Sharing with Chelsie

I have managed to overload Chelsie. It probably doesn’t help that she has gotten married and has a demanding job...more to follow as she returns the pile!

From Chelsea “I really enjoyed this one - it’s kind of heavy & light at the same time - very interesting sound. Listened to it a ton!” that was her reaction to Silent Recoil: Dub System One

From Chelsea “Kept falling asleep / but it was pretty! Very mellow.”

Two CD singles. No playing in the car! 

A couple more from EM:T ! From Chelsie “Loved! Very up & down, short of chAotic & busy & distorted & I loved it”

Gaiser, Blank Fade and Twilight Earth Second International Soiree. A couple of minimal electronic ambient discs. Waiting for her impressions to dial in the the next steps in the journey!

Late Night Endless indeed...

Will update when Chelsie tells me how the 1.02 hour From the Earth to the Ceiling track treated her...

The next pair of esoterica from the vaults. Very different records with some kind of thread that ties them together. I am hoping the sweater doesn’t unravel!

Seminal record, “My Life in the Bush of Ghosts” and another one from EM:T. This is the reissue of the 1981 album, missing the song to prevent an Charlie Hebdo incident!

I am hoping the unintended distortion that makes Congotronics magic isn't too far off the grid...and yes, EM:T records made some pretty covers!

Chelsie loved undark3396. I'll be sharing em:t releases as 1 of each of the next few pairs. Gamil uses traditional instruments on "A Map of Egypt Before the Sands" to create a record of unearthly textures.

The next week would be critical. Darren says "don't come out with the hardest stuff first" and it makes sense. The Pearl is one of my favorite records, and "the back cover is the front" Harold Budd Avalon Sutra would be Chelsie's favorite of the pair.

It all started when I mentioned "Eno Radio" probably wouldn't make the cut at Coco Bolos.  These were the two CDs in the glove-box Chelsie began this journey with.