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Bryan A. Garner considers "What’s Your Pronoun?," the recently published book by Dennis Baron.

Los Angeles Review of Books: Pronominal Strife

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Barack Obama’s new memoir is a book hiding within a book.

Los Angeles Review of Books: An America That Could Explain: On Barack Obama’s “A Promised Land”

Eisa Nefertari Ulen considers "Living the California Dream: African American Leisure Sites during the Jim Crow Era" by Alison Rose Jefferson.

Los Angeles Review of Books: Reclaiming Black Beaches: On Alison Rose Jefferson’s “Living the California Dream”

Ben Libman reviews “Jack,” the fourth installment in Marilynne Robinson’s Gilead series.

Los Angeles Review of Books: Shells and Spheres of the Self: On Marilynne Robinson’s “Jack”

Fund Women-Save the World | Catherine Gray | TEDxDelthorneWomen

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Dean Rader considers “When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry,” edited by Joy Harjo.

Los Angeles Review of Books: America Starts Here: On “When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry”

Rise Up - Andra Day (Cover)

Talking to Richard Seymour, author of The Twittering Machine, about the “social industry"

Los Angeles Review of Books: Friending Thanatos: Richard Seymour's The Twittering Machine

Ma Rainey's Black Bottom | Official Trailer | Netflix

Sarah Chihaya on the ugliness of "The Lying Life of Adults" by Elena Ferrante.

Los Angeles Review of Books: Sublimely Ugly: On Elena Ferrante’s “The Lying Life of Adults”

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Inspired by a private archive and featuring contemporary work by artists who acknowledge the continued relevance of Angela Davis’s experience and politics, the essays, interviews, and images in this book provide a compelling and layered narrative of her journey through the junctures of race, gender, economic, and political policy. Beginning in 1970 with her arrest in connection with a courtroom shootout, then moving through her trial and acquittal, the book traces Davis’s life and work during the subsequent decades and her influential career as a public intellectual. Profusely illustrated with materials found in the archive, including press coverage, photographs, court sketches, videos, music, writings, correspondence, and Davis’s political writings, the book also features interviews with Angela Davis and Lisbet Tellefsen, the archivist who collected those materials, as well as essays that touch on visibility and invisibility, history, memory, and the iconography of black radical feminism.

Markman Ellis soaks up “Coffee,” a “fluid, involving” object lesson by Dinah Lenney.

Los Angeles Review of Books: “He Drank It Black”: On Dinah Lenney’s “Coffee”

Katherine McKittrick discusses Nina Simone, the poetry of Dionne Brand, and our experience of color

Pastel Blue: A Promising Inaccuracy

Rebecca Morgan Frank considers “All Heathens” by Marianne Chan.

Los Angeles Review of Books: “Written into Life”: On Marianne Chan’s “All Heathens”

Stephen Rohde looks at Ellis Cose’s “Democracy, If We Can Keep It: The ACLU’s 100-Year Fight for Rights in America.”

Los Angeles Review of Books: A Constitution, If You Can Keep It

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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American foreign policy created a refugee problem that it is too callous or inept to solve.

Los Angeles Review of Books: Recuperating Humanity: On John Washington’s “The Dispossessed”

A moving memoir from an insightful commentator on race and politics in America.

Los Angeles Review of Books: A Voice from America’s Black Belt: On Bakari Sellers’s “My Vanishing Country”

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