Carta pra Matheus.
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"I'm Dorothy Gale from Kansas"

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Carta pra Matheus.

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Flow (2024) dir. Gints Zilbalodis. 7.6/10
I wouldn't recommend this movie to my friends. I wouldn't rewatch this movie.
Omg aww at the cat waiting for the boat when he's almost about to die. The cats meows are so cute. I love all the body language in this. Respect.
How did these dogs find this boat? Lemur, why do you need these things? So, we all just know how to steer the boat?
I am either whale or cat.
The birds putting their feet on the bird's face and wings is terrible. This is a hate crime.
This labrador is so sad at his friends' behavior. Nuuu the mirror.
Bird just got raptured.
From Beyond (1986)
Film review #656
Director: Stuart Gordon
SYNOPSIS: Two scientists have developed a machine that allows access to a new dimension of reality beyond normal perceptions. testing it on himself, Dr. Edward Pretorius is exposed to a world beyond imagination, and becomes addicted to the experience. When the machine explodes and Pretorius seemingly dies, his assistant, Crawford Tillinghast, is arrested for murder. Seeking an answer to what truly happened, psychologist Dr. Katherine McMichaels returns to the scene to see whether Tillinghast's wild claims are true...
THOUGHTS/ANALYSIS: From Beyond is a 1986 horror film based on H.P. Lovecraft's story of the same name. two scientists invent a machine called the resonator that provides access to a dimension beyond human perception, when one of them is driven mad by the pleasures and sensations he experiences from beyond, the machine explodes and Pretorius is seemingly killed, his assistant, Crawford Tillinghast is arrested and committed to a psychiatric ward. Psychologist Dr. Katherine McMichaels attempts to get to the bottom of what happened, and whether Crawford is telling the truth about the events, by returning to the laboratory with him and recreating the experiments. What follows is a bit of a threadbare story, as the characters fumble about with the machine a bit and try to understand what it does. The real focus of this film is the body horror, and the gruesome special effects that increase in intensity and complexity as the film progresses. Make no mistake, this film is just an indulgence in sex, special effects, and the slimiest, twisted body horror that could be gotten away with. It's weird, it's over-the-top, and it's exactly what it needs to be.
Lovecraft's stories are notoriously difficult to adapt, owing to a rich lore and otherworldliness that is tough to bring to the screen. From Beyond takes a very non-pretentious approach and, as mentioned, focuses on body horror to showcase a realm beyond human experience. There's definitely great effort gone into getting the practical effects looking as gross and as visceral as possible. Sure, it still looks like a low-budget film, but the aesthetic is still arresting, and shots never linger long enough for you to nitpick the details, which is smart. Honestly, for what it is, I think this is a pretty good film for cheap shlock: it doesn't try to be something it isn't, and still manages to pull off something memorable and creepy. Honestly worth a look if you're into these types of films, but not much depth or content for a wider audience to grasp onto.
(insp.)
𓆝 𓆟 𓆞
post/artist

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Dionisio (@ThisIsDionisio)
You are loved.
Anaïs Nin, Delta of Venus, originally published: 1977
Sloppy Jane feat. Phoebe Bridgers - I Saw The TV Glow

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Maturity is when you realize people can't give you what they can't give themselves, so you stop expecting loyalty from people who betray themselves, stop expecting honesty from people who lie to themselves, and stop expecting peace from people who are at war with themselves.
So accurate!
Andrea Gibson, Lord of the Butterflies
im gonna be okay
this isnt it
this isnt worth it
sun dog
i was told the winds have a secret message
hidden within the scent and drifting through air
most of them describe softness, so sweet
and when the rain pours the wild nature kicks in
to tell us our imagination fears the untouched
blasting at the sun dog
screaming to the moon
which i was taken hostage in paradise
to find my ways could to never become a secret
i have found the sulphur liquid of my love
relies on dead feelings whirling on wind
and this thought is made of catatonic fears beyond me.
a linha tênue entre solitude e solidão pode ser muito cruel, ora você se isola por necessidade ou prazer, em outra, você se vê sem ninguém ao seu lado. Guilherme.

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