Pina Bausch - Orpheus and Eurydice - Paris Opera Ballet 2018

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Pina Bausch - Orpheus and Eurydice - Paris Opera Ballet 2018

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wish more people shared my specific and intense combination of emotions for daisy domergue. i want to talk to likeminded individuals who also want to smack her/defend her in court/give her art therapy/turn her into a dog/feed her a cheeto/make her read a history textbook/send her to hell/take her on a nice date/wash her fucking hair
posts by john “i want to hear her neck snap” ruth
Days of Heaven (1978), dir. Terrence Malick
daisy braids her horse feufollet’s mane & tail btw. sometimes with little wildflowers.
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18. /19. Century
Iron, painted; double eagle and attached heart lined with many nails
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Hate Island
The connection my brain has made between Daisy Domergue and 'Burn The Witch' by Shawn James is astronomical
surprisingly forward-thinking of jim henson and co. to make a female character in the 70's that's allowed to be loud-mouthed and violent and kind of overwhelmingly romantic and even a huge bitch at times and not have a moment where any character asks her to change
going through all the muppet movies in a row made me realize that like. miss piggy was made in the 70's. and it's so rare even today to have a character like her. she's loud, she's selfish, she's funny, she's extremely vain, she's obsessed with romance, she's violent, she's kind of annoying, and there's not a single moment in any of these films where she's asked to tone down any of these personality traits. i am not joking when i say that miss piggy might be one of the best treated female characters ever written
you might be on to something, I've never heard Miss Piggy being called problematic either
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Farnese de Andrade, Você!, 1972. (below, detail of the opened bassinet containing a dead bug inside a polyester block)
Edward Gorey, The Evil Garden
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the hateful eight script describing daisy as “once-pretty, with a once-sexy smirk” like the blood isn’t a glow up actually

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when the top is scared of the bottom