It is during the phase of adolescence that individuals experience the persistent drive to establish the self against society and authority. Exhibited through various ways like behaviour, thoughts, speaking, etc. During teenage, there goes a stubborn urge to disregard all norms and ways of the world and build oneâs own, usually in terms of self. Teenage is the phase when individuals look at the world beyond what they considered as ârightâ and âwrongâ as a child and start to question; for as a child, there was compliance and obedience to parental authority and teachings of educational and societal institutions. However, one crucial aspect that the teen develops during this turning point of their emotional and psychological development is that of the ideal.
Adolescence witnesses the development of the prefrontal region of the brain, the part that involves thinking and judgement. That means, the teenager now develops their own ideas and defines them.
Adolescence may be regarded as the transition stage from the Innocence of childhood to the Experience of adulthood. Teenagers begin to see the world in a different perspective and see through some of its workings. But this is the time when they have barely achieved anything, in terms of skills, abilities or personality. And so, the never-ending strife to reach their fullest potential and establish themselves begin.
This is about how teenagers with an extreme regard for the self and the desire to control have the potential to be significantly affected by the story of Death Note (especially because it falls in the ShĹnen category of anime). Now, I am not of the opinion that children should be left in the illusionary world of fairy-tales (in fact, I think poetic-justice should never be introduced to kids at all, but that is for a different discussion). Nor am I accusing Death Note for its bleak depiction of power and justice (I fangirl over how true it is to reality).
This is about how rebellious teens may develop megalomania in the context of Death Note.
Firstly, what is Megalomania?
It is a mental disorder characterized by an excessive, painful increase in attention to oneâs own person.
This disease is a delusional type of self-awareness and personality behaviour expressed by an extreme degree of overestimation of oneâs importance, fame, popularity, wealth, power, genius, political influence, and even omnipotence. âMegalomaniaâ originates from the Greek âΟξγιΝοâ â very large or exaggerated, and âΟινίιâ â passion, insanity.
So, megalomania is a kind of mental disorder when one tends to overestimate their own abilities and possibilities.
In Death Note, protagonist Light Yagami is introduced to us as a top student holding an apathetic disgust towards the ârottenâ world as well as bored out of his mind. He already knows how terrible the world really is. And there is not anything he or anyone can do to change it. In that way, one might say that Light has already achieved the Experience which requires one to realise the nature of reality.
Teenagers, in their process of disregarding the societal norms, hold their own recently developing opinion in high regard. They come to realise that the monster under the bed is very real. And there is no escaping it. It only depends on whether you fight it, or let it tame you. Being controlled, being subdued are not ideal situations for a raging teenager.
They begin to see the world as Light already saw it in the first episode of the anime. But actually, they are yet to settle down on the realisation that there is little that can be done in order to improve the situation.
All boredom of Light dissolves once he realises that the Death Note actually works. We watch the rays of the rising sun dramatically light up(no pun intended) his person as he declares in front of Shinigami Ryuk that he will be the God of the New World.
Teenagers, fuelled by hot blood, are bent upon changing the ways of the world, regarding the failures of others to do the same thing as inefficient or not well thought out. Thus, they, like Light, take up the responsibility to be the harbinger of justice and strive towards their goal. Herein lies the key for impact: when one begins to empathize with this fictional self-proclaimed God, the one to be known as âKiraâ.
We see megalomania in Light himself once he successfully wipes out Naomi from his path. This proved to be the turning point when the previously confident Light was on the verge of getting exposed. All his manipulations had failed as Naomi, very cleverly, kept her real name a secret. Regardless of his desperation, Lightâs cunning helps him once again as he cold bloodedly performs another act of lie. Naomi falls for it and he dramatically declares himself to be Kira.
Light basks in control and power as Naomi walks away towards her own death. He relishes in his success and realises that he has the potential to do anything that he wants. Because he is the one with the true potential to pass righteous judgement.
This scene itself, where all viewers sit with bated breath, has the ability to exhibit that you can achieve whatever you want, as long as you have the brains for it. The adolescent mind, overcome with the sheer power of intelligence that Light displays against someone standing in his path, might see it as an (I dare to use the term) inspiration.
Even when L was up close and there was no way for Light to escape, the latter was able to devise a plan which involved his own amnesia. Seemingly fool-proof, reliant and absolutely successful. Victory assured. And Lâs death too.
As a teen who takes up responsibilities, one soon realises that the system of justice is not white. Corruption is everywhere. And so are the whims of those in authority. It doesnât take a teen much time to realise (especially if things donât go according to their plan) that depending on others would not really pay well. Their ideals, self-image and thought process are all in conflict and contrast with the society.
The system is not reliable.
Danger is lurking everywhere.
At a time of fiery rebellion against all kinds of fear and oppression, societal or political, Light Yagamiâs methods and ideas seem valid enough.
The story,however, progresses to show that power, in fact, breeds corruption of the self as well. To Light, the end becomes so important that he disregards the vice he employs in his means. He manipulates Misa who loved him. He considers killing his sister if her rescue fails. While his father is on the death bed, all he cares about is Melloâs name in the notebook.
But âworldâs greatest detectiveâ L is quite vocal in pointing out what exactly caused him to suspect Light Yagami in the first place. This exposes Lightâs mistakes which includes creating an image of the too-perfect and very-common civilian as well as using people as mere tools.
âKilling is not so easy as the innocent believe.â Said Albus Dumbledore (Harry Potter and the Half-Blood Prince).
The active teen who is new and eager in the business of bringing about âpositiveâ change thinks that Light Yagamiâs individual mistakes are enough to learn from. Sure. They would be careful to not commit the same if they are to hide certain things. The active teen is yet to go through disillusionment and realise that in each individualâs life, various factors affect various events differently. What led to the exposure and end of Kira may not play a part in anotherâs failure.
As was Light blinded by power, so is the teenager to prove and establish themselves.
And this has the potential to prove as all the more reason for the rebellious and sensitive teen to believe that they are the one who can surpass all their predecessors of justice, learn from their mistakes, act accordingly and finally achieve the ideal end. All that one needs is careful, very careful planning.