe three or four dollars a head, because there were millions of them and nobody to eat them. The local market was Texans, and Texas was broke. Up in Chicago or New York the same animal was worth thirty, forty dollars, because the Union had spent four years eating its way through the eastern cattle supply and the cities were short on beef.
That spread is the whole engine of the cattle drive. You don't need a tick to explain why a man would walk a cow a thousand miles to multiply its value by ten. The arithmetic does it.
What the tick explains is the SHAPE.
Because the thing about the longhorn nobody in the romance mentions is that it was a carrier. Centuries in the brush had given it a shaky immune truce with Babesia bigemina, a protozoan that lived in its blood and rode around on a tick that dropped off into the grass wherever the herd went.
The longhorn itself looked fine. Walked fine, sold fine, butchered fine. But the cattle it walked past, the fat improved Midwestern stock that had never met the parasite, those animals would start pissing blood and die at a rate that touched nine in ten. The Texans, reasonably, refused to believe their healthy-looking cattle were doing it. They took it to the Supreme Court in 1877 and won, on the entirely correct observation that their cows weren't sick. The cows weren't sick. The cows were Typhoid Mary.
(The disease disappeared every winter, too, north of a certain latitude, which baffled everybody for thirty years until somebody worked out that the tick just froze to death up there, no vector, no disease, the whole thing seasonal in a way that made it look like a moral judgment on Texas cattle specifically. It wasn't anybody's leading hypothesis that an insect was committing the murders. The leading hypothesis for a while was that the longhorns were poisoning the grass.)
So now run the two facts together. The cow is worth ten times more up north. The cow kills every other cow it passes on the way up north. What do you get?
You get a line.
You get a bunch of lines, actually. Quarantine lines, drawn and redrawn by Missouri and Kansas legislatures and eventually by the federal government, declaring that Texas cattle could not cross at all, or could only cross in winter when the tick was dead, or could only cross by rail if they were going straight to slaughter and never touched dirt that a local cow might later stand on. Missouri shut its border. Farmers formed Vigilance Committees (which is a polite nineteenth-century way of saying armed men) and turned the herds back at gunpoint. Kansas banned Texas cattle outright in 1885. And every one of those legal and shotgun-enforced lines was a wall the drive had to find a gate in.
The gate was the railhead.
This is the part that rewires the map. The famous cattle town (Abilene, Dodge City, Wichita, Ellsworth, the whole gunfighter pantheon) is not a town that grew up around ranching or water or gold or a river crossing. It's a point where the trail coming up out of the quarantine zone touched a railroad that could take the cow east to the slaughterhouse without it walking through anybody's protected pasture.
Abilene gets invented basically from scratch in 1867 by a man named Joseph McCoy who looked at the map, found a spot on the Kansas Pacific that was far enough WEST that the trail in from Texas could swing around the settled farm country and its quarantine, and built stockyards there. The town is a loading dock. The cowboy at the end of the trail, in the saloon, shooting the place up: he is a longshoreman who has just finished a shift, and the shift was getting the cargo to the one point where it could legally change from hooves to wheels.
And the cargo had to keep moving west precisely because the tick kept the settled east closed. As Kansas farmers spread and the quarantine line marched west with them, the railhead had to march west too. Abilene to Ellsworth to Wichita to Dodge, each town flaring up and dying back as the line of legal infection-free transfer slid across the state. The towns weren't competing on amenities. They were competing on being the current solvent point in a chemistry problem about where a tick could and couldn't survive the trip.
(Dodge City lasts longest because it's furthest out, last to get caught by the advancing farms, sitting out where the quarantine couldn't reach it yet. Its whole mythological career (Wyatt Earp, Boot Hill, the Long Branch) is a few years long and happens because of an agricultural-settlement frontier creeping toward it at the speed of homesteading. When the farms arrive, the party's over. The party was always a function of the farms not having arrived.)
So the geography of the Wild West, which towns exist and why they're where they are and why they boom for five years and empty out and why the trail bends where it bends, is not topography and not destiny and not the romance of open range.
It's the intersection of a price differential and a quarantine map. The price differential said go north. The quarantine map, drawn by the tick, said you may only go north HERE, and HERE, and now not there anymore, here. The cow drew the route and the parasite drew the borders and the men with the guns were just enforcing a public-health regime they didn't know was a public-health regime.
And it all gets zeroed out, eventually, the same way these things always do, not by a hero but by a logistics upgrade. They build the Kansas City stockyards and the packing plants, and then the rail net gets dense enough that the cow doesn't have to walk to the train at all, the train comes to the cow. Refrigerated cars mean you slaughter in Chicago and ship the meat instead of the animal. The long drive, the trail town, the whole apparatus that existed only to get a tick-bearing animal across a quarantine line to a loading point, it just stops being necessary, and the gunfighter towns settle down into being ordinary Kansas, dry and flat and law-abiding, within about a decade of their own legend.
The cattle tick itself they finally beat in 1943, dipping every cow in the South in arsenic for forty years to break the lifecycle. Nobody made a movie about the dipping vats.
Same as it ever was.
TikTok is a fundamentally evil app however the reason i use it is because you occasionally stumble across gems like the Chinese power transformer manufacturer who posts kawaii edits of their power transformers

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Hey can you guys reblog Cheeseburger so he can take a sunbeam nap on lots of blogs. No other reason I just want you guys to see him.
So, Cheeseburger died on November 21st after an unfairly short battle with an unfairly rare cancer that is rarely seen in cats. I only got to spend a month with him after his diagnosis, and losing him has been the greatest heartbreak of my entire life so far. He was my best friend and my soul cat, and he was there for me when I was completely alone, for twelve long years.
I made this transparent PNG the night he died in preparation for one of the many ways I was going to memorialize him--a surface rug in his likeness that I planned on laying directly in the line of his favourite sunbeam. And I uploaded that PNG here, because this is the website where people post their cats.
I was not expecting the reception I got. Many people have pointed out that this post has more reblogs than likes, and how insane that is in 2025 when reblog culture is at an all time low. I didn't even talk about the fact that Burger passed away in the original post, it wasn't a tearjerker reblog bait or anything like that. People just loved Burger that much, in the same way I fell in love with him at first sight. He was such an ugly kitten.
Anyways, it's really special to me that so many people have reblogged my best friend. I made this PNG to memorialize him in a completely different way, and you all wound up doing just that in ways I never even imagined.
Thank you. Wherever he is, I know the sun is shining.
I think what I really like about Greg Egan's work is that he is not afraid to take transhumanism to its radical conclusions rather than flinching
She unstrapped herself and drifted away from the bed. She didn't need to wash, or purge herself of wastes. From the moment she'd arrived, as a stream of ultraviolet pulses with a header requesting embodiment on almost any terms, the Mimosans had been polite and accommodating; Cass had been careful not to abuse their hospitality by pleading for frivolous luxuries. A self-contained body and a safe place to sleep were the only things she really needed in order to feel like herself. Being hermetically sealed against the vacuum and feeding on nothing but light took some getting used to, but so did the customs and climate of any unfamiliar region back on Earth. Demanding the right to eat and excrete, here, would have been as crass as insisting on slavish recreations of her favorite childhood meals, while a guest at some terrestrial facility. - Schild's Ladder, Greg Egan
ah yeah that's the stuff
YEAH YEAG YEAH YEAH yeah
"For special events like this, we sometimes go nuclear. So I thought I'd ask whether you'd like to join us."
Cass froze, and stared at him. "Nuclear? How? Has someone solved all the problems?"
Femtomachines built from exotic nuclei had been employed as special-purpose computers ever since the basic design had been developed, six thousand years before. For sheer speed, they left every other substrate in the dust. But as far as Cass knew, no one could make a femtomachine stable for more than a few picoseconds; they could perform a great many calculations in that time, but then they blew themselves apart and left you hunting through the debris for the answer. Gamma-ray spectroscopy could only extract a few hundred kilobytes, which was orders of magnitude too small even for a differential memory--a compressed description of experience that could be absorbed by a frozen reference copy of the person who'd actually lived through it. Cass might have missed the news of a breakthrough while she'd been on her way here from Earth, but if word had reached Mimosa Station at all she should have heard by now.
"Nothing's changed in the technology," Rainzi said. "We do it freestyle. One-way."
Freestyle meant implementing your mind on a substrate that underwent quantum divergence. One-way meant none of the end products of any version of the computation could be retrieved, and transferred back into your usual hardware. Rainzi was asking her to clone herself into a nuclear-abacus-cum-time-bomb that would generate a multitude of different versions of her, while holding out no prospect of even one survivor.
Cass said haltingly, "No, I'm sorry. I can't join you." So much for feeling smugly unshockable for daring to contemplate cross-modal sex. She joked, "I draw the line at any implementation where I experience detectable weight changes every time I learn something."
Femtomachines shuffled binding energies equivalent to a significant portion of their own mass; it would be like gaining or losing half a kilogram several times a second, from the sheer gravity of your thoughts.
Rainzi smiled. "I thought you'd say no. But it would have been discourteous not to ask."
the FDA should bring back quualudes for a limited time offer like the mcrib
evoking bertholt brecht’s “the way people cast a play!” quote as a spell against prescriptive, stereotypical, fatalistic typecasting
idk what to tell you except go look at the fishwives
Ali Zolghadri

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there is no fear quite like seeing a fellow subway rider's bug bite ridden ankles. yes, they're probably mosquito bites. probably.
as a dyed in the wool atheist, I've still got to give the Episcopalians credit for an explicitly religious lyric that i still fully endorse.
As He died to make men holy, let us die to make men free.
can't express how much i hate this weather
Paraguay implies the existence of Orthoguay
you mean to tell me you've never been to orthoguay?

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The New Colossus
Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. "Keep, ancient lands, your storied pomp!" cries she With silent lips. "Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!" --Emma Lazarus
Representation matters.
Happy Star Trek Day!
I was at DragonCon one year when Avery Brooks was on a panel, and a Black dude stood up and talked about how the year DS9 came on, he became the sole custodial guardian of his small son, and he was *terrified* and felt helpless, because he hadn’t really had a father himself, and he didn’t really know any Black fathers he particularly wanted to emulate, and no Black single fathers at all. He talked about how every week he’d put his kid to bed and sit down and watch Deep Space Nine, and think to himself, “Okay, this, I want us to be this kind of father and son,” and how, silly as it might sound, the idea that Ben could be there for Jake, all the time, successfully, and earn his admiration and trust, was the only source he really had of inspiration, the only voice that was telling him he could handle this job.
I swear to fuck there was a whole auditorium of people in tears by the time he was done, including both him and Brooks. It was one of the most beautiful moments I ever saw about the sometimes bloodless-sounding term “representation,” and about fandom in general, and I will never forget it.