Zooble as that one Ena card
Not too proud of this one but i hope putting something out there inspires me to post more drawings idk
Zooble i love you and your silly ribbon wife
Alisa U Zemlji Chuda

Janaina Medeiros

Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć

blake kathryn
let's talk about Bridgerton tea, my ask is open

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Kaledo Art
2025 on Tumblr: Trends That Defined the Year
taylor price

Product Placement

Kiana Khansmith
i don't do bad sauce passes
Show & Tell
Jules of Nature
"I'm Dorothy Gale from Kansas"
Sade Olutola

JBB: An Artblog!
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⣠Chile in a Photography ā£
seen from Malaysia
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seen from United States
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@sfofcake
Zooble as that one Ena card
Not too proud of this one but i hope putting something out there inspires me to post more drawings idk
Zooble i love you and your silly ribbon wife

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Happy Pride and donāt forget that black trans women like Marsha P. Johnson fought for, and are the reason we have the rights that we as lgbtq+ people have today!!!
One year of the Lost Light Cat Shelter!!! Itās been a wonderful time
Rainš§ļø
haruka i dont think thats an appropriate question

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Anyways look at my bullshit
Something something two characters that are aware of us the player, know about the MC being controlled by an external force, have broken the fourth wall multiple times and that know way more than they let us know... And of course both like big cute ribbons!
Meet the I'm Aware The You're Watching Siblings!
no one has to listen to this but i love how this thumbnail came out
i need to share her sheās my everything
welcome to your sanctuary um i mean your dream world
i love video games! i love pressing buttons to accomplish given tasks! i love collecting objects for money and for sport! i love exploring a fictional and itās been ten hours huh

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Elephant in the Room Concerning Project SEKAI's Depiction of the United States: Colorful Palette's Anti-Blackness
Introduction
In a few ways, Project SEKAI's depiction of modern America (in context of Vivid BAD SQUAD's story) indicates that the writers have done research. Vivid BAD SQUAD are shocked to learn just how impossibly high the cost of living is in New York City. They are also faced with microaggressions and racism by the people they come across. Touya5 touches on how many different people live in New York City, and express their cultures through their musicā and says it should be celebrated. Furthermore, the location of Americaā and New York City, especiallyā is important for Vivid BAD SQUAD's story. It is the place where hip-hop, the genre that Vivid BAD SQUAD most often performs in, was created by Black Americans.
And yet, the Americans that Colorful Palette has deemed relevant enough to be depicted within the story look like this:
Every single one of these characters is white.
There is absolutely zero excuse for this. The writers have done enough research to know all of these troubling aspects about the United States, but continue to do anything but make a Black character. That is complete willful ignorance, and I think this fandom needs to talk about it more.
Now then, if you are, for some reason, not convinced that this is an issue worth discussing, the rest of this post will be explaining why you should care.
this is so true im so sorry
tumblrinas in need of vocal stims and things to reference get on the jason "filmcow" steele perfect husbands train right the beep now "i'm going to keep and eat bees" the entire hole song "a quality hill with hill-like qualities" "i think i'll try going Up" "ciabatta, put it in the oven" "society? that's right, put it in the toilet" "i might be a coward but above all else i'm a curious little freak"
The adventures of Norwell the weasel and an ensouled coat.
if we can make the world our bed we can crawl beneath the covers
increasing caine's 2: chicken boogaloo. these two doodle pages have made me crave fried chicken stronger and more frequently than ever before yall don't even know
(part one!)

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finally posting about my ocs! they've been floating around my brain for several months now. i'll probably explain the world lore in depth at Some Point but basically they visit dreams and eat what i've been referring to as evil cotton candy (dream matter is perhaps a better name) before it forms into nightmares (in case it's unclear the flowers are lavender and almond blossoms respectively) four more to go wahoo (except the others aren't magical girls so they should probably go faster)
Hello, I wanted to ask your thoughts and ideas on interesting ways people can explore conflict in Abstragedy? Thank you.
Oh hi! Wow thanks for the ask, this is the first time Iāve ever received something like this! Iām always thinking about this because I love them so much and always want to write about them & draw them. Thisāll probably be a long answer!
Okay, so I suppose, from the writer standpoint, I write to answer my own questions. When I was writing for podcasts, when I was doing audience editing for a podcast, and now in some of the less exciting writing work I do now (while I build up my ~exciting~ work for my portfolioā¦.), I always write to answer my own questions.
Writers are also always telling the same story over and over again, just using different methods, characters, plots, etc.
I am haunted by tension (such as the tension between suppression/repression and expression), and the process of being seen and oneās identity. I am curious about the architecture of self-value, and I am obsessed with time and the passing of it, the bittersweetness of how things are always too late.
I am obsessed with connection and relationships (which ties into the process of being seen), as well as transformation, and dark, hidden inner worlds. I am also interested in spiritual and esoteric stuff, but thatās getting away from abstragedy a little bit hehe.
So, Iām in a good headspace to explore this with these characters, because these characters embody a lot of those ideas already.
Some stuff Iām curious about re: Zooble & Gangle
1. How did Zooble come to see Gangle for what she is?
- did they always stick up for her? Did they ever resent her for her perceived weaknesses in contrast to their own personality, & how they will fight for themselves? Were they at one point unkind to her bc of this?
Did it take them a specific moment to see the kindness and goodness in Gangle, or have they always been the type to stand up for those in need?
2. How does Gangle feel about Zooble being a ārealā artist?
- Zooble was a tattoo artist at some point - I feel like Gangle has got to feel a mixture of emotions about sharing her art with someone like that, right?
Does she feel shame for being 26 and primarily interested in anime and her OCs, only ever having worked a fast food job, while this 22-year-old has already lived the life of a professional artist? Does she feel any resentment? Is she impressed by them and nervous to share her true self? Does Zooble feel more inclined, more determined, to uncover the true Gangle the more she hides herself away?
Essentially, I am also really interested in their contrasting personalities and ages. What happens between them when they lay themselves bare to one another? Can Gangle really love herself? Can she feel safe in being a āloser,ā āpathetic,ā a ālittle freak,ā a 26-year-old āfailure to launchā if Zooble sees all of that in her and still insists she is worthy of being loved?
Conversely, does Gangle ever perceive Zoobleās occasionally unsteadiness? Such as the time they faltered when she asked if they ever had to āmake that choice [to consciously love themselves]ā?
And so on and so on and so on! Now, to answer your question.
Some areas worth exploring in terms of conflict:
1. Differences in acceptance of their circumstances in the circus.
- per episode 8, Zooble really obviously wants to get out of there (I kinda addressed this in my one fic Iām working on hehe), but Gangle seems resigned to her fate. How do they manage a relationship with these different attitudes towards the circus? Does Gangle feel like she isnāt enough? does Zooble have someone waiting on the outside?
What if Zooble said something to Gangle like, āYou just donāt get it, I have a future waiting for me on the outside.ā (Implying that she wouldnāt understand, because she DOESNT have anything waiting for her). How painful would that be?!
2. Gulf of experiences and self acceptance of their respective identities.
Personally I just love headcanoning Gangle as inexperienced and never really having had a relationship, while headcanoning the opposite for Zooble (they are more experienced and have experimented more with their sexuality). Zooble is still uncertain about their sexual and gender identity, maybe Gangle just doesnāt understand this as well as she could? Maybe Zooble still feels horrifically dysphoric and dysmorphic and hates their body despite Gangle trying to love their self-hatred away, and they wish she would just āget itā?
And maybe Gangle is repressed for [insert reason] and Zooble canāt understand why she just canāt accept herself and free herself from the terrible cycle of self loathing?
I was trying to think of a third thing, but Iām out of ideas right at this moment, Iāll come back later!
The point of these conflicts is that they explore them and work through them together!
Thank you for the ask, let me know if youād like more!