ππβ Misread signals | Authors Note! okay so rn i've been so excited for the bnd and obsessed with Spider-man lately. And this kind of took a while to write, so I hope you enjoyed reading it and much as I enjoyed writing it.
pairing : mcu peter parker x stark!reader
genre : minor angst, fluff,
warnings : pining, underage drinking, sexual innuendos, text with italics are inner thoughts.
summary : you've dropping hints that you like peter, but he just doesn't seem to be picking up what you're putting down
The moment could be pinpointed with embarrassing precision.
Not the vague, cinematic kind of falling. No slow-motion hair toss, no swelling orchestral score. It happened on a Tuesday, third period, in a chemistry lab that smelled like sulfur and the industrial lemon cleaner the janitor used too liberally on the countertops. The fluorescent tube above bench six had been flickering for three weeks straight, casting Peter Parker's face in this stuttering, almost strobe-like quality that made him look like a stop-motion version of himself.
You had been his lab partner since September. Six months of proximity. Six months of his elbow brushing yours when you both reached for the graduated cylinder. Six months of his handwriting, cramped, slanted left, the kind of penmanship that suggested a brain moving faster than the hand could manage, filling the margins of your shared notebook with corrections you didn't need but never stopped him from making.
Six months, and you'd filed him under friend with the same ruthless efficiency you filed everything. Stark women, well, Stark woman, singular, since it was just you, didn't pine. They strategized. They acquired. They did not sit in chemistry class watching a boy from Queens chew on the end of his pen and think about his mouth.
Peter was hunched over the Bunsen burner adjusting the flame height, his lower lip caught between his teeth in concentration, safety goggles pushed up into hair that was doing something devastating and entirely accidental. Brown curls gone bronze where the overhead flicker hit them, messy from the way he kept shoving his fingers through when he was thinking. He wore a flannel over a science pun t-shirt that read I THINK, THEREFORE I AM⦠PROBABLY WRONG in cracked white lettering, the flannel rolled to his elbows, forearms bare.
And then your solution over-bubbled.
The beaker lurched, and your hand shot out on instinct, and Peter's hand shot out faster, impossibly faster, fast enough that the motion didn't quite track, and his fingers closed around yours and the beaker simultaneously, steadying both. Hot glass. His palm against your knuckles. The faint, damp smell of his deodorant, something cheap and woodsy, cedar maybe, the kind that came in a two-pack from CVS, cutting through the sulfur.
"Whoa, got it, got it." He laughed, this breathy, startled sound, and his thumb grazed the inside of your wrist before he let go. "You okay? That would've been, like, a really lame way to get a scar."
You looked at the pink bloom spreading across your knuckles where his grip had been and felt something tectonic shift behind your sternum.
"I'm good," you said, and your voice came out normal, which was a miracle, because inside your skull a very calm, very detached voice was saying oh, no.
Two rows behind you, MJ turned a page in her sketchbook without looking up.
She's drawing him again. The third sketch this week where Parker's in frame. She doesn't even realize she angles her stool toward him. MJ's charcoal pencil moved in short, deliberate strokes. Give it two weeks before she cracks.
The cafeteria ran on its own ecosystem: burnt pizza grease, industrial dish soap, the ghost of every energy drink ever spilled on the linoleum. Someone's Bluetooth speaker leaked tinny reggaeton from the far corner. Two freshmen were having a loud argument about whether a hot dog was a sandwich. The lunch line snaked past the salad bar nobody used.
You set your tray down across from Ned Leeds and next to Peter, close enough that your knee bumped his under the table. Deliberate. Calculated. You let it stay.
"Pete." I said it low, the way you'd say someone's name if you wanted them to feel it in their sternum. His eyes came up. Brown. Not just brown, the kind of brown that looks almost amber when the light catches the outer ring of the iris, like someone had poured honey over coffee and held it up to a window. He blinked once, twice, the way he always did when I addressed him directly, like his operating system needed a second to switch modes. "Yeah?" "You look like you slept in a dumpster".
Peter blinked at you, mid-bite of a sandwich that appeared to be peanut butter and something questionable. Shadows sat heavy beneath his eyes, bruise-purple, the kind that spoke to nights spent doing things significantly more strenuous than homework. His hair was unwashed, curling at the temples where sweat had dried. A faint scratch ran along his jaw, pink and freshly healed.
"I didn't, I was up late. Studying."
"Studying." You leaned your chin on your palm, elbow on the table, angling your body toward him. "Is that what we're calling it?"
She's teasing, Peter thought, stabbing a limp carrot with his fork and very deliberately not looking at the way your sweater had slipped off one shoulder, exposing the strap of something underneath. Black, thin. Don't look, don't look, Parker. This is what she does. She teases everyone.
"Calc exam," he said. "Vectors."
"Mmm." You reached over and picked a piece of lint off his flannel collar, your fingertips grazing the side of his neck. Lingering one half-second longer than necessary. "You've got⦠there. Better."
Ned's eyes went wide across the table, the size of the cookies on his tray. He looked from your hand to Peter's neck to the space between you, which was approximately four inches of charged, electric nothing.
OH MY GOD. She just touched his neck. She TOUCHED his NECK. That was not a friend-touch. That was a⦠I need to text MJ. Where's my phone. Where is my PHONE. Ned's hand dove into his pocket so fast he elbowed his milk carton.
"So, the compound this weekend." I said it like it was an afterthought, like I hadn't been engineering this invitation for a week and a half. "Dad upgraded the training sim. New obstacle sequences, recalibrated resistance sensors. He wants fresh data from non-enhanced users, but honestly, it's way more fun than that sounds." I pointed my fork at Ned and MJ. "You're both invited. Obviously." Then at Peter, holding his gaze one beat longer than necessary. "You too. Unless you're busy."
Peter's jaw tightened. Just fractionally. I knew what he was calculating, the mental arithmetic of being in Tony Stark's house, near Tony Stark's daughter, under Tony Stark's surveillance system, doing anything that could remotely be interpreted as flirtatious by the most paranoid man in North America. "I'm in," Ned said instantly, milk carton rescued.
Peter hesitated. The compound meant Tony Stark's home turf. Tony Stark, who had once looked Peter dead in the eye during a suit fitting and said, "You know she's off-limits, right? That wasn't a question." And then had laughed like it was a joke. It was not a joke.
"Yeah," Peter said. "Yeah, I'll come."
You smiled at him. Not the performative one you used for press events, the one Tony called your camera-ready kill shot, but the real one. Small. Lopsided. A dimple on only the left side.
Peter forgot what food was.
The training floor smelled like rubber mats, ozone from the arc-reactor powered sim projectors, and the sharp, metallic bite of recycled air pushed through vents two stories up. The space was massive, cathedral ceilings, reinforced walls scarred with blast marks nobody bothered to patch, a viewing gallery behind tempered glass where Natasha Romanoff sat with one ankle crossed over her knee, peeling an orange.
Below, you were getting your ass handed to you.
The sim had spawned six holographic hostiles, basic humanoid models, glowing that eerie Stark-tech blue, and you'd dropped four with the compact repulsor gauntlet Tony had designed for you. Precise, efficient, two shots each. The fifth you'd caught with an elbow strike that would've made Steve Rogers nod approvingly.
The sixth clipped your shoulder, and you hit the mat hard enough to knock the air out. The smell of rubber filled your nose, warm and dense. Above you, the ceiling lights buzzed.
"Shit," you muttered, rolling onto your back.
"You dropped your elbow." Peter's voice came from the sideline. He was leaning against the wall in a t-shirt that was doing criminal things to his shoulders. When had his shoulders gotten like that, wide and defined, the cotton straining across them when he crossed his arms. Track pants slung low enough to show the elastic band of his boxers. One ankle crossed over the other. Casual. Like he wasn't a six-foot catastrophe of brown curls and earnest eyes.
"On the sixth one. You dropped your lead elbow after the fifth takedown. Left your whole right side open." He pushed off the wall and walked onto the mat, feet bare, and you were suddenly very aware that you were flat on your back, sweaty, breathing hard, and he was standing over you, backlit like some kind of absurd Renaissance painting.
You took it. His grip was warm, slightly calloused across the palm, webshooter calluses, you'd learned to recognize the pattern, and he pulled you up with an ease that made your stomach flip, the kind of effortless strength that reminded you what he was under all the stuttering and self-deprecation.
"Show me," you said, and didn't let go of his hand.
Peter blinked. Looked at your hands. Looked at you.
She's still holding on. Okay. That'sβ¦ she probably just hasn't noticed. Her hands are sweaty from the sim. She's not thinking about it. Don't make it weird, don't make itβ¦
"Uh. Yeah. So, here." He stepped behind you, and his chest was right there, not touching but close enough that you could feel the warmth radiating off him through his t-shirt. He adjusted your arm, fingers wrapping around your elbow, positioning it. His breath hit the back of your neck, damp and warm. "Keep this locked. Like, yeah. Like that. And when you rotateβ¦"
His other hand found your hip. Light. Guiding. His thumb pressed against the jut of bone above your waistband.
You forgot the entire English language.
"β¦you pivot from here. Not the shoulder. The hip. See?"
"Mhm." It came out approximately two octaves higher than intended.
Up in the gallery, Natasha bit into an orange segment and watched with the detached precision of a woman who had made a career out of reading body language.
His hand's been on her hip for six seconds longer than instructional. Respiration elevated on both. Pupil dilation visible even from here. She chewed slowly. Stark's going to lose his mind.
In the adjacent corridor, Tony Stark was walking toward the gallery with a tablet in hand, arguing with FRIDAY about power distribution ratios, completely oblivious to the slow-motion romantic disaster unfolding on his training floor.
Spring compressed into a montage of escalation.
You did not do things halfway. You were, after all, your father's daughter, and Tony Stark's approach to any problem was to throw increasingly sophisticated resources at it until the problem either solved itself or caught fire. So you threw everything at Peter Parker, and Peter Parker, bless his dumb beautiful face, caught none of it, zero, nada, nothing.
You started wearing his flannel. The gray one he'd left draped over his chair in the lab after a late session. You wore it to school the next Monday, sleeves rolled to your elbows, collar popped, still smelling like his cedar deodorant and the faintly sweet, papery scent of his apartment. Peter saw it. Peter said, "Oh hey, I was looking for that." You said, "It looks better on me." Peter laughed and said, "Yeah, it sure does," and then turned back to his textbook.
You started finding excuses to touch him. A hand on his forearm when you laughed, pressing in, your thumb drawing a small circle against the inside of his wrist. Straightening his collar before Decathlon meets, your knuckles brushing his Adam's apple. Leaning into his side during movie nights at the compound, your head finding the hollow between his shoulder and his neck, fitting there like the space had been engineered for you.
"You're being pathetic," MJ said one Thursday, not looking up from Beloved, her bookmark a torn receipt from the bodega on 42nd. You were sitting on the bleachers during a free period, the track below empty, the air thick with cut grass and warm asphalt.
"You literally sniffed his hoodie yesterday."
"I was checking if it was clean. He asked me to hold it."
"He didn't ask you to bury your face in it."
You stared at the empty track. A bird landed on the long jump pit, pecked at nothing, left.
"He doesn't see it," you said quietly. "I keep putting it right in front of him and he doesn't see it."
MJ closed her book, finger holding her place. She looked at you with an expression that, on anyone else, would've been soft.
She's genuinely hurt. Not performing it. There's no audience here, just me and a bird. MJ studied your profile, jaw tight, eyes fixed forward, the barely-there tremor in your lower lip that you were clamping down on with every ounce of Stark composure you had. I should say something useful. Something that isn't sarcastic.
"He sees it," MJ said. "He's just scared."
"Of your last name. Of the fact that you're the best thing in his life and if he reads the signals wrong, he loses you." MJ opened her book again. "Boys are stupid. Even the spider ones."
"She keeps touching me, Ned."
Peter was pacing. The apartment was small. May was working a double, so it was just him and Ned and the remains of two pizzas on the coffee table, the room smelling like cardboard and garlic and the faint mildew of the window unit AC that never fully worked. Outside, Queens hummed its nighttime frequency: a car alarm three blocks over, someone's music bleeding through the walls, the distant clatter of the 7 train.
"She keeps touching me, Ned."
Ned sat cross-legged on the couch, a pizza crust in one hand, watching Peter wear a groove into the carpet.
"She doesn't⦠you don't know that."
"She wore your shirt to school."
"It was sixty-eight degrees."
Peter stopped pacing. Ran both hands through his hair, leaving it standing in every direction. The scratch on his jaw from last week's patrol had faded to a thin silver line. He was shirtless. He'd been shirtless when Ned arrived, fresh from a shower, and hadn't bothered to put anything on because the apartment was stifling and his brain was short-circuiting. The light from the single floor lamp caught the lean, defined topography of his torso, the faint scars mapped across his ribs like a constellation of near-misses.
He's doing the hair thing. He only does the hair thing when he's really freaking out. Last time was when Mr. Stark found the suit under his bed. Ned set down his crust. I should be supportive. I should also be honest. Both? Can I do both?
"Pete. My guy. My brother in Christ. She literally traced a circle on your wrist with her thumb while staring into your eyes."
"She's tactile. She's like that with everyone."
"She is not like that with everyone! She high-fives Sam. She nods at Bucky. She drew circles on your wrist."
Peter dropped onto the couch, the cushion exhaling under his weight. He tipped his head back, staring at the water stain on the ceiling that looked vaguely like Italy.
"If I'm wrong," he said, and his voice was quieter now, stripped of the frantic energy, "I lose her. You get that, right? If I say something, and she laughs, or she's just being friendly, and I made it weird, she's my best friend, Ned. After you. She'sβ¦" He swallowed. "I can't lose her."
The apartment was quiet except for the AC's rattle and the distant train.
"You're gonna lose her anyway if you keep pretending you don't feel it," Ned said softly.
Peter closed his eyes. His hand rested on his bare stomach, rising and falling with his breathing, and he pressed his thumb into the space just below his ribs where the ache lived.
The party was already a living thing by the time you arrived.
Hereβs your passage rewritten fully in second person, keeping your tone, flow, and intensity intact:
The bass hits your chest before you even make it through the front door, physical, a pressure wave that vibrates in your molars and throws your heartbeat into something syncopated and unfamiliar. Flashβs townhouse sprawls across three stories of marble floors, too much furniture, and the specific kind of wealth that announces itself through recessed lighting and a sound system strong enough to rattle windows.
The air inside is thick, body heat, spilled beer, someoneβs cologne applied with the subtlety of a crop duster, and underneath it, the sweet-sour funk of cheap vodka and Red Bull that seems baked into the walls. Clusters of bodies move through rooms that are too warm, too loud, too much.
Hair down, loose, freshly washed with shampoo that smells like vanilla and something darker, woodsy, maybe sandalwood or amber, the kind of scent that clings to fabric for days. And behind your ears, at the base of your throat, on the inside of each wrist: Mon Paris. The YSL perfume saved for exactly this kind of night, raspberry, peony, and a musky drydown engineered by people who understood desire at a molecular level.
You are not here to be subtle.
MJ stands beside you just inside the entrance, surveying the room with the detached focus of an anthropologist studying a culture she finds vaguely repellent. Her dark curls spill over a vintage leather jacket, and she holds a red cup she has no intention of drinking from.
βYouβre doing it again,β she murmurs, not even looking up.
You donβt take your eyes off Peter.
βMentally undressing him or planning his murder. Itβs a very fine line.β
Your head snaps toward her. βI am notββ
βJust go talk to him before I get an aneurysm,β MJ says calmly, nodding toward the living room.
βYouβre Tony Starkβs daughter. Youβve addressed the United Nations. Walk over there and tell the boy you want to sit on his face.β
You choke on your vodka cranberry.
Peterβs at the dining table, playing beer pong.
Ned texted you the location fifteen minutes ago.
Heβs wearing a dark long-sleeve that actually fits, rare cotton pulling across his shoulders and chest in a way that makes you realize, not for the first time, that whatever the spider bite did to his DNA also did something borderline obscene to his deltoids. His hair is slightly less chaotic than usual, like he tried, and his jaw is set in that half-smile he uses when heβs being social but running eight separate calculations in his head.
You donβt tell him what MJ suggested.
Instead, you finish your drink, pour another, heavier this time, and cross the room.
You slide into the space beside him at the table.
βHey.β You tilt your chin up. Smile.
Peter looks down at you. The height difference forces you to angle your face just slightly, putting your mouth dangerously close to the hollow of his throat. Even through the beer-and-sweat haze of the party, you can smell him.
βHey yourself.βHis voice is barely audible over the music, felt more than heard, and his gaze drops. Just for a second. A flicker. From your eyes to the curve of your chest, then snapping back like heβs been burned. His throat works.
She smells like, God, what is that? Something sweet and warm. I want to bury my face in her neck and just breathe. Donβt look down. Donβt look at her chest. Donβt think about the fact that her hip is against mine and I can feel the heat of her through two layers of denim. Think about the game. Think about the trajectory. Physics. Physics is safe.
βRoom for one more?β You pick up a ping pong ball, rolling it between your fingers.
βYou any good?β someone across the table asks, AP Gov, maybe. Youβve forgotten his name.
βTerrible,β you say easily. βPeterβs going to have to carry me.β
"Cool," Peter said. "Cool cool cool. Great."
Ned, across the table, locked eyes with MJ in the crowd and mouthed HELP ME with theatrical desperation. MJ raised her cup in a silent, sardonic toast.
The game started. You were, by objective measure, terrible at beer pong. You'd been raised around repulsor technology and quantum computing; your spatial reasoning was excellent when applied to ballistic trajectories involving actual projectiles, but the lightweight, air-caught float of a ping-pong ball confounded you. Your first three throws went wide. One hit Flash in the back of the head, which you did not apologize for.
"Okay, you're⦠here." Peter moved behind you. The same configuration as the training floor, but closer. No mat between you. His chest pressed against your back, solid and warm through the thin cotton, and you could feel the distinct topography of him. The firm plane of his pectorals, the ridged line of his abs against your lower back. His right hand closed over yours, the one holding the ball, and his left settled on your waist. His fingers spanned from your hip to the edge of your ribs.
His mouth was next to your ear. You could feel each exhale, humid, slightly beer-sweet.
"You're releasing too high. Drop your elbow," his hand guided yours down, "and flick from the wrist. Like this."
The ball arced, dropped, plunk into the center cup.
"That was all me," you said, turning your head, and your faces were right there, inches apart, close enough to count his eyelashes. Brown, long, faintly gold at the tips.
"Sure it was," Peter murmured, and didn't move.
The music shifted to something slower, R&B, heavy on the bass, and the party throbbed around them like a second heartbeat.
From across the room, Flash stared at the both of you. "That's supposed to beer pong, not foreplay. My table. My house. That is just disrespectful."
You had gone to refill your cup, your third, maybe fourth, the vodka someone had added to the punch making the count unreliable, and when you came back through the archway between the kitchen and the living room, you saw them.
Blonde. Pretty in that effortless, unlabored way that you had never managed to achieve. Hair straight and shining under the warm overhead light, falling past her shoulders like silk. She was tall, almost Peter's height, with delicate features and a laugh that carried. She had her hand on Peter's arm. Not casually. Purposefully. Her fingers wrapped around his bicep, squeezing, and she leaned into him to say something near his ear, and Peter smiled.
Gwen Stacy. Lab partner. Biochem. You knew the name, knew the face from the few times you'd picked Peter up after late labs and seen them walking out together, Gwen's notes in Peter's handwriting, Peter's coffee in Gwen's hand.
The cup in your grip dented.
It's nothing, you told yourself. Your vision swam at the edges. The vodka was hitting now, heavy and warm, turning the room syrupy. She's his lab partner. They're friends. People touch their friends' arms. You touch his arm. This isβ¦
Gwen laughed again, and Peter ducked his head in that shy, pleased way he did when someone complimented his work, and Gwen's hand slid from his bicep to his chest, resting flat against his sternum, and your throat closed.
You turned. Walked. The hallway was crowded and you shouldered through, someone saying "hey, watch it," the bass vibrating in your molars, the smell of beer and sweat and too-sweet perfume cloying, suffocating. You found the kitchen. Poured vodka into your cup. More than you should have. Drank. The burn hit like a slap, your eyes watering, and you poured again.
Ned found you twelve minutes later, leaning against the kitchen island with mascara tracking down your left cheek, cup empty, a sixth or seventh pour of straight vodka sitting in your bloodstream like a slow-detonating charge.
"Whoa, hey." He reached for your arm. "Are you okay? You lookβ¦"
She is not fine. She is the opposite of fine. Her makeup is⦠oh no, she's been crying. She's been CRYING and I wasn't⦠was it Peter? It was Peter. Something happened. Oh god. Ned's gaze darted to the living room archway. Where is he? What did he do?
"You're not fine, you'reβ¦"
"Ned." Your voice was flat, stripped of its usual warmth. "Is Peter with Gwen right now?"
"What? No. I mean, she came over to talk about their final project. Something about enzyme inhibitors or⦠she has a boyfriend. She literally has a boyfriend named Miles."
You blinked. The information processed slowly, swimming through vodka.
"She touches everyone! She's from California!"
But the damage was done. The alcohol had dissolved the careful architecture of compartmentalization you had maintained for three months, and underneath it was something raw and desperate and young. A seventeen-year-old girl in a cropped top and weaponized jeans who had spent ninety-two days learning the exact temperature of a boy's skin against hers and never once heard him say he wanted to stay.
"I need to go," you whispered, and your face crumpled.
The patio was concrete and dead potted plants, a string of fairy lights half-burned out sagging between the fence posts. The air was different out here. June nighttime, humid and heavy, smelling like the neighbor's jasmine bush and distant exhaust and the mineral-wet of a garden hose someone had left running. The sounds of the party were muffled, bass thumping through the walls like a drugged heartbeat.
You sat on the steps. Crying.
Not the pretty kind. Not the single-tear, chin-wobble, photogenic grief that happened in movies. You were drunk-crying, the ugly, gasping, can't-catch-your-breath kind where the sobs came from somewhere below the diaphragm and brought everything with them. Snot and mascara and spit. Your shoulders heaved. The concrete step was cold through your jeans, and you could feel every ridge of it, every crack, pressing into the backs of your thighs.
You didn't hear the door open.
Peter stood in the doorway, backlit by the kitchen's warm spill. His expression was something you'd never seen on him before. Not worried, exactly. Something deeper. Something wrecked. His jaw was set hard enough to make the muscle jump in his cheek, and his hands hung at his sides, fingers curling and uncurling like he was fighting the impulse to reach for you.
He didn't go away. He stepped outside, let the door close behind him, and the party sound dropped to a murmur. He crouched in front of you, elbows on his knees, putting himself below your eyeline. Close enough that you could smell him. The cedar, the laundry detergent, the faint tang of beer. Close enough that the heat from his body pressed against your shins.
"Ned told me you were upset," he said carefully. "He said you saw me talking to Gwen andβ¦"
"I don't want to talk about it."
"She has a boyfriend." His voice was steady. Quiet. "Miles, uhh I don't know his last name. Anyways, but they've been together since sophomore year. She was telling me about their anniversary plans. That's what she was saying. When she was close. She was showing me a picture of a necklace she bought him."
You stared at him through blurred, waterlogged vision. The fairy lights painted him in faint gold, catching the worry lines between his brows that shouldn't exist on an eighteen-year-old's face.
"That doesn't matter," you said, and your voice broke on the last word.
"It doesn't matter if she has a boyfriend, Peter! It matters thatβ¦" A sob tore through you, bending you forward, and you pressed the heels of your hands against your eyes until you saw static. "It matters that I've been trying, for months, and you don't, you neverβ¦"
The words came out mangled, half-drowned, but Peter heard every one.
"You think I don't notice," you gasped. You were past the point of dignity. The vodka had burned through every wall, every defense, every Stark-inherited instinct for composure, and what was left was just you. Raw and terrified and shaking on a stranger's back porch. "You think I just touch you like that because I'm friendly? I wore your shirt, Peter. I wore it to school. I slept in it first. I sleep in it every night. Iβ¦"
"I put on sex perfume for you tonight. Natasha's. The Tom Ford. I put it on my knees, Peter. Who puts perfume on their knees? I do. For you. Because I'mβ¦ because Iβ¦"
You couldn't finish. The sobs swallowed the rest, and you folded forward, forehead nearly touching your knees, shaking so hard the fairy lights blurred into a single wavering line.
Peter didn't move for four seconds. Later, he wouldn't remember those four seconds. His brain whited out, a full system crash, every synapse firing and misfiring simultaneously, three months of she's just being friendly and don't ruin this and you're not good enough for Tony Stark's daughter detonating in a single chain reaction.
Then he was on his knees on the concrete, and his hands were on your face, tilting it up, thumbs sweeping through the wreckage of mascara and tears and snot, and his own eyes were bright, red-rimmed, suspiciously wet.
"Yes! Yes you are!" you cried.
"I thought you were joking. I thought, every time you touched me, I told myself you were just like that, because the alternativeβ¦ if I let myself believe itβ¦" His thumb caught a fresh tear, tracked it to your jaw, held there. "You're a Stark. You're the smartest person I've ever met. You're funny and you're kind and you're everything, and I'm a kid from Queens with a secret identity and a one-bedroom apartment and I thought there was no wayβ¦"
"Peter Benjamin Parker, if you finish that sentence I will throw up on you and it won't be from the alcohol."
He laughed. Wet and broken and real, this cracked-open sound that had no performance in it, and you could feel it in his hands where they held your face, the vibration of it, the aliveness.
"I like you," he said. "I like you so much it makes me stupid. Ned's been yelling at me for weeks."
You hiccuped. It was not attractive. "How much?"
"How much do you like me? Be specific. I'm a scientist."
His forehead dropped against yours. His nose bumped your nose. The jasmine and exhaust faded until there was nothing but cedar and clean laundry and the salt of your tears drying on his thumbs.
"Enough that I've rewritten my college essay three times because I keep accidentally writing about you," he whispered. "Enough that I swung past your window twice last week just to make sure your light was on. Enough that Iβ¦"
Or tried to. You were drunk and crying and aimed slightly wrong, catching the corner of his mouth, and he made a soft mmph sound of surprise against your lips before his hand slid from your cheek to the back of your neck and corrected the angle, drawing you in, andβ¦
"You're drunk," he said softly. "You're really, really drunk."
"I'm emotionally compromised, there's a difference."
"Okay, I'm also very drunk."
His thumb stroked the nape of your neck. He exhaled, shaky, controlled, like a man disarming a bomb.
"When I kiss you for real," he said, "and I am going to kiss you for real, you're going to remember every second of it. That's not negotiable."
You stared at him. Blinked. A tear slid free.
"You're not my boyfriend yet," you said, which was a stupid thing to say, and you knew it was a stupid thing to say even as it came out.
The corner of his mouth lifted. "Not yet, I'm not."
Yet. The word sat between you, warm as a held breath.
Then you pitched sideways and threw up into one of Flash Thompson's dead potted plants.
Peter hoisted you off the patio steps with an efficiency that betrayed exactly how many injured civilians he'd carried off rooftops. You protested, a garbled, slurred "m'fine, 'm totallyβ¦" that dissolved into a hiccup, and he ignored you completely, one arm hooking under your knees and the other around your back, lifting you in a single motion that drew stares from the kitchen stragglers.
You were not cooperative. You squirmed. You swatted at his shoulder. You declared, loudly, to no one in particular, that you were "a Stark and Starks don't get carried."
"Your dad literally has a suit that carries him."
"That's different, that's engineeringβ¦"
He shifted your weight, effortless, insultingly effortless, the kind of casual strength that came from regularly stopping buses with his bare hands, and flipped you over his shoulder in a over the shoulder carry. You yelped. Your face pressed against his back, the dark henley warm and smelling like cedar and beer and him, and the blood rushed to your head, and you went limp.
"Peter. Peter Parker. Put me down."
"If you throw up on my back, we're over before we started."
You made a choked sound that was half-laugh, half-sob, and gripped the back of his shirt with both fists.
The crowd parted for you. Or more accurately, the crowd was too drunk to notice except for two people. Ned, standing by the speaker with a cup in his hand, watched Peter carry you over his shoulder toward the front door and experienced what could only be described as a religous awakening.
This is the greatest thing I have ever witnessed with my own two human eyes. THANK YOU JESUS. This is better than when he caught the bus. This is better than when he showed me the suit. I need to remember every detail. I need to JOURNAL about this. Ned's mouth hung open. Should I help? Should I follow? He's got her. He definitely⦠yeah, he's got her.
"Pete!" Ned called. "Do you needβ¦"
MJ appeared beside Ned like a shadow materializing, Margaret Atwood tee slightly rumpled, arms crossed. She watched Peter's retreating back, you draped over it like a very expensive, very drunk scarf, and took a slow sip from her still-full cup.
Finally. MJ's mouth twitched at the corner. Took them long enough.
"Should we be concerned?" Ned asked.
"No," MJ said. "That's a boy who's not going to let anything happen to her."
The front door closed. The party swallowed the space they'd left behind. The bass kept thumping.
The apartment was dark when he shouldered the door open, you still draped over his back, your protests having faded somewhere around 68th Street into a mumbled, intermittent monologue about how his shoulder blade was "architecturally hostile to human cheekbones."
He flicked the light with his elbow. The single floor lamp came on, casting the small space in warm amber. The couch with its sunken middle cushion, the pizza boxes Ned had left three days ago stacked by the door, the window AC rattling its permanent death rattle. May's shift didn't end until 6 AM. The apartment smelled like it always did: slightly stale, slightly warm, the ghost of dish soap and the fabric softener May bought in bulk, lavender something.
Peter carried you to his room, small, just a twin bed and a desk buried under textbooks and web-fluid cartridges, and set you down on the mattress with a gentleness that contradicted the fireman-carry energy of the previous twenty minutes. You sank into his pillow, and the sound you made was barely human, a long, dissolving "mmmnngh" that came from somewhere primal.
"Where'm I gonna go? Mars?"
He left and came back with a glass of water, two ibuprofen, a warm washcloth, and a t-shirt of his. The soft, worn MIT one May had gotten him as a joke, washed so many times the cotton felt like tissue paper.
"The room is spinning and I need it to stop spinning before I engage in vertical activity."
He sat on the edge of the bed. The mattress dipped under his weight, tilting you slightly toward him. He pressed the washcloth to your face, and you flinched at the warmth, then sighed, a real sigh, the kind that released something held too long. He wiped away the mascara, the tear tracks, the smeared foundation, with the same steady, precise hands that rebuilt web-shooters and rewired circuit boards. Methodical. Tender.
"You look like a raccoon," he said quietly.
You smiled. Small and wobbly, your eyes still glassy, makeup half-removed, hair tangled from the shoulder carry. He thought you were the most devastating thing he'd ever seen, and that included the time he'd watched a star collapse through Mr. Stark's orbital telescope.
She's so beautiful. Even now. Especially now. She put perfume on her knees for me. Who does that? Who thinks of that? She does. She sleeps in my shirt. She SLEEPS in myβ¦
"Can you change? You'll be more comfortable in this." He held up the MIT shirt.
He turned. Studied the web-fluid equations on his desk with an intensity they did not warrant while behind him you wrestled with your top, swore, dropped it, swore again, and eventually said, "Okay."
He turned back. You were swimming in his shirt. The collar gaped, showing your collarbone, and the hem hit mid-thigh. You'd kept your underwear on. Your jeans were crumpled on the floor.
"Water," he said. "Drink."
You drank. Took the ibuprofen. He eased you back against the pillow, pulled the comforter up to your chin, the blue one, slightly threadbare, smelling like his fabric softener, and you caught his hand.
"Stay," you murmured. Your eyelids were heavy, dragging.
"I'm not going anywhere. I'll be on the couch."
"Hey." His voice was soft. His thumb traced your knuckles. "I'll be ten feet away. You'll hear me snoring. I'm told it's, quote, 'medically concerning.'"
You tried to glare. Achieved a sleepy squint.
"You're the best person I know," you whispered.
Something moved across his face, fast, raw, there and gone, and he lifted your hand and pressed his lips to your knuckles. Brief. Warm. You felt the shape of his mouth against the ridges of your fingers and memorized it.
"You're the best person I know," he said. "Get some sleep. I'll be right here."
Your eyes closed. His hand slipped from yours. You heard him pad out, heard the couch creak, heard the AC rattle and the distant nighttime hum of Queens through the window.
You fell asleep in his bed, in his shirt, with the taste of toothpaste water and ibuprofen on your tongue and the ghost of his lips on your hand.
Morning arrived like a blunt instrument.
You opened your eyes to an unfamiliar ceiling. A crack that ran from the overhead light fixture to the wall like a river on a map, water stain in the corner shaped like something, Italy maybe, too hungover to assign geography. Sunlight came through the window in aggressive, unfiltered slabs, warming the sheets and painting the small room in shades of amber and white. The AC had surrendered at some point in the night; the air was close, warm, thick with the smell of laundry detergent and something cooking. Butter, eggs, the unmistakable char of toast that had been in the toaster seventeen seconds too long.
Your head was a war crime.
The pain lived behind your eyes and radiated outward, a pulsing, architectural pressure that felt structural, like the bones of your skull had been rearranged. Your mouth tasted like copper and bad decisions. You were wearing, you looked down, a t-shirt that was not yours. MIT. Worn thin enough to see your own skin through the fabric.
Memory returned in fragments. Not sequentially. More like shrapnel.
Beer pong. Peter's hands. Gwen. Vodka. Crying. Concrete steps. His thumbs on your face. "Not yet, I'm not." Oh god. Oh god you threw up in a plant. He carried you. Over his shoulder. In front of EVERYONE. You said⦠what did you say? Sex perfume. You said sex perfume. You told him about the KNEES.
You pressed your face into the pillow and made a sound like a dying animal.
The pillow smelled like Peter. Cedar, clean cotton, the faintly warm, specific scent of his skin that you'd been cataloguing for months. You breathed it in, and the ache behind your eyes softened marginally, and you hated yourself for finding comfort in it because you'd told him everything last night and now he probablyβ¦
Footsteps in the hallway. The creak of the bedroom door.
You lifted your face from the pillow.
Peter Parker stood in the doorway holding a plate of scrambled eggs and toast, a glass of water tucked in the crook of his elbow with the practiced ease of someone accustomed to multitasking while wall-crawling. He was shirtless.
The morning sun hit him like it had a personal agenda. Golden light poured across the planes of his chest, broader than his t-shirts suggested, defined without being bulky, the lean musculature of someone whose core strength came from swinging between buildings rather than lifting weights. A faint trail of dark hair ran from his navel downward, disappearing into gray sweatpants that sat low on his hips, revealing the twin ridges of muscle that framed his lower abdomen like parentheses.
The scars she'd glimpsed before were fully visible now: a starburst of silver-pink tissue below his left collarbone, a thin line along his ribs, a cluster of smaller marks across his right shoulder like he'd been hit with something that fragmented. His shoulders caught the light, smooth and warm-toned, and the muscles in his forearm flexed as he adjusted his grip on the plate.
You stared. All the blood in your body relocated to your face.
"I madeβ¦ it's just eggs. And toast. The toast is a little burned because the toaster's been weird since Ned tried to make a grilled cheese in it, butβ¦" He set the plate on the nightstand. Set the water beside it. Straightened. Noticed you staring. Looked down at himself.
I forgot to put a shirt on. I forgot to⦠I was cooking and it was hot and I⦠she's looking at me. She's looking at my⦠is she looking at my stomach? Her face is so red. She's the color of the ketchup bottle. Should I go put a shirt on? Do I want to put a shirt on? Honestly? No. Absolutely not. She's wearing MY shirt and looking at me like that and I am not putting on a single additional garment.
"Sorry, Iβ¦ the kitchen gets hot when I use the stove, andβ¦"
"Don't you dare put on a shirt."
It came out before you could edit it. Raw. Hoarse. Morning-voiced and hungover and entirely, devastatingly honest.
Peter's ears went red. The blush spread down his neck, across his collarbones, and you watched it travel with the academic fascination of a woman studying the migration patterns of a phenomenon she'd caused.
He sat on the edge of the bed. The mattress dipped. The plate of eggs steamed gently on the nightstand, and the burnt-toast smell mingled with his skin. Cedar and warmth and sleep.
"How's your head?" he asked.
"Like someone filled it with concrete and then played drums on it."
"That's the bad decisions."
The question sat between you. You pulled the comforter up to your chin, as if his MIT shirt and a threadbare blanket could constitute armor.
"I said things last night," you started.
"I told you about the perfume."
"The knee perfume. Yes." He was fighting a smile. Losing.
"The sleeping-in-my-shirt thing. Yeah."
"I'd like to die now, please."
"Request denied." He turned toward you on the bed, one leg folded beneath him, the other hanging off the edge. His knee brushed your thigh through the comforter, and he didn't move it. His eyes were soft, brown in the morning light, with flecks of gold near the pupil that you'd never been close enough to catalogue before. "Did you mean it?"
You looked at him. The light was too bright and your head was splitting and your mouth tasted like a biohazard, and he was sitting there shirtless and beautiful and asking you if you meant it, as if there were a universe where you hadn't meant every single syllable.
"I meant all of it," you said. "I mean all of it. Present tense."
The smile broke through. Not his shy one, not the ducked-head one, not the performative one he used when adults praised him. The real one. The devastating one. Full mouth, crinkled eyes, the left dimple that matched yours.
"I meant what I said too," he told you. "The 'not yet I'm not' thing."
"Yeah." He reached for your hand where it clutched the comforter's edge, threading his fingers through yours, his palm warm and calloused. "Eat your eggs. Drink your water. And when you're not actively dyingβ¦"
"I'm taking you on a real date. A proper one. Not a party. Not a training floor. An actual date, where I pick you up and you meet May, I mean, you've met May, but like, officially, and I hold your hand the whole time because I've wanted to hold your hand for three months and I'm never letting go of it again."
Your eyes burned. Not from the hangover.
"You're going to make me cry again."
"Still ugly. Fair warning."
"I've seen the worst of it. I'm in."
You laughed, a broken, waterlogged, beautiful sound, and tugged his hand until he leaned down and pressed his forehead against yours. His nose bumped your nose. His breath was warm, toothpaste-mint and something sweet, and the closeness was the same as the patio but entirely different. Sunlit and sober and yours.
"You have morning breath."
"And you have no shirt on. We all have our crosses to bear."
Gentle. Close-mouthed. Tasting like mint toothpaste and burnt toast, his hand coming up to cradle the side of your face the way it had on the patio, thumb against your cheekbone.
And you meant to let it be that. A first real kiss. Tender. Sweet. The kind of thing you'd replay in your head for weeks, soft-focus and cotton-candy.
But three months of wanting had calcified into something heavier than tenderness, and the moment his lips touched yours the weight of it cracked open, spilled. Your fingers curled into the hair at the nape of his neck, short and warm and still sleep-mussed, and you pulled. Not hard. Just enough.
Peter made a sound against your mouth. Low, involuntary, caught somewhere between a groan and a sigh, "nnh," and his hand slid from your cheekbone into your hair, fingers threading through the tangled mess of it, cradling the back of your skull. The kiss changed. His lips parted, and you felt the soft, slick heat of his tongue trace your bottom lip, tentative, asking, and you opened for him without thinking.
He tasted like toothpaste and something darker, warmer, the black coffee he must have had while he cooked, and the sound you made was embarrassing, a breathy, broken "ahh" that vibrated between your mouths. His tongue slid against yours, slow, exploratory, then deeper, and your back arched off the pillow, your free hand finding his bare shoulder, his skin hot and smooth under your palm, the scar tissue beneath his collarbone a raised ridge under your fingertips.
"Come here," you whispered against his lips. Not a request.
His weight shifted. He braced one hand on the mattress beside your head, forearm flexing, and his other arm hooked under your lower back, pulling you up into him as he settled his body over yours. The twin bed groaned. The comforter bunched between you and you kicked at it, shoved it down, until there was nothing but the worn cotton of his MIT shirt on your body and nothing at all on his chest, and the contact when it came was electric. The heat of his bare torso pressing through the thin fabric against your breasts, your stomach, your ribs. You could feel his heartbeat, rabbit-fast, hammering against your sternum.
"God," he breathed, and his hips settled between your thighs, the gray sweatpants doing absolutely nothing to disguise what was happening to him. He froze. Pulled his mouth back an inch. "Sorry. Sorry, Iβ¦"
You grabbed his face with both hands and pulled him back down.
The kiss turned messy. Wet. Open-mouthed and graceless in the way only real wanting could produce, teeth catching on lips, his tongue curling against the roof of your mouth, your hips tilting up into his on instinct and dragging a sound out of him that was barely human, this guttural, wrecked "fuhhck" gasped between your teeth. His hand fisted in the sheets beside your head. The mattress springs whined beneath you both.
His forehead dropped to your shoulder. He was shaking. Fine, full-body tremors, the muscles in his back twitching under your palms, and you realized with a lurch of something enormous and tender that he was holding back. Holding himself still. Every superhuman ounce of strength in that body directed at the singular task of not moving.
Three months. Three months of her hands and her perfume and her sleeping in my shirt and she's under me. She's under me in my bed wearing my shirt and making those sounds and I'm going to lose my mind. I am going to lose my actual mind. Slow down. Slow down, Parker. Don't ruin this. Don'tβ¦
"Hey," you murmured. You cupped his face, brought it up. His eyes were blown, the brown almost entirely swallowed by black, his lips swollen and wet, a flush painting his cheeks and throat and chest. He looked destroyed. You wanted to destroy him further. You kissed the corner of his mouth. His cheekbone. The bridge of his nose. "Hi."
"Hi." His voice was wrecked. Gravel and want.
"Yeah, I⦠I'm aware." A stunted laugh, his breath fanning warm across your chin. "You're, uh. You're kind of a lot."
"Not enough." He said it with his whole chest, no hesitation, and then his mouth was on yours again, slower this time but no less deep. His hand slid down your side, fingertips tracing the curve of your waist through the MIT shirt, the dip and flare of your hip, the bare skin of your thigh where the hem had ridden up. His palm spread wide against the outside of your thigh, warm and calloused, and he hitched your leg higher around his waist, changing the angle, and the pressure of him against you turned precise, deliberate, your breath hitching into a choked "oh."
His answering groan was muffled by your mouth. "Mmnh, yeah, okay⦠okay."
You kissed like that until the eggs went cold on the nightstand. Until the sun climbed higher and the amber light turned white. Until your lips were swollen and raw and his neck was marked in three places and your hair was a catastrophe and his sweatpants had shifted low enough that the defined V of his hips was fully visible above the waistband, and at some point your hand had flattened against his lower abdomen, feeling the muscles tense and jump under your touch, and he'd made a sound so close to begging that you tucked it away in the deepest vault of your memory to revisit for the rest of your natural life.
He pulled back. Finally. Panting. Hovering over you on trembling arms, his chest heaving, a bead of sweat tracing the line of his sternum. His lips were bitten-dark, nearly bruised. The scratch on his jaw from patrol had gone pink again from the friction of your chin.
"Your⦠the eggs. They're cold now."
"Peter Parker, if you think I care about eggs right nowβ¦"
"You need to eat. You drank enough vodka to kill a horse."
"You can't just kiss me like that and then pivot to breakfast."
"Watch me." He dropped one more kiss against your mouth, quick and firm and smiling, and rolled off you onto his back. The twin mattress barely held them both. His shoulder pressed against yours, hip against hip, the narrow bed forcing a closeness that neither of you fought. He stared at the ceiling. You stared at the ceiling. The crack shaped like a river. The water stain shaped like Italy.
"I'm going to reheat those eggs," he said to the ceiling.
"You're going to kiss me again after."
"Yeah." He turned his head. Looked at you. The gold flecks in his eyes caught the morning sun, and his smile was so open, so unguarded, that your chest ached like a bruise. "Yeah, I am."
He swung himself off the bed, bare feet hitting the floor, and offered you his hand. You took it. He pulled you up, steadied you when the hangover swayed the room sideways, and kept hold of your fingers as he walked you to the kitchen.
The apartment was small and warm and smelled like cold eggs and burnt toast and cedar and the faint lavender of May's fabric softener. Sunlight flooded the narrow kitchen window, catching the dust motes, catching the pink marks on Peter's neck where your mouth had been. He moved the plate to the microwave with one hand. His other hand stayed tangled with yours, thumb pressing slow circles into the cup of your palm, and you leaned against the counter beside him, shoulder against his bare arm, the MIT shirt hanging to your thighs, his warmth bleeding into your side.
The microwave hummed. The AC rattled. Somewhere below the window, Queens woke itself up in layers: a delivery truck backing into the alley, a dog barking three flights down, the 7 train threading its distant steel-on-steel melody through the walls. Peter lifted your joined hands and pressed his lips to your knuckles, lingering, his eyes closing, and you turned your face into his shoulder and breathed him in.
| Authors Note! Okay that's it, also let me know if you want me to write more spider-man. okayy baiii