
JBB: An Artblog!

❣ Chile in a Photography ❣
Not today Justin

$LAYYYTER
Cosmic Funnies
art blog(derogatory)

#extradirty
Xuebing Du

shark vs the universe

JVL
styofa doing anything
Aqua Utopia|海の底で記憶を紡ぐ
AnasAbdin

izzy's playlists!
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almost home
let's talk about Bridgerton tea, my ask is open

Andulka
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@set-references

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
http://www.kkstudio.gr/projects/the-uncomfortable
katerina kamprani
conversational user interfaces - CUI
Stelarc

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
http://www.dezeen.com/2016/06/23/kawaii-home-appliances-cute-hyerim-shin-design-products-royal-college-of-art-graduate-show-rca-2016/
home devices designed to be cute

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
daniel arsham relics and films

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
the spinning jenny was invented in England precisely because wages were high, and thus it was worth it to mill-owners to invest in a machine that would allow them to reduce the number of workers needed to make yarn.
Race and/as Technology; or, How to Do Things to Race
Wendy Hui Kyong Chun in Camera Obscura issue on:
This special issue poses the questions: to what degree are race and technology intertwined? Can race be considered a technology or a form of media—that is, not only a mechanism, but also a practical or industrial art? Could race be not simply an object of representation and portrayal, of knowledge or truth, but also a technique that one uses, even as one is used by it—a carefully crafted, historically inflected system of tools, mediation, or enframing that builds history and identity?
http://cameraobscura.dukejournals.org/content/24/1_70/7.full.pdf