MAUL U TO DEATH!!!!!!!!!!
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@shatterdomerockstar
MAUL U TO DEATH!!!!!!!!!!

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So I will have some art cards with me next month at the NYC show. You will just have to find me the old fashioned way if you wanna grab one. âđ˝
I just lost my job
paypal.me/lakemojave
Any support y'all can give while i look for new work and get back on me feet would be appreciated
on your chest! đި

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omggg fix your glasses đđđđ
you think grace can hear the chewing in his dreams đ
dreamt that walmart was doing some kind of sale where they partnered with a company called "freevaginaphotos.com" and when i bought something they also printed out a picture of someones vagina and gave it to me
you do not get to destroy other peoples bodies
thank you for reminding me, i was about to destroy someones body until i saw this

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Correcting the Historical Bias Against Domestic Materials
Archaeology has traditionally had a fundamental bias against fabric. Fabrics are after all highly perishable, withering away within months or years, and only rarely leaving traces behind for those coming millennia later to find. Archaeologistsâpredominantly maleâgave ancient ages names like âIronâ and âBronze,â rather than âPotteryâ or âFlax.â This implies that metal objects were the principal features of these times, when they are simply often the most visible and long-lasting remnants. Technologies using perishable materials, such as wood and textiles, may well have been more pivotal in the daily lives of the people who lived through them, but evidence of their existence has, for the most part, been absorbed back into the earth.
There are exceptions, of course, and traces can and do survive, usually thanks to an unusual climate: freezing, damp anaerobic conditions or extremely dry ones. The climate in Egypt, for example, is ideal for preserving all manner of usually perishable things and we subsequently know far more about ancient Egyptian textiles than those from most other regions. As archaeology has matured and diversified, scholars have increasingly looked forâand foundâevidence of fine, complex textiles stretching farther back than anyone would have guessed. Their beauty and the skill needed to make them suggest a very different image of our earliest forebears than the club-wielding, simpleminded thugs of popular imagination.
âThe first cultural device was probably a recipient⌠. Many theorizers feel that the earliest cultural inventions must have been a container to hold gathered products and some kind of sling or net carrier. So says Elizabeth Fisher in Womenâs Creation (McGraw-Hill, 1975). But no, this cannot be. Where is that wonderful, big, long, hard thing, a bone, I believe, that the Ape Man first bashed somebody with in the movie and then, grunting with ecstasy at having achieved the first proper murder, flung up into the sky, and whirling there it became a space ship thrusting its way into the cosmos to fertilize it and produce at the end of the movie a lovely fetus, a boy of course, drifting around the Milky Way without (oddly enough) any womb, any matrix at all? I donât know. I don ât even care. Iâm not telling that story. Weâve heard it, weâve all heard all about all the sticks and spears and swords, the things to bash and poke and hit with, the long, hard things, but we have not heard about the thing to put things in, the container for the thing contained. That is a new story. That is news. And yet old. Beforeâonce you think about it, surely long beforeâthe weapon, a late, luxurious, superfluous tool; long before the useful knife and ax; right along with the indispensable whacker, grinder, and diggerâfor whatâs the use of digging up a lot of potatoes if you have nothing to lug the ones you canât eat home inâwith or before the tool that forces energy outward, we made the tool that brings energy home. It makes sense to me. I am an adherent of what Fisher calls the Carrier Bag Theory of human evolution. This theory not only explains large areas of theoretical obscurity and avoids large areas of theoretical nonsense (inhabited largely by tigers, foxes, and other highly territorial mammals); it also grounds me, personally, in human culture in a way I never felt grounded before. So long as culture was explained as originating from and elaborating upon the use of long, hard objects for sticking, bashing, and killing, I never thought that I had, or wanted, any particular share in it. (âWhat Freud mistook for her lack of civilization is womanâs lack of loyalty to civilization,â Lillian Smith observed.) The society, the civilization they were talking about, these theoreticians, was evidently theirs; they owned it, they liked it; they were human, fully human, bashing, sticking, thrusting, killing. Wanting to be human too, I sought for evidence that I was; but if thatâs what it took, to make a weapon and kill with it, then evidently I was either extremely defective as a human being, or not human at all⌠. If it is a human thing to do to put something you want, because itâs useful, edible, or beautiful, into a bag, or a basket, or a bit of rolled bark or leaf, or a net woven of your own hair, or what have you, and then take it home with you, home being another, larger kind of pouch or bag, a container for people, and then later on you take it out and eat it or share it or store it up for winter in a solider container or put it in the medicine bundle or the shrine or the museum, the holy place, the area that contains what is sacred, and then next day you probably do much the same againâif to do that is human, if thatâs what it takes, then I am a human being after all. Fully, freely, gladly, for the first time.â
âUrsula K. Le Guin, "The Carrier Bag Theory of Fictionâ (1986)
Beloved cats I have painted for people lately
i would so love to know what was going on in this persons head. i would rather be shot dead than sneak food into a movie theatre. What?
I think instrumence should be free for those who are pure of heart
u should be able to put ur hand down and let the instrument sniff u and if it smells a beautiful quality in ur heart and spirit that's ur instrument now. stray tumpet follow you home.. bwaa
Sniff my hand, sweet bwa bwaa.... You will be safe with me
it's healthy for academics to have professional feuds. enrichment activity
Holy shit. "The demese ef the Ne'enderthels: Wes lengege a fecter?" published in the Science magazine
short but sweet

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"lupita nyong'o can't be helen of troy because helen was greek and there weren't black people in ancient greece"
DO YOU THINK THESE MOTHERFUCKERS DIDNT HAVE BOATS. THIS ENTIRE MOVIE IS ABOUT ONE OF THOSE MOTHERFUCKERS AND HIS BOAT
do you think these people can read
Best comment I just saw "Helen of Troy was perfectly cast, because all these men are fighting about her."
childhood bedroom