MSU Broad Museum
David Lamelas
I came across David Lamelas’ “Fiction of a Production” art installation July 23rd, a few days after my 18th birthday. As someone who once wanted to be an architect, I always loved going to the Eli and Edythe Broad Art Museum in East Lansing because of its incredibly architecture and I loved Lameles installations. Researching and learning about David Lamelas’ different art pieces and creations was so enjoyable and I have grown to really appreciate his artistry. Lamelas is Argentinian and is currently 74 years old, and is still creating! Lamelas’s art has an incredible range, as stated on the Broad Museum website, “Ranging from sculpture to film, photography, and performance, his interdisciplinary practice has influenced artists across the Americas and Europe”. After reading that I was intrigued to see what he has accomplished and made. Lamelas has traveled all over the world, so I can assume that his work has been influenced by his travels although never declared. Stated on the Broad Museum website it says, “Lamelas believes that artworks have their own consciousness, with an extended life beyond the artist and their initial site of presentation- the work exists as an idea that evolves and adapts to the different spaces and places”. Reading that I felt as if I resonated with his perspective on the history of art. I believe art is one of the most incredible ways to leave a legacy, to have your art be loved, hated or appreciated after you have passed is a wonderful thing, it’s as if the artists lives on through their art.
The more well-known installation of his “Fiction of Production” series, was the “Facing Wall”. I thought it was very minimalist but intimidating as a gigantic wall is leaning against wood right above your head.
“Limit of a Projection”
I remember coming across this installation was a bit challenging as it was hidden in one of the many rooms of the Broad Museum, but it was indeed a hidden gem. I viewed this with my friend, Maddy and we both were in awe. When you went under the spotlight, it was like you were on stage and since the light was blinding and the room was alarmingly dark, I felt very vulnerable as I couldn’t see if people were looking at me.
“Time”
Lamelas came up with a performance which I found very simplistic but inspiring. He had a group of people stand on a taped line, and each person was required to count to 6o seconds and pass the time to the next person. It may seem weird and maybe pointless but stated on tate.org.uk, “By marking time through the bodies of the performers the work propositioned time as a social construct; something subjective as opposed to understanding it as an objective, finite or measurable”. So what at first may have seemed odd or boring, is actually so complex and interesting. This performance can be done anywhere which makes it available to anyone, it is not tied down to a place or an object.
David Lamelas has such an interesting view on art and the way he thinks is very entertaining. From sculptures to films Lamelas has so much creativity and ideas to share. I can’t wait to see more of his work as he continues to evolve. Below I have linked a few YouTube videos where he explains the process of his creations and his view on art! I have also linked the websites that helped educate me on David Lamelas.
https://youtu.be/r0IMvtjhGT0
https://youtu.be/pCXppXkURLE
https://youtu.be/yPjOCdzL2e0
https://broadmuseum.msu.edu/index.php/exhibitions/david-lamelas
The MSU Broad is a free contemporary art museum at Michigan State University committed to education, experimentation, and study.
https://www.artsy.net/article/artsy-editorial-david-lamelas-artist-stops-moving
Over his five-decade career, the Argentine artist has reinvented himself—and his work—in global art scenes from London to Los Angeles.
https://www.tate.org.uk/research/publications/performance-at-tate/case-studies/david-lamelas
David Lamelas, Time 1970 | Tate
















