✨Anó✨

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UT/UTMV masterposts

Villainous Brothers AU masterpost

I miss the chromatic crew so I had to draw them

Also Epic, I think you’re incredible when it comes to characterisation so I’m really interested to know.

I love your art, you’re an inspiration to me!! 💚

Thank youuuuu <333 glad to be an inspiration!

You can find any and all Delta art under his tag #Delta sans :D

And yeah I can share some, I don’t think I talked too much about either of them as a character so that’s gonna be interesting

Delta

-Delta is a very kind but extremely rough and blunt person, so people can have a hard time approaching or getting to know him

-with how he carries his gauntlets so effortlessly, it makes people think they’re not as heavy as they seem.. they’re usually surprised by how wrong they are

-he loves boxing as a sport, and is usually training like a boxer, but in general, Delta is very athletic, so you can see him performing a lot of different exercises

-he has bones of steel, wouldn’t actually need the gauntlets to win a fight, he uses them cause he needs to balance the fight when the other side is using magic, it’s only fair he uses his own

-extremely agile and really fast, his speed rivals killer’s and he’s usually way faster, Killer struggles to keep up with him, which says something

-speaking of Killer, he absolutely loves to aggravate Killer into a fight, Killer loves to play along, they fight a lot (poor Color has to break it up every time, tho at this point, Color is contemplating to leave them to their own devices)

-has never met Nightmare in person, it’s better if he never does meet him, will not end well for either of them, if Delta seems hostile to Killer, he’d be no better to Nightmare, except any immense hatred in his heart is unique to Nightmare specifically

-and speaking of Nightmare, Delta is one of the people who despises Dream, not necessarily because he he thinks Dream is a bad person, but simply cause he can’t stand Dream’s methods and hypocrisy when it comes to his brother

-a vigilante, usually enforcing justice his own way, isn’t above actually severely beating or killing someone, but that’s only reserved for who he deems hopeless to change their way

-fiercely protective of and loyal to those he loves

-would not hesitate to speak out about any injustice he feels was done towards himself or anyone else

-looks for genocide timelines to try and stop its course, he can’t have others experience what he himself experienced, the more timelines he can save, the better

-misses his own universe a lot, and while it was empty due to the genocide run it went through, it at least still existed so he can visit it occasionally, until he loses that due to Error, and while he was enraged by that at the beginning, at some point he accepted it and thought it would be better for his mental health if he let go

-finds difficulty talking to any Papyrus cause he feels like he failed his brother, doesn’t cower from talking to them however, tho it does end up with Delta losing sleep over it

-finds Cross obnoxious, but he does grow on him after a while

-has a history of participating in underground fighting rings during the darker moments of his life to take out the frustrations he felt, not very proud of that part of his life at all

Epic

-Epic is the kinda guy that’s really chill but also is the kinda guy that’s like “fuck around and find out”

-Epic is not a fight loving guy, because he’s both a really kind and caring person that he doesn’t want to form any enmity with anyone, and because he knows his magic is extremely dangerous, so he just really doesn’t want to be put in a position to use it, he just prefers to talk things out, or leave if they don’t work out

-he’s really extroverted and has met so many people that whenever the chromatic crew meet someone new, Epic somehow already met them and already knows them

-usually struggles with thoughts about how he was very much experimented on to be a weapon, sometimes feels like he’s not a real person, simply the weapon he was made to be, it really messes up his own sense of self and identity

-actually deeply understands Killer’s circumstances because of that

-while he no longer cares about his nightmares anymore cause he got really used to them, they still have a real effect on him, usually in the form of “no matter how many hours he sleeps it feels like he never slept at all”, he’s lost hope of truly getting a good well rested night’s sleep anymore

-depressed and extremely suicidal, has to deal with sucide ideation all day everyday, and finds difficulty functioning on day to day basis, sometimes never leaving his room at all for days on end

- his universe is alive and everyone in it is well, he usually stays in his universe, while still visiting the multiverse and the chromatic crew regularly

-likes to mess with people Joker style when someone asks about his scar, he always has a new story about how he got it each time, no one knows the true story, not even his own brother or closest friends, it’s something he’d like to carry to his grave (he’s really ashamed of himself for causing it to begin with)

-cause of how chill and relaxed he seems most of the time, people generally get the false idea that Epic is a very optimistic guy, he’s not, he’s extremely pessimistic

-Epic refuses to have any place for hatred in his heart, mostly because he genuinely fears to fall into being the weapon he was made to be, so no matter how much he dislikes someone, he always stops it at disliking them

-believes in life lessons by life kicking asses, that’s why he usually never intervenes when someone is about to do something stupidly reckless (as long as it doesn’t have a direct threat to their life)

-actually really chill with Fresh, and unlike many people, he never gets the creeps from him, if anything, Fresh is a fun guy to be around for him

-is less of a physical activity guy and more of a mind puzzles and psychological games guy

-is wayyy smarter than he lets on, people genuinely believe him stupid, absolutely oblivious to how smart he really is, he prefers it that way

-he and Color bond over their respective best friends who are really hard to deal with but would give them the world regardless

-Cross’ hype man, knows Cross deals with big self confidence issues so he likes to make Cross feel that confidence by hyping him up

I saw this at the store and thought it was hilarious anyways bye and happy pride month

Omgggg

It’s absolutely hilarious I love that thanks for sharing, this is absolutely gold hdhdhdhdhhdhd

Happy pride month everybody

Heard a certain someone was canonically confirmed to be trans

I knew it in my heart the whole time

Good for him good for him <3

I was wondering if you could give people struggling with perspectives some tips maybe? A good place to start, maybe good ways to practice? That would be very appreciated!

Thank youuuu <333

And yeah sure I can help

Imma try breaking it down for you as simple as I can, I’ll start with explaining perspective in of itself, then ways to practice, and what to start with

1-Perspective:

Perspective is actually genuinely a very simple topic, just needs a lot of practice and observation of how it works in real life

The easiest way to think of perspective is to think of it as a camera, and think where that camera is in your canvas? Is it up? Down? Corner? Cause that will affect how to draw the characters from the perspective of the camera

Here’s an example to further illustrate the idea.. literally, this is the exact same pose from different camera angles (perspectives):

Of course, that means that if the camera is up in the canvas, then it’s pointing down, if it’s down, then it’s pointing up, or it might be in the middle and simply pointing to the horizon

Very extremely important to keep in mind, that what is closer to the camera is going to be bigger than what’s far from the camera, even if the far thing from the camera is by nature very big like a mountain!

Of course, the proportion and sizes may change depending on how close or far the focal point of your art is from something big in the background

Again to help you understand it better, here’s a drawn guide :)

This includes every two things, even different body parts for the same character

The closer body parts to the camera is going to look bigger than those away from the camera, see as follows:

Of course, we can never bring up perspective without bringing up foreshortening! Foreshortening is very important, remember, you work on a 2D plane, but your job is to trick people into thinking that this 2D plane is 3D >:)

How to do that? Foreshortening! When drawing characters from a certain angle, some body parts are going to naturally block others, if you focus too hard into showing every single body part then you’re only gonna end up with a flat artwork, foreshortening when it comes to character art will ensure that 3D feel

Here’s an example on foreshortening:

Keep in mind that, depending on where your camera is, that blockage of body parts may be very minor or very extreme, for example, if you go for an overhead shot of a person standing, then most of the legs might become invisible cause the chest and torso will block your view of them

Here’s an example of more extreme perspectives like that:

Also! Don’t feel pressured to keep things realistically proportionate to each other, if anything, exaggerating your lines, the way you draw anatomy, the perspective, is gonna make your art look more lively

That’s not to say there’s anything wrong keeping things realistic and keeping it that way is actually a whole beautiful artstyle of its own, but don’t pressure yourself to be realistic if that’s not what you personally enjoy or want to do with your own artstyle

2- ways to practice:

There’s honestly multiple ways to practice, you can either go for a more traditional approach and practice 1 point, 2 points, and 3 points perspectives, which I definitely recommend, and I absolutely encourage you to practice it

Or! My favorite way personally is redrawing references that has a very exaggerated perspective, and practicing multiple things like references for buildings and perspectives for people since they work in different ways

These references don’t necessarily have to be realistic pictures, you can choose references from your own favorite shows by looking for these more exaggerated perspectives within them

A way I personally like to practice, is by tracing actually! But not just tracing, this is important part, this tracing technique I use actually has three important steps to it:

1- I take an image I like, I trace it

2-I then redraw the same picture without tracing this time but keep the picture on the side as a heavy reference that I return to

3-then I redraw the same thing a third time without tracing and without the reference picture, just my own imagination

This technique also works for other important art aspects like anatomy, lighting and shading, composition, etc

Here’s an example on this tracing technique:

Put in mind that when you reach step three, the result will not necessarily be absolutely golden, but that’s not the point, the point is that it really helps with strengthening your muscle memory, so when you try to draw a dramatic perspective next time, it’ll feel a bit easier

Another way I love to practice, is by drawing cubes and circles and all sorta shapes, but especially cubes! As well as actually try things out of my comfort zone like backgrounds that have challenging perspectives, they don’t have to look perfect or complicated or complete even, the idea is just get get more comfortable with extreme perspectives in general

Like these

3-where to start:

I personally recommend starting with the cubes! They’re a very good warm up in general, and they’re the very fundamentals of perspective as a whole, practicing cubes in different perspectives will get you acquainted with it before going to more complex stuff like characters

Then go for redrawing shots from different shows you like, try to study the ways of the masters if you will, it’ll further improve your skills in perspective as well as other things like composition and anatomy by association

This may seem like a weird way to study, but I highly recommend studying perspective by redrawing shots from the Anime JoJo’s bizarre adventure

It’s very well known for its dramatic and weird angles and perspectives, and I personally learned A LOT from it not just perspective wise but even anatomy wise, I’m not joking when I say that JoJo completely transformed my art all together and improved it significantly :)

There’s also rottmnt, also one of the shows that improved my art significantly, and I definitely recommend trying to redraw some of its shots!

If you’re not up for that, then try to study artists you love, or shows you personally love, it really doesn’t matter what you choose as long as you study shots that have interesting perspectives, whether dramatic ones or minor ones

Lastly, imma share some little tips that make perspectives and perspective studying easier for me in general!

-use simple tile lines to dictate where your perspective is in the vast white of a canvas, they will help you mentally prepare and guide you through what to do, by tile lines I mean these little things :)

-don’t be afraid to completely scrap an artwork if you didn’t like how it looks the first time! You have to be comfortable with actually redrawing something from scratch, second or third time’s the charm usually, here’s an example of something I personally redrew cause I didn’t like how it turned out the first time, the second time was actually wayyy better

-figure art studies!! What’s great about figure art is that you only focus on making cool poses from different angles while completely ignoring whether the characters look good! They will help you with both perspectives and poses, two birds with one stone kinda study right there :D

WE’RE SO BACK

🎵 I look into your eyes, and I think back to the son of mine 🎵