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#extradirty
Today's Document

pixel skylines

❣ Chile in a Photography ❣

Love Begins
Cosimo Galluzzi
trying on a metaphor

bliss lane

oozey mess

titsay
noise dept.

gracie abrams
occasionally subtle

blake kathryn
official daine visual archive
let's talk about Bridgerton tea, my ask is open
he wasn't even looking at me and he found me
seen from Saudi Arabia
seen from Canada

seen from Italy

seen from Jersey
seen from France
seen from United Kingdom

seen from Brazil

seen from Malaysia

seen from Italy
seen from Türkiye
seen from United States

seen from New Zealand
seen from Russia
seen from Malaysia
seen from Venezuela
seen from Germany
seen from United States
seen from Lithuania
seen from United States
seen from Argentina
@set-references

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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http://www.kkstudio.gr/projects/the-uncomfortable
katerina kamprani
conversational user interfaces - CUI
Stelarc

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http://www.dezeen.com/2016/06/23/kawaii-home-appliances-cute-hyerim-shin-design-products-royal-college-of-art-graduate-show-rca-2016/
home devices designed to be cute

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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daniel arsham relics and films

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
the spinning jenny was invented in England precisely because wages were high, and thus it was worth it to mill-owners to invest in a machine that would allow them to reduce the number of workers needed to make yarn.
Race and/as Technology; or, How to Do Things to Race
Wendy Hui Kyong Chun in Camera Obscura issue on:
This special issue poses the questions: to what degree are race and technology intertwined? Can race be considered a technology or a form of media—that is, not only a mechanism, but also a practical or industrial art? Could race be not simply an object of representation and portrayal, of knowledge or truth, but also a technique that one uses, even as one is used by it—a carefully crafted, historically inflected system of tools, mediation, or enframing that builds history and identity?
http://cameraobscura.dukejournals.org/content/24/1_70/7.full.pdf