stuff I enjoy

Follow for recipes

Unreachable

Wandering mind, full of creation

Meandering lines, lost in elation 

Each stroke, I broke a little inside

Each fate, I hate. My will defied

I painted this in Feb 2022 about what it's like to be an artist with repetitive strain injury. In 2008, When I was 18, I made my first comic titled 1000 Words, it was about an artist helping a little girl with a broken family similar to my own. It received such positive feedback that I changed my Environmental Science major at UCBerkeley to Art major. Ever since then, my goal has been to tell stories with my art. Stories that are important to me. My next comic, Knite, was about a boy who wants to put the stars back into the polluted skies of China, my homeland. The comic after that, Fisheye Placebo, is a cyberpunk story about living in the age of technology, about fighting censorship and propaganda.

Unfortunately, I never got to finish Knite nor Fisheye Placebo. By the time I was 24, I was drawing day and night with no regards to my health. Not only did I get repetitive strain injury in my drawing hand, but my entire health suffered. My roommates had to rush me to the ER after fainting one night. I remember looking at my swollen right hand, my fingers like sausages, not even able to hold a pen, and just cry.

I've gone to the doctors and physical therapists. One told me I have Lupus (I do not), and another told me to put ice on it. More recently, I met a friend who happens to an amazing physical therapist and he was able to help me regain a lot of use of my hand. At my worst, I could only draw an hour a week, but now I am able to draw 2 hours a day. My hand is unlikely to fully heal, but I'm so grateful to regain what I have.

>First, we’ve discovered that about a quarter of all the internet connection in or out of the house were ad related. In a few hours, that’s about 10,000 out of 40,000 processed.

>We also discovered that every link on Twitter was blocked. This was solved by whitelisting the https://t.co domain.

>Once out browsing the Web, everything is loading pretty much instantly. It turns out most of that Page Loading malarkey we’ve been accustomed to is related to sites running auctions to sell Ad space to show you before the page loads. All gone now.

>We then found that the Samsung TV (which I really like) is very fond of yapping all about itself to Samsung HQ. All stopped now. No sign of any breakages in its function, so I’m happy enough with that.

>The primary source of distress came from the habitual Lemmings player in the house, who found they could no longer watch ads to build up their in-app gold. A workaround is being considered for this.

>The next ambition is to advance the Ad blocking so that it seamlessly removed YouTube Ads. This is the subject of ongoing research, and tinkering continues. All in all, a very successful experiment.

>Certainly this exceeds my equivalent childhood project of disassembling and assembling our rotary dial telephone. A project whose only utility was finding out how to make the phone ring when nobody was calling.

>Update: All4 on the telly appears not to have any ads any more. Goodbye Arnold Clarke!

>Lemmings problem now solved.

>Can confirm, after small tests, that RTÉ Player ads are now gone and the player on the phone is now just delivering swift, ad free streams at first click.

>Some queries along the lines of “Are you not stealing the internet?” Firstly, this is my network, so I may set it up as I please (or, you know, my son can do it and I can give him a stupid thumbs up in response). But there is a wider question, based on the ads=internet model.

>I’m afraid I passed the You Wouldn’t Download A Car point back when I first installed ad-blocking plug-ins on a browser. But consider my chatty TV. Individual consumer choice is not the method of addressing pervasive commercial surveillance.

>Should I feel morally obliged not to mute the TV when the ads come on? No, this is a standing tension- a clash of interests. But I think my interest in my family not being under intrusive or covert surveillance at home is superior to the ad company’s wish to profile them.

>Aside: 24 hours of Pi Hole stats suggests that Samsung TVs are very chatty. 14,170 chats a day.

>YouTube blocking seems difficult, as the ads usually come from the same domain as the videos. Haven’t tried it, but all of the content can also be delivered from a no-cookies version of the YouTube domain, which doesn’t have the ads. I have asked my son to poke at that idea.

It's online. The book was carefully and wonderfully recreated online by hand. You can find it here. The entire book is this easy.

CRISPY ONION RINGS

Follow for recipes

This short document is connected (only thematically and stylistically) to my book Grimdark & Dangerous. You don't need both to use either, but they do play nicely together. Grimdark Puzzles contains 3 (ish) puzzles that GMs can drop into any existing dungeon and simple battle maps that can be used to assist running these puzzle encounters.

I say 3-ish because these puzzles also contain iterations. There are three *base* puzzles. One in particular has three whole other small puzzles that it can be paired with (its basically six puzzles if I'm being honest) and the other two main puzzles have optional rules and minor iterations that GMs can apply.

I don't want to spoil the puzzles too much, because I put a lot effort into writing all these details and mechanics. But the names of these puzzles are as follows

The Blood Price is Rite (With the following sub-puzzles: The Triple Lock, the Prism Room, and The Drop)

Crystal Code Construction

The Keyway

Make of these titles what you will. You really want to hear more about them, but the document. It's $5. Saying that now before someone busts out a "you expect me to pay you money for this?" Becuase of fricking course. Yes. You think this stuff is easy to write? $5 dollars is really low considering how long this doc took as far as writing and balancing time takes. I am not great with math and this was mostly math when it comes to balancing.