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@shesuffraghest
am i backĀ

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Tahereh Mafi, Shatter Me
TOM.
FREEDOM WAS IN THE CENTER OF HIS SOUL,Ā Ā FREEDOM FOR IRELAND, FREEDOM FOR THE WORKING CLASSES.Ā Ā Ā Equality was laced around in there but perhaps that is what binds them, both of them are rallying against something and he feels like they are drawn together by it,Ā Ā by their desire to learn more,Ā to be moreĀ Ā ( I WONT ALWAYS BE A CHAUFFEUR )Ā and he wants her to be everything she wants to be.Ā Ā Ā He wants to be a part of it too, as much as she would let him be.Ā Ā It would be easy to get distracted from his work by staring at her and he knows that it is a good thing that he has his hands busy inside an engine lest he might be tempted to reach out for her or something equally foolish.Ā Ā Ā This world says that they cannot be friends, never mind anything elseĀ Ā āābut he says that this world is wrong,Ā Ā above everything else.
ā PerhapsĀ I willā-āĀ Ā Ā A light flush rushes across freckled cheeks.Ā Ā her heroic saviour.Ā Ā sure, itās an old fashioned view of the world and really Sybil,Ā Lady Sybil,Ā Ā did not need anyone to save her, she could save herself, but his heart stutters and warms at the idea of being anythingĀ to her.Ā Ā ( and is it not normally the heroic saviour who earns the hand of the lady he saves? )Ā Ā Ā In attempt to hide his blush his head is once more under the bonnet of the car, but it does not stop him from talking.Ā Ā Ā ā āBut only if you shall be so kind as to be mine, once my heart inevitably gives out from the fear of it all.ā
š·š¾š š·š“š š±š“ššš°šš“š š¾šµ š° š·š“š°šš šµš»šššš“šš !Ā Ā Ā theyĀ Ā areĀ Ā soĀ Ā youngĀ ,Ā Ā Ā soĀ Ā youngĀ !Ā ,Ā Ā Ā andĀ Ā sheĀ Ā shouldĀ Ā neverĀ Ā allowĀ Ā herselfĀ Ā toĀ Ā entertainĀ suchĀ Ā thoughtsĀ .Ā Ā Ā hasnātĀ Ā sheĀ Ā spentĀ Ā aĀ Ā lifetimeĀ Ā learningĀ Ā theĀ Ā placeĀ Ā ofĀ Ā staffĀ ?Ā Ā Ā herĀ Ā mindĀ Ā reelsĀ Ā withĀ Ā cautionaryĀ Ā talesĀ Ā ofĀ Ā fancifulĀ Ā affairsĀ ,Ā Ā Ā allĀ Ā theĀ Ā thingsĀ Ā aĀ Ā goodĀ Ā girlĀ Ā shouldĀ Ā notĀ Ā doĀ !Ā Ā Ā sheĀ Ā isĀ ,Ā Ā sheĀ Ā thinksĀ ,Ā Ā Ā aĀ Ā goodĀ Ā girlĀ ,Ā Ā butĀ Ā bloomingĀ Ā withĀ Ā theĀ Ā endlessĀ Ā spiritĀ Ā ofĀ Ā aĀ Ā rebellionĀ Ā sheĀ Ā cannotĀ Ā squashĀ Ā backĀ Ā downĀ Ā toĀ Ā nothingnessĀ .Ā Ā Ā OH CAUTION ,Ā Ā Ā SURELY SHE SHOULD HAVE MORE !Ā Ā Ā herĀ Ā desiresĀ Ā areĀ Ā aĀ Ā strangeĀ Ā matterĀ ,Ā Ā Ā allĀ Ā consumingĀ ,Ā Ā Ā andĀ Ā sheĀ Ā livesĀ Ā aloneĀ Ā inĀ Ā aĀ Ā worldĀ Ā whereĀ Ā chauffeursĀ Ā canĀ Ā beĀ Ā heroesĀ Ā tooĀ ,Ā Ā andĀ Ā maybeĀ Ā friendsĀ Ā withĀ Ā theĀ Ā ladiesĀ Ā theyāreĀ Ā thereĀ Ā toĀ Ā driveĀ .
hisĀ Ā faceĀ Ā disappearsĀ Ā backĀ Ā underĀ Ā theĀ Ā carĀ ,Ā Ā Ā whereĀ Ā sheĀ Ā cannotĀ Ā studyĀ Ā theĀ Ā frecklesĀ Ā onĀ Ā hisĀ Ā skinĀ Ā norĀ Ā findĀ Ā herselfĀ Ā takenĀ Ā awayĀ Ā byĀ Ā blueĀ ,Ā Ā Ā blueĀ Ā eyesĀ .Ā Ā Ā itāsĀ Ā aĀ Ā strangeĀ Ā lossĀ ,Ā Ā Ā butĀ Ā sheāsĀ Ā thankfulĀ Ā forĀ Ā theĀ Ā distractionĀ .Ā Ā Ā feetĀ Ā stepĀ Ā aroundĀ Ā momentarilyĀ ,Ā Ā Ā heelsĀ Ā markingĀ Ā theĀ Ā momentĀ Ā withĀ Ā aĀ Ā delicateĀ Ā tapĀ Ā andĀ Ā sheĀ Ā waitsĀ Ā aĀ Ā momentĀ Ā withĀ Ā shoesĀ Ā fillingĀ Ā theĀ Ā silenceĀ Ā beforeĀ Ā sheĀ Ā speaksĀ .Ā Ā Ā Ā Ā Ā ā i shall be quite careful to look after your heart ,Ā Ā Ā shouldĀ Ā itĀ Ā needĀ Ā myĀ Ā careĀ . āĀ Ā Ā Ā Ā whyĀ Ā doĀ Ā theĀ Ā wordsĀ Ā soundĀ Ā likeĀ Ā aĀ Ā promiseĀ Ā sheĀ Ā shouldĀ Ā notĀ Ā beĀ Ā makingĀ ?Ā Ā Ā andĀ Ā whyĀ Ā doĀ Ā theyĀ Ā bloomĀ Ā withĀ Ā aĀ Ā weightedĀ Ā innocenceĀ Ā onĀ Ā herĀ Ā lipsĀ ?
Sybil cutting her hair in canon is very important to her identity in Ireland. Her whole life, she has had the perfect hair, elaborately styled, long and never really cut, always pinned up and perfect. Thereās something in the way she wears her hair that seems intrinsic to her life in downton, always done by a maid and never by her. The first time this changes is in york. when sheās doing her hair herself in her nursing training, and she tends to wear it a lot more simply.
This also begins to be the same in Ireland. Until the wedding, she does tend to style her hair better, and keeps it long and does it as expertly as she can manage on her own, because sheās still figuring out her identity in Ireland. Sheās trying to reconcile with who she was and who she is and make it make sense. In being married to Tom, she learns that he has a particular fondness for her hair down, and running his fingers through it, and will also spend time brushing it for her. At this point, having her hair down with him becomes something safe to her, and when she styles it, itās always done faster and much simpler, something that is easy to throw up when she gets ready to go nursing.
When she cuts her hair, itās on a whim after one of the girls she works with says that it might be more manageable for her. She goes to one of their houses and has her hair cut off into the bob that we see in season three. She does it without thinking, and then panics a little when she goes home to see Tom, worrying that he will hate it since he has such a fondness for her hair down, but he only comments that itās a lot easier to kiss her neck like this, and she relaxes instantly.
Her cutting her hair is symbolic of moving away from Downton and further into her life with Tom and in Ireland. Itās an action that solidifies her in her new life, making decisions for herself that are based in what she does and the life that she lives, and itās something that feels like her taking another layer of ownership over herself.

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hesocialistĀ· ;
MAYBE HEāS PLAYING THE PART JUST A BIT TOO WELL,Ā maybe heās had dreams about holding her hand and falling asleep with her in his arms and everything that came with dating the woman who had been his best friend since his first moments at university.Ā Ā Sure, the shock of theĀ āāāhouseāāā that her family owned and the real acknowledgment that they were the very definition of landed gentry took some of the edge off for a while but the shock had mostly warn offĀ ( even if the exhaustion just from the different ways of doing things hadnāt )Ā Ā and heās had to keep reminding himself that this is all just an act.Ā Ā That instead of asking him outĀ she asked him to pretendĀ to be her boyfriend,Ā because youāre my best friend tom.Ā Ā Ā Ā Heād rather be her best friend than nothing, of course, but heād rather be something more again too and pretending was making it all too difficult to ignore the way he loves her.Ā Ā Ā Ā Ā Ā Ā Looking up from the cufflinks heās fiddling with he tries to correct the way that his mouth goes dry at the sight of her.Ā Ā Ā Stunning, absolutelyĀ stunning.Ā Ā Ā Picking his jaw off the floor,Ā he somehow snaps himself out of it,Ā Ā nodding with a smile thatās almost shy and a mouth thatās completely dry.Ā Ā Ā Ā ā Sure,Ā Ā what are boyfriends forĀ ? āĀ Ā He jokes to try and hide the way heās enthralledĀ by her.
šš·š°š š°šš“ š±š¾ššµššøš“š½š³š šµš¾š ?Ā Ā Ā Ā Ā except ,Ā Ā Ā heĀ Ā isnātĀ Ā reallyĀ Ā herĀ Ā boyfriendĀ .Ā Ā Ā notĀ Ā inĀ Ā theĀ Ā wayĀ Ā thatĀ Ā reallyĀ Ā countsĀ ,Ā Ā Ā theĀ Ā wayĀ Ā whereĀ Ā sheĀ Ā couldĀ Ā reachĀ Ā aroundĀ Ā andĀ Ā kissĀ Ā himĀ Ā withoutĀ Ā aĀ Ā thoughtĀ Ā andĀ Ā getĀ Ā lostĀ Ā inĀ Ā hisĀ Ā blueĀ ,Ā Ā Ā blueĀ Ā eyesĀ Ā andĀ Ā wakeĀ Ā upĀ Ā everyĀ Ā morningĀ Ā withĀ Ā hisĀ Ā armsĀ Ā wrappedĀ Ā aroundĀ Ā herĀ .Ā Ā Ā SHE SHOULDNāT BE HAVING THOSE KINDS OF THOUGHTS ,Ā Ā Ā NOT WHEN THEYāRE SO DANGEROUS .Ā Ā Ā heāsĀ Ā herĀ Ā friendĀ ,Ā Ā Ā herĀ Ā bestĀ Ā friendĀ ,Ā Ā Ā andĀ Ā sheāsĀ Ā certainĀ Ā heādĀ Ā neverĀ Ā reallyĀ Ā wantĀ Ā herĀ Ā likeĀ Ā thatĀ .Ā Ā Ā sheĀ Ā turnsĀ Ā toĀ Ā hideĀ Ā theĀ Ā blushĀ Ā onĀ Ā herĀ Ā faceĀ ,Ā Ā Ā toĀ Ā stopĀ Ā herĀ Ā fromĀ Ā thinkingĀ Ā aboutĀ Ā allĀ Ā thatĀ Ā couldĀ Ā beĀ .Ā Ā Ā itĀ Ā wonātĀ Ā beĀ ,Ā Ā Ā sheĀ Ā reasonsĀ .Ā Ā Ā herĀ Ā handsĀ Ā shakeĀ Ā aĀ Ā littleĀ ,Ā Ā Ā pressingĀ Ā againstĀ Ā herĀ Ā legsĀ Ā toĀ Ā hideĀ Ā itĀ .Ā Ā Ā Ā Ā Ā ā THINK THE THOUGHT THERE WOULD BE SOMETHING ABOUT GETTING ME OUT OF MY DRESS ,Ā Ā Ā ifĀ Ā youĀ Ā wereĀ Ā myĀ Ā boyfriendĀ . āĀ Ā Ā Ā Ā Ā theĀ Ā jokeĀ Ā evenĀ Ā soundsĀ Ā strangeĀ Ā toĀ Ā herĀ ,Ā Ā Ā landingĀ Ā questionablyĀ Ā onĀ Ā herĀ Ā tongueĀ ,Ā Ā Ā notĀ Ā quiteĀ Ā gettingĀ Ā thereĀ .Ā Ā Ā sheĀ Ā needsĀ Ā toĀ Ā stopĀ Ā doingĀ Ā thisĀ .
GILMORE GIRLS (2000 ā 2007)
@hesocialistā ā plotted .
šš·š“ š±š¾šš½š³š°ššøš“š š¶š“š š¼š¾šš“ š±š»šššš“š³ š±š šš·š“ š¼š¾š¼š“š½š ;Ā Ā Ā somewhereĀ Ā betweenĀ Ā whatĀ Ā theyĀ Ā areĀ Ā andĀ Ā whatĀ Ā theyĀ Ā couldĀ Ā beĀ .Ā Ā Ā exceptĀ ,Ā Ā Ā sheāsĀ Ā notĀ Ā sureĀ Ā heĀ Ā evenĀ Ā wantsĀ Ā whatĀ Ā theyĀ Ā couldĀ Ā beĀ .Ā Ā Ā afterĀ Ā allĀ ,Ā Ā Ā tomĀ Ā hasĀ Ā alwaysĀ Ā beenĀ Ā kindĀ .Ā Ā Ā heĀ Ā couldĀ Ā justĀ Ā beĀ Ā doingĀ Ā thisĀ Ā becauseĀ Ā sheĀ Ā askedĀ ,Ā Ā Ā becauseĀ Ā heāsĀ Ā aĀ Ā goodĀ Ā friendĀ Ā whoĀ Ā knowsĀ Ā howĀ Ā hardĀ Ā theseĀ Ā thingsĀ Ā canĀ Ā beĀ Ā onĀ Ā herĀ .Ā Ā Ā itāsĀ Ā hardĀ Ā toĀ Ā rememberĀ Ā heāsĀ Ā meantĀ Ā toĀ Ā justĀ Ā beĀ Ā herĀ Ā friendĀ ,Ā Ā Ā especiallyĀ Ā whenĀ Ā sheĀ Ā wokeĀ Ā upĀ Ā wrappedĀ Ā aroundĀ Ā himĀ Ā thatĀ Ā morningĀ ,Ā Ā Ā especiallyĀ Ā whenĀ Ā sheĀ Ā sleptĀ Ā soĀ Ā wellĀ Ā thatĀ Ā nightĀ .Ā Ā Ā todayĀ ,Ā Ā Ā maryāsĀ Ā gettingĀ Ā marriedĀ ,Ā Ā Ā andĀ Ā sheāsĀ Ā determinedĀ Ā notĀ Ā toĀ Ā ruinĀ Ā itĀ Ā withĀ Ā overthinkingĀ ,Ā Ā Ā orĀ Ā admittingĀ Ā sheāsĀ Ā inĀ Ā loveĀ Ā withĀ Ā herĀ Ā bestĀ Ā friendĀ .Ā Ā Ā Ā Ā Ā ā tom ,Ā Ā Ā can you help me with this zipper ?Ā Ā Ā itāsĀ Ā inĀ Ā theĀ Ā backĀ Ā andĀ Ā iĀ Ā canātĀ Ā reachĀ Ā itĀ . ā
SHESUFFRAGIST. / an independent sybil crawley rp blog. by kenna.
SO NOW I SHALL TALK EVERY NIGHT. Ā to myself. Ā to the moon. Ā i shall walk, Ā as i did tonight, Ā jealous of my loneliness, Ā in the blue-silver of the cold moon, Ā shining brilliantly on the drifts of fresh-fallen snow, Ā with the myriad sparkles. Ā i talk to myself and look at the dark trees, Ā blessedly neutral. Ā so much easier than facing people, Ā than having to look happy, Ā Ā invulnerable, Ā clever. Ā with masks down, Ā i walk, Ā talking to the moon, Ā to the neutral impersonal force that does not hear, Ā but merely accepts my being. Ā and does not smite me down.
Sybil is, at heart, a deeply lonely person. Sheās one of those people surrounded by the whole world, but who feels disconnected to the people in that world. To explore, first and foremost, it has to he said that Sybil knows her family love her, and this fact has, and will, never be something she doubts (though it is something she has to reconcile with after her parents decline to come to her wedding, and through the war years while she debates her future with Tom.) Her loneliness is not, in any way, due to a lack of love.
Sybil grows up on a pedestal in the village, with only her sisters for company, truly. Though they are allowed time in the village for events, the other children are taught to treat the Lordās daughters differently than they would treat their peers. Now this suits Mary and Edith more than it suits Sybil - they hold more traditionally to their fatherās beliefs. Sybil, however, looks at the school gates and longs for the chance to go, to experience something outside of her existence, and holds a deep envy for the children who have so many friends. The village children arenāt her friends, and children from other houses like hers are not often brought on visits, and as such, she spends no time around other children, outside of her sisters.
This brings us neatly to Mary and Edith, who are four and three years older than her respectively. Arguably, Mary and Edith are the people she clings to in this, with Mary being the closer of the two. However, Mary and Edith as previously mentioned, do stand more in line with their parentās views, which - as Sybil grows and comes into her own ideas - alienates her from them further. Added influences here would be that Sybil would have lost her nanny and been thrown into the world of a governess when Edith came of age, as is customary in familyās where the majority are of the right age, meaning that she was only two when she would have made the switch to a Governess, as opposed to the five that both Mary and Edith would be. This further starves her of a level of affection she should have held. (Note, that here I do reason that it was Mary who took on this role in her life, leading to a closer bond between the sisters.) Now, added on to this, is Mary and Edithās relationship with each other, in which Sybil played the role of peacekeeper predominantly. She watched their fraught and argumentative relationship, though knowing that they did love one another, and was forced to comprehend that she could always be turned against in such a way.
Now, leading on to her teen years and we have Sybil who came out in society three years after Edith, leading to three years in which she was left alone in the house through the summer, with only the servants - who were technically not permitted to have a close relationship with her - and her governess for company. I personally enjoy the headcanon that the Crawley sisters went through multiple Governesses because they were each so strong willed in their own way and no one could handle them, so lets assume that the position was hardly ⦠permenant. While Sybil is seen to be well liked downstairs, due to her gentle personality, thereās a difference between a relationship with an employer and employee, and with a friend. She isnāt exactly close with anyone, and could hardly share her world with them.
Gwen is the first moment when we see Sybil desperately longing for friendship. While Sybilās belief in Gwen is incredibly real, and strong, and built out of her own belief in female empowerment, there is also an element of Sybil that clings to her friendship. Though they do very genuinely get along, there is always an element of this in which Sybil is the benevolent friend, who is helping Gwen improve herself, that cannot be ignored. Their friendship is amazing, and so important to Sybil as a character, but there is still a large element of class imbalance found within it. In finding Gwen a job, Sybil is quickly then forced to give up this friendship, because she wants to see Gwen succeed, and while they keep in touch with letters, she has given it up.
I do follow the JBF interview in which she speaks about how the proposal is a shock to Sybil because sheās been seeing Tom as a friend, and is just so clouded by excitement to have someone she can talk to. Tom is her age, and for the first time, sheās got someone who has the same interests as her and who begins to break down the class divides that have always kept her separate from the rest of the world. Tom encourages her, which is something Sybil needs, and at the same time, Sybil challenges his world view and gives him something to believe in. Theyāre both two lonely people who are searching for something and they find that something, and more, in each other. Tom is the first person who truly begins to relieve some of the loneliness within her, because he stays by her side for so long and because they share common ground that she doesnāt have with anyone in her citcle.
Her loneliness is a defining character trait within her. She is searching for connections that she struggles to find. She spends a lifetime with her position keeping her separate from so many people, and sheās still deeply, deeply longing for friends.

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ššš , hesocialistĀ· .
GOD HELP HIM HEāS SMILING AT OIL COVERED CAR PARTS.Ā Ā A not so subtle joy rushing through him at her words alone,Ā Ā laced with that determined certainty that told him she was used to getting what she wantedā¦Ā But when what she wanted was him with herĀ Ā ( for whatever reason )Ā Ā he could not bring himself to care.Ā Ā Instead he found himself paused and smiling up at metal tubes and oiled gears like some love sick puppy.Ā Ā Jesus wept, itās exactly what you are.Ā Ā Ā ā And with you helpinā me Iām sure I could pull it off. āĀ Ā Ā Ā His words are laced with a dreamy laughter but itās joyful at the image not mocking what she is saying.Ā Ā He does not let himself dream that it might ever happen but he is lonelyĀ here.Ā Ā Not for romanceĀ ( heās a boyĀ really, of SEVENTEEN, what sort of romance could be possibly have experienced to miss now? )Ā Ā but missing any kind of connection with anyone. Isolated from the rest of the staff,Ā on the outside with his interests from them too,Ā Ā it might be naive for him to entertain that this could be anything other than a professional relationship but right now it feels like it is. It feels like a connectionĀ that could counter a class divide that they bothĀ didnāt really believe in.Ā She was the most interesting personĀ that he had ever met so he would take the risk,Ā even if it might come back to bite him.Ā Ā Ā ā Iāve never been to LondonāāĀ But then heās never really been anywhere either.Ā Ā ā āI wouldnā mind goinā, thatās for sure. āĀ Heās heard of museums and books and publications that are the envy of the world and heād be lying if he said that there wasnāt the aspirationalĀ spark in him itching to see all of it.
šš¾š¼š“ššøš¼š“š šøš'š š“š°šš šš¾ šµš¾šš¶š“š šš·š°š šš·š“š'šš“ šµšš¾š¼ š³šøšµšµš“šš“š½š šš¾šš»š³š ,Ā Ā Ā toĀ Ā getĀ Ā lostĀ Ā inĀ Ā theĀ Ā ideaĀ Ā thatĀ Ā thereĀ Ā couldĀ Ā beĀ Ā nothingĀ Ā betweenĀ Ā themĀ .Ā Ā Ā sheĀ Ā cannotĀ Ā helpĀ Ā theĀ Ā softĀ Ā noiseĀ Ā ofĀ Ā surpriseĀ Ā thatĀ Ā fallsĀ Ā fromĀ Ā herĀ Ā lipsĀ Ā withĀ Ā hisĀ Ā wordsĀ ,Ā Ā theĀ Ā gentleĀ Ā oh!Ā Ā thatĀ Ā comesĀ Ā fromĀ Ā herĀ Ā atĀ Ā theĀ Ā thoughtĀ .Ā Ā Ā HOW MUCH THERE COULD BE FOR HER TO SHOW HIM !Ā Ā Ā Ā howĀ Ā niceĀ Ā itĀ Ā wouldĀ Ā beĀ Ā toĀ Ā beĀ Ā theĀ Ā oneĀ Ā whoĀ Ā knowsĀ Ā moreĀ Ā forĀ Ā aĀ Ā chanceĀ ,Ā Ā Ā toĀ Ā haveĀ Ā theĀ Ā chanceĀ Ā toĀ Ā broadenĀ Ā hisĀ Ā existenceĀ Ā inĀ Ā returnĀ .Ā Ā Ā Ā Ā Ā Ā ā THEN YOU HAVE TO COME TO LONDON ! āĀ Ā Ā Ā Ā Ā Ā sheĀ Ā beamsĀ Ā overĀ Ā atĀ Ā himĀ ,Ā Ā Ā toneĀ Ā showingĀ Ā thatĀ Ā sheĀ Ā demandsĀ Ā itĀ Ā soĀ ,Ā Ā Ā thatĀ Ā nextĀ Ā timeĀ Ā sheĀ Ā goesĀ Ā toĀ Ā londonĀ ,Ā Ā Ā sheĀ Ā expectsĀ Ā himĀ Ā toĀ Ā beĀ Ā thereĀ .Ā Ā Ā Ā Ā Ā ā iĀ Ā couldĀ Ā showĀ Ā youĀ Ā theĀ Ā museumsĀ Ā andĀ Ā theĀ Ā librariesĀ Ā andĀ Ā theĀ Ā theatresĀ Ā andĀ Ā parksĀ Ā andĀ Ā everythingĀ Ā elseĀ !Ā āĀ Ā Ā Ā Ā Ā Ā herĀ Ā excitementĀ Ā bloomsĀ Ā outĀ Ā ofĀ Ā herĀ ,Ā Ā Ā brightĀ Ā andĀ Ā shiningĀ ,Ā Ā Ā aĀ Ā giddyĀ Ā qualityĀ Ā inĀ Ā herĀ Ā toneĀ Ā asĀ Ā ifĀ Ā sheĀ Ā canĀ Ā almostĀ Ā imagineĀ Ā itĀ Ā nowĀ .Ā Ā Ā thereāsĀ Ā rulesĀ Ā aboutĀ Ā thisĀ Ā kindĀ Ā ofĀ Ā behaviourĀ ,Ā Ā Ā aboutĀ Ā thisĀ Ā closenessĀ ,Ā Ā Ā butĀ Ā theyĀ Ā seemĀ Ā notĀ Ā toĀ Ā existĀ Ā outĀ Ā hereĀ Ā inĀ Ā theĀ Ā garageĀ .Ā Ā Ā thoseĀ Ā kindsĀ Ā ofĀ Ā rulesĀ Ā areĀ Ā forĀ Ā herĀ Ā fatherāsĀ Ā hallsĀ Ā andĀ Ā ballroomsĀ ,Ā Ā forĀ Ā aĀ Ā futureĀ Ā sheĀ Ā dreadsĀ Ā butĀ Ā doesnātĀ Ā believeĀ Ā sheĀ Ā canĀ Ā escapeĀ .Ā Ā Ā sheĀ Ā wantsĀ Ā freedomĀ Ā moreĀ Ā thanĀ Ā anythingĀ ,Ā Ā Ā andĀ Ā perhapsĀ Ā sheĀ Ā findsĀ Ā thatĀ Ā outĀ Ā hereĀ .Ā Ā Ā Ā Ā Ā ā next time . āĀ Ā Ā Ā Ā Ā itāsĀ Ā decisiveĀ .Ā Ā Ā itāsĀ Ā settledĀ Ā fallingĀ Ā fromĀ Ā herĀ Ā toneĀ ,Ā Ā Ā likeĀ Ā itĀ Ā couldĀ Ā reallyĀ Ā beĀ Ā thatĀ Ā easyĀ .Ā Ā Ā Ā Ā Ā ā youĀ Ā shouldĀ Ā comeĀ Ā nextĀ Ā time . ā
šššššš & šššš šššššššš ššššššš
sentence prompts from the first book in the grishaverse series by leigh bardugo āĀ Ā i missed you every hourĀ Ā āĀ āĀ Ā it caught me by surpriseĀ Ā ā Ā āĀ iāve risked my life for you !Ā Ā ā Ā āĀ Ā donāt tell me we donāt belong togetherĀ ā Ā āĀ Ā the problem with wanting is that it makes us weakĀ ā Ā āĀ fine , make me your villainĀ Ā ā āĀ i love you , even the part of you that loved him/herĀ Ā ā āĀ i never really belonged anywhereĀ Ā ā Ā āĀ thereās nothing wrong with being a lizard , unless you were born to be a hawkĀ Ā ā Ā āĀ what are you smiling at ?Ā Ā ā Ā āĀ thank you for finding meĀ Ā ā Ā āĀ iāve been waiting for you for a long timeĀ Ā ā āĀ you and i are going to change the worldĀ Ā ā āĀ Ā iām not used to people trying to kill meĀ ā Ā āĀ Ā itās always just you and meĀ ā Ā āĀ you should be used to being gawked at right nowĀ Ā ā Ā āĀ Ā if it gets too bad , give me a signalĀ ā Ā āĀ do you blame me for every mistake iāve made ?Ā Ā ā āĀ one foot in front of the other , thatās how itās done .Ā Ā ā āĀ Ā youāre interfering with my planĀ ā Ā ā thereās no such thing as too much champagne , though your head would try and tell you otherwise tomorrowĀ Ā ā Ā āĀ i hope you donāt expect fairness from me , it isnāt one of my specialtiesĀ Ā Ā ā Ā āĀ the whole time she was looking at me like i was something her dog spit upĀ Ā ā Ā āĀ what is she to you anyway ?Ā Ā ā Ā āĀ Ā like calls to likeĀ Ā ā āĀ Ā if i told you iām trying to save the world , would you believe me ?Ā ā āĀ the love i had for you i thought belonged in the past .Ā Ā ā Ā āĀ iām not what you think i amĀ Ā ā Ā āĀ i doubt you have any idea what you areĀ Ā ā Ā āĀ Ā you know iād be lost without youĀ ā Ā āĀ Ā only you could contemplate imminent death and thinkĀ āalrightāĀ Ā ā āĀ Ā tell me some liesĀ ā Ā āĀ youāre the first glimmer of hope iāve had in a long timeĀ Ā ā āĀ we all did our part to bring about the end of the worldĀ Ā ā Ā Ā Ā Ā Ā Ā
Iām not interested in continuing this idea of āsuccess looks like thatā, or āhappiness looks this sizeā. Iām not going to be a better actor if Iām one size smaller in a dress.
i guess itās important to note some important things in my canon āsybil livesā verse (heavily credited to @hesocialist but like dont tell them). THIS IS MY MAIN BLOG CANON.
sybil is rushed to hospital and has an emergency c - section, thus saving both her life and the life of her baby. because of the timings, she is kept unconscious for 5 + days to monitor progress and keep fitting from happening. after this, she wakes up and spends a further two weeks in the hospital in york, before being trusted back to downtonās care. sybil declares upon waking up that men name children after themselves all the time, and thus, sybbie branson is named.
sybil returns home with birth - trauma and post natal depression following the birth of her daughter, though - due to lack of understanding of the conditions, and a simple belief that she is still recovering - this isnāt noticed for another month. sybil feels widely disconnected from her husband and child, and cannot shake the feeling that she has let them down and they would be happier without her. she avoids touching the baby because she thinks her child would not recognise her, nor forgive her for missing those first crucial stages. this is noticed in conversation with ISOBEL who becomes one of the only people sheās being honest with and seems a plea for help as the woman is the only one who might understand or know what is happening. isobel recognises this as baby blues and raises the flag to tom.
it takes months of work, but sybil begins to reconcile with her role as a mother and understand that she wasnāt to blame and that both her husband and child want her there. this process speeds up significantly when tom and her decide to move away from downton and into one of the cottages on the estate three months after their daughter is born. away from the house, sybil truly feels more like herself and reconnects with her husband and child, taking confidence for the first time. as tom works, sybil spends most of her time with the baby and in the cottage, spoiled by her husband with as many books as she desires so she can continue her education.
three years after the birth of their daughter (1923), tom finds out he might be able to get his exile from ireland overturned. though he is initially worried about sybilās reaction, she surprises him again by saying that of course theyād be going home and the matter is settled between them. they begin to look into the process together. sybil has spent the last years sending tomās articles off to papers, looking for freelance work for him, knowing he wonāt be happy with being the agent forever and unwilling to let his dream die.
when sybbie starts school (1924), sybil goes back to nursing, becoming the main breadwinner in the family and allowing tom to think more seriously about writing again. she works back at the downton hospital, and takes every course she can to better herself and make sure sheās getting the most out of it.
in february 1925, tom and sybil finally get what theyāre waiting for, permission for him to return to ireland and their lives to get back on track. though theyāre eager to leave, they wait until sybbie is finished with school for the year and they have a plan before they leave, eventually going in july, 1925. Ā though she doesnāt mention it to anyone, sybil falls pregnant in early july, deciding it would be better to wait until things are settled.
sybil tells tom about the pregnancy in late august, a month after she realises herself. she chooses to wait because of the move home, and not wanting it to be a stressful time for them. though they are both happy about the child, they do struggle with the risk to her, and sybil is forced to contend with the thought that they might not be so lucky.
declan is born by emergency c-section in february 1926, one month early. the next month follows in a whirlwind of the two of them trying to do what is best for their baby and keep him alive. he returns home with his mother three weeks after his birth and the happy three become four in their little home.
sybil goes back to nursing once more after declan goes to school. she becomes head nurse within three years of returning to her job and tom becomes a writer. they are present for all major crawley events.
ššš , hesocialistĀ· .
HIS HEART STUTTERS FROM THE INTENSITY OF IT ALL.Ā Ā Ā he had no way of knowing if the pink in his cheeks was from the heat of it, from her gaze and the kisses, or from revealing how under her spell he had always been.Ā Ā Roughened hands hold her close, sheās warm and bright and real, and just holding her like this is almost like holding a star or the sun in his hands.Ā Bright and HotĀ Ā ( and with the possibility of getting burntĀ more than anywhere else āābut itās a risk heās always willing to take )Ā Ā Ā Ā Ā Ā ā Sounds pathetic, doesnā it?Ā but Itās been so long, it doesnā take much. ā
šš·šøš š²š»š¾šš“š½š“šš šøš š° š³š“š¼š°š½š³šøš½š¶ šš·šøš½š¶ ,Ā Ā Ā pushingĀ Ā herĀ Ā furtherĀ Ā intoĀ Ā hisĀ Ā armsĀ Ā whereĀ Ā thisĀ Ā worldĀ Ā feelsĀ Ā mostĀ Ā settledĀ ,Ā Ā whereĀ Ā sheĀ Ā knowsĀ Ā sheĀ Ā willĀ Ā alwaysĀ Ā beĀ Ā safeĀ .Ā Ā Ā itāsĀ Ā aĀ Ā dizzyingĀ Ā thingĀ ,Ā Ā Ā toĀ Ā beĀ Ā soĀ Ā wantedĀ ,Ā Ā Ā toĀ Ā knowĀ Ā theĀ Ā powerĀ Ā sheĀ Ā holdsĀ .Ā Ā Ā Ā Ā Ā ā ITāS NOT PATHETIC . āĀ Ā Ā Ā Ā sheĀ Ā rewardsĀ Ā himĀ Ā withĀ Ā anotherĀ Ā kissĀ ,Ā Ā Ā theĀ Ā pressĀ Ā ofĀ Ā theirĀ Ā lipsĀ Ā togetherĀ Ā fillingĀ Ā herĀ Ā withĀ Ā aĀ Ā happinessĀ Ā sheĀ Ā hadĀ Ā neverĀ Ā imaginedĀ .Ā Ā Ā Ā Ā Ā ā itĀ Ā feelsĀ Ā safeĀ . āĀ Ā Ā Ā Ā Ā hadnātĀ Ā sheĀ Ā beenĀ Ā taughtĀ Ā thereĀ Ā wasĀ Ā somethingĀ Ā wrongĀ Ā withĀ Ā thisĀ Ā wantingĀ ?Ā Ā Ā

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ššš ,Ā hesocialistĀ· .
THEY KNEW IT WASNāT GOING TO BE ALL PLAIN, CALM, SAILING.Ā Her family had shown that as had his motherās letter before they had even left for Ireland.Ā That doesnāt mean he was proudĀ of anyone in his family who even refused to try to get to know her.Ā Anyone who tried to make him CHOOSE only made him draw back to her more,Ā they had made their decision and he would never change his mind, and as she coaxes him back to her, back to calm, he knowsĀ his decision is the right one.Ā Ā His grin turns conspiratorial and amused all at once.Ā Ā Ā ā Iāll teach you enough so you understand what they say in their shock just to shock them more.āĀ Ā Ā Ā because them marrying,Ā for such different worlds, just wasnāt shock enough.
šš·š“ šš¾šš»š³ šøš š“š°ššøš“š šš·š“š½ šš·š“š ššš¾ š°šš“ š²š»š¾šš“ ,Ā Ā Ā whenĀ Ā hisĀ Ā armsĀ Ā comeĀ Ā aroundĀ Ā herĀ ,Ā Ā Ā sheĀ Ā remembersĀ Ā justĀ Ā whatĀ Ā sheāsĀ Ā fightingĀ Ā forĀ .Ā Ā Ā thisĀ Ā loveĀ Ā isĀ Ā everythingĀ ,Ā Ā Ā theĀ Ā worldĀ Ā seemsĀ Ā onlyĀ Ā toĀ Ā shudderĀ Ā forĀ Ā itĀ ,Ā Ā Ā andĀ Ā theyĀ Ā willĀ Ā findĀ Ā theirĀ Ā placeĀ Ā togetherĀ ,Ā Ā Ā asĀ Ā itĀ Ā shouldĀ Ā beĀ .Ā Ā Ā sheĀ Ā keepsĀ Ā herĀ Ā handsĀ Ā uponĀ Ā himĀ ,Ā Ā Ā beckonsĀ Ā himĀ Ā toĀ Ā rememberingĀ Ā herĀ Ā andĀ Ā thisĀ Ā loveĀ Ā thatĀ Ā theyĀ Ā createĀ Ā betweenĀ Ā themĀ .Ā Ā Ā Ā Ā Ā ā weāll be unstoppable . āĀ Ā Ā Ā Ā theyĀ Ā areĀ Ā unstoppableĀ .Ā Ā Ā thereāsĀ Ā nothingĀ Ā inĀ Ā thisĀ Ā worldĀ Ā thatĀ Ā couldĀ Ā stopĀ Ā themĀ Ā fromĀ Ā lovingĀ Ā eachĀ Ā otherĀ ,Ā Ā Ā andĀ Ā sheĀ Ā knowsĀ Ā thatĀ ,Ā Ā Ā asĀ Ā trulyĀ Ā asĀ Ā sheĀ Ā knowsĀ Ā herĀ Ā ownĀ Ā nameĀ .Ā Ā Ā Ā Ā Ā ā iĀ Ā loveĀ Ā youĀ ,Ā Ā Ā theĀ Ā restĀ Ā isĀ Ā detailĀ ,Ā Ā Ā rememberĀ ? āĀ Ā Ā Ā Ā Ā justĀ Ā likeĀ Ā heĀ Ā saidĀ ,Ā Ā Ā allĀ Ā thatĀ Ā timeĀ Ā agoĀ .
š±šššššš ,Ā Ā hesocialistā .
HE STANDS THERE, OVERALLS OVER UNIFORM, SLEEVES ROLLED PAST HIS ELBOWS, FOREARMS DEEP IN OIL AND METAL.Ā Ā Stands there and knows that heās falling hard and fast for the girl who went out of her way constantly to know him and his world when no one else ever bothered.Ā Ā He had never meant to come to England to fall in deep,Ā let alone for someone from a world that he disagrees with so completely but she is interestedĀ in his views and he thinks that her world stifles her as much as it restricts him,Ā he thinks that should she be allowed to spread her wings sheād explode into light and change the world with it.Ā Ā Ā Itās an addictiveĀ sort of personalityĀ to be around and he throws all caution to the wind as their friendship develops and as his dreams in turn morph into something soft and romantic and loving.Ā Ā He had not meant to notice the daughter of the man he works for but heās drawn to her and he cannot stop itā¦ā¦Ā After all, he believes that the different social classes are pointless and arbitrary, why would it ever stop him?
She speaks and instantlyĀ heās listening,Ā Ā looking up from hair thatās falling out of itās pomadeĀ in the afternoon heat of the garage, his grin is haunted by a smirk at her words and their current situation is a prime example of one of those things.Ā They both know it.Ā A lady is not meant to sit in the garage of the chauffeur as he works and talk to him about his home.Ā Ā Ā He sees the world around him with a critical eye and an intelligentĀ mind and he sees the ways in which it could change for the better, the ways that he wants to help it change for the better, but he talks to her and she shows him how her world is not always as black to his white as he used to think that it wasĀ āātruth was he thrived off her questioning him, of him making him think and talk about his views.Ā Ā A thrill, unbidden, rushes through him and he furiously ignores it but yet still manages to hold her gaze,Ā Ā they could be a criticism, his next words, but they come out teasingly, devoid of any sting.Ā Ā ā I thought we had establishedĀ your rules are dangerousĀ to your health.ā
šš·š“ š·š°š š“š š“š š±š“š“š½ š“š½š°š¼š¾ššš“š³ ššøšš· šš·š“ šøš³š“š° š¾šµ šµšš“š“š³š¾š¼Ā ;Ā Ā Ā anĀ Ā oldĀ Ā desperateĀ Ā longingĀ Ā thatĀ Ā burnsĀ Ā untamedĀ Ā withinĀ Ā herĀ Ā chestĀ ,Ā Ā Ā threateningĀ Ā toĀ Ā setĀ Ā fireĀ Ā toĀ Ā theĀ Ā worldĀ Ā herĀ Ā fatherĀ Ā holdsĀ Ā dearĀ .Ā Ā Ā thereĀ Ā onesĀ Ā wasĀ Ā aĀ Ā girlĀ Ā whoĀ Ā watchedĀ Ā fromĀ Ā aĀ Ā distanceĀ Ā asĀ Ā otherĀ Ā childrenĀ Ā wentĀ Ā toĀ Ā schoolĀ ,Ā Ā Ā longingĀ Ā toĀ Ā seeĀ Ā aĀ Ā worldĀ Ā byĀ Ā theirĀ Ā sideĀ ,Ā Ā toĀ Ā knowĀ Ā theĀ Ā gamesĀ Ā theyĀ Ā playedĀ Ā withoutĀ Ā worryingĀ Ā forĀ Ā skirtsĀ Ā thatĀ Ā trailĀ Ā inĀ Ā theĀ Ā mudĀ .Ā Ā Ā sheĀ Ā sitsĀ Ā nowĀ ,Ā Ā Ā stillĀ Ā findingĀ Ā herĀ Ā ownĀ Ā rebellionĀ Ā whenĀ Ā sheĀ Ā canĀ .Ā Ā Ā imagineĀ ,Ā Ā Ā forĀ Ā aĀ Ā momentĀ ,Ā Ā Ā themĀ Ā freeĀ Ā toĀ Ā beĀ Ā friendsĀ ,Ā Ā Ā andĀ Ā thenĀ Ā notĀ Ā aĀ Ā farĀ Ā leapĀ Ā toĀ Ā girlishĀ Ā fantasiesĀ Ā thatĀ Ā sheĀ Ā shouldĀ Ā notĀ Ā haveĀ .Ā Ā Ā herĀ Ā eyesĀ Ā drawnĀ Ā toĀ Ā theĀ Ā wayĀ Ā hairĀ Ā fallsĀ ,Ā Ā Ā wondersĀ Ā forĀ Ā aĀ Ā momentĀ Ā ifĀ Ā itĀ Ā wouldĀ Ā beĀ Ā asĀ Ā softĀ Ā toĀ Ā touchĀ Ā asĀ Ā itĀ Ā appearsĀ ,Ā Ā Ā andĀ Ā thenĀ Ā pushesĀ Ā thatĀ Ā thoughtĀ Ā backĀ Ā fromĀ Ā herĀ Ā mindĀ .Ā Ā Ā sheĀ Ā canātĀ Ā affordĀ Ā toĀ Ā wasteĀ Ā timeĀ Ā onĀ Ā aĀ Ā fantasyĀ .
herĀ Ā laughterĀ Ā flowsĀ Ā likeĀ Ā riversĀ ,Ā Ā Ā softĀ Ā andĀ Ā beautifulĀ ,Ā Ā wildĀ Ā andĀ Ā freeĀ .Ā Ā Ā sheĀ Ā isĀ Ā madeĀ Ā toĀ Ā beĀ Ā moreĀ Ā thanĀ Ā thisĀ Ā placeĀ ,Ā Ā Ā biggerĀ Ā thanĀ Ā theĀ Ā expectationsĀ Ā placedĀ Ā soĀ Ā heavyĀ Ā uponĀ Ā herĀ ,Ā Ā Ā moreĀ Ā thanĀ Ā aĀ Ā wifeĀ Ā meantĀ Ā toĀ Ā growĀ Ā toĀ Ā statueĀ Ā inĀ Ā aĀ Ā countryĀ Ā estateĀ .Ā Ā Ā herĀ Ā entireĀ Ā beingĀ Ā isĀ Ā desperateĀ Ā toĀ Ā flyĀ Ā freeĀ Ā ofĀ Ā thisĀ Ā cageĀ .Ā Ā Ā Ā Ā Ā ā i feel in perfectly good health ,Ā Ā Ā andĀ Ā iāmĀ Ā certainĀ Ā youāllĀ Ā playĀ Ā theĀ Ā roleĀ Ā ofĀ Ā myĀ Ā heroicĀ Ā saviourĀ Ā shouldĀ Ā anythingĀ Ā befallĀ Ā meĀ . āĀ Ā Ā Ā Ā herĀ Ā wordsĀ Ā fallĀ Ā withĀ Ā theĀ Ā gentlestĀ Ā giggleĀ ,Ā Ā Ā easyĀ Ā hereĀ Ā whenĀ Ā sheĀ Ā isĀ Ā freeĀ Ā toĀ Ā forgetĀ Ā whoĀ Ā sheĀ Ā mustĀ Ā beĀ Ā forĀ Ā aĀ Ā momentĀ ,Ā Ā Ā whenĀ Ā sheĀ Ā canĀ Ā exploreĀ Ā herselfĀ .Ā Ā Ā sheĀ Ā wantsĀ Ā toĀ Ā beĀ Ā hisĀ Ā friendĀ .Ā Ā Ā sheĀ Ā canātĀ Ā helpĀ Ā butĀ Ā thinkĀ Ā whatĀ Ā itĀ Ā wouldĀ Ā beĀ Ā toĀ Ā beĀ Ā suchĀ Ā freelyĀ ,Ā Ā toĀ Ā notĀ Ā haveĀ Ā toĀ Ā waitĀ Ā untilĀ Ā everyoneĀ Ā isĀ Ā busyĀ Ā toĀ Ā speakĀ Ā aboutĀ Ā theĀ Ā mattersĀ Ā sheāsĀ Ā interestedĀ Ā inĀ .Ā Ā Ā tomĀ Ā feelsĀ Ā constantĀ Ā whileĀ Ā sheĀ Ā longsĀ Ā forĀ Ā theĀ Ā worldĀ Ā toĀ Ā changeĀ ,Ā Ā Ā likeĀ Ā heĀ Ā trulyĀ Ā couldĀ Ā beĀ Ā herĀ Ā friendĀ ,Ā Ā Ā despiteĀ Ā everythingĀ .