I adore everything about Milex. Beautiful music, lyrics which are really cool to analyse and inspiration they are to the fans. But the most important thing is that so precious bond, like theirs exists in the world of big show business. That makes me feel seen, maybe even safer with my personal feelings. I've already faced the anxiety of who am I and "Coup de grace" really helps me to break through it
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I think that some of us were surprised that after a couple of albums without mentioning any pronouns in songs that Miles included several references to she or her in the Sunlight In The Shadows album.
After many (many) listens, sometimes things just click in my head, so I thought I'd share.
Disclaimer - these are my thoughts only. I have no facts. I don't know Miles to ask if this is the correct interpretation. Please don't show any hate. If you don't like this type of post, please don't read under the cut.
1.
Love is Cruel is covered in this post here. I feel that Miles is personifying 'Love' as a female midnight scooter rider.
2.
Sunlight In The Shadows is about those days when you're down, depressed, blaming yourself for anything that doesn't go right. I won't go into the lyrics bc I don't want to trigger anyone (self included) but some of them HIT HARD.
So why does Miles include the above bridge section, in such a personal song about his mind? Lyrics that on first glance, suggests he's on the pull?
There's possibly an argument to say that he's depressed because he can't be with this girl, but I feel that this is changing the narrative of the song. He's been talking about how bad he feels, and how he has to fight against this mood.
What if the 'girl' in this instance is referring to a mood also? I could see the 'girl' being a personification for real happiness, or peace of mind. That would be 'good looking' to me if I was low. He has the optimism that someday, he'll feel okay.
(PS. Later in Blue Skies, he actually tells us, "Gone are the dark days / That once kept me down," so he was right to be optimistic).
3.
Walk On The Ocean, is again a massively personal song and one that Miles talks about a lot, which shows that it's important to him. He has said that when performing it, he goes into a sort of trance.
This second verse again, seems at odds with the feel of the song if you take the words at face value. Who is this girl who took his worries away from him? A therapist? Is there an ex-girlfriend who took his mind off things when things got tough? Maybe it's a friend who appeared to be his girlfriend to prevent any gossip about Miles and ahem, someone else?
The song is about wanting the impossible (walk on the ocean) and being truthful about himself (cause a commotion). It's about wanting freedom and coming to terms with who you are. One day, I'll post an analysis about it all - for now, I think that the 'she' in this song is spirituality. ‘She’ is being at peace with yourself. Self acceptance. Miles began to mention spirituality in the promo interviews for SITS. People have remarked how he now seems calmer, happier and more present.
The interesting thing about studying Miles’ lyrics is that they can initially appear to be very simple and about something very straightforward. But when you look closely, they have hidden meanings that tie in with what he’s telling us in interviews.
Or maybe I’m wrong and it’s just about a girl? 🤷♀️
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Nobody is talking enough about this video at the beginning, when our Alex walks behind our Miles and spanks him.
I love this little moments. I'm finding so many little moments that people don't talk about.
Excellent find, friend! (also apologies on the delay!) it’s unbelievable how much is conveyed, the abundance to savor in the most minor of interactions. it’s not just the interaction, but the thought of it, the internal agreement to pursue it soon, the leisure and trust in delivering it or receiving it. it seems casual and unrehearsed because it is ! the item of domesticity, a tap on the back passing each other in a kitchen, active displays of tenderness anchored in love and familiarity. their dynamic is something i can’t ever identify boredom in. and you’re completely right, people don’t talk about these peeking moments, often at the fault of their subtlety. even in the most blindingly passionate exchanges, there are emotional and transcendent subtleties that appear in glimpses and delicate flashes that require terms of honed attention from the viewer. its not our responsibility to recognize them, but they’re an exclusive passage into the strategies of bearing themselves to one another, deeply and unconditionally. i find more value in the quietness of motions like this, they’re present and mildly perceptible but only really intended for the noticing and interpretation of one.
"This were the last song we did for it. I think something we've always struggled to do is get a record that– I mean they've all got their own identity but I dunno know ... there's always an exception or something that is leading onto something else perhaps. I guess on the last album it would be 'Cornerstone' and on the album before I guess it were '505' or something. I think this is that song and maybe on this one where it doesn't quite– I mean it fits in but it's got summat else about it. I always wanna do that like get a blueprint and make this album neat and tidy but it never works out being neat and tidy with us."
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Anya is LIVE right now
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emiliopugliese During my university years, the soundtrack often included & @mileskane and @thelastshadowpuppets. Today, I had the immense pleasure of meeting Miles Kane, having a great conversation with him, and even exchanging contact details. A remarkable musician, an outstanding guitarist and singer, and a true gentleman.
Life has a curious way of bringing certain stories full circle. Today was one of those days.