신아(SINA)

ENG: "I really love Marchosias. Actually, I've been wanting to draw them ever since Woolhaven came out, but I kept putting it off because of work. Now that I've quit my job, and since a Twitter mutual I've admired for a long time also happens to really love Marchosias, I really wanted to draw this for her as a gift.

It’s been a while since my last post!I’ve been playing Ship of Fools and slacking off on my drawing!

Tw: Food, blood, etc.

Yeah, after his volatile reaction to the flowers that grow whether or not Leshy walks among them. After likening the very dead Heket to poison mushrooms, a thing that has no concept of death. After wishing for a reminder of Kallamar’s demise, only to reminisce how a monument to his power was “a thing of beauty.” Are those displays of conventional, acceptable grief, untainted by resentment? Of course not. But there’s not nothing there.

Certainly, his relationship with Shamura is the most complex in terms of how they came to motivate both his own actions against the Bishops and the Bishops’ actions against him. Certainly, they’re the one who was most openly wounded by this violent shift in the family’s dynamic, and that triggers a unique reaction in Narinder.

But let’s not forget that by the time the Lamb has that conversation with him, Narinder’s defenses have likely been whittled down to the point where he is displaying more grief than resentment. Is that a shift that would have happened if he hadn’t meditated on his relationships with the other Bishops?

And while it’s tempting to contextualize this all in the realm of character personalities alone, the Old Faith was a religious institution that shaped much of who Narinder was. It only makes sense that the more time passes in his life outside of the Old Faith, the more contemplative he gets as to what he has lost, what his place in the world is. His reaction to the spider silk is a turning point in his questline, not its culmination.